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* MetaphoricallyTrue: After one of Abe Rosenthal's editors tells him government has applied for an injunction against the New York Times to prevent them from publishing any more of the Pentagon Papers, and he leaves the club where he's been having lunch, Kay tells Abe's wife she's going to take care of the bill. As it happens, she does tell the maitre'd she's going to pick up the tab, but the actual reason she leaves the table is to call Ben to tell him the news.



* SpiritualSuccessor: to both ''Film/AllThePresidentsMen'' (with which it shares both a setting and the RealLife character of Ben Bradlee, though it takes place years earlier) and ''Film/{{Spotlight}}'' (with whom it shares a co-screenwriter in Josh Singer). ''Film/{{Spotlight}}'' also features Ben Bradlee's son, Ben Bradlee Jr., in a supporting role.


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* WaxingLyrical: At the retirement party she's throwing, Kay says to the crowd, "Let me tell you a little about why [[https://en.wikipedia.org/wiki/I%27m_Just_Wild_About_Harry we're so wild about Harry]]."
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* BrickJoke: Ben Bradlee's daughter is selling lemonade at 25 cents a cup only for Ben to declare that the price has gone up to 50 cents. Later, we see the daughter march past with a sign where the original price is crossed out at the new price painted on. Still later, we see the huge stack of cash she made.

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* BrickJoke: Ben Bradlee's daughter is selling lemonade at 25 cents a cup only for Ben to declare that the price has gone up to 50 cents. Later, we see the daughter march past with a sign where the original price is crossed out at and the new price painted on. Still later, we see the huge stack of cash she made.
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* OneSteveLimit: If it wasn't a true story, there's no way two major characters who play similar roles would both be named Ben.

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* OneSteveLimit: If it wasn't a true story, there's no way two major characters who play similar roles would both be named Ben. The fact that Ben Bagdikian is mostly referred to by his surname helps avoid confusion.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/the_post.jpg]]
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''The Post'' is a 2017 [[HistoricalFiction historical drama]] directed by Creator/StevenSpielberg and starring Creator/MerylStreep, Creator/TomHanks, and [[AllStarCast a slew of well-known character actors you probably recognize from TV]].

It tells the [[BasedOnATrueStory true story]] of how Kay Graham, publisher of ''The Washington Post'', along with editor Ben Bradlee, defied the White House to publish the leaked government documents later known as the Pentagon Papers, which detailed how the government had spent years misleading the public about the Vietnam War.

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''The Post'' is a 2017 [[HistoricalFiction historical drama]] film directed by Creator/StevenSpielberg and Creator/StevenSpielberg, starring Creator/MerylStreep, Creator/TomHanks, and [[AllStarCast a slew of well-known character actors you would probably recognize from TV]].

It tells the [[BasedOnATrueStory true story]] of how Kay Graham, publisher of ''The Washington Post'', along with led by its publisher Kay Graham (Streep) and executive editor Ben Bradlee, Bradlee (Hanks), defied the [[UsefulNotes/RichardNixon Nixon]] White House in 1971 to publish the leaked government US Department of Defense documents later known as the Pentagon Papers, "Pentagon Papers", which detailed how the government leaders had spent years misleading the public about the Vietnam War.
UsefulNotes/TheVietnamWar.
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* AlanFridge: Bagdikian refuses to name Dan Ellsberg as the source of the Pentagon Papers, but is advised that ''The Washington Post'' could be held in contempt of court if he is the same source used by ''The New York Times''. The use of anonymous sources is also a much larger plot point in ''Film/AllThePresidentsMen''.
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* ExplainExplainOhCrap: Roger explains the exact wording of the injunction against the New York Times and correctly guesses Bagdikian got the papers from the same source as the Times. Thus Bagdikian quietly freaks out.

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* CostumeEvolution: Kay Graham's wardrobe transforms throughout the film. She starts out wearing blues and grays that make her blend in with the scenery and other characters. But when she begins asserting herself in the dispute over the Pentagon Papers her wardrobe shifts to golds and yellows to make her stand out. By the end, she's wearing boldly patterned clothes to symbolize that she's gained confidence and has fully stepped into her role as publisher of the ''Washington Post''.


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* SignificantWardrobeShift: Kay Graham's wardrobe transforms throughout the film. She starts out wearing blues and grays that make her blend in with the scenery and other characters. But when she begins asserting herself in the dispute over the Pentagon Papers her wardrobe shifts to golds and yellows to make her stand out. By the end, she's wearing boldly patterned clothes to symbolize that she's gained confidence and has fully stepped into her role as publisher of the ''Washington Post''.
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* ArtisticLicenseHistory: The characters all treat the study as "proving" that the war was "unwinnable". The real life study was largely intended as a history, and it didn't draw any conclusions about whether the war was "winnable" or not. Publishing the study had the impact it did because it showed that the US government had been lying to the public about some of its motivations at getting involved in the war and that it had kept many of its actions that would have been viewed as controversial or illegal a secret from the public.
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The expression is a "hearty laugh", not "hardy"


* ActuallyPrettyFunny: Kay's lawyer says that a "disaster" would constitute Ben getting hit by a bus, the world running out of newspaper ink, or the bus coming around the block and hitting Ben again. Kay lets off a hardy laugh at this.

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* ActuallyPrettyFunny: Kay's lawyer says that a "disaster" would constitute Ben getting hit by a bus, the world running out of newspaper ink, or the bus coming around the block and hitting Ben again. Kay lets off a hardy hearty laugh at this.
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* WhamLine: InUniverse, when one of the team finds the passage above indicating that the government knew the war was a dead end.
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* TheOner: Spielberg utilizes his trademark "Spielberg Oner" at several points in this film, the most intricate being the evening argument at Ben Bradlee's house, following Bradlee through multiple rooms as two different arguments escalate into shouting matches.
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* YouAreNotAlone: After ''The Washington Post'' publishes the Pentagon Papers in defiance of the judicial ban, Ben Bradlee brings a paper sack up to Kay Graham's office, laying out editions of the ''St. Louis Post-Dispatch,'' ''The Christian Science Monitor,'' ''The Boston Globe,'' the ''Tallahassee Democrat,'' the ''Detroit Free Press,'' and ''The Philadelphia Inquirer,'' all of which followed her lead to publish the papers.
-->'''Kay:''' At least we're not alone.
-->'''Ben:''' No matter what happens tomorrow, we are not a little local paper anymore.
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* LockAndLoadMontage: Done with the ''Post'''s printing presses being prepped for the first Pentagon Papers story.
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* CostumeEvolution: Kay Graham's wardrobe transforms throughout the film. She starts out wearing blues and grays that make her blend in with the scenery and other characters. But when she begins asserting herself in the dispute over the Pentagon Papers her wardrobe shifts to golds and yellows to make her stand out. By the end, she's wearing boldly patterned clothes to symbolize that she's gained confidence and has fully stepped into her role as publisher of the ''Washington Post''.


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* SplashOfColor: In the final third of the film, Kay Graham dresses in golds and yellows to make her stand out from the rest of the cast dressed in grays, blues, and browns.
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* EveryoneSmokes: The free use of tobacco in the 1970's is lightly touched upon throughout the movie, but when the ''Post'''s senior reporters start digging into the Pentagon Papers, they start sucking down cigarettes while filling Bradlee's living room with thick smoke.

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* EveryoneSmokes: EverybodySmokes: The free use of tobacco in the 1970's is lightly touched upon throughout the movie, but when the ''Post'''s senior reporters start digging into the Pentagon Papers, they start sucking down cigarettes while filling Bradlee's living room with thick smoke.
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* BrickJoke: Ben Bradlee's daughter is selling lemonade at 25 cents a cup only for Ben to declare that the price has gone up to 50 cents. Later, we see the daughter march past with a sign where the original price is crossed out at the new price painted on. Still later, we see the huge stack of cash she made.
* BrokenPedestal: The first half of the film deals with Kay and Ben having to come to terms with the fact that the politicians they socialized with were perpetrating horrible things in Southeast Asia and used their friendship to make sure the ''Washington Post'' wouldn't dig too deeply.


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* EveryoneSmokes: The free use of tobacco in the 1970's is lightly touched upon throughout the movie, but when the ''Post'''s senior reporters start digging into the Pentagon Papers, they start sucking down cigarettes while filling Bradlee's living room with thick smoke.
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* HiddenDepths: At first, Kay seems to be a wishy-washy owner more concerned with solvency than legitimacy. Once she makes the decision to publish the Pentagon Papers and especially after it becomes apparent she may go to prison over it which gives even Ben pause, her inner strength and bravery shines through.
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* INeedAFreakingDrink: When Marina is offering lemonade to the reporters while they're reading the Papers, one of them quips, "Does it have vodka in it?"

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* INeedAFreakingDrink: When Marina is offering lemonade to the reporters while they're reading the Papers, one of them Meg quips, "Does it have vodka in it?"
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* INeedAFreakingDrink: When Marina is offering lemonade to the reporters while they're reading the Papers, one of them quips, "Does it have vodka in it?"

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** A more subtle and downplayed one is given to Ben by his wife. She points out that Kay is risking a lot more than he is (he already has a reputation as a talented maverick, so could get a job at another paper easily if the Post collapses, while Kay would lose everything,) and by mentioning how Kay has spent her entire life being taught to be a background figure to men, she also draws attention to how Ben casually turned ''their'' house into a headquarters for ''his'' colleagues without asking whether she minded the intrusion, or questioning the snacks and meals she provided for all of them. He doesn't apologise, but he accepts the rebuke and takes it to heart.

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** A more subtle and downplayed one is given to Ben by his wife. She points out that Kay is risking a lot more than he is (he already has a reputation as a talented maverick, so could get a job at another paper easily if the Post collapses, while Kay would lose everything,) and by mentioning how Kay has spent her entire life being taught to be a background figure to men, she also draws attention to how Ben casually turned ''their'' house into a headquarters for ''his'' colleagues without asking whether she minded the intrusion, or questioning the snacks and meals she provided for all of them. He doesn't apologise, apologize, but he accepts the rebuke and takes it to heart. heart.
* SarcasticConfession: As Bagdikian is bringing the papers on the flight back to D.C., the stewardess sees him trying to put a seat belt on one of the boxes he has, and notes it must be precious cargo. Bagdikian responds, "It's just government secrets," which she laughs at.


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* ShapedLikeItself: When the reporters are outside Bradlee's house, they see his daughter Marina selling lemonade, and one of them asks what kind of lemonade it is. She responds, "It's the one with the lemons in it."
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It's not Mc Namara, who has no business in the courtroom. It's someone with the AG.


* NiceToTheWaiter: Averted in the case of [=McNamara=], who Kay sees being very nasty to a subordinate at the Supreme Court hearing despite being genuinely friendly towards Kay herself in earlier scenes.
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* OscarBait: The film was hit with [[https://screenrant.com/oscars-2018-best-picture-no-bait-movies/ multiple]] [[https://highlandernews.org/31752/oscar-bait-y-post/ accusations]] [[https://www.economist.com/blogs/prospero/2018/01/catnip-hacks of]] this: ChristmasRushed for awards season consideration, a historical drama featuring some of the biggest names in film and TV in a dialogue-heavy plot with a timely message and fronted by a disadvantaged woman in a field dominated by men. (During the Golden Globes ceremony, one of host Seth Meyers' jokes involved the film being showered with awards, though it failed to earn any that night) While doing fairly well critically and commercial, it ultimately failed to make a splash in the awards circuit and was nominated for only two Oscars and is predicted to lose both (though it nevertheless managed to snag a coveted Best Picture nomination).

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* OscarBait: The film was hit with [[https://screenrant.com/oscars-2018-best-picture-no-bait-movies/ multiple]] [[https://highlandernews.org/31752/oscar-bait-y-post/ accusations]] [[https://www.economist.com/blogs/prospero/2018/01/catnip-hacks of]] this: ChristmasRushed for awards season consideration, a historical drama featuring some of the biggest names in film and TV in a dialogue-heavy plot with a timely message and fronted by a disadvantaged woman in a field dominated by men. (During the Golden Globes ceremony, one of host Seth Meyers' jokes involved the film being showered with awards, though it failed to earn any that night) While doing fairly well critically and commercial, it ultimately failed to make a splash in the awards circuit and was nominated for only two Oscars and is predicted to lose lost both (though it nevertheless managed to snag a coveted Best Picture nomination).

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