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* ParentalIncest: A one-sided, forced, incestuous relationship between Isaiah and his dad. A rare example where the ''child'' is the abuser and the parent is the victim.
Deleted line(s) 53 (click to see context) :
* ParentalIncest: A one-sided, forced, incestuous relationship between Isaiah and his dad. A rare example where the ''child'' is the abuser and the parent is the victim.
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* AnAesop: ''Anybody'' can be an abuser, and abuse is bad no matter who does it.
Deleted line(s) 23 (click to see context) :
* AnAesop: ''Anybody'' can be an abuser, and abuse is bad no matter who does it.
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someone left an example of Your Cheating Heart
Deleted line(s) 78 (click to see context) :
* YourCheatingHeart: Isaiah cheats on his wife ''on their wedding day''.
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* OpenSaysMe: A locked bathroom door is no match for Isaiah.
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* YourCheatingHeart: Isaiah cheats on his wife ''on their wedding day''.
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Changed line(s) 29 (click to see context) from:
* BystanderSyndrome: Some of the film's most potent FridgeHorror lies in Joan, who on multiple occasions was made fully aware of Isaiah's abusing Sidney, but chose not to do anything, likely prolonging the abuse. Even worse is that in her final conversation with Isaiah, she reveals that she'd seen the signs of his abuse in Sidney ''since it began''.
to:
* BystanderSyndrome: Some of the film's most potent FridgeHorror lies in Joan, who on multiple occasions was made fully aware of Isaiah's abusing Sidney, abuse of Sidney but chose not to do anything, likely prolonging the abuse. Even worse is that in her final conversation with Isaiah, she reveals that she'd seen the signs of his abuse in Sidney ''since it began''.
Changed line(s) 48,49 (click to see context) from:
** When Isaiah finds that Sidney's locked the door as he's taking a bath, he states that Sidney "knows how [he feels] about locked doors."
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, which reveals [[FridgeHorror just how long this has been going on...]]
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, which reveals [[FridgeHorror just how long this has been going on...]]
to:
** When Isaiah finds that Sidney's locked the bathroom door as he's taking a bath, he states that Sidney "knows says, "You know how [he feels] I feel about locked doors."
doors!"
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, whichreveals [[FridgeHorror alludes to just how long this has been going on...]]on.
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, which
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Changed line(s) 12,13 (click to see context) from:
Undoubtedly one of if not the most popular short of his, it alongside ''Film/Munchausen2013'' helped Aster get the attention of Creator/{{A24}}, where his career continued with feature films.
to:
Undoubtedly one of if not the most popular short of his, Aster's, it alongside ''Film/Munchausen2013'' helped Aster him get the attention of Creator/{{A24}}, where his career continued with feature films.
Changed line(s) 30 (click to see context) from:
* CaughtWithYourPantsDown: The film's opening scene, in which Sidney walks in on Isaiah masturbating to a picture and gives him a speech that it's a natural thing to do. We then find out that the picture was of Sidney.
to:
* CaughtWithYourPantsDown: The film's opening scene, in which film opens with Sidney walks walking in on Isaiah masturbating to a picture and gives picture. He tries to reduce the awkwardness by giving him a speech that it's a natural thing to do. We do and then leaves, after which we find out that the picture was of Sidney.
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* AnAesop: ''Anybody'' can be an abuser, and abuse is bad no matter who does it.
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* FanDisservice: Isaiah manages to give oral sex in the most uncomfortable way imaginable; looking more like a rat chewing gnawing through a trash bag rather than a romantic partner, not helped by the fact Sidney is obviously not enjoying the experience.
Changed line(s) 54 (click to see context) from:
** The second is when Isaiah rapes Sidney in the bathtub. Right after Isaiah kicks the door down, the film cuts to Joan watching TV and trying to drown out Sidney's cries by increasing the volume.
to:
** The second is during Sidney's confessional essay; he appears to be writing down one of the many times he was taken advantage of by Isaiah, but the only thing we see is that the experience "almost tore (his) mouth"
** The third is when Isaiah rapes Sidney in the bathtub. Right after Isaiah kicks the door down, the film cuts to Joan watching TV and trying to drown out Sidney's cries by increasing the volume.
** The third is when Isaiah rapes Sidney in the bathtub. Right after Isaiah kicks the door down, the film cuts to Joan watching TV and trying to drown out Sidney's cries by increasing the volume.
Changed line(s) 61 (click to see context) from:
* ThousandYardStare: Joan, at Sidney's funeral.
to:
* ThousandYardStare: Joan, at Sidney's funeral.funeral; also Sidney himself during Isaiah's wedding, especially when he and Isaiah are behind the fence.
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Changed line(s) 12,13 (click to see context) from:
Undoubtedly one of if not the most popular short of his, it alongside ''Film/Munchausen2013'' helped Aster get the attention of [=A24=], where his career continued with feature films.
to:
Undoubtedly one of if not the most popular short of his, it alongside ''Film/Munchausen2013'' helped Aster get the attention of [=A24=], Creator/{{A24}}, where his career continued with feature films.
Changed line(s) 71 (click to see context) from:
* WithinArmsReach: Isaiah tries to kill his mother Joan by shoving her head into the fireplace. As he's doing so, she manages to grab the fire poker and [[MusclesAreMeaningless bludgeons him to death with it.]]
to:
* WithinArmsReach: Isaiah tries to kill his mother Joan by shoving her head into the fireplace. As he's doing so, she manages to grab the a nearby fire poker and [[MusclesAreMeaningless bludgeons bludgeon him to death with it.]]
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Changed line(s) 10,11 (click to see context) from:
It premiered at the Slamdance Film Festival in January of 2011 but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], [[NoSuchThingAsBadPublicity the film went viral]], receiving a polarized mix of reactions from acclaim to disgust.
to:
It premiered at the Slamdance Film Festival in January of 2011 but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], thing,"]] [[NoSuchThingAsBadPublicity the film went viral]], receiving a polarized mix of reactions from acclaim to disgust.
Changed line(s) 31 (click to see context) from:
* DeconstructiveParody: According to Ari Aster, he chose the most socially abhorrent premise he could think of for his senior thesis film to stand in stark contrast to the conventional, "politically correct", and OscarBait-y shorts made by AFI's graduating students.
to:
* DeconstructiveParody: According to Ari Aster, he chose the most socially abhorrent premise he could think of for his senior thesis film to stand in stark contrast to the conventional, "politically correct", correct," and OscarBait-y shorts made by AFI's graduating students.
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Added DiffLines:
* AmbiguousSituation: The origins of Isaiah and Sidney's sexual relationship are unclear, and that's the crux of the film's identity as a psychological thriller. There are a few different interpretations, but they mostly boil down to one of two possibilities:
** 1) Isaiah is a deeply disturbed individual who has been in love with his own father since puberty, and as such, treats his dad the way an abusive, jealous lover would. Sidney's book explains his feelings of guilt and powerlessness to his wife, as he's been pressganged into an affair by his PsychopathicManchild son. This is supported by Isaiah's confrontation with his mother, as he's wearing the clothes in his father's funeral portrait.
** 2) Isaiah is a deeply disturbed individual who was sexually abused by his own father. At some point in the past (the opening masturbation scene would imply puberty) Sidney took advantage of Isaiah's feelings, but Isaiah never outgrew his attraction to his father. Sidney's book is a confession to his wife on how molesting their son has grown completely out of control. This is supported by Isaiah's accusation that Sidney was the one to initiate it, and thus they're both equally at fault.
** 1) Isaiah is a deeply disturbed individual who has been in love with his own father since puberty, and as such, treats his dad the way an abusive, jealous lover would. Sidney's book explains his feelings of guilt and powerlessness to his wife, as he's been pressganged into an affair by his PsychopathicManchild son. This is supported by Isaiah's confrontation with his mother, as he's wearing the clothes in his father's funeral portrait.
** 2) Isaiah is a deeply disturbed individual who was sexually abused by his own father. At some point in the past (the opening masturbation scene would imply puberty) Sidney took advantage of Isaiah's feelings, but Isaiah never outgrew his attraction to his father. Sidney's book is a confession to his wife on how molesting their son has grown completely out of control. This is supported by Isaiah's accusation that Sidney was the one to initiate it, and thus they're both equally at fault.
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Changed line(s) 6,7 (click to see context) from:
''The Strange Thing About the Johnsons'' is a horror short film written and directed by Creator/AriAster as his thesis film while studying at the American Film Institute's graduate school.
to:
''The Strange Thing About the Johnsons'' is a horror PsychologicalHorror short film written and directed by Creator/AriAster as his thesis film while studying at the American Film Institute's graduate school.
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It’s a horror film.
Changed line(s) 6,7 (click to see context) from:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic short film written and directed by Creator/AriAster as his thesis film while studying at the American Film Institute's graduate school.
to:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic horror short film written and directed by Creator/AriAster as his thesis film while studying at the American Film Institute's graduate school.
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Changed line(s) 14,15 (click to see context) from:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked''. It is strongly advised that you [[https://www.youtube.com/watch?v=sqyQMX4rwHs watch the short first]], then come back here. Administrivia/YouHaveBeenWarned.'''
to:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked''. It is strongly advised that you [[https://www.youtube.com/watch?v=sqyQMX4rwHs watch the short first]], then come back here. Administrivia/YouHaveBeenWarned.'''
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None
Changed line(s) 20 (click to see context) from:
* BigBad: [[AlternateCharacterInterpretation Depending on who you ask]], Isaiah and Sidney could equally be this. Initially, the audience is led to believe that Isaiah is the villain, due to his sexual abuse of his father, but his HannibalLecture to him near the end implies that Sidney abused him first, and it snowballed from there. The possibility that Isaiah is simply UsefulNotes/VictimBlaming him is still open.
to:
* BigBad: [[AlternateCharacterInterpretation Depending on who you ask]], Isaiah and Sidney could equally be this. Initially, the audience is led to believe that Isaiah is the villain, due to his sexual abuse of his father, but his HannibalLecture to him near the end implies that Sidney abused him first, and it snowballed from there. The Considering there is no indication of abuse from the father's end, the possibility that Isaiah is simply UsefulNotes/VictimBlaming him is still open.
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Dewicked trope
Deleted line(s) 20 (click to see context) :
* AdultFear: What makes the movie so horrifying is the very ''idea'' that your own child could be a monstrous psychopath who could abuse you.
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None
Changed line(s) 4,5 (click to see context) from:
->''"I love you, Dad... but this makes it hard."''
to:
->''"I love you, Dad... Dad… but this makes it hard."''
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It premiered at the Slamdance Film Festival in January of 2011, but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], [[NoSuchThingAsBadPublicity the film went viral]], receiving a polarized mix of reactions from acclaim to disgust.
to:
It premiered at the Slamdance Film Festival in January of 2011, 2011 but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], [[NoSuchThingAsBadPublicity the film went viral]], receiving a polarized mix of reactions from acclaim to disgust.
Changed line(s) 14,15 (click to see context) from:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked.'' It is strongly advised that you [[https://www.youtube.com/watch?v=sqyQMX4rwHs watch the short first]], then come back here. Administrivia/YouHaveBeenWarned.'''
to:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked.'' unmarked''. It is strongly advised that you [[https://www.youtube.com/watch?v=sqyQMX4rwHs watch the short first]], then come back here. Administrivia/YouHaveBeenWarned.'''
Changed line(s) 28 (click to see context) from:
* CreatorCameo: Ari Aster cameos as Dr. Storm Rickles, Ph.D, who made the "words of encouragement" tape that Sidney is listening to in the bathtub when Isaiah rapes him.
to:
* CreatorCameo: Ari Aster cameos as Dr. Storm Rickles, Ph.D, D., who made the "words of encouragement" tape that Sidney is listening to in the bathtub when Isaiah rapes him.
Changed line(s) 67 (click to see context) from:
* WhamShot: One that sets the tone of the film ''hard'' -- the photo Isaiah was masturbating to in the opening was that of his dad.
to:
* WhamShot: One that sets the tone of the film ''hard'' -- — the photo Isaiah was masturbating to in the opening was that of his dad.
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None
Changed line(s) 21 (click to see context) from:
* BigBad: [[AlternateCharacterInterpretation Depending on who you ask]], Isaiah and Sidney could equally be this. Initially, the audience is led to believe that Isaiah is the villain, due to his sexual abuse of his father, but his HannibalLecture to him near the end implies that Sidney abused him first, and it snowballed from there. The possibility that Isaiah is simply victim blaming him is still open.
to:
* BigBad: [[AlternateCharacterInterpretation Depending on who you ask]], Isaiah and Sidney could equally be this. Initially, the audience is led to believe that Isaiah is the villain, due to his sexual abuse of his father, but his HannibalLecture to him near the end implies that Sidney abused him first, and it snowballed from there. The possibility that Isaiah is simply victim blaming UsefulNotes/VictimBlaming him is still open.
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None
Changed line(s) 8,11 (click to see context) from:
The film focuses on the eponymous Johnson family: Sidney, a successful poet; Joan, his wife; and Isaiah, his charismatic son.
Not much time passes before the film reveals [[{{Squick}} what exactly]] the "strange thing" about this family ''is'', at which point [[FromBadToWorse things quickly go downhill]].
Not much time passes before the film reveals [[{{Squick}} what exactly]] the "strange thing" about this family ''is'', at which point [[FromBadToWorse things quickly go downhill]].
to:
The film focuses on the eponymous Johnson family: Sidney, a successful poet; Joan, his wife; and Isaiah, his charismatic son.
son. Not much time passes before the film reveals [[{{Squick}} what exactly]] the "strange thing" about this family ''is'', at which point [[FromBadToWorse things quickly go downhill]].
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None
Changed line(s) 28,29 (click to see context) from:
* BystanderSyndrome: Some of the film's most potent FridgeHorror lies in Joan, who on multiple occasions was made fully aware of Isaiah's abusing Sidney, but chose not to do anything, likely prolonging the abuse.
** Even worse is that in her final conversation with Isaiah, she reveals that she'd seen the signs of his abuse in Sidney ''since it began''.
** Even worse is that in her final conversation with Isaiah, she reveals that she'd seen the signs of his abuse in Sidney ''since it began''.
to:
* BystanderSyndrome: Some of the film's most potent FridgeHorror lies in Joan, who on multiple occasions was made fully aware of Isaiah's abusing Sidney, but chose not to do anything, likely prolonging the abuse.
**abuse. Even worse is that in her final conversation with Isaiah, she reveals that she'd seen the signs of his abuse in Sidney ''since it began''.
**
Changed line(s) 58 (click to see context) from:
* SelfMadeOrphan[=/=]{{Matricide}}: Not only did Isaiah accidentally get his dad killed, but he tried to shove his mother's face into a fireplace after she attacked him.
to:
* SelfMadeOrphan[=/=]{{Matricide}}: SelfMadeOrphan: Not only did Isaiah accidentally get his dad killed, but he tried to shove his mother's face into a fireplace after she attacked him.
Changed line(s) 65,66 (click to see context) from:
* WhamLine: Isaiah's HannibalLecture to Sidney starts off with some regular victim-blaming (accusing Sidney of being complicit with his actions), but then he begins to imply that he's not as innocent as we've come to expect.
-->"I didn't ask for this! This is ''your'' thing, something ''you'' started."
-->"I didn't ask for this! This is ''your'' thing, something ''you'' started."
to:
* WhamLine: WhamLine:
** Isaiah's HannibalLecture to Sidney starts off with some regular victim-blaming (accusing Sidney of being complicit with his actions), but then he begins to imply that he's not as innocent as we've come to expect.
-->"I --->"I didn't ask for this! This is ''your'' thing, something ''you'' started."
** Isaiah's HannibalLecture to Sidney starts off with some regular victim-blaming (accusing Sidney of being complicit with his actions), but then he begins to imply that he's not as innocent as we've come to expect.
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Changed line(s) 32 (click to see context) from:
* DeconstructiveParody: According to the director Ari Aster, he chose a rather distressing premise for his senior thesis film that comes off more like mocking toward AFI's conventional, "politically correct", and OscarBait-y shorts made by the graduating students.
to:
* DeconstructiveParody: According to the director Ari Aster, he chose a rather distressing the most socially abhorrent premise he could think of for his senior thesis film that comes off more like mocking toward AFI's to stand in stark contrast to the conventional, "politically correct", and OscarBait-y shorts made by the AFI's graduating students.
Changed line(s) 60 (click to see context) from:
* SpringtimeForHitler: Ari Aster stated that, after seeing past works made by fellow alums, he chose to make the worst thing he could make at American Film Institute, which is one of the most respected film schools in the United States but also an industry school that encourages their students to make more safe and conventional movies. But little did he know that many film critics embraced for its genuine merits than its shock values.
to:
* SpringtimeForHitler: Ari Aster stated that, after seeing past works made by fellow alums, he chose to make the worst thing he could make at American Film Institute, which is one of the most respected film schools in the United States but also an industry school that encourages their students to make more safe and conventional movies. But little Little did he know that many film critics embraced would embrace it more for its genuine merits than its shock values.
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None
Changed line(s) 22 (click to see context) from:
* AdultFear: What makes the movie so horrifying is the very ''idea'' that your own child could mistreat and abuse you.
to:
* AdultFear: What makes the movie so horrifying is the very ''idea'' that your own child could mistreat and be a monstrous psychopath who could abuse you. you.
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Added DiffLines:
* AdultFear: What makes the movie so horrifying is the very ''idea'' that your own child could mistreat and abuse you.
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None
Added DiffLines:
* WithinArmsReach: Isaiah tries to kill his mother Joan by shoving her head into the fireplace. As he's doing so, she manages to grab the fire poker and [[MusclesAreMeaningless bludgeons him to death with it.]]
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Changed line(s) 21 (click to see context) from:
* AbusiveParents: Inverted, since it's Isaiah who regularly sexually abuses his own father, Sidney. Isaiah's HannibalLecture towards the end implies that it was Sidney who started the abuse in the first place, but given how [[TheSociopath sociopathic]] Isaiah is, it's [[AmbiguousSituation ambiguous]] whether or not that's true.
to:
* AbusiveParents: Inverted, since it's AbusiveOffspring: Isaiah who regularly sexually abuses his own father, Sidney. However, Isaiah's HannibalLecture towards the end implies that [[AbusiveParents it was Sidney who started the abuse in the first place, place]], but given how [[TheSociopath sociopathic]] Isaiah is, it's [[AmbiguousSituation ambiguous]] whether or not that's true.
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None
Changed line(s) 31 (click to see context) from:
* DownerEnding: Sidney dies after getting hit by a car. After his funeral, Joan confronts Isaiah, demanding to know the truth, and she is forced to kill him in self-defense when he tries to murder her. Afterwards, she burns Sidney's memoir, leaving her as the only one who knows of what her son did to his father as well as the fact that her ignorance of said abuse contributed in part to both of their deaths.
to:
* DownerEnding: Sidney dies after getting hit by DeconstructiveParody: According to the director Ari Aster, he chose a car. After rather distressing premise for his funeral, Joan confronts Isaiah, demanding to know the truth, and she is forced to kill him in self-defense when he tries to murder her. Afterwards, she burns Sidney's memoir, leaving her as the only one who knows of what her son did to his father as well as the fact senior thesis film that her ignorance of said abuse contributed in part to both of their deaths.comes off more like mocking toward AFI's conventional, "politically correct", and OscarBait-y shorts made by the graduating students.
Added DiffLines:
* DownerEnding: Sidney dies after getting hit by a car. After his funeral, Joan confronts Isaiah, demanding to know the truth, and she is forced to kill him in self-defense when he tries to murder her. Afterward, she burns Sidney's memoir, leaving her as the only one who knows of what her son did to his father as well as the fact that her ignorance of said abuse contributed in part to both of their deaths.
Added DiffLines:
* RefugeInAudacity: Somewhat a meta-example where nobody would imagine this kind of short film would come right out of American Film Institute.
Added DiffLines:
* SpringtimeForHitler: Ari Aster stated that, after seeing past works made by fellow alums, he chose to make the worst thing he could make at American Film Institute, which is one of the most respected film schools in the United States but also an industry school that encourages their students to make more safe and conventional movies. But little did he know that many film critics embraced for its genuine merits than its shock values.
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None
Changed line(s) 6,7 (click to see context) from:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic short film written and directed by Creator/AriAster as his thesis film at the American Film Institute's graduate school.
to:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic short film written and directed by Creator/AriAster as his thesis film while studying at the American Film Institute's graduate school.
Changed line(s) 12,13 (click to see context) from:
It premiered at the Slamdance Film Festival in January of 2011, but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], the film went viral, receiving [[BrokenBase a polarized mix of reactions]] that ranged from acclaim to disgust.
to:
It premiered at the Slamdance Film Festival in January of 2011, but gained infinitely more attention following its leaking online in November of that year. Out of the sheer advent of public curiosity towards the aforementioned [[AudienceAlienatingPremise "strange thing"]], [[NoSuchThingAsBadPublicity the film went viral, viral]], receiving [[BrokenBase a polarized mix of reactions]] that ranged reactions from acclaim to disgust.
Changed line(s) 16,17 (click to see context) from:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked.'' It is strongly advised that you watch the short first, then come back here. Administrivia/YouHaveBeenWarned.'''
to:
'''As the film's entire plot hangs on the WhamShot in its opening, ''all spoilers are unmarked.'' It is strongly advised that you [[https://www.youtube.com/watch?v=sqyQMX4rwHs watch the short first, first]], then come back here. Administrivia/YouHaveBeenWarned.'''
* KillItWithFire: Subverted; Isaiah attempts to shove Joan's head into a fireplace, but she gets ahold of the nearby fire iron and gets the upper hand of the fight.
Changed line(s) 42,43 (click to see context) from:
* LookBothWays: Justified, Sidney is so torn up by the aforementioned HannibalLecture he runs off in a daze and is hit by a van before he can get out of the way. One could also interpret this as a suicide, which is perfectly understandable given the circumstances.
* NoodleIncident: When Isaiah finds that Sidney's locked the door as he's taking a bath, he states that Sidney "knows how [he feels] about locked doors."
* NoodleIncident: When Isaiah finds that Sidney's locked the door as he's taking a bath, he states that Sidney "knows how [he feels] about locked doors."
to:
* LookBothWays: Justified, Justified; Sidney is so torn up by the aforementioned HannibalLecture he runs off in a daze and is hit by a van before he can get out of the way. One could also interpret this as a suicide, which is perfectly understandable given the circumstances.
*NoodleIncident: NoodleIncident:
** When Isaiah finds that Sidney's locked the door as he's taking a bath, he states that Sidney "knows how [he feels] about locked doors.""
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, which reveals [[FridgeHorror just how long this has been going on...]]
*
** When Isaiah finds that Sidney's locked the door as he's taking a bath, he states that Sidney "knows how [he feels] about locked doors.
** When Joan confronts Isaiah at the end, she alludes to ''something'' that he did on his prom night that had Sidney crying when he drove him home, which reveals [[FridgeHorror just how long this has been going on...]]
Changed line(s) 62 (click to see context) from:
* WhamShot: The photo Isaiah was masturbating to in the opening was that of his dad.
to:
* WhamShot: The One that sets the tone of the film ''hard'' -- the photo Isaiah was masturbating to in the opening was that of his dad.
Changed line(s) 65 (click to see context) from:
* YouMonster: Joan calls her son out for inadvertently killing his dad.
to:
* YouMonster: Joan calls her son out for inadvertently killing his dad.dad, citing the words of this trope verbatim.
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Changed line(s) 6,7 (click to see context) from:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic short film written and directed by Creator/AriAster.
to:
''The Strange Thing About the Johnsons'' is a darkly satirical dramatic short film written and directed by Creator/AriAster.
Creator/AriAster as his thesis film at the American Film Institute's graduate school.
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None
Added DiffLines:
* AbusiveParents: Inverted, since it's Isaiah who regularly sexually abuses his own father, Sidney. Isaiah's HannibalLecture towards the end implies that it was Sidney who started the abuse in the first place, but given how [[TheSociopath sociopathic]] Isaiah is, it's [[AmbiguousSituation ambiguous]] whether or not that's true.
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None
Changed line(s) 30 (click to see context) from:
* DownerEnding: Sidney dies after getting hit by a car. After his funeral, Joan confronts Isaiah, demanding to know the truth. She is then forced to kill him in self-defense when he tries to murder her. Afterwards, she burns Sidney's memoir, leaving her as the only one who knows of what her son did to his father as well as the fact that she ignored said abuse. So now Joan has lost both her husband and her son.
to:
* DownerEnding: Sidney dies after getting hit by a car. After his funeral, Joan confronts Isaiah, demanding to know the truth. She truth, and she is then forced to kill him in self-defense when he tries to murder her. Afterwards, she burns Sidney's memoir, leaving her as the only one who knows of what her son did to his father as well as the fact that she ignored her ignorance of said abuse. So now Joan has lost abuse contributed in part to both her husband and her son. of their deaths.
Changed line(s) 39 (click to see context) from:
* KarmicDeath: Isaiah is killed by his mother, Joan, at the end.
to:
Changed line(s) 60 (click to see context) from:
-->"You are not just my father; you're my friend. You're my ''best'' friend, and maybe we can just agree that that's a beautiful thing, and not something to be perverted and corrupted and mutilated by your warped and confused conscience."
to: