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Several of these examples use the wrong character names. The revelation of Susan and Tony's affair will break up Tony and Susan? Tony thinks cleaning is "beneath" him as a manipulation tactic to get Tony to re-hire Vera? Tony destroys Tony's sanity?


* HaughtyHelp: Tony is a subdued example, but he is extremely passive-aggressive, dislikes Susan (the only member of the household to challenge him), and destroys Tony's sanity.

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* HaughtyHelp: Tony Barrett is a subdued example, but he is extremely passive-aggressive, dislikes Susan (the only member of the household to challenge him), and destroys Tony's sanity.



* HomeEarlySurprise: Tony and Susan catch Vera and Barrett having sex in his bed. Barrett is manipulating the situation so that he and Vera, on the brink of being fired, will confess that Susan and Tony were having an affair, and break up Tony's relationship with Susan.

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* HomeEarlySurprise: Tony and Susan catch Vera and Barrett having sex in his bed. Barrett is manipulating the situation so that he and Vera, on the brink of being fired, will confess that Susan Vera and Tony were having an affair, and break up Tony's relationship with Susan.



* MenCantKeepHouse: When Barrett and Tony live together without a woman, the house descends almost immediately into squalor, and Tony makes it clear that he thinks of cleaning as "beneath" him. It's likely, however, that this is only a manipulation tactic from Tony to get Tony to [[spoiler:rehire Vera as the maid.]]

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* MenCantKeepHouse: When Barrett and Tony live together without a woman, the house descends almost immediately into squalor, and Tony Barrett makes it clear that he thinks of cleaning as "beneath" him. It's likely, however, that this is only a manipulation tactic from Tony Barrett to get Tony to [[spoiler:rehire Vera as the maid.]]

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''The Servant'' is a 1963 British film from expat American director Joseph Losey, adapted by screenwriter Creator/HaroldPinter from a 1948 novella of the same name by Robin Maugham.

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''The Servant'' is a 1963 British film from expat American director Joseph Losey, Creator/JosephLosey, adapted by screenwriter Creator/HaroldPinter from a 1948 novella of the same name by Robin Maugham.


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* JobTitle
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* RuleOfSymbolism: When they play games, the servant Barrett has to play "uphill" while Tony gets the apparently superior position.
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* MenCantKeepHouse: When Barrett and Tony live together without a woman, the house descends almost immediately into squalor, and Tony makes it clear that he thinks of cleaning as "beneath" him. It's likely, however, that this is only a manipulation tactic from Tony to get Tony to [[spoiler:rehire Vera as the maid.]]
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* HomeEarlySurprise: Tony and Susan catch Vera and Barrett having sex in his bed. Barrett is manipulating the situation so that he and Vera, on the brink of being fired, will confess that Susan and Tony were having an affair, and break up Tony's relationship with Susan.


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* WoundedGazelleGambit: In a crossover with PlayingTheVictimCard, Barrett pretends to have been deceived by Vera, who has apparently stolen his money, to manipulate his way back into Tony's life and house.
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* HiddenDisdainReveal: It gets revealed in parts to Tony that this is how Barrett feels about him, such as when they hear Vera and Barrett mocking him, and then more so at the end.
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* AmbiguouslyBi: Both Hugo and Tony, necessitated by the time period. They have relationships with the same woman (Vera), but Tony is almost immediately dependent on Hugo and doesn't take kindly to Susan insulting him. His clear dependency on (and attraction to) Barrett becomes clearer after [[spoiler:Susan leaves him.]]


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* HaughtyHelp: Tony is a subdued example, but he is extremely passive-aggressive, dislikes Susan (the only member of the household to challenge him), and destroys Tony's sanity.
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* HomoeroticSubtext: A lot between Barrett and Tony.
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* DescentIntoAddiction: While Tony seems to have a predisposition towards drinking too much (he's passed out drunk in the first scene), Hugo gets him drunk on a daily basis until he's clearly an unraveling alcoholic.


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* GrimUpNorth: Vera and Barrett are both scheming employees from the north of the UK, with distinctive northern accents. Tony lives in London and speaks in perfect R.P.
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The name was changed back to Precision F Strike per TRS
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moderator restored to earlier version

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Amazing example <3


* BreakingPointSwearing: When Barrett phones Vera with the news that he has persuaded Tony to take her on as a maid, a group of young girls hammer on the sides of the phone box with growing impatience. When Barrett exits the phone booth, he shouts "Get out of my way, you ''fucking bitch!''" to one of the girls (this being 1963, the offending words are partially drowned out by a vehicle, but what he says is still clear).



* PrecisionFStrike: When Barrett phones Vera with the news that he has persuaded Tony to take her on as a maid, a group of young girls hammer on the sides of the phone box with growing impatience. When Barrett exits the phone booth, he shouts "Get out of my way, you ''fucking bitch!''" to one of the girls (this being 1963, the offending words are partially drowned out by a vehicle, but what he says is still clear).
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Armor Piercing Slap is no longer a trope


* ArmorPiercingSlap: In the final scene, after seeing what a pathetic, drunken slob Tony has become in the face of Barrett's manipulations, Susan slaps the latter ''hard'' across the face to show him what she really thinks of him. After a brief pause, Barrett shrugs it off and helps Susan into her coat, making it equally clear to her that he doesn't care what she thinks.

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* TheAlcoholic: In the film's first scene, Tony is sleeping off "too many beers at lunch", thereby presenting Barrett with one of his avenues of attack for the final act of the film when he makes Tony completely dependent on him by getting him stinking drunk on a daily basis.



* ArmorPiercingSlap: In the final scene, after seeing what a pathetic, drunken slob Tony has become in the face of Barrett's manipulations, Susan slaps the latter ''hard'' across the face to show him what she really thinks of him. After a brief pause, Barrett shrugs it off and helps Susan into her coat, making it equally clear to her that he doesn't care what she thinks.



* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrat, the other a charismatic manservant.

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* {{Foil}}: Hugo Barrett and Tony are that for each other.Tony. One is a somewhat blank aristocrat, the other a charismatic manservant.



* HitlerCam: Used on Barrett in the very first scene to show how the balance of power will play out for the rest of the film. See the page image.
* ManipulativeBastard: Hugo Barrett, oh so much. Played by the suave and sinister Dirk Bogarde.

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* HitlerCam: Used on Barrett in the very first scene to show how the balance of power will play out for the rest of the film. See the page image.
film; Tony lies snoozing in a chair while Barrett towers over him, shot from near floor level.
* HoneyTrap: Part of Barrett's scheming involves having his girlfriend Vera seduce Tony (who believes Vera is Barrett's sister). When Susan finally persuades Tony to fire Barrett after catching him in bed with Vera, Barrett snarks that sleeping with Vera is something he and Tony have in common, causing Susan to break off their engagement. Once Barrett is re-hired, he has Vera pretend she is still in love with Tony, who eventually capitulates and re-hires her as well.
* ManipulativeBastard: Hugo Barrett, oh so much. Played as played by the suave and sinister Dirk Bogarde.Bogarde. Tony's relationship with Susan is at something of a crossroads, so Barrett destroys it by having Tony hire his "sister" (actually his girlfriend) Vera as a maid, then having Vera seduce him. When Tony fires Barrett after finding him and Vera in bed together, Barrett retaliates by revealing Tony's indiscretion with Vera in front of Susan, who breaks up with him. Knowing that Tony can't manage on his own for long, Barrett gets himself re-hired by pretending that Vera double-crossed ''him'' as well, whereupon his manipulations through drink and psychological abuse accelerate until he has Tony completely at his mercy while he and Vera (whom Tony has also re-hired) live off his money.



* PrecisionFStrike: When Barrett phones Vera with the news that he has persuaded Tony to take her on as a maid, a group of young girls hammer on the sides of the phone box with growing impatience. When Barrett exits the phone booth, he shouts "Get out of my way, you ''fucking bitch!''" to one of the girls (this being 1963, the offending words are partially drowned out by a vehicle, but what he says is still clear).



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F does not come both before and after C in the alphabet, just after it.


* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrat, the other a charismatic manservant.


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* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrat, the other a charismatic manservant.

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''The Servant'' is a 1963 English film by an expat American director Joseph Losey basing on a script by Creator/HaroldPinter.

It is a story of Tony (James Fox), a wealthy aristocrat who hires a lowlife servant Hugo Barrett, played by Creator/DirkBogarde, who won a BAFTA for his performance. Initially, Barrett does well at his job, but the relationship shifts as Barrett manipulates and corrupts Tony and dominates the household. Tony attempts a rebellion but in the end, he loses and remains subdued to his manservant for good.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of the early '60s. It also touches on the topics of social position vs psychological strength.

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''The Servant'' is a 1963 English British film by an from expat American director Joseph Losey basing on a script Losey, adapted by Creator/HaroldPinter.

screenwriter Creator/HaroldPinter from a 1948 novella of the same name by Robin Maugham.

It is a story of Tony (James Fox), a wealthy aristocrat who hires a lowlife servant named Hugo Barrett, played by Creator/DirkBogarde, Barrett (Creator/DirkBogarde, who won a BAFTA UsefulNotes/{{BAFTA}} for his performance.performance). Initially, Barrett does well at his job, but the relationship shifts as Barrett manipulates and corrupts Tony and dominates the household. Tony attempts a rebellion but in the end, he loses and remains subdued to his manservant for good.

One of the film's main fortes is its gorgeous B&W black-and-white cinematography by Douglas Slocombe in the fashion of the early '60s. Slocombe. It also touches on the topics of social position vs versus psychological strength.






* ServileSnarker: Barrett has a few moments when his manipulative nature starts to come through.

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* ServileSnarker: Barrett has a few moments when his manipulative nature starts to come through.through.

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The Servant is a 1963 English film by an expat American director Joseph Losey basing on a script by Creator/HaroldPinter.

It is a story of Tony (James Fox), a wealthy aristocrat who hires a lowlife servant Hugo Barrett, played by Dirk Bogarde, who won a BAFTA for his performance. Initially, Barrett does well at his job, but the relationship shifts as Barrett manipulates and corrupts Tony and dominates the household. Tony attempts a rebellion but in the end he loses and remains subdued to his manservant for good.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of the early 60's. It also touches on the topics of social position vs psychological strength.

to:

The Servant ''The Servant'' is a 1963 English film by an expat American director Joseph Losey basing on a script by Creator/HaroldPinter.

It is a story of Tony (James Fox), a wealthy aristocrat who hires a lowlife servant Hugo Barrett, played by Dirk Bogarde, Creator/DirkBogarde, who won a BAFTA for his performance. Initially, Barrett does well at his job, but the relationship shifts as Barrett manipulates and corrupts Tony and dominates the household. Tony attempts a rebellion but in the end end, he loses and remains subdued to his manservant for good.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of the early 60's.'60s. It also touches on the topics of social position vs psychological strength.
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* HitlerCam: Used on Barrett in the very first scene to show how the balance of power will play out for the rest of the film. See the page image.
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* RelativelyFlimsyExcuse: Barrett introduces his girlfriend Vera into the household by pretending she is his sister.
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* CreatorCameo: Writer Creator/HaroldPinter appears as one of the restaurant patrons in the middle of the movie.
* FilmOfTheBook: Based on the novella by Robin Maugham.

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It is a story of Tony, a wealthy aristocrat who hires a lowlife servant Hugo Barrett, played by Creator/DirkBogarde, who proves to be a stronger person, corrupts Tony and starts to dominate the household. Tony attempts a rebellion but in the end he loses and remains subdued to his manservant for good.

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It is a story of Tony, Tony (James Fox), a wealthy aristocrat who hires a lowlife servant Hugo Barrett, played by Creator/DirkBogarde, Dirk Bogarde, who proves to be won a stronger person, BAFTA for his performance. Initially, Barrett does well at his job, but the relationship shifts as Barrett manipulates and corrupts Tony and starts to dominate dominates the household. Tony attempts a rebellion but in the end he loses and remains subdued to his manservant for good.



* ManipulativeBastard: Hugo Barrett oh so much. Played by the suave and sinister Dirk Bogarde.
* OnlyOneName: Not by chance Tony's surname is not mentioned. While the antagonist is Hugo Barrett.

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* ManipulativeBastard: Hugo Barrett Barrett, oh so much. Played by the suave and sinister Dirk Bogarde.
* NoHeroToHisValet: It is clear Barrett has no respect for Tony, even before his true nature becomes obvious.
* OnlyOneName: Not by chance Tony's surname is not mentioned. While the antagonist is Hugo Barrett.Barrett.
* ServileSnarker: Barrett has a few moments when his manipulative nature starts to come through.
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It is a story of Tony, a wealthy aristocrate, who hires a lowlife servant Hugo Barrett, played by Creator/DickBogarde, who proves to be a stronger person, corrupts aristocrate and starts to dominate the household. The aristocrate attempts a rebellion but in the end he loses and remains subdued to his manservant for good.

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It is a story of Tony, a wealthy aristocrate, aristocrat who hires a lowlife servant Hugo Barrett, played by Creator/DickBogarde, Creator/DirkBogarde, who proves to be a stronger person, corrupts aristocrate Tony and starts to dominate the household. The aristocrate Tony attempts a rebellion but in the end he loses and remains subdued to his manservant for good.



* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrate, the other a charismatic manservant.

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* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrate, aristocrat, the other a charismatic manservant.



* ManipulativeBastard: Hugo Barrett oh so much. Played by the suave and sinister Dick Bogarde.

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* ManipulativeBastard: Hugo Barrett oh so much. Played by the suave and sinister Dick Dirk Bogarde.
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* ManipulativeBastard: Hugo Barrett oh so much.Played by the suave and sinister Dick Bogarde.
* OnlyOneName: Not by chance Tony's surname is not mentioned. Whole the antagonist is Hugo Barrett.

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* ManipulativeBastard: Hugo Barrett oh so much. Played by the suave and sinister Dick Bogarde.
* OnlyOneName: Not by chance Tony's surname is not mentioned. Whole While the antagonist is Hugo Barrett.
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It is a story of Tony, a wealthy aristocrate, who hires a lowlife servant Hugo Barrett, played by Creator/DickBogarde, who proves to be a stronger person, corrupts aristocrate and starts to dominate the household. The aristocrate attempts a rebellion but in the end he loses.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of early 60's. It also touches on the topics of socialposition vs psychological strength.

to:

It is a story of Tony, a wealthy aristocrate, who hires a lowlife servant Hugo Barrett, played by Creator/DickBogarde, who proves to be a stronger person, corrupts aristocrate and starts to dominate the household. The aristocrate attempts a rebellion but in the end he loses.

loses and remains subdued to his manservant for good.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of the early 60's. It also touches on the topics of socialposition social position vs psychological strength.

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* ManipulativeBastard: Hugo Barrett oh so much.Played by the suave and sinister Dick Bogarde.

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* GenericGuy: Tony lacks distinctive character features.
* ManipulativeBastard: Hugo Barrett oh so much.Played by the suave and sinister Dick Bogarde.Bogarde.
* OnlyOneName: Not by chance Tony's surname is not mentioned. Whole the antagonist is Hugo Barrett.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/servant_the_1963_dirk_bogarde.jpg]]
[[caption-width-right:350:See the balance of power?]]
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The Servant is a 1963 English film by an expat American director Joseph Losey basing on a script by Creator/HaroldPinter.

It is a story of Tony, a wealthy aristocrate, who hires a lowlife servant Hugo Barrett, played by Creator/DickBogarde, who proves to be a stronger person, corrupts aristocrate and starts to dominate the household. The aristocrate attempts a rebellion but in the end he loses.

One of the film's main fortes is its gorgeous B&W cinematography by Douglas Slocombe in the fashion of early 60's. It also touches on the topics of socialposition vs psychological strength.

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!! Tropes

* AntagonistTitle: Hugo Barrett is a definite villain here.
* {{Foil}}: Hugo Barrett and Tony are that for each other. One is a somewhat blank aristocrate, the other a charismatic manservant.
* ManipulativeBastard: Hugo Barrett oh so much.Played by the suave and sinister Dick Bogarde.

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