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** This exchange is made even funnier when you realize that Sarah is checking her sanity. She has, after all, spent the last twenty six years being called crazy.
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Changed line(s) 54,55 (click to see context) from:
--> '''Judy''': *to Alan and Sarah* [[GetAHoldOfYourselfMan Uh, hello? I'm rolling now]]! \\
'''Peter''': *to Judy* [[GetOnWithItAlready Just roll]]!
'''Peter''': *to Judy* [[GetOnWithItAlready Just roll]]!
to:
--> '''Judy''': *to Alan and Sarah* [[GetAHoldOfYourselfMan Uh, hello? I'm rolling now]]! I'm gonna roll! \\
'''Peter''':*to *gives the dice to Judy* [[GetOnWithItAlready Just Here, just roll]]!
'''Peter''':
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Changed line(s) 23 (click to see context) from:
* Again, Carl is the universe's whipping boy.
to:
* Again, Carl is the [[CosmicPlaything universe's whipping boy.boy]].
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Changed line(s) 54 (click to see context) from:
--> '''Judy''': *to Alan and Sarah* [[GetAholdOfYourselfMan Uh, hello? I'm rolling now]]! \\
to:
--> '''Judy''': *to Alan and Sarah* [[GetAholdOfYourselfMan [[GetAHoldOfYourselfMan Uh, hello? I'm rolling now]]! \\
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Deleted line(s) 53 (click to see context) :
* Judy's pwnage of Van Pelt:
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to:
* Judy's pwnage of Van Pelt:
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** The more mature response ''from the actual children'', which Alan and Sarah ignore:
--> '''Judy''': *to Alan and Sarah* [[GetAholdOfYourselfMan Uh, hello? I'm rolling now]]! \\
'''Peter''': *to Judy* [[GetOnWithItAlready Just roll]]!
--> '''Judy''': *to Alan and Sarah* [[GetAholdOfYourselfMan Uh, hello? I'm rolling now]]! \\
'''Peter''': *to Judy* [[GetOnWithItAlready Just roll]]!
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Changed line(s) 55 (click to see context) from:
--> '''Nearby cashier''': NO SALE
to:
--> '''Nearby cashier''': cash register''': NO SALE
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** On a related note, when the spiders first show up, Judy and Peter scream bloody murder. Alan asks them what's wrong, only to be told, "Nothing."
-->'''Alan''': You don't go "Ahhhh!" for nothing! ''(sees the spiders)'' ''Ahhhhh!''
-->'''Alan''': You don't go "Ahhhh!" for nothing! ''(sees the spiders)'' ''Ahhhhh!''
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* Judy's pwnage of Van Pelt:
--> '''Judy''': Price check! (uses scanner to blind Van Pelt momentarily)
--> '''Nearby cashier''': NO SALE
--> '''Judy''': Price check! (uses scanner to blind Van Pelt momentarily)
--> '''Nearby cashier''': NO SALE
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* Bonnie Hunt's delivery of the final line is perfect and hilarious in this exchange:
-->'''Peter:''' I thought I could end the game myself. I was only ten spaces away.
-->'''Judy:''' ''(reads)'' "A law of Jumanji having been broken / You will slip back even more than your token."
-->'''Sarah:''' You tried to ''cheat''?
-->'''Peter:''' No, I tried to drop the dice so they'd land on twelve.
-->'''Sarah:''' Oh, okay, honey, well, that would be ''cheating''.
-->'''Peter:''' I thought I could end the game myself. I was only ten spaces away.
-->'''Judy:''' ''(reads)'' "A law of Jumanji having been broken / You will slip back even more than your token."
-->'''Sarah:''' You tried to ''cheat''?
-->'''Peter:''' No, I tried to drop the dice so they'd land on twelve.
-->'''Sarah:''' Oh, okay, honey, well, that would be ''cheating''.
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Changed line(s) 38 (click to see context) from:
--> '''Alan''': We- oh, what are you, an owl? What? Come on 'Madame Serena', why don't you dig in the lower regions of your higher consciousness, and find the memory of your old ''boyfriend'': Billy.
to:
--> '''Alan''': We- oh, what are you, an owl? What? Come on 'Madame 'Madam Serena', why don't you dig in the lower regions of your higher consciousness, and find the memory of your old ''boyfriend'': Billy.
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Changed line(s) 34 (click to see context) from:
* A very funny background exchange between Alan and Sarah.
to:
* A very funny background exchange between Alan and Sarah.Sarah, where they bicker like children.
Deleted line(s) 45 (click to see context) :
-->The kicker is that these are two adults bickering, and the actual children are just trying to get back to the game.
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Changed line(s) 45 (click to see context) from:
The kicker is that these are two adults bickering, and the actual children are just trying to get back to the game.
to:
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The petty quote corrector, plus some additions.
Changed line(s) 3 (click to see context) from:
--> '''Judy''': Yeah.
to:
--> '''Judy''': Yeah. Yes...?
** and just afterward:
--> '''Sarah''': Well, have you ever thought about just sitting down and talking about your differences?
--> '''Alan''': What are you crazy? The man has a '''''GUN.'''''
--> '''Sarah''': Well, have you ever thought about just sitting down and talking about your differences?
--> '''Alan''': What are you crazy? The man has a '''''GUN.'''''
Changed line(s) 10 (click to see context) from:
--> '''Alan''': Sarah and I would very much like to get out of the floor now, so it's your turn, Peter.
to:
--> '''Alan''': Sarah and I would very much like to get out ''out'' of the floor now, floor, so it's your turn, Peter.
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** Actually, the canoe trap just sends Van Pelt into a wall at the opposite end of the store (with a high-pitched scream to boot). It's only later, when Alan crashes the police cruiser through the store, that a towering shelf unit full of paint cans gets knocked onto Pelt.
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** Or perhaps in the vain hope that he might just blow it away, like one might a reasonably-sized spider.
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* A very funny background exchange between Alan and Sarah.
--> '''Sarah''': Do you have any idea what it's like to be known as the little girl who saw Alan Parrish murdered? Do you think ''anybody'' showed up at ''my'' fourteenth birthday party?
--> '''Alan''': Well- not even Billy Jessup? It's his kind of party I'll betcha.
--> '''Sarah''': Billy ''who?''
--> '''Alan''': We- oh, what are you, an owl? What? Come on 'Madame Serena', why don't you dig in the lower regions of your higher consciousness, and find the memory of your old ''boyfriend'': Billy.
--> '''Sarah''': -Laughing- The little kid who used to steal your bicycle?
--> '''Alan''': No-o, the ''big'' kid who probably took you to the movies. Come on Sarah.
--> '''Sarah''': Grow up... you're so immature.
--> '''Alan''': No ''you're'' immature!
--> '''Sara''': No, ''you'' are!
--> '''Alan''': No, you're the one that- ''I know you are but what am I?''
The kicker is that these are two adults bickering, and the actual children are just trying to get back to the game.
--> '''Sarah''': Do you have any idea what it's like to be known as the little girl who saw Alan Parrish murdered? Do you think ''anybody'' showed up at ''my'' fourteenth birthday party?
--> '''Alan''': Well- not even Billy Jessup? It's his kind of party I'll betcha.
--> '''Sarah''': Billy ''who?''
--> '''Alan''': We- oh, what are you, an owl? What? Come on 'Madame Serena', why don't you dig in the lower regions of your higher consciousness, and find the memory of your old ''boyfriend'': Billy.
--> '''Sarah''': -Laughing- The little kid who used to steal your bicycle?
--> '''Alan''': No-o, the ''big'' kid who probably took you to the movies. Come on Sarah.
--> '''Sarah''': Grow up... you're so immature.
--> '''Alan''': No ''you're'' immature!
--> '''Sara''': No, ''you'' are!
--> '''Alan''': No, you're the one that- ''I know you are but what am I?''
The kicker is that these are two adults bickering, and the actual children are just trying to get back to the game.
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grammar fix
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* The scene where Peter scrambles to find a way into the shed to get the axe the group desperately needs. He finds the door locked, and can't get in, so he grabs a nearby axe and starts whaling away with it... only to stop, take a look at the axe, [[AsideGlance then at the camera]], and runs back to the group.
to:
* The scene where Peter scrambles to find a way into the shed to get the axe the group desperately needs. He finds the door shed-door locked, and can't get in, so he grabs a nearby axe and starts whaling away with it... at the lock... only to stop, take a look at the axe, [[AsideGlance then at the camera]], and runs run back to the group.
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* The face Van Pelt made right before he got sucked into the vortex.
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Changed line(s) 27 (click to see context) from:
* [[TheRuntAtTheEnd The old rhino trying to catch up]].
to:
* [[TheRuntAtTheEnd The old rhino trying to catch up]].up.]]
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* [[TheRuntAtTheEnd The old rhino trying to catch up]].
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Changed line(s) 25 (click to see context) from:
* Alan blowing at one of the giant spiders while he's still stuck in the floor to scare it off.
to:
* Alan blowing at one of the giant spiders while he's still stuck in the floor to scare it off.off.
* When Van Pelt starts shooting, the looters run away, and one woman who was about to steal a game leaves it and runs off.
----
* When Van Pelt starts shooting, the looters run away, and one woman who was about to steal a game leaves it and runs off.
----
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Changed line(s) 1 (click to see context) from:
* Monkey madness dosen't begin to cover this movie.
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* Monkey madness dosen't doesn't begin to cover this movie.
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* Alan blowing at one of the giant spiders while he's still stuck in the floor to scare it off.
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Changed line(s) 18 (click to see context) from:
* The scene where Peter scrambles to find a way into the shed to get the axe the group desperately needs. He finds the door locked, and can't get in, so he grabs a nearbye axe and starts whaling away with it... only to stop, take a look at the axe, [[AsideGlance then at the camera]], and runs back to the group.
to:
* The scene where Peter scrambles to find a way into the shed to get the axe the group desperately needs. He finds the door locked, and can't get in, so he grabs a nearbye nearby axe and starts whaling away with it... only to stop, take a look at the axe, [[AsideGlance then at the camera]], and runs back to the group.
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* Peter's moment in the canoe is this and also awesome for him. He constructs an elaborate trap for Van Pelt, which concludes with Van Pelt getting hit by about 200 paint cans. It's just a great big hilarious moment.
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Changed line(s) 2 (click to see context) from:
--> '''Sarah''': You just saw three monkeys go by on a motorcycle, didn't you?
to:
--> '''Sarah''': '''Sarah''' (worried she might be seeing things): You just saw three monkeys go by on a motorcycle, didn't you?
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* When Alan asks Sarah if she's crazy when she asks about fighting the psycho with the elephant rifle, she retorts with a deadpan putdown that must be heard to be truly appreciated:
--> '''Sarah''': Don't ever call me crazy, Alan. Ever. 'Cause everyone in the town has called me crazy ever since I told the cops that you were sucked into a board game.
--> '''Sarah''': Don't ever call me crazy, Alan. Ever. 'Cause everyone in the town has called me crazy ever since I told the cops that you were sucked into a board game.
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* Aunt Nora tries to call the house in the middle of all the chaos.
-->'''Judy''', ''in a posh British accent'': Oh, I'm sorry, dear, you have the wrong number.
* When Carl and Aunt Nora get blown away by the water bursting through the doors...then float down the street on the flood, clinging to the doors, see the crocodile swim between them--and scream.
-->'''Judy''', ''in a posh British accent'': Oh, I'm sorry, dear, you have the wrong number.
* When Carl and Aunt Nora get blown away by the water bursting through the doors...then float down the street on the flood, clinging to the doors, see the crocodile swim between them--and scream.
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Changed line(s) 17,18 (click to see context) from:
* Alan tells Peter to get the axe from the wood shed, so they can use it on the ManEatingPlant. Peter runs out to the wood shed, but the door's locked, so he grabs the axe next to it and starts hacking it down...
* After a music stand and trombone prove useless at getting Alan out of the quicksand: "Stop giving me things that come apart!"
* After a music stand and trombone prove useless at getting Alan out of the quicksand: "Stop giving me things that come apart!"
to:
* The scene where Peter scrambles to find a way into the shed to get the axe the group desperately needs. He finds the door locked, and can't get in, so he grabs a nearbye axe and starts whaling away with it... only to stop, take a look at the axe, [[AsideGlance then at the camera]], and runs back to the group.
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Changed line(s) 17 (click to see context) from:
* Alan tells Peter to get the axe from the wood shed, so they can use it on the ManEatingPlant. Peter runs out to the wood shed, but the door's locked, so he grabs the axe next to it and starts hacking it down...
to:
* Alan tells Peter to get the axe from the wood shed, so they can use it on the ManEatingPlant. Peter runs out to the wood shed, but the door's locked, so he grabs the axe next to it and starts hacking it down...down...
* After a music stand and trombone prove useless at getting Alan out of the quicksand: "Stop giving me things that come apart!"
* After a music stand and trombone prove useless at getting Alan out of the quicksand: "Stop giving me things that come apart!"
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Changed line(s) 14 (click to see context) from:
* Again, Carl is the universe's whiping boy.
to:
* Again, Carl is the universe's whiping whipping boy.
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Changed line(s) 9 (click to see context) from:
* After Alan congradulates Judy on her quick thinking.
to:
* After Alan congradulates congratulates Judy on her quick thinking.
