Follow TV Tropes

Following

History Film / TopsyTurvy

Go To

OR

Is there an issue? Send a MessageReason:
Loads And Loads Of Characters is no longer a trope


* LoadsAndLoadsOfCharacters
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BittersweetEnding: [[spoiler: ''The Mikado'' is a huge success, but Kitty Gilbert is still sad about the fact that they don't have children; Fanny is pregnant by Sullivan but they know that she'll have to have an abortion, as the scandal of her being an unmarried mother would be too great; Leonora is still lonely, and a title card says that Sullivan did eventually write a grand opera, ''Ivanhoe'', but that almost nobody performs it anymore.]]
Is there an issue? Send a MessageReason:
None


* LaserGuidedKarma: Grossmith, Barrington and Lely have lunch, at which they discuss the fall of Khartoum.[[note]]Charles George Gordon, Governor-General of the Sudan, had gone against all advice and retained a force there of about a thousand men, who were besieged by a local Muslim leader, Muhammad Ahmad, and his forces. Ahmad had offered Gordon the chance to surrender, but Gordon refused, and in the end Ahmad's forces overran the British forces and Gordon and almost all his men were killed.[[/note] Grossmith and Barrington are booked to have a chat with D'Oyly Carte about their salaries, at which they intended to push for generous pay rises, but Lely isn't booked to have such a chat. Grossmith and Barrington make extremely racist remarks about the natives in Khartoum, but Lely (who's Scottish) mildly reminds them of a massacre of the Scots by the English. Grossmith and Barrington indulge in an extra dozen of oysters, but Lely, who's having the sole, declines to have any. At their respective chats with D'Oyly Carte, Grossmith and Barrington are struck down with oyster poisoning and fail to obtain their pay rises, while Lely is perfectly healthy.

to:

* LaserGuidedKarma: Grossmith, Barrington and Lely have lunch, at which they discuss the fall of Khartoum.[[note]]Charles George Gordon, Governor-General of the Sudan, had gone against all advice and retained a force there of about a thousand men, who were besieged by a local Muslim leader, Muhammad Ahmad, and his forces. Ahmad had offered Gordon the chance to surrender, but Gordon refused, and in the end Ahmad's forces overran the British forces and Gordon and almost all his men were killed.[[/note] [[/note]] Grossmith and Barrington are booked to have a chat with D'Oyly Carte about their salaries, at which they intended to push for generous pay rises, but Lely isn't booked to have such a chat. Grossmith and Barrington make extremely racist remarks about the natives in Khartoum, but Lely (who's Scottish) mildly reminds them of a massacre of the Scots by the English. Grossmith and Barrington indulge in an extra dozen of oysters, but Lely, who's having the sole, declines to have any. At their respective chats with D'Oyly Carte, Grossmith and Barrington are struck down with oyster poisoning and fail to obtain their pay rises, while Lely is perfectly healthy.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LaserGuidedKarma: Grossmith, Barrington and Lely have lunch, at which they discuss the fall of Khartoum.[[note]]Charles George Gordon, Governor-General of the Sudan, had gone against all advice and retained a force there of about a thousand men, who were besieged by a local Muslim leader, Muhammad Ahmad, and his forces. Ahmad had offered Gordon the chance to surrender, but Gordon refused, and in the end Ahmad's forces overran the British forces and Gordon and almost all his men were killed.[[/note] Grossmith and Barrington are booked to have a chat with D'Oyly Carte about their salaries, at which they intended to push for generous pay rises, but Lely isn't booked to have such a chat. Grossmith and Barrington make extremely racist remarks about the natives in Khartoum, but Lely (who's Scottish) mildly reminds them of a massacre of the Scots by the English. Grossmith and Barrington indulge in an extra dozen of oysters, but Lely, who's having the sole, declines to have any. At their respective chats with D'Oyly Carte, Grossmith and Barrington are struck down with oyster poisoning and fail to obtain their pay rises, while Lely is perfectly healthy.
Is there an issue? Send a MessageReason:
None


* DepravedDentist: A dentist pulls one of Gilbert's teeth apparently without anesthetic. To make matters worse, though, the dentist then goes on to remark that ''Theatre/PrincessIda'' is "too long"-- a point Gilbert is sore about -- while Gilbert has his mouth forced closed so he's unable to respond!

to:

* DepravedDentist: A dentist pulls one of Gilbert's teeth apparently without anesthetic. [[note]]TruthInTelevision, frighteningly enough, as modern anesthetics weren't due to be invented for a few more decades.[[/note]] To make matters worse, though, the dentist then goes on to remark that ''Theatre/PrincessIda'' is "too long"-- a point Gilbert is sore about -- while Gilbert has his mouth forced closed so he's unable to respond!
Is there an issue? Send a MessageReason:
None


* HehHehYouSaidX: Sullivan chuckles when Gilbert reads the play's subtitle, "The Town of Titipu." (Of course, knowing Gilbert, that's probably quite intentional GettingCrapPastTheRadar.)

to:

* HehHehYouSaidX: Sullivan chuckles when Gilbert reads the play's subtitle, "The Town of Titipu." (Of course, knowing Gilbert, that's probably quite intentional GettingCrapPastTheRadar.intentional.)
Is there an issue? Send a MessageReason:
None


** In the film, Gilbert gets the idea to write ''The Mikado'' after visiting the Knightsbridge Japanese Village. The real exhibition did not open until 1885, long after Gilbert sent Sullivan the first plot sketch of ''The Mikado'' in May 1884.

to:

** In the film, Gilbert gets the idea to write ''The Mikado'' ''Theatre/TheMikado'' after visiting the Knightsbridge Japanese Village. The real exhibition did not open until 1885, long after Gilbert sent Sullivan the first plot sketch of ''The Mikado'' in May 1884.

Added: 507

Changed: 240

Is there an issue? Send a MessageReason:
None


* ArtisticLicenceHistory: In the film, Gilbert gets the idea to write ''The Mikado'' after visiting the Knightsbridge Japanese Village. The real exhibition did not open until 1885, long after Gilbert sent Sullivan the first plot sketch of ''The Mikado'' in May 1884.

to:

* ArtisticLicenceHistory: ArtisticLicenceHistory:
**
In the film, Gilbert gets the idea to write ''The Mikado'' after visiting the Knightsbridge Japanese Village. The real exhibition did not open until 1885, long after Gilbert sent Sullivan the first plot sketch of ''The Mikado'' in May 1884.1884.
** In the real-life opening-night performance of ''The Mikado'', the Act 2 finale began with "The Threatened Cloud Has Passed Away." That was felt to be too short, so "For He's Gone and Married Yum-Yum" was added later, as seen in the film and modern performances.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ArtisticLicenceHistory: In the film, Gilbert gets the idea to write ''The Mikado'' after visiting the Knightsbridge Japanese Village. The real exhibition did not open until 1885, long after Gilbert sent Sullivan the first plot sketch of ''The Mikado'' in May 1884.

Added: 14

Removed: 14

Is there an issue? Send a MessageReason:
None


* CostumeDrama



* CostumeDrama
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DeliberateValuesDissonance: William Gilbert has to deal with an actor who has a hissy fit over his costume which seems too "revealing," even though by modern audiences' eyes, it is demure. Furthermore, with MethodActing stars like Creator/DustinHoffman and Creator/MerylStreep becoming well known and respected for the lengths they will go to be in character, this actor sounds childishly unprofessional.
Is there an issue? Send a MessageReason:
None


* BilingualDialogue: Numerous characters drop into French in the course of ordinary conversation, the most conspicuous example being the wardrobe mistress, who speaks mostly in French despite her working-class London accent.

to:

* BilingualDialogue: Numerous characters drop into French in the course of ordinary conversation, the most conspicuous example being Madame Leon, the wardrobe mistress, who speaks mostly in French despite her honking working-class London accent.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BilingualDialogue: Numerous characters drop into French in the course of ordinary conversation, the most conspicuous example being the wardrobe mistress, who speaks mostly in French despite her working-class London accent.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WoundThatWillNotHeal: Jessie Bond suffers from an abscess in her leg, which means she’s in more or less constant pain. This was TruthInTelevision.

Added: 458

Changed: 453

Is there an issue? Send a MessageReason:
None


* OohMeAccentsSlipping: In-universe. Actor Durward Lely is a Scotsman who affects a posh Southern English accent on stage and in most of his public dealings. Except when angered.
* Also in-universe for Mrs. Fanny Ronalds, who is an American society lady living in English society. When with Sullivan and other intimate English friends, she tends to be in a generic upper English accent, but in hosting private concerts for English society she slips into her normal American accent.

to:

* OohMeAccentsSlipping: OohMeAccentsSlipping:
**
In-universe. Actor Durward Lely is a Scotsman who affects a posh Southern English accent on stage and in most of his public dealings. Except when angered.
* ** Also in-universe for Mrs. Fanny Ronalds, who is an American society lady living in English society. When with Sullivan and other intimate English friends, she tends to be in a generic upper English accent, but in hosting private concerts for English society she slips into her normal American accent.


Added DiffLines:

* SetBehindTheScenes: Most of the film shows the inner workings of the D'Oyly Carte company as ''Theatre/TheMikado'' is conceived, produced, and rehearsed.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Also in-universe for Mrs. Fanny Ronalds, who is an American society lady living in English society. When with Sullivan and other intimate English friends, she tends to be in a generic upper English accent, but in hosting private concerts for English society she slips into her normal American accent.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MakingTheMasterpiece: The story of the making of ''Theatre/TheMikado''.
Is there an issue? Send a MessageReason:
None


* ToneShift: The first half of the film dramatises the stagnation of Gilbert & Sullivan's creative partnership, with Sullivan becoming increasingly impatient with Gilbert's ideas, or rather (as Sullivan feels) Gilbert's lack of fresh ideas, and the two lead characters become more and more bad-tempered (although this establishes their characters: Sullivan deals with their joint CreatorBreakdown by going to Paris and living it up, whereas Gilbert deals with it by saying at home and becoming ever more grumpy.) As soon as Gilbert attends the Japanese exhibition, becomes inspired to write ''The Mikado'' and reads the resulting to libretto to an appreciative Sullivan, the whole tone of the film shifts into comedy and stays there throughout the ensuing rehearsal sequences. [[spoiler: It shifts back into drama at the end, as we see that the enormous success of the show hasn't necessarily fixed the characters' lives and that some of them are just as messed-up as they were to begin with.]]

to:

* ToneShift: The first half of the film dramatises the stagnation of Gilbert & Sullivan's creative partnership, with Sullivan becoming increasingly impatient with Gilbert's ideas, or rather (as Sullivan feels) Gilbert's lack of fresh ideas, and the two lead characters become more and more bad-tempered (although this establishes their characters: Sullivan deals with their joint CreatorBreakdown by going to Paris and living it up, whereas Gilbert deals with it by saying staying at home and becoming ever more grumpy.) As soon as Gilbert attends the Japanese exhibition, becomes inspired to write ''The Mikado'' and reads the resulting to libretto to an appreciative Sullivan, the whole tone of the film shifts into comedy and stays there throughout the ensuing rehearsal sequences. [[spoiler: It shifts back into drama at the end, as we see that the enormous success of the show hasn't necessarily fixed the characters' lives and that some of them are just as messed-up as they were to begin with.]]

Added: 224

Changed: 21

Is there an issue? Send a MessageReason:
None


* CloudCuckooLander: Mr D'Auban, the choreographer.

to:

* CloudCuckooLander: Mr D'Auban, (Creator/AndySerkis) the choreographer.


Added DiffLines:

* FullyClothedNudity: Durward Lely complains that his costume as Nanki-Poo (a short jacket and black tights) renders him practically naked, and only relents when Gilbert convinces him that the Japanese did not wear trousers.
Is there an issue? Send a MessageReason:
None


After earning disappointing reviews for ''Theatre/PrincessIda'', Sir Arthur Sullivan (Allan Corduner) decides to unilaterally dissolve his partnership with William Gilbert (JimBroadbent) creating comic operas for the Savoy Theatre. To get his mind off his troubles, Gilbert's wife, Kitty, drags him to the Japanese Village in Knightsbridge and he is inspired to write ''Theatre/TheMikado''. What follows is a comprehensive story of how the play was developed such as how it was written, how Sullivan prepared the music and the singing and how Gilbert dealt with the choreography, costuming and dealing with actors and their occasional moments of temperament.

to:

After earning disappointing reviews for ''Theatre/PrincessIda'', Sir Arthur Sullivan (Allan Corduner) decides to unilaterally dissolve his partnership with William Gilbert (JimBroadbent) (Creator/JimBroadbent) creating comic operas for the Savoy Theatre. To get his mind off his troubles, Gilbert's wife, Kitty, drags him to the Japanese Village in Knightsbridge and he is inspired to write ''Theatre/TheMikado''. What follows is a comprehensive story of how the play was developed such as how it was written, how Sullivan prepared the music and the singing and how Gilbert dealt with the choreography, costuming and dealing with actors and their occasional moments of temperament.

Added: 317

Changed: 462

Is there an issue? Send a MessageReason:
None


* AvoidTheDreadedGRating: The film's "R" rating apparently comes from just one gratuitous scene with some [[{{Fanservice}} topless burlesque dancers]]; there's hardly any other offensive content at all.

to:

* AvoidTheDreadedGRating: The film's "R" rating apparently comes from just one short gratuitous scene with some [[{{Fanservice}} topless burlesque dancers]]; dancers]], and a very brief shot of an actor shooting up some drugs; there's hardly any other remotely offensive content at all.



* GilliganCut: Gilbert says he would not visit the Japanese exhibition, "not for all the tea in China". The next scene is of him and Kitty wandering around it.

to:

* GilliganCut: GilliganCut:
**
Gilbert says he would not visit the Japanese exhibition, "not for all the tea in China". The next scene is of him and Kitty wandering around it.



* ShowWithinAShow : Type 1, the production of the Mikado

to:

* ShowWithinAShow : ShowWithinAShow: Type 1, the production of the Mikado''Theatre/TheMikado''.



* ShoutOut: Gilbert complains that Sullivan wants to write a serious opera about "a prostitute dying of consumption in a garret," an obvious nod to Verdi's ''Theatre/LaTraviata''.

to:

* ShoutOut: ShoutOut:
**
Gilbert complains that Sullivan wants to write a serious opera about "a prostitute dying of consumption in a garret," an obvious nod to Verdi's ''Theatre/LaTraviata''.



* VictorianLondon

to:

* VictorianLondonVictorianLondon: That being the time and setting where the film takes place.
Is there an issue? Send a MessageReason:
None


After earning disappointing reviews for ''Theatre/PrincessIda'', Sir Arthur Sullivan (Allan Corduner) decides to unilaterally dissolve his partnership with William Gilbert (Jim Broadbent) creating comic operas for the Savoy Theatre. To get his mind off his troubles, Gilbert's wife, Kitty, drags him to the Japanese Village in Knightsbridge and he is inspired to write ''Theatre/TheMikado''. What follows is a comprehensive story of how the play was developed such as how it was written, how Sullivan prepared the music and the singing and how Gilbert dealt with the choreography, costuming and dealing with actors and their occasional moments of temperament.

to:

After earning disappointing reviews for ''Theatre/PrincessIda'', Sir Arthur Sullivan (Allan Corduner) decides to unilaterally dissolve his partnership with William Gilbert (Jim Broadbent) (JimBroadbent) creating comic operas for the Savoy Theatre. To get his mind off his troubles, Gilbert's wife, Kitty, drags him to the Japanese Village in Knightsbridge and he is inspired to write ''Theatre/TheMikado''. What follows is a comprehensive story of how the play was developed such as how it was written, how Sullivan prepared the music and the singing and how Gilbert dealt with the choreography, costuming and dealing with actors and their occasional moments of temperament.
Is there an issue? Send a MessageReason:
None


* GirlFriday: Helen Lenoir to Richard D'Oyly Carte. [[Note]]When D'Oyly Carte's wife died, he and Helen were married. She took over the running of the opera company, while he concentrated on the Savoy Hotel.[[/note]]

to:

* GirlFriday: Helen Lenoir to Richard D'Oyly Carte. [[Note]]When [[note]]When D'Oyly Carte's wife died, he and Helen were married. She took over the running of the opera company, while he concentrated on the Savoy Hotel.[[/note]]
Is there an issue? Send a MessageReason:
None


* GirlFriday: Helen Lenoir to Richard D'Oyly Carte.

to:

* GirlFriday: Helen Lenoir to Richard D'Oyly Carte. [[Note]]When D'Oyly Carte's wife died, he and Helen were married. She took over the running of the opera company, while he concentrated on the Savoy Hotel.[[/note]]
Is there an issue? Send a MessageReason:
None


-->'''Seymour''': I'm going out for some Italian hokey-pokey and I don't care who knows it.[[note]]It's a very hot day and he means that he's going to get some ice cream.[[/note]]

to:

-->'''Seymour''': -->'''Barker''': I'm going out for some Italian hokey-pokey and I don't care not who knows it.[[note]]It's a very hot day and he means that he's going to get some ice cream.[[/note]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DoubleEntendre:
-->'''Seymour''': I'm going out for some Italian hokey-pokey and I don't care who knows it.[[note]]It's a very hot day and he means that he's going to get some ice cream.[[/note]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ToneShift: The first half of the film dramatises the stagnation of Gilbert & Sullivan's creative partnership, with Sullivan becoming increasingly impatient with Gilbert's ideas, or rather (as Sullivan feels) Gilbert's lack of fresh ideas, and the two lead characters become more and more bad-tempered (although this establishes their characters: Sullivan deals with their joint CreatorBreakdown by going to Paris and living it up, whereas Gilbert deals with it by saying at home and becoming ever more grumpy.) As soon as Gilbert attends the Japanese exhibition, becomes inspired to write ''The Mikado'' and reads the resulting to libretto to an appreciative Sullivan, the whole tone of the film shifts into comedy and stays there throughout the ensuing rehearsal sequences. [[spoiler: It shifts back into drama at the end, as we see that the enormous success of the show hasn't necessarily fixed the characters' lives and that some of them are just as messed-up as they were to begin with.]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DeathGlare: Katisha gives a particularly terrifying one to the crowd during the Miya-sama scene.


Added DiffLines:

* EyeTwitch: The Mikado, when being upstaged by his daughter-in-law elect.

Added: 359

Changed: 587

Is there an issue? Send a MessageReason:
None


''Topsy-Turvy'' is a 1999 film written and directed by MikeLeigh that focuses on the partnership of Creator/GilbertAndSullivan when they reach a crossroads in their career.

to:

''Topsy-Turvy'' is a 1999 film written and directed by MikeLeigh Creator/MikeLeigh that focuses on the partnership of Creator/GilbertAndSullivan when they reach a crossroads in their career.



* ShownTheirWork: Some of the characters reminisce about their past roles or sing parts of solos from other shows. Yes, in real life, those characters did indeed originate those roles.
** Quoth Website/{{IMDb}}, "Most modern recordings and performances of the Mikado's solo, 'A More Humane Mikado' feature a bloodthirsty laugh between the verses. This touch was added by Darrel Fancourt, a D'Oyly Carte performer from 1920-1953, and has been copied ever since - which is why the laugh is not performed by Richard Temple (TimothySpall)."

to:

* ShownTheirWork: ShownTheirWork:
**
Some of the characters reminisce about their past roles or sing parts of solos from other shows. Yes, in real life, those characters did indeed originate those roles.
** Quoth Website/{{IMDb}}, "Most modern recordings and performances of the Mikado's solo, 'A More Humane Mikado' feature a bloodthirsty laugh between the verses. This touch was added by Darrel Fancourt, a D'Oyly Carte performer from 1920-1953, and has been copied ever since - which is why the laugh is not performed by Richard Temple (TimothySpall).(Creator/TimothySpall)."
Is there an issue? Send a MessageReason:
None


''Topsy-Turvy'' was nominated for four AcademyAwards and won for Best Costume Design and Makeup.

to:

''Topsy-Turvy'' was nominated for four AcademyAwards UsefulNotes/{{Academy Award}}s and won for Best Costume Design and Makeup.

Top