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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with GrandUnifiedTimeline/IndustrialRevolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the ''Film/OceansEleven'' series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with GrandUnifiedTimeline/IndustrialRevolution Industrial Revolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the ''Film/OceansEleven'' series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the ''Film/OceansEleven'' series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution GrandUnifiedTimeline/IndustrialRevolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the ''Film/OceansEleven'' series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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* BitchInSheepsClothing: [[spoiler: Henry Livingston]] seems like a nice young gentleman, but is actually a two-timing ManipulativeBastard who tries to [[spoiler: kill his debtor and frame Jane for it.]]
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* SpiritedYoungLady: Jane develops into this over the course of the book, going from painfully proper to galloping after her family and intervening in a duel with her magic.
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* BelligerentSexualTension: Downplayed version with Jane and Mr. Vincent.
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* OldMaid: Jane is fairly certain this will be her fate as she is not attractive enough to marry.
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* OldMaid: Jane is fairly certain this will be her fate as she feels she is not attractive enough to marry.
* RomanticFalseLead: [[spoiler: Mr. Dunkirk]] is one. .
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* YourCheatingHeart: [[spoiler: Captain Livingston.]] In an effort to get enough money to pay off his massive debts, he's stringing along multiple women until he can figure out which of them has the biggest dowry.
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* YourCheatingHeart: [[spoiler: Captain Livingston.]] In an effort to get enough money to pay off his massive debts, he's stringing along multiple women until he can figure out which of them has the biggest dowry.dowry, while engaged to yet a third woman.
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* YourCheatingHeart: [[spoiler: Captain Livingston.]] In an effort to get enough money to pay off his massive debts, he's stringing along multiple women until he can figure out which of them has the biggest dowry.
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* IAmNotPretty: Jane is adamant about this. Strange, because the only obvious flaw seems to be a larger than usual nose.
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* IAmNotPretty: Jane is adamant about this. Strange, because the only obvious flaw seems to be a larger than usual nose. Although having a drop-dead gorgeous sister probably has something to do with this, as Jane can't help constantly comparing them.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven ''Film/OceansEleven'' series and ''Of Noble Family,'' (2015), dealing with race relations and slavery.
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* ImpoverishedPatrician: A few remarks imply this to be the case for viscountess Fitz-Cameron. [[spoiler: It's confirmed in the last chapter of the novel that her estate is nearly bankrupt and she is barely managing a pretense of wealth.]]
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* ImpoverishedPatrician: A few remarks imply this to be the case for viscountess Fitz-Cameron. [[spoiler: It's confirmed in the last chapter of the novel that her estate is nearly bankrupt and she is barely managing a pretense of wealth.wealth, dashing Mr. Livingston's plan to use her niece's dowry to pay off his gambling debts.]]
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* ImpoverishedPatrician: A few remarks imply this to be the case for viscountess Fitz-Cameron. [[spoiler: It's confirmed in the last chapter of the novel that her estate is nearly bankrupt and she is barely managing a pretense of wealth.]]
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* RegencyEngland: Unlike ''Literature/JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
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* RegencyEngland: Unlike ''Literature/JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' ''Literature/{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
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reasonable size now
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NeedsWikiMagicLove.
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Formatting.
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!!!This work includes examples of:
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is ''Of Noble Family,'' out in 2015.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is series and ''Of Noble Family,'' out in 2015.
(2015), dealing with race relations and slavery.
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* AwesomeButImpractical: Captain Livingstone explains that the Navy doesn't use glamour to hide its ships because folds are tied up to a specific place, and ships need to move. Hence, glamour is only used for art.
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* AwesomeButImpractical: It's explained to Captain Livingstone explains that the Navy doesn't can't use glamour to hide its ships because folds are tied up to a specific place, and ships need to move. Hence, glamour is only used for art.
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* RegencyEngland: Unlike ''JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
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* RegencyEngland: Unlike ''JonathanStrangeAndMrNorrell'' ''Literature/JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
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* AwesomeButImpractical: Captain Livingstone explains that the Navy doesn't use glamour to hide its ships because folds are tied up to a specific place, and ships need to move. Hence, glamour is only used for art.
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no spoiler tagging in the description (see spoiler policy)
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is ''Of Noble Family,'' out in 2015.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; reconciliation; ''Without a Summer'' (2013), mixing ''{{Literature/Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is ''Of Noble Family,'' out in 2015.
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''Shades of Milk and Honey'' is a Regency Fantasy novel by MaryRobinetteKowal, written as a loving {{Homage}} to Creator/JaneAusten. Its only fantasy element is the ability to create "folds" of illusion, at the expense of some exhaustion. It tells the story of Jane Ellsworth, a young woman in the mold of a sensible Austen heroine, who possesses a high degree of skill in illusion, as well as music and the other "accomplishments" of RegencyEngland. Her sister, a specimen of much less maturity (both in years and wisdom) provides much conflict, of the familial and romantic variety, as suitors dance about both girls. The plot thickens when certain secrets come to light...and when certain emotions come into play.
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''Shades of Milk and Honey'' is a Regency Fantasy novel by MaryRobinetteKowal, Creator/MaryRobinetteKowal, written as a loving {{Homage}} to Creator/JaneAusten. Its only fantasy element is the ability to create "folds" of illusion, at the expense of some exhaustion. It tells the story of Jane Ellsworth, a young woman in the mold of a sensible Austen heroine, who possesses a high degree of skill in illusion, as well as music and the other "accomplishments" of RegencyEngland. Her sister, a specimen of much less maturity (both in years and wisdom) provides much conflict, of the familial and romantic variety, as suitors dance about both girls. The plot thickens when certain secrets come to light...and when certain emotions come into play.
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* ShoutOut: [[TheLordOfTheRings One does not simply walk into Murano.]]
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* TechnicianVersusPerformer: The bulk of Jane's and Vincent's interactions fall under this, with Jane as the technician and Vincent as the performer. In an interesting subversion, the sympathy's with the technician rather than the performer.
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* TechnicianVersusPerformer: The bulk of Jane's and Vincent's interactions fall under this, with Jane portrayed as the technician with the performer's natural talent, and Vincent as portrayed the performer.performer with the technician's drive. In an interesting subversion, the sympathy's with the technician rather than the performer.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer'' (2013), mixing ''{{Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is ''Of Noble Family,'' out in 2015.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer'' (2013), mixing ''{{Emma}}'' ''{{Literature/Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series. Also in the works is ''Of Noble Family,'' out in 2015.
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First in The "Glamourist Histories" series, ''Shades'' is followed by ''Glamour in Glass,'' which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity,'' a Jane Austen caper yarn in the vein of the OceansEleven series.
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First in The "Glamourist Histories" series, ''Shades'' (2011) is followed by ''Glamour in Glass,'' Glass'' (2012) which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer,'' Summer'' (2013), mixing ''{{Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity,'' Vanity'' (2014), a Jane Austen caper yarn in the vein of the OceansEleven series.
series. Also in the works is ''Of Noble Family,'' out in 2015.
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First in ''The Glamourist Histories" series, ''Shades'' is followed by ''Glamour in Glass,'' which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity,'' a Jane Austen caper yarn in the vein of the OceansEleven series.
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First in ''The Glamourist The "Glamourist Histories" series, ''Shades'' is followed by ''Glamour in Glass,'' which delves into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: pregnancy]]; ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots; and ''Valour and Vanity,'' a Jane Austen caper yarn in the vein of the OceansEleven series.
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Updating
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Followed by ''Glamour in Glass,'' which promises to delve into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: possible pregnancy]]. Recently announced to follow are ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots, and ''Valour and Vanity,'' an apparent Jane Austen caper yarn in the vein of the OceansEleven series.
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* TechnicianVersusPerformer: The bulk of Jane's and Vincent's interactions fall under this, with Jane as the technician and Vincent as the performer. In an interesting subversion, the sympathy's with the technician rather than the performer.
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''Shades of Milk and Honey'' is a Regency Fantasy novel by MaryRobinetteKowal, written as a loving {{Homage}} to JaneAusten. Its only fantasy element is the ability to create "folds" of illusion, at the expense of some exhaustion. It tells the story of Jane Ellsworth, a young woman in the mold of a sensible Austen heroine, who possesses a high degree of skill in illusion, as well as music and the other "accomplishments" of RegencyEngland. Her sister, a specimen of much less maturity (both in years and wisdom) provides much conflict, of the familial and romantic variety, as suitors dance about both girls. The plot thickens when certain secrets come to light...and when certain emotions come into play.
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''Shades of Milk and Honey'' is a Regency Fantasy novel by MaryRobinetteKowal, written as a loving {{Homage}} to JaneAusten.Creator/JaneAusten. Its only fantasy element is the ability to create "folds" of illusion, at the expense of some exhaustion. It tells the story of Jane Ellsworth, a young woman in the mold of a sensible Austen heroine, who possesses a high degree of skill in illusion, as well as music and the other "accomplishments" of RegencyEngland. Her sister, a specimen of much less maturity (both in years and wisdom) provides much conflict, of the familial and romantic variety, as suitors dance about both girls. The plot thickens when certain secrets come to light...and when certain emotions come into play.
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* FoolishSiblingResponsibleSibling: Paralleling JaneAusten's ''SenseAndSensibility'', Jane is an {{Expy}} for Elinor, the responsible elder sister, while Melody fills the role of occasionally foolish Marianne.
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* FoolishSiblingResponsibleSibling: Paralleling JaneAusten's ''SenseAndSensibility'', Creator/JaneAusten's ''Literature/SenseAndSensibility'', Jane is an {{Expy}} for Elinor, the responsible elder sister, while Melody fills the role of occasionally foolish Marianne.
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* InSPACE: It's JaneAusten with [[{{Fantasy}} Magic!]].
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* InSPACE: It's JaneAusten Creator/JaneAusten with [[{{Fantasy}} Magic!]].
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* IJustWantToBeSpecial: Both Jane and Melody do this for different reasons.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/milk-and-honey_2305.jpg]]
[[caption-width-right:300:What is talent without beauty?]]
[[caption-width-right:300:What is talent without beauty?]]
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* BrainlessBeauty: Melody very much believes herself to be this, and that there is nothing to her but her beauty.
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* GaslampFantasy: Of the Regency variety.
* TheGloriousWarOfSisterlyRivalry: Jane is plain, but accomplished. She wishes she were as beautiful as her sister Melody. Melody is beautiful. She wishes she were anywhere near as talented in anything as her sister Jane. This causes more than a little conflict between them as they try to settle which one of them is better or worse off in the game of getting a husband.
* IAmNotPretty: Jane is adamant about this. Strange, because the only obvious flaw seems to be a larger than usual nose.
* IJustWantToBeBeautiful: Despite protesting that it's too much effort and dishonest, Jane does play with glamouring herself to be more attractive.
* TheGloriousWarOfSisterlyRivalry: Jane is plain, but accomplished. She wishes she were as beautiful as her sister Melody. Melody is beautiful. She wishes she were anywhere near as talented in anything as her sister Jane. This causes more than a little conflict between them as they try to settle which one of them is better or worse off in the game of getting a husband.
* IAmNotPretty: Jane is adamant about this. Strange, because the only obvious flaw seems to be a larger than usual nose.
* IJustWantToBeBeautiful: Despite protesting that it's too much effort and dishonest, Jane does play with glamouring herself to be more attractive.
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* [[GentlemanWizard Lady Wizard]]: A young lady of breeding is expected to have some talent with glamour as one of her accomplishments.
* OldMaid: Jane is fairly certain this will be her fate as she is not attractive enough to marry.
* ProperLady: Jane.
* OldMaid: Jane is fairly certain this will be her fate as she is not attractive enough to marry.
* ProperLady: Jane.
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''Shades of Milk and Honey'' is a Regency Fantasy novel by MaryRobinetteKowal, written as a loving {{Homage}} to JaneAusten. Its only fantasy element is the ability to create "folds" of illusion, at the expense of some exhaustion. It tells the story of Jane Ellsworth, a young woman in the mold of a sensible Austen heroine, who possesses a high degree of skill in illusion, as well as music and the other "accomplishments" of RegencyEngland. Her sister, a specimen of much less maturity (both in years and wisdom) provides much conflict, of the familial and romantic variety, as suitors dance about both girls. The plot thickens when certain secrets come to light...and when certain emotions come into play.
Followed by ''Glamour in Glass,'' which promises to delve into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: possible pregnancy]]. Recently announced to follow are ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots, and ''Valour and Vanity,'' an apparent Jane Austen caper yarn in the vein of the OceansEleven series.
----
!!!This work includes examples of:
* FoolishSiblingResponsibleSibling: Paralleling JaneAusten's ''SenseAndSensibility'', Jane is an {{Expy}} for Elinor, the responsible elder sister, while Melody fills the role of occasionally foolish Marianne.
* FunctionalMagic: Glamour is a form of Rule Magic.
* InSPACE: It's JaneAusten with [[{{Fantasy}} Magic!]].
* RegencyEngland: Unlike ''JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
----
Followed by ''Glamour in Glass,'' which promises to delve into Napoleonic intrigue, marital tension and reconciliation, and [[spoiler: possible pregnancy]]. Recently announced to follow are ''Without a Summer,'' mixing ''{{Emma}}'' with IndustrialRevolution riots, and ''Valour and Vanity,'' an apparent Jane Austen caper yarn in the vein of the OceansEleven series.
----
!!!This work includes examples of:
* FoolishSiblingResponsibleSibling: Paralleling JaneAusten's ''SenseAndSensibility'', Jane is an {{Expy}} for Elinor, the responsible elder sister, while Melody fills the role of occasionally foolish Marianne.
* FunctionalMagic: Glamour is a form of Rule Magic.
* InSPACE: It's JaneAusten with [[{{Fantasy}} Magic!]].
* RegencyEngland: Unlike ''JonathanStrangeAndMrNorrell'' or the ''{{Temeraire}}'' series, the history and structure of this era aren't dramatically changed by the existence of functional magic, as that magic is a decorative and beautifying art, rather than reality-altering or easily weaponized. Though Jane does give a demonstration of possible combat uses...
----