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** When Kathleen sadly suspects Fox Books will put her shop out of business, she turns to her online pen pal (unknowingly turning to the very man who's threatening her business). In turn, Joe adds to the dramatic irony by offering his own competitor metaphorical teeth to [[TheDogBiteBack bite back with]] (in the form of "taking it to the mattresses").
** Later, when Joe has learned Kathleen's identity, he's tempted to ditch her without coming to the outing they arranged, but instead decides to stick around to provoke her. Throughout the conversation, he drops tiny hints that he's her mysterious online friend. Not catching his drift, Kathleen continually defends the honor of the man she loves, ''to his face''. Though it quickly turns poignant when she insults Joe with an [[KickTheDog especially burning retort]], not knowing she's deeply hurt the one person she would never say it to.

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** When Kathleen sadly suspects Fox Books will put her shop out of business, she turns to her online pen pal (unknowingly turning to the very man who's threatening her business). In turn, Joe adds to the dramatic irony by offering his own competitor metaphorical teeth to [[TheDogBiteBack [[TheDogBitesBack bite back with]] (in the form of "taking it to the mattresses").
** Later, when Joe has learned Kathleen's identity, he's tempted to ditch her without coming to the outing they arranged, but instead decides to stick around to provoke her. Throughout the conversation, he drops tiny hints that he's her mysterious online friend. Not catching his drift, Kathleen continually defends the honor of the man she loves, ''to his face''. unaware he's sitting right across from her. Though it quickly turns poignant when she insults Joe with an [[KickTheDog especially burning scathing retort]], not knowing she's deeply hurt the one person she would never say it such things to.


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* WhatYouAreInTheDark: After Kathleen's run-in with Joe at the coffee shop (and subsequent insult), between their encounter and her online friend's absence, she reflects to him [[JerkassRealization how her words were rather cruel]] and feels sorry for saying them because it didn't feel like herself. Before he read this post, Joe was convinced that Kathleen was a unpleasant woman [[JerkWithAHeartOfJerk through and through]], and would've otherwise never spoken to her again. But seeing her apologetic words are what convince him to indirectly apologize to her, and inspires him to mend the rift between them.
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* DramaticIrony: Basically part of the movie's premises. Kathleen and Joe are two business competitors who share a bitter rivalry, torn by the prospect of one putting the other out of business. What they don't know is, they already met as anonymous pen pals online. The irony is, as opposed to real life, Kathleen and Joe share a deep affection for their online personas, and have developed a functional relationship that borders on romantic.
** When Kathleen sadly suspects Fox Books will put her shop out of business, she turns to her online pen pal (unknowingly turning to the very man who's threatening her business). In turn, Joe adds to the dramatic irony by offering his own competitor metaphorical teeth to [[TheDogBiteBack bite back with]] (in the form of "taking it to the mattresses").
** Later, when Joe has learned Kathleen's identity, he's tempted to ditch her without coming to the outing they arranged, but instead decides to stick around to provoke her. Throughout the conversation, he drops tiny hints that he's her mysterious online friend. Not catching his drift, Kathleen continually defends the honor of the man she loves, ''to his face''. Though it quickly turns poignant when she insults Joe with an [[KickTheDog especially burning retort]], not knowing she's deeply hurt the one person she would never say it to.
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** Depending on how one interprets it, Patricia has an alleged moment. She's normally self-centered, business-orientated and ruthless. But even she can see it would be a crime to leave someone as intelligent and talented as Kathleen without a career, and contemplates hiring her. Though Joe points out that out such an act would be insensitive ([[InnocentlyInsensitive even in good faith]]), considering it would serve to rub salt in Kathleen's open wound. It doesn't stop her from contacting her.
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Removed Gillian being "ambiguously bi". She is engaged to the dad and leaves him for a woman. There is nothing ambiguous about it.


* AmbiguouslyBi: Gillian eventually runs off with the nanny, but makes advances to Joe several times beforehand.
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Removing snark and semi-bashing


''You've Got Mail'' is a [[ProductPlacement two-hour advertisement for AOL]] disguised as a 1998 {{romantic comedy}} featuring Creator/TomHanks and Creator/MegRyan in their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron, who co-wrote the screenplay with her sister Delia. It's loosely based on Miklós Lászlo's theatrical play ''Parfumerie'' (which had previously been adapted into the 1940 film ''Film/TheShopAroundTheCorner'', the 1949 musical film ''In the Good Old Summertime'', and the 1963 stage musical ''Theatre/SheLovesMe'').

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''You've Got Mail'' is a [[ProductPlacement two-hour advertisement for AOL]] disguised as a 1998 {{romantic comedy}} featuring Creator/TomHanks and Creator/MegRyan in their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron, who co-wrote the screenplay with her sister Delia. It's loosely based on Miklós Lászlo's theatrical play ''Parfumerie'' (which had previously been adapted into the 1940 film ''Film/TheShopAroundTheCorner'', the 1949 musical film ''In the Good Old Summertime'', and the 1963 stage musical ''Theatre/SheLovesMe'').



The film was a box office hit; its total lifetime gross estimated to $250,821,495. With about $116 million earned in the United States alone, it was the 14th most financially successful film of its year. While the plot was hardly original, the film gathered rather positive reviews due to the chemistry between its leads, its often witty dialogues, quirky supporting cast and somewhat realistic take on the plight of small businesses going under.

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The film was a box office hit; its total lifetime gross estimated to $250,821,495. With about $116 million earned in the United States alone, it was the 14th most financially successful film of its year. While the plot was hardly original, the film gathered rather positive reviews due to the chemistry between its leads, its often witty dialogues, quirky supporting cast and somewhat realistic take on the plight of small businesses going under.
year.
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** This also happens between Joe and Patricia. While they are stuck in the elevator with other people, some of them say how they will do something meaningful with their loved ones if they ever escape, whether it's phoning their mother or proposing to a loved one. Patricia's wish? She wants laser eye surgery so she won't have to wear contacts anymore. Joe is quietly dismayed to see first-hand that Patricia doesn't understand what's most important in life.

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** This also happens between Joe and Patricia. While they are stuck in the elevator with other people, some of them say how they will do something meaningful with their loved ones if they ever escape, whether it's phoning their mother or proposing to a loved one. Patricia's wish? She wants laser eye surgery so she won't have to wear contacts anymore. Joe is quietly dismayed to see first-hand that how astonishingly shallow Patricia doesn't understand what's most important in life.is.

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[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/475900_1020_A_7318.jpg]]

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* [[IsThatCuteKidYours Are Those Cute Kids Yours?]]: Kathleen has this reaction when introduced to Matt and Annabelle until Joe explains that Matt is his baby half-brother and Annabelle is his aunt.

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* [[IsThatCuteKidYours Are Those Cute Kids Yours?]]: Kathleen has this reaction when introduced to Matt and Annabelle until BeamMeUpScotty: In-universe; in a realistic touch, Joe explains that Matt is his baby half-brother and Annabelle is his aunt. quotes ''Film/TheGodfather'' off-hand to Kathleen, but misquotes it as "I didn't know who you were with." It's actually, "Why didn't you tell me you worked for Corleone, Tom."



* {{Irony}}: When Joe stands Kathleen up for their first meeting, he considers lying that he was trapped in an elevator -only for it to happen for real later in the movie.

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* {{Irony}}: When Joe stands Kathleen up for their first meeting, he considers lying that he was trapped in an elevator -only -- only for it to happen for real later in the movie.movie.
* IsThatCuteKidYours: Kathleen has this reaction when introduced to Matt and Annabelle until Joe explains that Matt is his baby half-brother and Annabelle is his aunt.
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** This also happens between Joe and Patricia. While they are stuck in the elevator with other people, some of them say how they will do something meaningful with their loved ones if they ever escape, whether it's phoning their mother or proposing to a loved one. Patricia's wish? She wants laser eye surgery so she won't have to wear contacts anymore. Joe is quietly dismayed to see first-hand that Patricia doesn't understand what's most important in life.
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* GoodCapitalismEvilCapitalism: He's an executive for a large corporate bookstore, and she's the owner of an independent community bookstore. The conflict impedes the romance, at least for awhile.
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** At one point later in the story, Kathleen and Frank are each surprised that although they share much in common, they just don't click as a couple. Being alike and being compatible aren't always the same thing. She and him are even ''[[AmicableExes relieved]]'' when they come to terms that they're better off as friends than lovers.
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* BothSidesHaveAPoint: Inverted, it's more like "Both sides are wrong". Joe is simply a entrepreneur and isn't doing anything illegal, but his ''pride'' in taking out competing book stores left and right is unethical. And while Kathleen has good intentions trying to save her mother's bookstore, she's ''prejudiced'' thinking Fox Books is just a greedy, impersonal corporation when in reality it's a decent book store that brings people together.

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* BothSidesHaveAPoint: Inverted, it's more like "Both sides are wrong". Joe is simply a entrepreneur and isn't doing anything illegal, but his ''pride'' in taking out competing book stores left and right is unethical. And while Kathleen has good intentions trying to save her mother's bookstore, she's ''prejudiced'' thinking Fox Books is just a greedy, impersonal corporation when in reality it's a decent book store that brings people together.together, and in fact goes on to hire one of Kathleen's co-workers in order to make their children's department more knowledgeable.



* FictionalCounterpart: Fox Books is clearly a stand-in for Barnes & Noble, and the way it forces Kathleen's bookshop out of business is based on the real-life 1996 closure of a small Upper West Side bookstore, Shakespeare & Co., following the opening of a B&N branch in the same neighborhood.

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* FictionalCounterpart: Fox Books is clearly a stand-in for Barnes & Noble, Noble or Borders, and the way it forces Kathleen's bookshop out of business is based on the real-life 1996 closure of a small Upper West Side bookstore, Shakespeare & Co., following the opening of a B&N branch in the same neighborhood.

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* PairTheSpares: Averted. Frank and Patricia get on with their lives, but they do not become a couple, and only Frank is confirmed to be dating someone else after the breakup with Kathleen. There's also not a trace of romance between George and Christina (Kathleen's younger employees). What's more, Joe's grandfather and Kathleen's surrogate mother figure are the same age, but never meet. (See RealityEnsues).

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* PairTheSpares: Averted. Frank and Patricia get on with their lives, but they do not become a couple, and only Frank is confirmed to be dating someone else after the breakup with Kathleen. There's also not a trace of romance between George and Christina (Kathleen's younger employees). What's more, Joe's grandfather and Kathleen's surrogate mother figure are the same age, but never meet. (See RealityEnsues).SurprisinglyRealisticOutcome).



* RealityEnsues: Just because a man and a woman either knows the lead male or lead female of a comedy doesn't automatically mean they are going to somehow meet and/or start dating one another. Frank and Patricia hit it off nicely the instant they meet, but they never date or interact with each other beyond that.
** Kathleen is devastated when she learns that, for all the followers she got, her bookstore still isn't getting as much customers as Fox Books. Sometimes, David doesn't always beat Goliath, and the under dog doesn't always come out on top.


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* SurprisinglyRealisticOutcome: Just because a man and a woman either knows the lead male or lead female of a comedy doesn't automatically mean they are going to somehow meet and/or start dating one another. Frank and Patricia hit it off nicely the instant they meet, but they never date or interact with each other beyond that.
** Kathleen is devastated when she learns that, for all the followers she got, her bookstore still isn't getting as much customers as Fox Books. Sometimes, David doesn't always beat Goliath, and the under dog doesn't always come out on top.
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* SpitefulGluttony: At the cocktail party, Kathleen sees Joe piling caviar on his plate. She chides him, saying "it's a garnish", and he takes even more to spite her.

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* MythologyGag: The bookstore is called The Shop Around the Corner, which of course is the title of the iconic 1940 film adaptation of this story.



* NotSoSimilar: After Kathleen's bookstore folds, Joe and Patricia have a conversation, where the latter points out that he's about as cutthroat as she is to callously put his competition out of business like that. But while they're stuck in the elevator, we see each character's [[WhatYouAreInTheDark true nature]]. Joe makes it a point to calmly and politely phone the technician, while Patricia so rudely yells at the same technician. What's more, Patricia claims she'll get laser surgery if they get out, indicating she [[DramaticallyMissingThePoint doesn't understand what's important in life]]. Although the two are business-orientated, Patricia doesn't share much with Joe: she only thinks about herself while Joe is considerate of others and wants a mutual relationship.

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* NotSoSimilar: After Kathleen's bookstore folds, Joe and Patricia have a conversation, where the latter points out that he's about as cutthroat as she is to callously put his competition out of business like that. But while they're stuck in the elevator, we see each character's [[WhatYouAreInTheDark true nature]]. Joe makes it a point to calmly and politely phone the technician, while Patricia so rudely yells at the same technician. What's more, Patricia claims she'll get laser surgery if they get out, indicating she [[DramaticallyMissingThePoint doesn't understand what's important in life]]. Although the two are business-orientated, business-oriented, Patricia doesn't share much with Joe: she only thinks about herself while Joe is considerate of others and wants a mutual relationship.



** The name of Kathleen Kelly's store, "The Shop Around The Corner", is a deliberate reference to the 1940 movie.
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Creator/DaveChappelle, still a couple of years away from ''Chappelle's Show'', plays Joe's friend Kevin.
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* AdaptationalLocationChange: It is set in modern-day New York City. The play it is adapted from, ''Parfumerie'', was set in 1930's Budapest.
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''You've Got Mail'' is a [[ProductPlacement 2 hour advertisement for AOL]] disguised as a 1998 romantic comedy featuring Creator/TomHanks and Creator/MegRyan, their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron co-wrote the script, loosely based on Miklós Lászlo's theatrical play ''Parfumerie'' (which had previously been adapted into the 1940 film ''Film/TheShopAroundTheCorner'' and the 1963 musical ''Theatre/SheLovesMe'', respectively).

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''You've Got Mail'' is a [[ProductPlacement 2 hour two-hour advertisement for AOL]] disguised as a 1998 romantic comedy {{romantic comedy}} featuring Creator/TomHanks and Creator/MegRyan, Creator/MegRyan in their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron Creator/NoraEphron, who co-wrote the script, screenplay with her sister Delia. It's loosely based on Miklós Lászlo's theatrical play ''Parfumerie'' (which had previously been adapted into the 1940 film ''Film/TheShopAroundTheCorner'' ''Film/TheShopAroundTheCorner'', the 1949 musical film ''In the Good Old Summertime'', and the 1963 stage musical ''Theatre/SheLovesMe'', respectively).
''Theatre/SheLovesMe'').
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* AdaptationTitleChange: ''You've Got Mail'' is adapted from the play ''Parfumerie''.

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* DramaticallyMissingThePoint: While Kathleen and Frank are having a little argument over whether Birdie is crazy or not for claiming [[MakesSenseInContext she personally knew Generalissimo Franco]], the conversation steers to a point where Frank claims he could never date a woman who doesn't vote. This prompts Kathleen to tell him something she never told him before: during an election between two important candidates, she didn't vote. Clearly, she's testing his response. And what does he say? "It's okay, [[InnocentlyInsensitive I forgive you]]." Needless to say, she storms out.

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* DoubleStandard: At one point, Joe mentions the unfairness in who Kathleen forgives or doesn't forgive. How can she forgive a complete stranger she met online who stood her up, but not somebody she's met in person for running her business into the ground? Not to mention both of Joe's alter egos made an effort to apologize for their respective wrongs.
* DramaticallyMissingThePoint: While Kathleen and Frank are having a little argument over whether Birdie is crazy or not for claiming [[MakesSenseInContext she personally knew Generalissimo Franco]], the conversation steers to a point where Frank claims he could never date a woman who doesn't vote. take politics seriously. This prompts Kathleen to tell him something she never told him before: during an a mayoral election between two important candidates, she didn't vote. Clearly, she's testing his response. And what does he say? "It's okay, [[InnocentlyInsensitive I forgive you]]." Needless to say, she storms out.



* {{Forgiveness}}: Towards the end, this is brought up when Joe points out that Kate can't hope to truly move on with her life if she can't forgive either him for her mother's bookstore going out of business or her on-line penpal for not showing up.

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* {{Forgiveness}}: Towards the end, this is brought up when Joe points out that Kate can't hope to truly move on with her life if she can't forgive either him for her mother's bookstore going out of business or her on-line penpal for not showing up.business.



* NotSoSimilar: After Kathleen's bookstore folds, Joe and Patricia have a conversation, where the latter points out that he's about as cutthroat as she is to callously put his competition out of business like that. But while they're stuck in the elevator, Patricia claiming she'll get laser surgery if they get out actually indicates she doesn't share much with Joe. Although the two are business-orientated, Patricia only thinks about herself while Joe is considerate of others and wants a mutual relationship.
* NothingPersonal: Kathleen emphatically rejects the trope after Fox Books ran her store into the ground:

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* NotSoSimilar: After Kathleen's bookstore folds, Joe and Patricia have a conversation, where the latter points out that he's about as cutthroat as she is to callously put his competition out of business like that. But while they're stuck in the elevator, we see each character's [[WhatYouAreInTheDark true nature]]. Joe makes it a point to calmly and politely phone the technician, while Patricia claiming so rudely yells at the same technician. What's more, Patricia claims she'll get laser surgery if they get out actually indicates out, indicating she [[DramaticallyMissingThePoint doesn't share much with Joe. understand what's important in life]]. Although the two are business-orientated, Patricia doesn't share much with Joe: she only thinks about herself while Joe is considerate of others and wants a mutual relationship.
* NothingPersonal: Kathleen emphatically [[DefiedTrope rejects the trope trope]] after Fox Books ran her store into the ground:



* PosthumousCharacter: Kathleen's mother, the original owner of the Shop Around the Corner who touched a lot of people's lives, including (fleetingly) that of Joe's grandfather. She was ... enchanting.

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* PosthumousCharacter: Kathleen's mother, the original owner of the Shop Around the Corner who touched a lot of people's lives, including (fleetingly) that of Joe's grandfather. She was ... enchanting.[[DeceasedParentsAreTheBest enchanting]].
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''You've Got Mail'' is a [[ProductPlacement 2 hour advertisement for AOL]] disguised as a 1998 romantic comedy featuring Creator/TomHanks and Creator/MegRyan, their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron co-wrote the script. The Ephron sisters admitted they were updating ''Parfumerie'', a theatrical play by Miklós Lászlo (1903–73) for a new generation. Naturally it is also related to ''Film/TheShopAroundTheCorner'', a 1940 film adaptation of the same play.

to:

''You've Got Mail'' is a [[ProductPlacement 2 hour advertisement for AOL]] disguised as a 1998 romantic comedy featuring Creator/TomHanks and Creator/MegRyan, their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron co-wrote the script. The Ephron sisters admitted they were updating ''Parfumerie'', a script, loosely based on Miklós Lászlo's theatrical play by Miklós Lászlo (1903–73) for a new generation. Naturally it is also related to ''Film/TheShopAroundTheCorner'', a ''Parfumerie'' (which had previously been adapted into the 1940 film adaptation of ''Film/TheShopAroundTheCorner'' and the same play.
1963 musical ''Theatre/SheLovesMe'', respectively).
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''You've Got Mail'' is a 2 hour advertisement for AOL, and also a 1998 romantic comedy featuring Creator/TomHanks and Creator/MegRyan, their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron co-wrote the script. The Ephron sisters admitted they were updating ''Parfumerie'', a theatrical play by Miklós Lászlo (1903–73) for a new generation. Naturally it is also related to ''Film/TheShopAroundTheCorner'', a 1940 film adaptation of the same play.

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''You've Got Mail'' is a [[ProductPlacement 2 hour advertisement for AOL, and also AOL]] disguised as a 1998 romantic comedy featuring Creator/TomHanks and Creator/MegRyan, their third and final screen pairing (after ''Film/JoeVersusTheVolcano'' and ''Film/SleeplessInSeattle''). It was directed by Creator/NoraEphron. Sisters Nora and Delia Ephron co-wrote the script. The Ephron sisters admitted they were updating ''Parfumerie'', a theatrical play by Miklós Lászlo (1903–73) for a new generation. Naturally it is also related to ''Film/TheShopAroundTheCorner'', a 1940 film adaptation of the same play.
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Cut trope.


* YourCheatingHeart: Gillian isn't exactly the shining paragon of fidelity, as she's lusting for Joe behind her fiance's back, who by the way is [[TangledFamilyTree Joe's father]].
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* DramaticallyMissingThePoint: While Kathleen and Frank are having a little argument over whether Birdie is crazy or not for claiming [[MakesSenseInContext she personally knew Generalissimo Franco]], the conversation steers to a point where Frank claims he could never date a woman who doesn't vote. This prompts Kathleen to tell her something she never told him before: during an election between two important candidates, she didn't vote. Clearly, she's testing his response. And what does he say? "It's okay, [[InnocentlyInsensitive I forgive you]]."

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* DramaticallyMissingThePoint: While Kathleen and Frank are having a little argument over whether Birdie is crazy or not for claiming [[MakesSenseInContext she personally knew Generalissimo Franco]], the conversation steers to a point where Frank claims he could never date a woman who doesn't vote. This prompts Kathleen to tell her him something she never told him before: during an election between two important candidates, she didn't vote. Clearly, she's testing his response. And what does he say? "It's okay, [[InnocentlyInsensitive I forgive you]]."" Needless to say, she storms out.
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* NotSoSimilar: After Kathleen's bookstore folds, Joe and Patricia have a conversation, where the latter points out that he's about as cutthroat as she is to callously put his competition out of business like that. But while they're stuck in the elevator, Patricia claiming she'll get laser surgery if they get out actually indicates she doesn't share much with Joe. Although the two are business-orientated, Patricia only thinks about herself while Joe is considerate of others and wants a mutual relationship.
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None

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* DramaticallyMissingThePoint: While Kathleen and Frank are having a little argument over whether Birdie is crazy or not for claiming [[MakesSenseInContext she personally knew Generalissimo Franco]], the conversation steers to a point where Frank claims he could never date a woman who doesn't vote. This prompts Kathleen to tell her something she never told him before: during an election between two important candidates, she didn't vote. Clearly, she's testing his response. And what does he say? "It's okay, [[InnocentlyInsensitive I forgive you]]."
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* CityPeopleEatSushi: Sushi is mentioned by the yuppie newspaper columnist as what dinner's gonna be. His bookstore owner girlfriend repeats "Sushi!" with a mix of surprise and approval.
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No longer a trope
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No longer a trope


* SuddenlySexuality: Despite having been in a relationship with Joe's father for several years and making several advances to Joe, Gillian abruptly runs off with the nanny towards the end of the movie.
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Black Best Friend has been renamed, and this may or may not fit the trope, no context to tell


* BlackBestFriend: Dave Chappelle (who passed up playing Tom Hanks' best friend before, in ''Film/ForrestGump'').

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* [[IsThatCuteKidYours Are Those Cute Kids Yours?]]: Kathleen has this reaction when introduced to Matt and Annabelle until Joe explains that Matt is his baby half-brother and Annabelle is his aunt.



* [[IsThatCuteKidYours Are Those Cute Kids Yours?]]: Kathleen has this reaction when introduced to Matt and Annabelle until Joe explains that Matt is his baby half-brother and Annabelle is his aunt.

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