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Trope was cut/disambiguated due to cleanup


* HeroesWantRedheads: Joris tells Adam, to his delight, that red-haired women are particularly prized as pleasure slaves in his world because the trait is considered unusual and therefore attractive. Sure enough, Konstam, the most classically heroic character in the story, starts falling for Adam's sister Vanessa almost immediately. (Jamie ends up observing his outraged reaction to Adam trying to sell Vanessa to him wasn't ''just'' moral indignation over being mistaken for someone who would buy a woman as a slave, but was because some part of him was genuinely tempted.)


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* RedheadsAreRavishing: Joris tells Adam, to his delight, that red-haired women are particularly prized as pleasure slaves in his world because the trait is considered unusual and therefore attractive. Sure enough, Konstam, the most classically heroic character in the story, starts falling for Adam's sister Vanessa almost immediately. (Jamie ends up observing his outraged reaction to Adam trying to sell Vanessa to him wasn't ''just'' moral indignation over being mistaken for someone who would buy a woman as a slave, but was because some part of him was genuinely tempted.)
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* AfterTheEnd: Jamie and his friends briefly end up in a world that's experienced a nuclear holocaust and have to quickly flee to avoid radiation poisoning. Jamie says it's not uncommon to come across worlds suffering from the ravages of war, thanks to the nature of the games ''They'' play, and while this one is the worst he's ever seen, it nevertheless must have human survivors somewhere -- it's not like ''Them'' to trash a "game board" completely rather than finding a way to reuse it. It's implied that a disaster like this befell Helen's world immediately after ''They'' took control of it before they repurposed it as a DeathWorld; Helen's people are familiar with the concept of radiation, and Helen says her magical left arm may be a [[ILoveNuclearPower radiation-induced mutation]].

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* AfterTheEnd: Jamie and his friends briefly end up in a world that's experienced a nuclear holocaust and have to quickly flee to avoid radiation poisoning. Jamie says it's not uncommon to come across worlds suffering from the ravages of war, thanks to the nature of the games ''They'' play, and while this one is the worst he's ever seen, it nevertheless must have human survivors somewhere -- it's not like ''Them'' to trash a "game board" completely rather than finding a way to reuse it. It's implied that a disaster like this befell Helen's world immediately after ''They'' took control of it before they repurposed it as a DeathWorld; Helen's people are familiar with the concept of radiation, and Helen says her magical left arm may be a [[ILoveNuclearPower [[NuclearMutant radiation-induced mutation]].
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* DeliberateValuesDissonance: Jamie's seen a lot of awful things in his travels, but he's still taken aback by how slavery is casually accepted in Joris' world -- which has the most powerful BigGood human civilization in the setting -- and how Joris shrugs off the UnfortunateImplications of everything he's saying about it (like how the skillset he describes for typical female slaves makes it pretty clear they're being sold as {{Sex Slave}}s). To be fair, Konstam's demon-hunting family, the Khans, is said to be fiercely anti-slavery, but it's not clear whether they just personally eschew the practice or they're actually doing anything to abolish it.

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* DeliberateValuesDissonance: Jamie's seen a lot of awful things in his travels, but he's still taken aback by how slavery is casually accepted in Joris' world -- which has the most powerful BigGood human civilization in the setting -- and how Joris shrugs this off the UnfortunateImplications of everything he's saying about it (like how the skillset he describes for typical female slaves makes it pretty clear they're being sold as {{Sex Slave}}s). To be fair, Konstam's demon-hunting family, the Khans, is said to be fiercely anti-slavery, but it's not clear whether they just personally eschew the practice or they're actually doing anything to abolish it.
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* TheFaceless: Thanks to herbnags, it's some time before Jamie is sure that Helen even has a face, as she mostly seems to be a nose sticking out of a wall of hair.

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* TheFaceless: Thanks to herbnags, it's It's some time before Jamie is sure that Helen even truly has a face, face at all, as she mostly seems to be a nose sticking out of a wall of hair.
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Blinding Bangs is no longer a trope. Moving examples to other tropes when applicable.
Is there an issue? Send a MessageReason:
Blinding Bangs is no longer a trope. Moving examples to other tropes when applicable.


* TheFaceless: Thanks to her BlindingBangs, it's some time before Jamie is sure that Helen even has a face, as she mostly seems to be a nose sticking out of a wall of hair.

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* TheFaceless: Thanks to her BlindingBangs, herbnags, it's some time before Jamie is sure that Helen even has a face, as she mostly seems to be a nose sticking out of a wall of hair.
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Dewicked trope


* AdultFear: [[spoiler:Your child goes out on an errand one day and never comes home.]]
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More accurate.


** Jamie at one point starts to give his last name but only manages to say it starts with "H--" before being cut off. [[spoiler: This is to conceal his surname, Hamilton, and the fact that he comes from our world and Adam and Vanessa are his descendants.]]

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** Jamie at one point starts to give his last name but only manages to say it starts with "H--" before being cut off. [[spoiler: This is to conceal his surname, Hamilton, and the fact that he comes from our world and Adam and Vanessa are his descendants.indirect descendants through his younger sister.]]
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* YourMindMakesItReal: A variant -- in this {{multiverse}}, a sapient being actually living in a place and thinking of it as Home is what makes it real, but there's an inverse effect where observing a place that is ''not'' your Home from outside makes it less real. Perversely, this effect includes "observation" by imagining a place while you're not there; remembering a place or, worse, anticipating seeing it in the future, drains the "realness" from it to feed the fantasy version of it in your mind, an effect ''They'' have learned to exploit. [[spoiler: This is how ''They'' reduced TheMultiverse into a collection of semi-imaginary settings for their games; ''They'' bound the discoverer of TheMultiverse, Prometheus, to his rock and tortured him for eons, feeding on his desperation for freedom and the memory of all the worlds he'd seen to drain their reality and use it to create their own Real Place outside the worlds. TheReveal is the Homeward Bounders aren't just a capricious punishment for mortals who piss ''Them'' off -- the Homeworld Bounder system is tailor-made to drain reality from TheMultiverse by constantly generating new people damned to observe all the worlds they pass through as outsiders while longing for a Home they can never actually return to, to shore up the Real Place as TheMultiverse changes and expands beyond what it was the last time Prometheus saw it. The ending reveals that Jamie must maintain a tiny piece of this "Real Place" with himself as the anchor, being the one Homeward Bounder who continues to pass through all worlds as equally un-Home to him, so that the surviving members of ''Them'' can't start up the whole system again with someone else.]]

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* YourMindMakesItReal: A variant -- in this {{multiverse}}, TheMultiverse, a sapient being actually living in a place and thinking of it as Home is what makes it real, but there's an inverse effect where observing a place that is ''not'' your Home from outside makes it less real. Perversely, this effect includes "observation" by imagining a place while you're not there; remembering a place or, worse, anticipating seeing it in the future, drains the "realness" from it to feed the fantasy version of it in your mind, an effect ''They'' have learned to exploit. [[spoiler: This [[spoiler:This is how ''They'' reduced TheMultiverse into a collection of semi-imaginary settings for their games; ''They'' bound the discoverer of TheMultiverse, Prometheus, to his rock and tortured him for eons, feeding on his desperation for freedom and the memory of all the worlds he'd seen to drain their reality and use it to create their own Real Place outside the worlds. TheReveal is the Homeward Bounders aren't just a capricious punishment for mortals who piss ''Them'' off -- the Homeworld Bounder system is tailor-made to drain reality from TheMultiverse by constantly generating new people damned to observe all the worlds they pass through as outsiders while longing for a Home they can never actually return to, to shore up the Real Place as TheMultiverse changes and expands beyond what it was the last time Prometheus saw it. The ending reveals that Jamie must maintain a tiny piece of this "Real Place" with himself as the anchor, being the one Homeward Bounder who continues to pass through all worlds as equally un-Home to him, so that the surviving members of ''Them'' can't start up the whole system again with someone else.]]

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* RealityEnsues: When Jamie, Joris and Helen first end up in our world Jamie announces his dread of high-tech "organized" worlds like ours with lots of laws and regulations where it's hard to get away with being an [[FlyingDutchman anonymous drifter]] with no paperwork. Sure enough, Konstam runs into a lot of bureaucratic obstacles when he shows up hoping to launch a demon hunt -- even selling the gold wire he brought to finance their project ends up incurring a dangerous level of legal scrutiny. They only manage it by taking advantage of Adam and Vanessa's parents being out of town and faking their approval for a lot of things, leaving a big headache for them to untangle when they get back. (And this is only possible because it's still TheEighties and not the 21st century.)


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* SurprisinglyRealisticOutcome: When Jamie, Joris and Helen first end up in our world Jamie announces his dread of high-tech "organized" worlds like ours with lots of laws and regulations where it's hard to get away with being an [[FlyingDutchman anonymous drifter]] with no paperwork. Sure enough, Konstam runs into a lot of bureaucratic obstacles when he shows up hoping to launch a demon hunt -- even selling the gold wire he brought to finance their project ends up incurring a dangerous level of legal scrutiny. They only manage it by taking advantage of Adam and Vanessa's parents being out of town and faking their approval for a lot of things, leaving a big headache for them to untangle when they get back. (And this is only possible because it's still TheEighties and not the 21st century.)
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* StrangledByTheRedString: It takes [[spoiler:Konstam and Vanessa]] less than a full day to fall in love, and they declare at the end that they're going to get married. Though some time has passed by that point, it doesn't seem likely that ''They'' would have allowed the two of them to have been together all that time, making it even stranger.
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** ''They'' have faces, and even subvert the InTheHood trope by going around with their hoods down and their faces exposed much of the time, but have a PerceptionFilter so that it seems impossible to look at them directly and they're always [[FaceFramedInShadow shadowed or obscured]]. [[spoiler: Except in the light of the Living Blade.]]
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** Even for people who can see ''Them'', ''They'' appear only as hazy, formless cloaked figures, and [[InTheHood whether or not they're wearing their hoods up]] it's [[TheFacelesss impossible to get a clear look at their faces]]. [[spoiler: Until Helen unlocks her ability to turn her arm into the Living Blade, which effortlessly cuts through all of ''Their'' magic. The light from the blade shines through the shadows covering their faces and lets Jamie see them for the first time. [[NightmareFace He wishes he hadn't.]]]]

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** Even for people who can see ''Them'', ''They'' appear only as hazy, formless cloaked figures, and [[InTheHood whether or not they're wearing their hoods up]] it's [[TheFacelesss [[TheFaceless impossible to get a clear look at their faces]]. [[spoiler: Until Helen unlocks her ability to turn her arm into the Living Blade, which effortlessly cuts through all of ''Their'' magic. The light from the blade shines through the shadows covering their faces and lets Jamie see them for the first time. [[NightmareFace He wishes he hadn't.]]]]
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None

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** Even for people who can see ''Them'', ''They'' appear only as hazy, formless cloaked figures, and [[InTheHood whether or not they're wearing their hoods up]] it's [[TheFacelesss impossible to get a clear look at their faces]]. [[spoiler: Until Helen unlocks her ability to turn her arm into the Living Blade, which effortlessly cuts through all of ''Their'' magic. The light from the blade shines through the shadows covering their faces and lets Jamie see them for the first time. [[NightmareFace He wishes he hadn't.]]]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AfterTheEnd: Jamie and his friends briefly end up in a world that's experienced a nuclear holocaust and have to quickly flee to avoid radiation poisoning. Jamie says it's not uncommon to come across worlds suffering from the ravages of war, thanks to the nature of the games ''They'' play, and while this one is the worst he's ever seen, it nevertheless must have human survivors somewhere -- it's not like ''Them'' to trash a "game board" completely rather than finding a way to reuse it. It's implied that a disaster like this befell Helen's world immediately after ''They'' took control of it before they repurposed it as a DeathWorld; Helen's people are familiar with the concept of radiation, and Helen says her magical left arm may be a [[ILoveNuclearPower radiation-induced mutation]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DeliberateValuesDissonance: Jamie's seen a lot of awful things in his travels, but he's still taken aback by how slavery is casually accepted in Joris' world -- which has the most powerful BigGood human civilization in the setting -- and how Joris shrugs off the UnfortunateImplications of everything he's saying about it (like how the skillset he describes for typical female slaves makes it pretty clear they're being sold as {{Sex Slave}}s). To be fair, Konstam's demon-hunting family, the Khans, is said to be fiercely anti-slavery, but it's not clear whether they just personally eschew the practice or they're actually doing anything to abolish it.
Is there an issue? Send a MessageReason:
None

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** The reason Adam has such a CainAndAbel relationship with his older sister Vanessa is because he sees her this way, hence the BlackComedy of him listing off all the traits that would make her a valuable prize as a slave on Joris' homeworld. Sure enough, once Konstam actually shows up, the two overachievers start falling for each other immediately.
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None

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* FramingDevice: The book is presented as a manuscript Jamie is literally narrating to one of ''Their'' gadgets in the Real Place, a dictaphone that automatically transcribes his speech into print. (There's some examples of PaintingTheMedium like trying to represent the Flying Dutchman's speech as a FunetikAksent before Jamie gives up trying to imitate him.) [[spoiler: The ending reveals that Jamie intends to deliver this manuscript to Adam and Vanessa's father, his great-nephew, [[LiteraryAgentHypothesis to be published in our world as a work of fiction]], because people knowing this story but refusing to believe it's true will help keep ''Their'' system from becoming Real again.]]


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* HeroesWantRedheads: Joris tells Adam, to his delight, that red-haired women are particularly prized as pleasure slaves in his world because the trait is considered unusual and therefore attractive. Sure enough, Konstam, the most classically heroic character in the story, starts falling for Adam's sister Vanessa almost immediately. (Jamie ends up observing his outraged reaction to Adam trying to sell Vanessa to him wasn't ''just'' moral indignation over being mistaken for someone who would buy a woman as a slave, but was because some part of him was genuinely tempted.)


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* IdenticalGrandson: Vanessa isn't ''identical'' to her famous grandmother (whose footsteps she's following in by trying to become a doctor) -- Jamie bluntly tells us she's a lot prettier -- but there is a striking resemblance, especially with them both being {{Fiery Redhead}}s. [[spoiler: The reason Jamie is so drawn to her appearance is because her grandmother is his little sister Elsie, something he immediately goes into a denial spiral over.]]
* IdenticalStranger: Since the many worlds are often {{Alternate Timeline}}s of each other, this happens every so often -- Jamie's first trip across a Boundary has him see a friendly man from his neighborhood incongruously recast as a Bronze Age nomadic herdsman. Jamie warns Helen about this trope when she thinks she sees her mother in a crowd in the Mardi Gras world. [[spoiler: It's because of this trope that Jamie initially thinks Adam and Vanessa's world is merely an AlternateTimeline of his world, with their grandmother an IdenticalStranger to his sister, rather than ''actually being'' his world after a century-long TimeSkip.]]


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* OurDemonsAreDifferent: Lampshaded, when Adam says that the "demons" ubiquitous in Joris and Konstam's world have little in common with what the word means in England beyond the name. The main thing the name connotes is that demons are an AlwaysChaoticEvil race implacably hostile to humankind, and although they all have a corporeal body of some kind are much more weakly bound to it than humans are. Joris' brief exposition on Demon-Hunting 101 says that most of a major demon's visible body is an AstralProjection of its true physical body, and if the physical body is destroyed but the spirit is not then the former will simply regenerate (every demon must be "killed twice"). It's this defining feature of "demons" that makes Helen reluctant to reveal her secret to Joris (her magical arm is technically her spirit projecting outside her body, something only demons are supposed to be capable of), and it leads to some weirdness like demons being capable of biological reproduction (a demon physically drains blood from humans or animals to gain sustenance to birth its young).
** [[spoiler: Joris' conclusion that ''They'' are just a newly-discovered apex-level demon is complicated by Prometheus revealing that even though ''Their'' leader originates from "the demon world", ''They'' as a whole can be found on every world in TheMultiverse.]]


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* RealityEnsues: When Jamie, Joris and Helen first end up in our world Jamie announces his dread of high-tech "organized" worlds like ours with lots of laws and regulations where it's hard to get away with being an [[FlyingDutchman anonymous drifter]] with no paperwork. Sure enough, Konstam runs into a lot of bureaucratic obstacles when he shows up hoping to launch a demon hunt -- even selling the gold wire he brought to finance their project ends up incurring a dangerous level of legal scrutiny. They only manage it by taking advantage of Adam and Vanessa's parents being out of town and faking their approval for a lot of things, leaving a big headache for them to untangle when they get back. (And this is only possible because it's still TheEighties and not the 21st century.)


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* RiddleForTheAges: Much about the setting is explained by the end of the story, but a great deal is not -- or, rather, Jamie doesn't have time to share what he's learned before the dictaphone runs out of energy. [[spoiler: In particular, we learn very little about the origin of either Prometheus or ''Them'', or what the world looked like in the seemingly unimaginable prehistory when ''They'' seemed benevolent and Prometheus thought of ''Them'' as friends.]]
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* RandomTeleportation: Traveling through the Boundaries is an act of chance; the Boundary dumps you at a semi-random location in the next world (forcing you to come back and find the Boundary's other end yourself when it's time to move on), and while only the "[[ExactlyWhatItSaysOnTheTin RANDOM]]" Boundaries send you to a ''completely'' random world, which world you travel to is only semi-predictable. Jamie doesn't learn until he meets Helen that the seeming predictability of the initial "circuit" of worlds he was trapped in was just because he was (un)lucky and was never traveling with other Homeward Bounders (the Boundaries try their best to separate any Bounders that enter them on the same cycle).
** [[spoiler: Averted in the ending -- the demons, ''Them'' and him on the rock all have the natural ability to control where they travel through the Boundaries, and Jamie discovers that a Homeward Bounder who has broken free of ''Their'' control by [[DespairEventHorizon finally losing all hope]] can do the same.]]
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** The "Flying Dutchman", along with the rest of his crew, declines to give his name to Jamie and opines that giving out true names may be one of the many things he feels is "not permitted".

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