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Changed line(s) 32 (click to see context) from:
* FallenHero: Washizu.
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%% * FallenHero: Washizu.
Changed line(s) 35 (click to see context) from:
* HenpeckedHusband: Washizu, possibly even more than Theatre/{{Macbeth}}.
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%% * HenpeckedHusband: Washizu, possibly even more than Theatre/{{Macbeth}}.
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* LadyMacbeth: Asaji (not surprising, since she's based on the TropeNamer).
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* LadyMacbeth: Asaji (not Asaji, who manipulates her husband into killing his rival and then a whole bunch of other crimes to cover up the first one. Not surprising, since she's based on the TropeNamer).TropeNamer.
* MurderMakesYouCrazy: After killing Lord Tsuzuki, both Washizu and his wife Lady Asaji who manipulated him into committing the murder, slowly begin to lose their minds because of the guilt they feel.
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* OutDamnedSpot: Isuzu Yamada does a terrific mad scene where she sits in a trance, trying to wash imaginary blood off her hands.
* ScrubbingOffTheTrauma: Lady Asaji is shown having gone mad with guilt at having manipulated her husband Washizu into committing crimes and the murder of Lord Tsuzuki, sitting in a trance, trying to wash imaginary blood off her hands.
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* UnholyMatrimony: Taketoki and Asaji Washizu.
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%% * UnholyMatrimony: Taketoki and Asaji Washizu.
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* VillainousBreakdown: Both the Washizus have this happen to them. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
to:
* VillainousBreakdown: Both the Washizus have this happen to them. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot [[ScrubbingOffTheTrauma trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
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Changed line(s) 16,18 (click to see context) from:
* AdaptationalVillainy:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
** Both Washizu and his wife, Lord and Lady Macbeth, are shown having a colder marriage in the film, when in the Shakespeare original, they have a loving marriage, and indeed are arguably the happiest married couple in Shakespeare. The "Tomorrow, tomorrow, tomorrow" speech is AdaptedOut, and Washizu doesn't lament how terrible it is that he can't grieve for her.
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
** Both Washizu and his wife, Lord and Lady Macbeth, are shown having a colder marriage in the film, when in the Shakespeare original, they have a loving marriage, and indeed are arguably the happiest married couple in Shakespeare. The "Tomorrow, tomorrow, tomorrow" speech is AdaptedOut, and Washizu doesn't lament how terrible it is that he can't grieve for her.
to:
* AdaptationalVillainy:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
**AdaptationRelationshipOverhaul: Both Washizu and his wife, Lord and Lady Macbeth, are shown having a colder marriage in the film, when in the Shakespeare original, they have a loving marriage, and indeed are arguably the happiest married couple in Shakespeare. The "Tomorrow, tomorrow, tomorrow" speech is AdaptedOut, and Washizu doesn't lament how terrible it is that he can't grieve for her.
* AdaptationalVillainy: Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
**
* AdaptationalVillainy: Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists.
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* CompositeCharacter: The three Weird Sisters are combined into one single entity: the Forest Spirit.
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Changed line(s) 26 (click to see context) from:
* DemotedToExtra: Macduff's counterpart Noriyasu is not nearly as important. Washizu never targets his family and so never faces him. At most Noriyasu is the second-in-command of Kuniharu.
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* DemotedToExtra: Macduff's counterpart Noriyasu is not nearly as important. Washizu never targets his family and so never faces him. At most Noriyasu is the second-in-command of Kuniharu. It is his demotion in importance, ultimately meaning he and Washizu never battle each other, that ultimately contributes to Washizu's skill as a warrior being an InformedAttribute.
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[[quoteright:340:https://static.tvtropes.org/pmwiki/pub/images/throneofblood_8294.jpg]]
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Changed line(s) 49 (click to see context) from:
*** In turn, Washizu's manic energy also tended to be a trait of Hideyoshi in fiction (not to mention that Washizu having his successors (the Mikis) killed is sometjing [[TruthInTelevision Hideyoshi actually did]] to [[https://books.google.co.jp/books?id=nofUu5tvJ18C&pg=PA118&lpg=PA118&dq=hidetsugu+tomb+of+traitors&source=bl&ots=ltEsTS6YXI&sig=ACfU3U11Dj79ZM8CWAXLQyL4LU82pg-Nlw&hl=en&sa=X&ved=2ahUKEwi5g-rrr-H2AhW2k1YBHXHFAzEQ6AF6BAgcEAM#v=onepage&q=hidetsugu%20tomb%20of%20traitors&f=false his nephew Hidetsugu and his whole family]]).
to:
*** In turn, Washizu's manic energy also tended to be a trait of Hideyoshi in fiction (not to mention that Washizu having his successors (the Mikis) killed is sometjing something [[TruthInTelevision Hideyoshi actually did]] to [[https://books.google.co.jp/books?id=nofUu5tvJ18C&pg=PA118&lpg=PA118&dq=hidetsugu+tomb+of+traitors&source=bl&ots=ltEsTS6YXI&sig=ACfU3U11Dj79ZM8CWAXLQyL4LU82pg-Nlw&hl=en&sa=X&ved=2ahUKEwi5g-rrr-H2AhW2k1YBHXHFAzEQ6AF6BAgcEAM#v=onepage&q=hidetsugu%20tomb%20of%20traitors&f=false his nephew Hidetsugu and his whole family]]).family]], all to ensure his son Hideyori succeeds).
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Changed line(s) 8,9 (click to see context) from:
''Throne of Blood'' (''Kumonosu Jō'', "Spider Web Castle"), is a 1957 film by Creator/AkiraKurosawa, and is Kurosawa's version of ''Theatre/{{Macbeth}}''. It stars Creator/ToshiroMifune as Washizu, a Japanese warlord who meets a strange spirit who gives him some dark ideas about taking the place of his lord. Kurosawa fuses Creator/WilliamShakespeare's plot with elements from Noh theater, and sets the story at an unspecified time and place in [[JidaiGeki Sengoku-era Japan]]. The [[NoManOfWomanBorn Macduff]] subplot is left out, leading to a different, but more thematic end for the Macbeth figure.
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''Throne of Blood'' (''Kumonosu Jō'', "Spider (蜘蛛巣城, Kumonosu-Jō, lit. 'Spider's Web Castle"), Castle'), is a 1957 film by Creator/AkiraKurosawa, and is Kurosawa's version of ''Theatre/{{Macbeth}}''. It stars Creator/ToshiroMifune as Washizu, a Japanese warlord who meets a strange spirit who gives him some dark ideas about taking the place of his lord. Kurosawa fuses Creator/WilliamShakespeare's plot with elements from Noh theater, and sets the story at an unspecified time and place in [[JidaiGeki Sengoku-era Japan]]. The [[NoManOfWomanBorn Macduff]] subplot is left out, leading to a different, but more thematic end for the Macbeth figure.
Changed line(s) 51 (click to see context) from:
* NonIndicativeName: You might think ''Throne of Blood'' would feature a CoolChair, stained (perhaps metaphorically) by Kunimara's blood, but since chairs aren't commonly used in Japan, the idea of a throne isn't really present in the culture either.
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* NonIndicativeName: As a result of the CompletelyDifferentTitle in the English release. You might think ''Throne of Blood'' would feature a CoolChair, stained (perhaps metaphorically) by Kunimara's blood, but since chairs aren't commonly used in Japan, the idea of a throne isn't really present in the culture either.
Changed line(s) 75 (click to see context) from:
* TitleDrop: Of the Japanese title, of course, several times.
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* TitleDrop: Of the Japanese title, title (蜘蛛巣城, Kumonosu-jō, lit. 'Spider Web Castle'), of course, several times.
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Changed line(s) 47 (click to see context) from:
** Washizu can be seen as a CompositeCharacter of UsefulNotes/AkechiMitsuhide (who turned traitor against his lord, UsefulNotes/OdaNobunaga) and UsefulNotes/ToyotomiHideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death). Washizu's manic energy also tended to be a trait of Hideyoshi in fiction; Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south for him.
to:
** Washizu can be seen as a CompositeCharacter of UsefulNotes/AkechiMitsuhide (who turned traitor against his lord, UsefulNotes/OdaNobunaga) and UsefulNotes/ToyotomiHideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death). Washizu's manic energy also tended to be a trait of Hideyoshi in fiction;
*** Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south forhim.him.
*** In turn, Washizu's manic energy also tended to be a trait of Hideyoshi in fiction (not to mention that Washizu having his successors (the Mikis) killed is sometjing [[TruthInTelevision Hideyoshi actually did]] to [[https://books.google.co.jp/books?id=nofUu5tvJ18C&pg=PA118&lpg=PA118&dq=hidetsugu+tomb+of+traitors&source=bl&ots=ltEsTS6YXI&sig=ACfU3U11Dj79ZM8CWAXLQyL4LU82pg-Nlw&hl=en&sa=X&ved=2ahUKEwi5g-rrr-H2AhW2k1YBHXHFAzEQ6AF6BAgcEAM#v=onepage&q=hidetsugu%20tomb%20of%20traitors&f=false his nephew Hidetsugu and his whole family]]).
*** Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south for
*** In turn, Washizu's manic energy also tended to be a trait of Hideyoshi in fiction (not to mention that Washizu having his successors (the Mikis) killed is sometjing [[TruthInTelevision Hideyoshi actually did]] to [[https://books.google.co.jp/books?id=nofUu5tvJ18C&pg=PA118&lpg=PA118&dq=hidetsugu+tomb+of+traitors&source=bl&ots=ltEsTS6YXI&sig=ACfU3U11Dj79ZM8CWAXLQyL4LU82pg-Nlw&hl=en&sa=X&ved=2ahUKEwi5g-rrr-H2AhW2k1YBHXHFAzEQ6AF6BAgcEAM#v=onepage&q=hidetsugu%20tomb%20of%20traitors&f=false his nephew Hidetsugu and his whole family]]).
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Changed line(s) 47 (click to see context) from:
** Washizu can be seen as a CompositeCharacter of UsefulNotes/AkechiMitsuhide (who turned traitor against his lord, UsefulNotes/OdaNobunaga) and UsefulNotes/ToyotomiHideyoshi(Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death). Washizu's manic energy also tended to be a trait of Hideyoshi in fiction; Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south for him.
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** Washizu can be seen as a CompositeCharacter of UsefulNotes/AkechiMitsuhide (who turned traitor against his lord, UsefulNotes/OdaNobunaga) and UsefulNotes/ToyotomiHideyoshi(Nobunaga's UsefulNotes/ToyotomiHideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death). Washizu's manic energy also tended to be a trait of Hideyoshi in fiction; Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south for him.
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Changed line(s) 46 (click to see context) from:
* NoHistoricalFiguresWereHarmed: Washizu can be seen as a CompositeCharacter of Akechi Mitsuhide (who turned traitor against his lord, Oda Nobunaga) and Toyotomi Hideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death), while Miki is Tokugawa Ieyasu (who ended the Sengoku era and founded the last shogunate)
to:
* NoHistoricalFiguresWereHarmed: Despite the explicit Shakespearean adaptation, the characteristics of the two main characters (Washizu/Macbeth and Miki/Banquo) aesthetically invokes some real-life UsefulNotes/SengokuPeriod figures:
** Washizu can be seen as a CompositeCharacter ofAkechi Mitsuhide UsefulNotes/AkechiMitsuhide (who turned traitor against his lord, Oda Nobunaga) UsefulNotes/OdaNobunaga) and Toyotomi Hideyoshi (Nobunaga's UsefulNotes/ToyotomiHideyoshi(Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death), while Miki death). Washizu's manic energy also tended to be a trait of Hideyoshi in fiction; Mitsuhide, much like Washizu, would himself be betrayed and killed by his inferiors when things go south for him.
** Miki, [[DeathByAdaptation despite ending up dead]], isTokugawa Ieyasu made up to look like UsefulNotes/TokugawaIeyasu (who ended the Sengoku era and founded the last shogunate)shogunate). In-story, his son Yoshiteru/Fleance survives--much like Ieyasu's son Hidetada.
** Washizu can be seen as a CompositeCharacter of
** Miki, [[DeathByAdaptation despite ending up dead]], is
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It most certainly is not. As bad as Duncan was, he was not responsible for his grandfather's death. Malcolm II died fighting bandits, parricides who are believed to have been Macbeth's paternal cousins.
Changed line(s) 17 (click to see context) from:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists. This is also true of the historical Duncan, interestingly enough, although the detail doesn't make it into the Shakespeare play.
to:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and isn't that different from Washizu, as his wife insists. This is also true of the historical Duncan, interestingly enough, although the detail doesn't make it into the Shakespeare play.
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Changed line(s) 12,13 (click to see context) from:
Kurosawa would release two more films based on Shakespeare's tragedies: ''Film/TheBadSleepWell'', a much looser adaptation of ''Film/{{Hamlet}}'', and ''Film/{{Ran}}'', which transplants ''Theatre/KingLear'' in this case) to Sengoku Japan just as ''Throne of Blood'' did for ''Macbeth''.
to:
Kurosawa would release two more films based on Shakespeare's tragedies: ''Film/TheBadSleepWell'', a much looser adaptation of ''Film/{{Hamlet}}'', and ''Film/{{Ran}}'', which transplants ''Theatre/KingLear'' in this case) to Sengoku Japan just as ''Throne of Blood'' did for ''Macbeth''.
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Changed line(s) 8,13 (click to see context) from:
''Throne of Blood'' (''Kumonosu Jō'', "Spider Web Castle"), is a 1957 film by Creator/AkiraKurosawa, and is Kurosawa's version of ''Theatre/{{Macbeth}}''. It stars Creator/ToshiroMifune as Washizu, a Japanese warlord who meets a strange spirit who gives him some dark ideas about taking the place of his lord. Kurosawa fuses [[Creator/WilliamShakespeare Shakespeare]]'s plot with elements from Noh theater, and sets the story at an unspecified time and place in [[JidaiGeki Sengoku-era Japan]]. The [[NoManOfWomanBorn Macduff]] subplot is left out, leading to a different, but more thematic end for the Macbeth figure.
In 2010, the film was adapted as a play for the Oregon Shakespeare Festival.
See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan, and ''Film/TheBadSleepWell'', Kurosawa's much looser adaptation of ''Film/{{Hamlet}}''.
In 2010, the film was adapted as a play for the Oregon Shakespeare Festival.
See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan, and ''Film/TheBadSleepWell'', Kurosawa's much looser adaptation of ''Film/{{Hamlet}}''.
to:
''Throne of Blood'' (''Kumonosu Jō'', "Spider Web Castle"), is a 1957 film by Creator/AkiraKurosawa, and is Kurosawa's version of ''Theatre/{{Macbeth}}''. It stars Creator/ToshiroMifune as Washizu, a Japanese warlord who meets a strange spirit who gives him some dark ideas about taking the place of his lord. Kurosawa fuses [[Creator/WilliamShakespeare Shakespeare]]'s Creator/WilliamShakespeare's plot with elements from Noh theater, and sets the story at an unspecified time and place in [[JidaiGeki Sengoku-era Japan]]. The [[NoManOfWomanBorn Macduff]] subplot is left out, leading to a different, but more thematic end for the Macbeth figure.
In 2010, the film was adapted as a play for the Oregon ShakespeareFestival.
See also ''Film/{{Ran}}'', another film in whichFestival, effectively bringing things full circle by nature of its roots.
Kurosawaadapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan, and would release two more films based on Shakespeare's tragedies: ''Film/TheBadSleepWell'', Kurosawa's a much looser adaptation of ''Film/{{Hamlet}}''.
''Film/{{Hamlet}}'', and ''Film/{{Ran}}'', which transplants ''Theatre/KingLear'' in this case) to Sengoku Japan just as ''Throne of Blood'' did for ''Macbeth''.
In 2010, the film was adapted as a play for the Oregon Shakespeare
See also ''Film/{{Ran}}'', another film in which
Kurosawa
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Changed line(s) 12,13 (click to see context) from:
See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan.
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See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan.
Japan, and ''Film/TheBadSleepWell'', Kurosawa's much looser adaptation of ''Film/{{Hamlet}}''.
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Changed line(s) 12,13 (click to see context) from:
See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare to Sengoku Japan.
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See also ''Film/{{Ran}}'', another film in which Kurosawa adapted Shakespeare (''Theatre/KingLear'' in this case) to Sengoku Japan.
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Not So Different has been renamed, and it needs to be dewicked/moved
Changed line(s) 17 (click to see context) from:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent from Washizu, as his wife insists. This is also true of the historical Duncan, interestingly enough, although the detail doesn't make it into the Shakespeare play.
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** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent isn't that different from Washizu, as his wife insists. This is also true of the historical Duncan, interestingly enough, although the detail doesn't make it into the Shakespeare play.
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Changed line(s) 17 (click to see context) from:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent from Washizu, as his wife insists.
to:
** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent from Washizu, as his wife insists. This is also true of the historical Duncan, interestingly enough, although the detail doesn't make it into the Shakespeare play.
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Changed line(s) 46 (click to see context) from:
* NoCelebritiesWereHarmed: Washizu can be seen as a CompositeCharacter of Akechi Mitsuhide (who turned traitor against his lord, Oda Nobunaga) and Toyotomi Hideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death), while Miki is Tokugawa Ieyasu (who ended the Sengoku era and founded the last shogunate)
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* NoCelebritiesWereHarmed: NoHistoricalFiguresWereHarmed: Washizu can be seen as a CompositeCharacter of Akechi Mitsuhide (who turned traitor against his lord, Oda Nobunaga) and Toyotomi Hideyoshi (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan after Nobunaga's death), while Miki is Tokugawa Ieyasu (who ended the Sengoku era and founded the last shogunate)
Added DiffLines:
* RaceLift: Since the film is based on ''Macbeth'' (complete with a setting change), the white Scottish characters of the original play are instead Japanese.
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Changed line(s) 3,7 (click to see context) from:
->''If you choose the path of bloodshed, then climb to the pinnacle of evil!''
->''If you choose to build a mountain of corpses, build its summit as high as you dare!''
->''If you will make blood flow, let it be a river – no, an ocean of blood!''
-->-- The Forest Spirit, to Washizu
->''If you choose to build a mountain of corpses, build its summit as high as you dare!''
->''If you will make blood flow, let it be a river – no, an ocean of blood!''
-->-- The Forest Spirit, to Washizu
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->''If you choose the path of bloodshed, then climb to the pinnacle of evil!''
->''Ifevil!''\\
''If you choose to build a mountain of corpses, build its summit as high as youdare!''
->''Ifdare!''\\
''If you will make blood flow, let it be a river – no, an ocean of blood!''
-->-- TheForest Spirit, '''Forest Spirit''', to Washizu
'''Washizu'''
->''If
''If you choose to build a mountain of corpses, build its summit as high as you
->''If
''If you will make blood flow, let it be a river – no, an ocean of blood!''
-->-- The
Changed line(s) 52 (click to see context) from:
* ProphecyTwist: Lacks the NoManOfWomanBorn bit, Macduff being AdaptedOut, but keeps the MobileShrubbery. Washizu believes he's invulnerable until the forest comes to the castle, per the witch's prophecy. When the forest actually does appear to come to the castle, his men mutiny and kill him.
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* ProphecyTwist: ProphecyTwist:
** Lacks the NoManOfWomanBorn bit, Macduff being AdaptedOut, but keeps the MobileShrubbery. Washizu believes he's invulnerable until the forest comes to the castle, per the witch's prophecy. When the forest actually does appear to come to the castle, his men mutiny and kill him.
** Lacks the NoManOfWomanBorn bit, Macduff being AdaptedOut, but keeps the MobileShrubbery. Washizu believes he's invulnerable until the forest comes to the castle, per the witch's prophecy. When the forest actually does appear to come to the castle, his men mutiny and kill him.
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Changed line(s) 34 (click to see context) from:
* HeirClubForMen: Washizu is perfectly happy to have Miki's son as his heir, until Lady Asaji reveals she is pregnant.
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* HeirClubForMen: Washizu is perfectly happy to have Miki's son as his heir, until Lady Asaji reveals she is pregnant. [[spoiler:The child is stillborn.]]
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* InformedAttribute: Washizu is supposed to be a great warrior and prophesized to never lose a battle until a certain seemingly unlikely condition occurs. But every battle he fights takes place before the prophecy is made (before he even appears on camera, for that matter), and the fights he gets into consist of murdering three defenseless men, followed by being shot by his own subordinates. His skill as a soldier and commander of soldiers is never shown on screen.
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** Washizu's death prophecy predicts he will never lose a battle until the forest comes to the castle. But he also never ''wins'' any battles, because he doesn't ''fight'' any battles.
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* DemotedToExtra: Macduff's counterpart Noriyasu is not nearly as important. Washizu never targets his family and so never faces him. At most Noriyasu is the second-in-command of Kuniharu.
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Changed line(s) 45 (click to see context) from:
* OminousFog: In spades. Washizu and Miki get lost in such a fog before finding the evil spirit in the woods.
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* NonIndicativeName: You might think ''Throne of Blood'' would feature a CoolChair, stained (perhaps metaphorically) by Kunimara's blood, but since chairs aren't commonly used in Japan, the idea of a throne isn't really present in the culture either.
* OminousFog: In spades. Washizu and Miki get lost in such a fog before finding the evil spirit in the woods. The movie was shot on the fog-shrouded slopes of Mt. Fuji, a perfect setting for a movie about uncertainty and prophecy.
* OminousFog: In spades. Washizu and Miki get lost in such a fog before finding the evil spirit in the woods. The movie was shot on the fog-shrouded slopes of Mt. Fuji, a perfect setting for a movie about uncertainty and prophecy.
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* RasputinianDeath: Washizu takes at least 20 arrows to the chest and still tries to walk and fight, finally falling to an over-dramatic arrow through the neck.
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* RasputinianDeath: Washizu takes at least 20 arrows to the chest and still tries to walk and fight, finally falling to an over-dramatic arrow through the neck. The whole scene is ''wild''.
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Cut trope. Can't tell if its replacement trope or any others are applicable.
Deleted line(s) 25 (click to see context) :
** BiggerBad: The mysterious witch in the forest manipulates ''everyone''.
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* TsuchigumoAndJorogumo: The movie exchanges Birnam Wood for Spider's Web Forest, possibly invoking these creatures from Japanese folklore.
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there are no youkai in the movie
Changed line(s) 28 (click to see context) from:
* DrivenToSuicide: Averted, actually. The last scene with Asaji (Lady Macbeth) is the "out, damned spot" scene, and there is no exposition in the play indicating that she has killed herself.
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* DrivenToSuicide: Averted, actually. The last scene with Asaji (Lady Macbeth) is the "out, damned spot" scene, and and, unlike in the play, there is no exposition in the play indicating that she has killed herself.
Changed line(s) 47 (click to see context) from:
* [[OminousLatinChanting Ominous Japanese Chanting]]: A song by [[https://www.youtube.com/watch?v=4XWogmntJls an ominous-sounding chorus]] bookends the film, telling of how a mighty castle once stood on a now-blasted landscape, before being brought down by the corruption of those who lived in it.
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* [[OminousLatinChanting OminousLatinChanting: Ominous Japanese Chanting]]: Chanting. A song by [[https://www.youtube.com/watch?v=4XWogmntJls an ominous-sounding chorus]] bookends the film, telling of how a mighty castle once stood on a now-blasted landscape, before being brought down by the corruption of those who lived in it.
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%%* ProphecyTwist
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%%* {{Samurai}}
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%%* {{Tragedy}}
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%%* VillainProtagonist
* VillainousBreakdown: Both the Washizus have this happen to them in ''Film/ThroneOfBlood''. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
* VillainousBreakdown: Both the Washizus have this happen to them in ''Film/ThroneOfBlood''. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
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* VillainousBreakdown: Both the Washizus have this happen to
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* {{Youkai}}: The film exchanges ''Macbeth'''s Birnam Wood for Spider's Web Forest, possibly invoking these creatures from Japanese folklore.
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since the film in English is called "Throne of Blood" and neither Spiderweb Castle nor Cobweb Castle, this trope wouldn't seem to apply
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* AddedAlliterativeAppeal: Sometimes the Japanese title is translated as "Cobweb Castle" ("cob" is archaic English for spider).
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Malcolm II actually died fighting bandits.
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** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent from Washizu, as his wife insists. Ironically, the historical Duncan actually killed his predecessor, his own grandfather no less.
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** Tsuzuki, the King Duncan analogue, is presented as being an usurper who deposed the previous lord and is NotSoDifferent from Washizu, as his wife insists. Ironically, the historical Duncan actually killed his predecessor, his own grandfather no less.
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None
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* VillainousBreakdown: Both the Washizus have this happen to him in ''Film/ThroneOfBlood''. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
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* VillainousBreakdown: Both the Washizus have this happen to him them in ''Film/ThroneOfBlood''. After being convinced by his wife to murder Lord Tsuzuki, the husband, Taketoki, becomes increasingly paranoid and starts seeing hallucinations, while the wife herself, Asaji, completely snaps and is last seen [[OutDamnedSpot trying to clean the stench of nonexistent blood off her hands]]. Being as this is ''Theatre/{{Macbeth}}'' [[RecycledInSpace WITH SAMURAI]], this was very much intentional.
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None
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* SlidingScaleOfFreeWillVsFate: Washizu is caught up in a prophecy that he can't avoid, from the moment he is given the title of Lord of North Castle, as well as in a cycle of KlingonPromotion a, given that Lord Tsuzuki had killed his previous lord to aquire his position. At the same time, he is given choices, whether or not to dispose of his trusted allies, and he picks the wrong decision each time, because he's so weak at the hands of his wife.
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* SlidingScaleOfFreeWillVsFate: Washizu is caught up in a prophecy that he can't avoid, from the moment he is given the title of Lord of North Castle, as well as in a cycle of KlingonPromotion a, KlingonPromotion, given that Lord Tsuzuki had killed his ''his'' previous lord to aquire his position. At the same time, he is given choices, whether or not to dispose of his trusted allies, and he picks the wrong decision each time, because he's so weak at the hands of his wife.
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None
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* NoCelebritiesWereHarmed: Washizu can be seen as a CompositeCharacter of Mituhide Akechi (who turned traitor against his lord) and Hideyoshi Toyotomi (who rose out of obscurity as a mere foot soldier to rule Japan), while Miki is Tokugawa Ieyasu (who ended the Sengoku era and founded the last shogunate)
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* NoCelebritiesWereHarmed: Washizu can be seen as a CompositeCharacter of Mituhide Akechi Mitsuhide (who turned traitor against his lord) lord, Oda Nobunaga) and Toyotomi Hideyoshi Toyotomi (who (Nobunaga's general, who rose out of obscurity as a mere foot soldier to rule Japan), Japan after Nobunaga's death), while Miki is Tokugawa Ieyasu (who ended the Sengoku era and founded the last shogunate)