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Changed line(s) 20 (click to see context) from:
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is nice and innocent. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
to:
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is nice gentle-hearted and innocent. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
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* SupportYourParents: As part of the titular character's AdaptationalNiceGuy, his dream to get his father out of poverty is even more pronounced than in the book. When he's deceived into thinking that he can plant his gold coins to grow a coin tree, his first and foremost thought is that he'll be able to buy his father an entire theatre.
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Unrequited Tragic Maiden now requires tragedy for the maiden, per TRS
. Examples that don't fit the new definition as written will be removed
. Examples that don't fit the new definition as written will be removedChanged line(s) 20 (click to see context) from:
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is a male version of UnrequitedTragicMaiden. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
to:
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is a male version of UnrequitedTragicMaiden.nice and innocent. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/buratino_poster_copia.png]]
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Changed line(s) 9 (click to see context) from:
* AscendedExtra: In the book, Giuseppe doesn't appear after giving the wooden log to Carlo. Here, he is practically [[PlatonicCoParenting Buratino's second father figure]], takesb part in rescuing Buratino and the marionettes, [[spoiler:and accompanies the main characters through the door in the finale]].
to:
* AscendedExtra: In the book, Giuseppe doesn't appear after giving the wooden log to Carlo. Here, he is practically [[PlatonicCoParenting Buratino's second father figure]], takesb takes part in rescuing Buratino and the marionettes, [[spoiler:and accompanies the main characters through the door in the finale]].
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Added line(s) 8 (click to see context) :
* AdaptationalRelationshipOverhaul: Since Artemon is completely human-looking, his dynamic with Malvina is less that of a pet and owner and more that of a [[BigBrotherInstinct protective older brother]] and little sister.
Changed line(s) 8 (click to see context) from:
* AscendedExtra: In the book, Giuseppe doesn't appear after giving the wooden log to Carlo. Here, he is practically [[PlatonicCoParenting Buratino's second father figure]], takes part in rescuing Buratino and the marionettes, [[spoiler:and accompanies the main characters through the door in the finale]].
to:
* AscendedExtra: In the book, Giuseppe doesn't appear after giving the wooden log to Carlo. Here, he is practically [[PlatonicCoParenting Buratino's second father figure]], takes takesb part in rescuing Buratino and the marionettes, [[spoiler:and accompanies the main characters through the door in the finale]].
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Changed line(s) 14 (click to see context) from:
** Alisa the fox, a skilled conwoman, is [[InformedSpecies played by an actress in a red wig]].
to:
** Alisa the fox, a skilled conwoman, conwoman who WouldHurtAChild, is [[InformedSpecies played by an actress in a red wig]].
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Changed line(s) 4 (click to see context) from:
* AdaptationalNiceGuy: Buratino is a lot nicer than in the book, covering for Malvina when she escapes the theatre, rushing to save Pierrot from Harlequin in a YouJustRuinedTheShot moment, and reconciling with the Talking Cricket, admitting that the latter is wise.
to:
* AdaptationalNiceGuy: AdaptationalNiceGuy:
** Buratino is a lot nicer than in the book, covering for Malvina when she escapes the theatre, rushing to save Pierrot from Harlequin in a YouJustRuinedTheShot moment, and reconciling with the Talking Cricket, admitting that the latter iswise.wise.
** Malvina's bossiness is toned down, and her insensitive remarks towards obviously lovelorn Pierrot are omitted.
** Buratino is a lot nicer than in the book, covering for Malvina when she escapes the theatre, rushing to save Pierrot from Harlequin in a YouJustRuinedTheShot moment, and reconciling with the Talking Cricket, admitting that the latter is
** Malvina's bossiness is toned down, and her insensitive remarks towards obviously lovelorn Pierrot are omitted.
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* AdaptedOut: Most of the forest animals who come to the puppets' help are removed.
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Changed line(s) 4 (click to see context) from:
* AdaptationalHeroism: Buratino gets an additional clearly heroic moment when he helps Malvina escape from Carabas-Barabas's theatre (in the book, she escapes offscreen).
to:
* AdaptationalHeroism: AdaptationalNiceGuy: Buratino gets an additional clearly heroic moment when he helps Malvina escape from Carabas-Barabas's theatre (in is a lot nicer than in the book, covering for Malvina when she escapes offscreen).the theatre, rushing to save Pierrot from Harlequin in a YouJustRuinedTheShot moment, and reconciling with the Talking Cricket, admitting that the latter is wise.
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Changed line(s) 20 (click to see context) from:
* TheVillainSucksSong: "The Frightening Carabas" is the marionettes' second song; as they sing it backstage, y can be a bit more truthful about the dreader theatre owner.
to:
* TheVillainSucksSong: "The Frightening Carabas" is the marionettes' second song; as they sing it backstage, y they can be a bit more truthful about the dreader dreaded theatre owner.
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Changed line(s) 16 (click to see context) from:
* SuspiciouslySpecificDenial: One of the marionettes' songs provides one of the most famous Russian quotes for this trope:
to:
* SuspiciouslySpecificDenial: One of the The marionettes' songs first song provides one of the most famous Russian quotes for this trope:
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* TheVillainSucksSong: "The Frightening Carabas" is the marionettes' second song; as they sing it backstage, y can be a bit more truthful about the dreader theatre owner.
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Changed line(s) 9 (click to see context) from:
* EvilRedhead: Cruel and greedy Carabas-Barabas has red hair and a red beard.
to:
* EvilRedhead: EvilRedhead:
** Cruel and greedy Carabas-Barabas has red hair and a redbeard.beard.
** Alisa the fox, a skilled conwoman, is [[InformedSpecies played by an actress in a red wig]].
** Cruel and greedy Carabas-Barabas has red hair and a red
** Alisa the fox, a skilled conwoman, is [[InformedSpecies played by an actress in a red wig]].
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Changed line(s) 9 (click to see context) from:
* GrandRomanticGesture: In Pierrot's Serenade, Pierrot says he would love to bring Malvina the moon or the rising sun but is much too sleepy in the night and the morning to grab either from the sky.
to:
* EvilRedhead: Cruel and greedy Carabas-Barabas has red hair and a red beard.
* GrandRomanticGesture: InPierrot's Serenade, "Pierrot's Serenade", Pierrot says he would love to bring Malvina the moon or the rising sun but is much too sleepy in the night and the morning to grab either from the sky.
* GrandRomanticGesture: In
Changed line(s) 12 (click to see context) from:
* IrrelevantActOpener: If you don't count the song accompanying the credits, the first musical number in the actual movie is the Lamplighters' Song, which has absolutely nothing to do with the plot.
to:
* IrrelevantActOpener: If you don't count the song accompanying the credits, the first musical number in the actual movie is the "The Lamplighters' Song, Song", which has absolutely nothing to do with the plot.
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Changed line(s) 17 (click to see context) from:
* YouJustRuinedTheShot: At Carabas-Barabas's Buratino rushes to save Pierrot from getting beaten by the Harlequin, not realizing it's just a performance.
to:
* YouJustRuinedTheShot: At Carabas-Barabas's theatre, Buratino rushes to save Pierrot from getting beaten by the Harlequin, not realizing it's just a performance.
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Changed line(s) 8 (click to see context) from:
** The final chorus is performed in a theatre, where the child actors who star in the movie are sitting [[AsHimself as themselves]] in the audience.
to:
** The final chorus is performed in at a theatre, where the child actors who star in the movie are sitting [[AsHimself as themselves]] in the audience.
Changed line(s) 16 (click to see context) from:
And he’s not a tormentor at all...
to:
And he’s not a tormentor at all...all...
* YouJustRuinedTheShot: At Carabas-Barabas's Buratino rushes to save Pierrot from getting beaten by the Harlequin, not realizing it's just a performance.
* YouJustRuinedTheShot: At Carabas-Barabas's Buratino rushes to save Pierrot from getting beaten by the Harlequin, not realizing it's just a performance.
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Changed line(s) 6 (click to see context) from:
* BreakingTheFourthWall: Papa Carlo sings about his future son: "to help me in my old age (looking directly at the camera) and to bring joy to you".
to:
* BreakingTheFourthWall: BreakingTheFourthWall:
** Papa Carlo sings about his future son: "to help me in my old age (looking directly at the camera) and to bring joy toyou".you".
** The final chorus is performed in a theatre, where the child actors who star in the movie are sitting [[AsHimself as themselves]] in the audience.
** Papa Carlo sings about his future son: "to help me in my old age (looking directly at the camera) and to bring joy to
** The final chorus is performed in a theatre, where the child actors who star in the movie are sitting [[AsHimself as themselves]] in the audience.
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Changed line(s) 8 (click to see context) from:
* InformedSpecies: Tortila the turtle, Alisa the fox and Basilio the cat, as well as a number of episodic animal characters, look completely human.
to:
* InformedSpecies: Artemon the poodle, Tortila the turtle, Alisa the fox and Basilio the cat, as well as a number of episodic animal characters, look completely human.
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* AscendedExtra: In the book, Giuseppe doesn't appear after giving the wooden log to Carlo. Here, he is practically [[PlatonicCoParenting Buratino's second father figure]], takes part in rescuing Buratino and the marionettes, [[spoiler:and accompanies the main characters through the door in the finale]].
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None
Added DiffLines:
* GrandRomanticGesture: In Pierrot's Serenade, Pierrot says he would love to bring Malvina the moon or the rising sun but is much too sleepy in the night and the morning to grab either from the sky.
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Changed line(s) 9 (click to see context) from:
* SuspiciouslySpecificDenial: One of the marionettes' songs provides of the most famous Russian quotes for this trope:
to:
* SuspiciouslySpecificDenial: One of the marionettes' songs provides one of the most famous Russian quotes for this trope:
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Changed line(s) 9,10 (click to see context) from:
* SuspiciouslySpecificDenial: One of the marionettes' songs provides of the most famous Russian quotes for this trope.
->Long live our brave Carabas!\\
->Long live our brave Carabas!\\
to:
* SuspiciouslySpecificDenial: One of the marionettes' songs provides of the most famous Russian quotes for this trope.
->Longtrope:
-->Long live our brave Carabas!\\
->Long
-->Long live our brave Carabas!\\
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''The Adventures of Buratino'' (Russian: Приключения Буратино) is a 1975 Soviet children's musical film directed by Leonid Nechayev, an adaptation of ''Literature/TheGoldenKeyOrTheAdventuresOfBuratino''.
!! Tropes featured in this film:
* AdaptationalHeroism: Buratino gets an additional clearly heroic moment when he helps Malvina escape from Carabas-Barabas's theatre (in the book, she escapes offscreen).
* BreakingTheFourthWall: Papa Carlo sings about his future son: "to help me in my old age (looking directly at the camera) and to bring joy to you".
* InformedSpecies: Tortila the turtle, Alisa the fox and Basilio the cat, as well as a number of episodic animal characters, look completely human.
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is a male version of UnrequitedTragicMaiden. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
* IrrelevantActOpener: If you don't count the song accompanying the credits, the first musical number in the actual movie is the Lamplighters' Song, which has absolutely nothing to do with the plot.
* SuspiciouslySpecificDenial: One of the marionettes' songs provides of the most famous Russian quotes for this trope.
->Long live our brave Carabas!\\
We live cosily under his beard,\\
And he’s not a tormentor at all...
!! Tropes featured in this film:
* AdaptationalHeroism: Buratino gets an additional clearly heroic moment when he helps Malvina escape from Carabas-Barabas's theatre (in the book, she escapes offscreen).
* BreakingTheFourthWall: Papa Carlo sings about his future son: "to help me in my old age (looking directly at the camera) and to bring joy to you".
* InformedSpecies: Tortila the turtle, Alisa the fox and Basilio the cat, as well as a number of episodic animal characters, look completely human.
* InnocentSoprano: Malvina is kind-hearted and friendly (if with some InnocentlyInsensitive bossiness), and Pierrot is a male version of UnrequitedTragicMaiden. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices.
* IrrelevantActOpener: If you don't count the song accompanying the credits, the first musical number in the actual movie is the Lamplighters' Song, which has absolutely nothing to do with the plot.
* SuspiciouslySpecificDenial: One of the marionettes' songs provides of the most famous Russian quotes for this trope.
->Long live our brave Carabas!\\
We live cosily under his beard,\\
And he’s not a tormentor at all...
