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* ActorAllusion: A clock with a pendulum is visible in the castle, with a blade-like bob at the end - a nod to ''Film/ThePitAndThePendulum'', also directed by Roger Corman and starring Vincent Price (and in fact was made because they didn't have the budget to adapt ''Masque of the Red Death'' at the time).



* AlasPoorVillain:
** Juliana believes herself betrothed to Satan, only for Prospero to cruelly send his falcon to kill her. Even the guests are shocked by his casual dismissal of her.
** Prospero from Francesca's perspective. It seems she senses she won't be seeing him again after the Red Death sends her to the battlements, and she gives him a kiss on the cheek.



* ArtisticLicenseReligion:
** When praying to Satan, one character calls him 'Belial'. This is traditionally the name of a demon, not the devil himself. Of course it could be intentional too.
** The inverted cross as a symbol of Satanism, notably which Juliana brands herself with. This comes from Christianity actually; Saint Peter, one of the Twelve Apostles, was to be crucified and asked to have it done upside down (believing himself to be unworthy to die the same way as Jesus). The symbol is known as the Cross of St Peter, and was seen as a holy symbol - unlikely to be used by a Satan worshiper.



* DiesDifferentlyInTheAdaptation: In the short story, Prospero died before all the guests, who only succumb to the disease after discovering his body. Here, the guests drop dead first - and Prospero is the last to die.



** The guests likewise seem shocked at Juliana and Alfredo's deaths, though admittedly forget about them quite quickly in favor of revelling.



* GenderEqualEnsemble: Six people are left alive at the end of the film. The females include Francesca, Esmeralda and the little girl Prospero spared earlier. The males include Gino, Hop Toad and an old man from the village.
* GenreSavvy: Francesca's father, rather than cut his arm with the last dagger (that is sure to be the poisoned one), goes to stab Prospero with it...only for Prospero to anticipate this and run him through with a sword.



* HollywoodCostuming:
** Many of the men's hats are about three hundred years out of date with the movie's time period.
** Francesca's hairstyle looks more 1960s than Middle Ages. Especially the fringe and layers.



* InstantExpert: Gino has never fought before, but proves very skilled when given a sword (although the guard is under orders not to kill him).



* KillItWithFire: Hop-Toad does Alfredo in by making him wear a gorilla outfit, tying him to a chandelier, dousing him with brandy and then lighting him on fire.

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* KillItWithFire: KillItWithFire:
**
Hop-Toad does Alfredo in by making him wear a gorilla outfit, tying him to a chandelier, dousing him with brandy and then lighting him on fire.



* LivingProp: Francesca's father gets few lines or characterization, existing mainly as the second person she has to protect. Gino by contrast is a developed character.



* TheMasquerade: The climax of the film.

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* TheMasquerade: The climax of the film. Prospero and Francesca don't wear masks, though Francesca compromises with a veil.



* NastyParty: The titular masquerade ball turns out to be where all the guests (including Prospero himself) meet their ends at the Red Death.



* PerfectPoison: Prospero claims to have laced one of the daggers with a poison that'll kill in five seconds. We never see if this is true, as Francesca's father uses the last dagger to stab Prospero...but gets impaled with the sword before he can.



*** Prospero has some fondness for Hop Toad and Esmeralda and is clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complain. He allows Hop Toad to comfort Esmeralda and then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his "entertainment".

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*** ** Prospero has some fondness for Hop Toad and Esmeralda and is clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complain. He allows Hop Toad to comfort Esmeralda and then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his "entertainment".



* PluckyGirl: Francesca

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* PluckyGirl: FrancescaFrancesca is quite a proactive character - who first begs Prospero to spare her father and brother, refuses to let him see her naked while bathing and tries to save her loved ones multiple times.


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* TrueBlueFemininity: Francesca the female lead, and pure-hearted devout Christian, is often put in blue dresses when in Prospero's castle. She also gets a blue nightgown, and wears a blue veil for the climax.


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* VagueAge: Esmeralda. It's suggested that she is a dwarf like Hop Toad, but she is portrayed by a child actress (and dubbed over by an adult woman).
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* CardCarryingVillain: Prospero doesn't even pretend that he's not the bad guy. In his speech before the masquerade, he celebrates the "triumph of good over evil". However, he also seems to operate on BlueAndOrangeMorality.

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* CardCarryingVillain: Prospero doesn't even pretend that he's not the bad guy. In his speech before the masquerade, he celebrates the "triumph of good evil over evil".good". However, he also seems to operate on BlueAndOrangeMorality.

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* BadBoss: Prospero likes to force his guests to grovel before him and humiliate themselves as everyone watches on and laughs. At the end, he views the spread of the Red Death in his castle as an offering to Satan and casually weaves his way through the crowd when he's infected.



* BlueAndOrangeMorality: Prospero [[CardCarryingVillain is flamboyantly proud to be evil]], but he also thinks of himself as NecessarilyEvil to prevent the world from being thrown into chaos. However, that entails oppression of the lower classes, and lots of torture and murder [[ForTheEvulz committed purely for his own pleasure]]. He'll also stop short of killing children, even if it means allowing them to die a worse death than what he could have in store for them, and at the end, genuinely grows to love Francesca for her sincere Christian faith.



* CardCarryingVillain: Prospero doesn't even pretend that he's not the bad guy. In his speech before the masquerade, he celebrates the "triumph of good over evil". However, he also seems to operate on BlueAndOrangeMorality.
-->'''Prospero:''' I gather about me... the nobles of the countryside.\\
'''Gino:''' When you'll throw us the scraps from your table... as if we were dogs.\\
'''Prospero:''' Exactly.



* GodIsDead: Invoked by Prospero.

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* GodIsDead: Invoked by Prospero.Prospero, and heavily implied to be confirmed by the Red Death.
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* WouldntHurtAChild: One of Prospero's very few redeeming qualities, since he seems to value innocence. The Red Death is also seen at the end playing cards with a little girl who survived the village massacre.

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* WouldntHurtAChild: One of Prospero's very few redeeming qualities, since he seems to value innocence.innocence (though his carriage does nearly run over an infant). The Red Death is also seen at the end playing cards with a little girl who survived the village massacre.
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* AdaptationalVillainy: Prospero displays a cruelty and folly that his literary counterpart lacks.
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averted Italian

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* RambunctiousItalian: Averted. Prospero stays pretty chill throughout. As the Red Death tells him, his soul has been dead for many, many years.
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*** Prospero has some fondness for Hop Toad and Esmeralda and is clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complain. He allows Hop Toad to comfort Esmeralda and then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his " entertainment ".

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*** Prospero has some fondness for Hop Toad and Esmeralda and is clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complain. He allows Hop Toad to comfort Esmeralda and then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his " entertainment "."entertainment".

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* HollywoodSatanism: Mysterious rituals, hatred of God, sadism for personal pleasure, and even the branding of an inverted cross on Juliana's right breast.



* HollywoodSatanism: Mysterious rituals, hatred of God, sadism for personal pleasure, and even the branding of an inverted cross on Juliana's right breast.
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* DepravedDwarf: Subverted; Hop-Toad deceives Alfredo into believing he is as depraved as the rest of the party, but he is secretly plotting revenge against Alfredo's abuse of Esmerelda. Because of this, Hop-Toad and Esmerelda are spared of the Red Death in the end.

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* DepravedDwarf: Subverted; Hop-Toad deceives Alfredo into believing he is as depraved as the rest of the party, but he is secretly plotting revenge against Alfredo's abuse of Esmerelda. Because of this, Hop-Toad and Esmerelda are spared of by the Red Death in the end.
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* DarkIsEvil: Prospero, who is dressed entirely in black and is a avowed Satanist. He chooses to wall himself and a few choice guests of the nobility in his own castle and party instead of helping the infected villagers.

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* DarkIsEvil: Prospero, who is dressed entirely in black and is a an avowed Satanist. He chooses to wall himself and a few choice guests of the nobility in his own castle and party instead of helping the infected villagers.
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* BatheHerAndBringHerToMe: Prospero orders this be done to Francesca.
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** When Alfredo backhands Esmeralda for accidentally spilling his wine, Prospero asks Hop-Toad to tend to her, and gets his own form of revenge for the insult by hurling a glass of wine into his face.

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** When Alfredo backhands Esmeralda for accidentally spilling his wine, Prospero asks Hop-Toad to tend to her, and gets his own form of revenge for the insult by hurling a glass of wine into his Alfredo's face.
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*** Prospero has some fondness for Hop Toad and Esmeralda, clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complainallowing Hop Toad to comfort Esmeralda. He then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his " entertainment ".

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*** Prospero has some fondness for Hop Toad and Esmeralda, Esmeralda and is clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complainallowing complain. He allows Hop Toad to comfort Esmeralda. He Esmeralda and then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo, even asking that the said dwarf be rewarded for his " entertainment ".
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** When Alfredo knocks down Esmeralda for accidentally spilling his wine, Prospero asks Hop-Toad to tend to her.

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** When Alfredo knocks down backhands Esmeralda for accidentally spilling his wine, Prospero asks Hop-Toad to tend to her.her, and gets his own form of revenge for the insult by hurling a glass of wine into his face.



* WouldntHurtAChild: One of Prospero's very few redeeming qualities. The Red Death is also seen at the end playing cards with a little girl who survived the village massacre.

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* WouldntHurtAChild: One of Prospero's very few redeeming qualities.qualities, since he seems to value innocence. The Red Death is also seen at the end playing cards with a little girl who survived the village massacre.
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* LoveInterest: Gino for Francesca, Juliana for Prospero, and Esmerelda for Hop-Toad.

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* LoveInterest: Gino for Francesca, Juliana for Prospero, and Esmerelda for Hop-Toad.Hop-Toad, although there is a clear hint that Prospero and Francesca seem to be developing genuine feelings for one another; Francesca actually looks heartbroken when the Red Death tells her to leave, as if she knows that she will never see Prospero again.



*** Prospero has some fondness for Hop Toad and Esmeralda, allowing Hop Toad to comfort Esmeralda after Alfredo strikes her and later taking pleasure in Hop Toad's revenge on Alfredo.

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*** Prospero has some fondness for Hop Toad and Esmeralda, allowing clearly angered when Alfredo strikes the latter for upsetting his wine when he himself didn't complainallowing Hop Toad to comfort Esmeralda after Alfredo strikes her Esmeralda. He then expresses his anger at Alfredo's actions by taking a glass of wine and hurling its contents into the man's face, totally unrepentant. He later taking pleasure in Hop Toad's revenge on Alfredo.Alfredo, even asking that the said dwarf be rewarded for his " entertainment ".
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Changed Devil But Not God entry from saying the Red Death tells Prospero the Devil shares the universe with Death to the Red Death Delling Prospero that Satan "does not rule alone". "He does not rule alone" is the exact line; it would be just as easy to infer some kind of polytheism is an effect as a joint custody with death. The Red Death itself never claims to rule anything.


* DevilButNoGod: An unusual variant. Prospero believes that Satan has killed God and taken his place; the Red Death doesn't dispute this but tells him Satan shares rule of the universe with Death.

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* DevilButNoGod: An unusual variant. Prospero believes that Satan has killed God and taken his place; the Red Death doesn't dispute this but tells him Satan shares "does not rule of the universe with Death.alone".
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***Prospero has some fondness for Hop Toad and Esmeralda, allowing Hop Toad to comfort Esmeralda after Alfredo strikes her and later taking pleasure in Hop Toad's revenge on Alfredo.


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* PluckyGirl: Francesca

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* AltumVidetur: The last spoken phrase in the film is by the Red Death: "Sic transit gloria mundi."[[hottip:*:"Thus goes the glory of the world."]]


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* GratuitousLatin: The last spoken phrase in the film is by the Red Death: "Sic transit gloria mundi."[[note]]"Thus goes the glory of the world."[[/note]]
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* RedIsHeroic: The Red Death. Yes, his job is to infect people with his designated plague, but he also does in [[AristocratsAreEvil Prospero and his guests]]; those who survive encounters with him do so because they had good character, and so are spareed. He even plays cards with a little girl at the end.

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* RedIsHeroic: The Red Death. Yes, his job is to infect people with his designated plague, but he also does in [[AristocratsAreEvil Prospero and his guests]]; those who survive encounters with him do so because they had good character, and so are spareed.spared. He even plays cards with a little girl at the end.
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* EverybodyHatesHades: Averted. The Death entities are clearly saddened by the suffering they cause among humanity, but they must do their duty.
* EveryoneHasStandards: The Red Death entity is pretty stoic about most things humans do, but is visibly Not Amused by Prospero's "jests".
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The film greatly expands upon the original tale and combines it with another Poe work, "Hop-Frog", as well as aspects of the French tale ''Torture by Hope'' by Auguste Villiers de l'Isle-Adam. It has been praised as one of Corman's best works (and, in fact, remains one of his favorite films to work on); while notorious for cutting corners, Corman maintained a high production value by filming in Britain (which gave him a British government subsidy) and using sets left over from the production of ''{{Becket}}''.

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The film greatly expands upon the original tale and combines it with another Poe work, "Hop-Frog", as well as aspects of the French tale ''Torture by Hope'' by Auguste Villiers de l'Isle-Adam. It has been praised as one of Corman's best works (and, in fact, remains one of his favorite films to work on); while notorious for cutting corners, Corman maintained a high production value by filming in Britain (which gave him a British government subsidy) and using sets left over from the production of ''{{Becket}}''.
''Film/{{Becket}}''.
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Prince Prospero (Price) is a tight-fisted ruler that rules over his land cruelly, justifying his behavior through his devout faith to Satan. When he discovers that the Red Death - a plague that causes its victims to bleed from every pore of their skin - has arrived in a nearby village, he takes captive three healthy individuals - Francesca (Jane Asher), her father Ludovico (Nigel Green), and her lover Gino (David Weston) - and orders the rest of the village to be burnt to the ground. He offers solace to other lords in the area to join a gala devoted to vice of all sorts in an attempt to stave off the Red Death, unaware that it has plans of its own...

The film greatly expands upon the original tale and combines it with another Poe work, "Hop-Frog", as well as aspects of the French tale ''Torture By Hope'' by Auguste Villiers de l'Isle-Adam. It has been praised as one of Corman's best works (and, in fact, remains one of his favorite films to work on); while notorious for cutting corners, Corman maintained a high production value by filming in Britain (which gave him a British government subsidy) and using sets left over from the production of ''{{Becket}}''.

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Prince Prospero (Price) is a tight-fisted ruler that rules over his land cruelly, justifying his behavior through his devout faith to Satan. When he discovers that the Red Death - -- a plague that causes its victims to bleed from every pore of their skin - -- has arrived in a nearby village, he takes captive three healthy individuals - -- Francesca (Jane Asher), her father Ludovico (Nigel Green), and her lover Gino (David Weston) - -- and orders the rest of the village to be burnt to the ground. He offers solace to other lords in the area to join a gala devoted to vice of all sorts in an attempt to stave off the Red Death, unaware that it has plans of its own...

The film greatly expands upon the original tale and combines it with another Poe work, "Hop-Frog", as well as aspects of the French tale ''Torture By by Hope'' by Auguste Villiers de l'Isle-Adam. It has been praised as one of Corman's best works (and, in fact, remains one of his favorite films to work on); while notorious for cutting corners, Corman maintained a high production value by filming in Britain (which gave him a British government subsidy) and using sets left over from the production of ''{{Becket}}''.
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[[caption-width-right:300:"The way is not easy, I know, but I will take you by the hand and lead you through the cruel light into the velvet darkness." [[note]]Neither the catacombs of Kali nor the vengeance of Baal are actually mentioned in the film[[/note]] ]]

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[[caption-width-right:300:"The [[caption-width-right:300:''"The way is not easy, I know, but I will take you by the hand and lead you through the cruel light into the velvet darkness." "'' [[note]]Neither the catacombs of Kali nor the vengeance of Baal are actually mentioned in the film[[/note]] film.[[/note]] ]]
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* VillainousCrush: Prospero for Francesca, much to the jealousy of Juliana. Alfredo also lusts after Esmerelda, which is made doubly creepy by the fact that Esmerelda's actress was a ''four year old girl''.

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* VillainousCrush: Prospero for Francesca, much to the jealousy of Juliana. Alfredo also lusts after Esmerelda, which is made doubly creepy by the fact that Esmerelda's actress was a ''four ''seven year old girl''.
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* AssholeVictim: Almost all the residents of the castle, but particularly Alfredo, who is publicly humiliated and then burnt alive by Hop Toad and deserves every second of it.


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* GuileHero: Hop Toad, who ultimately manages to get revenge on Alfredo and escape the castle with Esmeralda through nothing but his own cunning.

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* BadassBaritone: The Red Death himself has one to rival Creator/ChristopherLee.



* TheDungAges: The film's setting fits this to a T, with decaying peasant villages being wiped out by the plague as the corrupt, decadent aristocracy hold lavish parties in Prospero's castle.



* VillainousCrush: Prospero for Francesca, much to the jealousy of Juliana.

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* VillainousCrush: Prospero for Francesca, much to the jealousy of Juliana. Alfredo also lusts after Esmerelda, which is made doubly creepy by the fact that Esmerelda's actress was a ''four year old girl''.
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* HumanoidAbomination: The Red Death’s AnthropomorphicPersonification here is arguably more human looking than it was in the source material and also capable of mercy, but it doesn’t stop it from being the avatar of an unnatural plague.
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''The Masque of the Red Death'' is a 1964 adaptation of the Creator/EdgarAllanPoe story of the same name, directed by Creator/RogerCorman and starring Creator/VincentPrice.

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''The Masque of the Red Death'' is a 1964 adaptation of the Creator/EdgarAllanPoe story of the same name, Creator/EdgarAllanPoe's "Literature/TheMasqueOfTheRedDeath", directed by Creator/RogerCorman and starring Creator/VincentPrice.

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* BadIsGoodAndGoodIsBad: Openly embraced by Prospero.

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* BadIsGoodAndGoodIsBad: Openly embraced by Prospero.Prospero; at the same time it's implied that one of the things that makes him attracted to Francesca is the fact that her goodness is completely genuine.



** He also specifically requests that the Red Death spare Francesca, which the figure notes is "a charitable request...a rare thing with you, Prospero."

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** He also specifically requests that the Red Death spare Francesca, which the figure notes is "a charitable request...a rare thing with you, Prospero."" The implication is that he admires the fact that her faith is completely genuine in contrast to the corrupt scumbags who are his friends.


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* HumansAreBastards: Something Prospero believes; that Francesca is a genuinely kind person is one of the things that prompts him to fall in love with her.
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* DevilButNoGod: An unusual variant. Prospero believes that Satan has killed God and taken his place; the Red Death doesn't dispute this but tells him Satan shares rule of the universe with Death.

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