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* ThingOMeter: The local contest is determined by an "applause-o-meter" where a homecoming queen (or something) moves her arm in response to audience encouragement. When the Wonders "break the needle" she whips her arms from one side to the other, clearly defining them as "Wicked".

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* ThingOMeter: The [[TownContestEpisode local contest contest]] is determined by an "applause-o-meter" where a homecoming queen (or something) moves her arm in response to audience encouragement. When the Wonders "break the needle" she whips her arms from one side to the other, clearly defining them as "Wicked".
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** NoAntagonist: Tom Hanks's explicit ethos when writing the movie was "no bad guys in my movie". While the band eventually splits and lead singer Jimmy dumps his girlfriend, it's born more out of clashing personalities and goals than outright villainy or antagonism. Even both of the band's managers are on the up-and-up with them, even though Mr. White's ideology of touring and marketing goes against Jimmy's desire to make a follow-up record.

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** * NoAntagonist: Tom Hanks's explicit ethos when writing the movie was "no bad guys in my movie". While the band eventually splits and lead singer Jimmy dumps his girlfriend, it's born more out of clashing personalities and goals than outright villainy or antagonism. Even both of the band's managers are on the up-and-up with them, even though Mr. White's ideology of touring and marketing goes against Jimmy's desire to make a follow-up record.
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** NoAntagonist: Tom Hanks's explicit ethos when writing the movie was "no bad guys in my movie". While the band eventually splits and lead singer Jimmy dumps his girlfriend, it's born more out of clashing personalities and goals than outright villainy or antagonism. Even both of the band's managers are on the up-and-up with them, even though Mr. White's ideology of touring and marketing goes against Jimmy's desire to make a follow-up record.
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* RageQuit: The last straw for Jimmy is being told by Mr. White that they're going to get to do an album finally, only for him to dictate under terms of their contract that it will be a cover album rather than original songs. Jimmy quits the band instead, leaving Guy the only original Wonder left.

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* RageQuit: The last straw for Jimmy is being told by Mr. White that they're going to get to do an album finally, only for him to dictate under terms of their contract that it will be a cover album rather than original songs. Jimmy quits the band instead, leaving Guy the only original Wonder left. [[note]] Only original member from their recording period, and the original lineup their fans would know, as Guy joined as a temporary replacement, but wound up sticking around. [[/note]]
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* AsideGlance: From Lamarr at the very end of the film, when Guy and Faye, who have just exchanged their first kiss, decide they're [[OvercomeWithDesire not quite ready to leave the hotel after all...]]
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** Also an example of FamilyPortraitOfCharacterization, if you think of the band plus Faye as a family. Guy and Faye are seated close together, looking directly into the camera, and smiling. Jimmy is sitting a little apart from them and staring off into the distance.
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** The film does a very good job of getting period details such as cars, clothes, and signage right. The guitars are also correct -- at the start, the boys have appropriate garage-band instruments for the era [[note]] Specifically, Danelectro guitars and basses [[/note]], and later they get equally appropriate upgrades [[note]] Lenny plays a Fender Jaguar, and Jimmy plays a Rickenbacker 360/12 [[/note]].

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** The film does a very good job of getting period details such as cars, clothes, and signage right. The guitars are also correct -- at the start, the boys have appropriate garage-band instruments for the era [[note]] Specifically, Danelectro guitars bass, Les Paul Junior and basses [[/note]], Silvertone guitars[[/note]], and later they get equally appropriate upgrades upgrades. [[note]] Lenny plays a Fender Jaguar, and Jimmy plays a Rickenbacker 360/12 [[/note]].360/12. And we see a Fender bass.[[/note]]
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* RageQuit: The last straw for Jimmy is being told by Mr. White that they're going to get to do a second album finally, only for him to dictate under terms of their contract that it will be a cover album rather than original songs. Jimmy quits the band instead, leaving Guy the only original Wonder left.

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* RageQuit: The last straw for Jimmy is being told by Mr. White that they're going to get to do a second an album finally, only for him to dictate under terms of their contract that it will be a cover album rather than original songs. Jimmy quits the band instead, leaving Guy the only original Wonder left.



** All the actors that make up The Wonders are actually playing their own instruments and singing, the result of months spent rehearsing as a ''de facto'' band prior to filming. (Asked about the many reps of the song throughout the movie, Tom Everett Scott pointed out that "We had to hear it a lot more than anyone else!")

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** All the actors that make up The Wonders are actually playing their own instruments and singing, the result of months spent rehearsing as a ''de facto'' band prior to filming. (Asked about the many reps of the song throughout the movie, Tom Everett Scott pointed out that "We had to hear it a lot more than anyone else!")else!")[[note]] While they are actually seen playing, it is not them you hear. This does add realism to the look and created a camaraderie for the actors.[[/note]]
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* AndImTheQueenOfSheba: After Jimmy gets angry at the group and storms off, Faye tries to explain that Jimmy's a genius and is just as hard on himself as everyone else. After she leaves, Guys scoffs, "If Jimmy's a genius, I'm [[https://en.wikipedia.org/wiki/U_Thant U Thant]]."

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* AndImTheQueenOfSheba: After Jimmy gets angry at the group and storms off, Faye tries to explain that Jimmy's a genius and is just as hard on himself as everyone else. After she leaves, Guys Guy scoffs, "If Jimmy's a genius, I'm [[https://en.wikipedia.org/wiki/U_Thant U Thant]]."



* ArcWords: Guy is fond of quoting "I am Spartacus" from, well, ''Film/{{Spartacus}}'' (which had come out four years before the InUniverse date), which serves to nicely describe the movie's arc. It becomes the name of the track he plays with Del.

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* ArcWords: Guy is fond of quoting "I am Spartacus" from, well, ''Film/{{Spartacus}}'' (which had come out four years before the InUniverse date), which serves to nicely describe the movie's arc. It becomes the name of the track he plays with Del.Del Paxton.



* FakeBand: Pretty much every band or singer shown or mentioned in the film. Averted with actors playing The Wonders themselves, as they all were taught how to play their instruments.

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* FakeBand: Pretty much every band or singer shown or mentioned in the film. Averted with actors playing The Wonders themselves, as they all were taught how to play their instruments. (Although it is not their actual playing you hear.)
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Naming themselves the 'Oneders' (as in One-ders) on the sound-for-the-time logic that a PunnyName worked for Music/TheBeatles, the band intends to perform a slow ballad written by Jimmy and Lenny called "That Thing You Do". The night of the comp, however, Guy leads them off at a much faster tempo than they'd rehearsed, giving them no choice but to transform it into a snappy pop number. ''Auteur'' Jimmy is upset, but the crowds are seen dancing in the aisles, and they win the talent show.

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Naming themselves the 'Oneders' (as in One-ders) on the sound-for-the-time logic that a PunnyName worked for Music/TheBeatles, the band intends to perform a slow ballad written by Jimmy and Lenny called "That Thing You Do". The night of the comp, however, Guy leads them off at a much faster tempo than they'd rehearsed, giving them no choice but to transform it into a snappy pop number. ''Auteur'' Jimmy is upset, but the crowds are crowd is seen dancing in the aisles, and they win the talent show.
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* GarageBand: At the beginning of the film, the Wonders (as they will eventually be known) play on cheap instruments and rehearse in a garage.

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* GarageBand: At the beginning of the film, the Wonders (as they will eventually be known) play on cheap instruments and rehearse in a garage.garage, making them a literal example of GarageRock.
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* ArtistAndTheBand: At the height of The Wonders' fame, they get a cameo role in a [[ShowWithinAShow teen beach movie]]. Instead of playing themselves, they portray the doubly fictional surf band Cap'n Geech and the Shrimp Shack Shooters. This becomes a BrickJoke later when The Wonders are getting interviewed and Lenny confidently cites Cap'n Geech and the Shrimp Shack Shooters as one of his biggest musical influences.
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* AndImTheQueenOfSheba: After Jimmy gets angry at the group and storms off, Faye tries to explain that Jimmy's a genius and is just as hard on himself as everyone else. After she leaves, Guys scoffs, "If Jimmy's a genius, I'm [[https://en.wikipedia.org/wiki/U_Thant U Thant]]."
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* AsTheGoodBookSays: When Guy asks Uncle Bob when the band is gonna get the copies of their 45, Bob mentions Luke 21:19 ("In your patience, possess ye your souls") as a way of telling them to be patient. When Lenny, confused, asks "Who's Luke?", Bob then clarifies by telling them the records will arrive on Wednesday.
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** Jimmy plays with this. On the surface, he presents himself as a "true artist" type and is the one who is most invested in the band itself; of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines. However, it's pretty telling that when you look closer, most of his interests seem to revolve around the commercial and ego-boosting opportunities of the music industry rather than the pleasure of creating art for its own sake; he obsesses over contracts and track listings (specifically ensuring his songs are on there) and, tellingly, for all his clashes with Mr White, continues to work with the same record label with his subsequent band.

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** Jimmy plays with this. On the surface, he presents himself as a "true artist" type and is the one who is most invested in the band itself; of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines. However, it's pretty telling that when you look closer, most of his Jimmy's interests seem to revolve around the commercial and ego-boosting opportunities of the music industry rather than the pleasure of creating art for its own sake; he obsesses over contracts and track listings (specifically ensuring his songs are on there) and, tellingly, for all his clashes with Mr White, continues to work with the same record label with his subsequent band.



* MusicIsPolitics: The band learns this the hard way.

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* MusicIsPolitics: The band learns this the hard way.way when Mr. White tells Jimmy that the band's contract requires them to record cover songs for most of the songs on the album, re-record "That Thing You Do!" in Spanish, and that the two original songs featured on the album must be uptempo and "snappy".
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* AffectionateParody: Of those early-1960s {{One Hit Wonder}}s formed after the success of Music/TheBeatles in the United States, and UsefulNotes/TheBritishInvasion that resulted. [[invoked]]
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* AffectionateParody: Of those early-1960s {{One Hit Wonder}}s formed after the success of Music/TheBeatles in the United States, and UsefulNotes/TheBritishInvasion that resulted. [[invoked]]
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Fixed typo, it should be "B-side" not "B-sign".


** Jimmy attempting to take full credit for writing the titular song, when Lenny wrote it with him. He also ''begs'' Bob to do his romantic ballad on the B-sing of their initial record. This establishes Jimmy as somewhat self-centered and an InsufferableGenius, two traits start to become more and more obvious as the film goes on.

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** Jimmy attempting to take full credit for writing the titular song, when Lenny wrote it with him. He also ''begs'' Bob to do his romantic ballad on the B-sing B-side of their initial record. This establishes Jimmy as somewhat self-centered and an InsufferableGenius, two traits start to become more and more obvious as the film goes on.
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* AffectionateParody: Of those early-1960s {{One Hit Wonder}}s formed after the success of Music/TheBeatles in the United States, and UsefulNotes/TheBritishInvasion that resulted.

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* AffectionateParody: Of those early-1960s {{One Hit Wonder}}s formed after the success of Music/TheBeatles in the United States, and UsefulNotes/TheBritishInvasion that resulted. [[invoked]]



** Jimmy plays with this. On the surface, he presents himself as a "true artist" type and is the one who is most invested in the band itself; of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines. However, it's pretty telling that when you look closer, most of his interests seem to revolve around the commercial and ego-boosting opportunities of the music industry rather than the pleasure of creating art for its own sake; he obsesses over contracts and track listings (specifically ensuring his songs are on there) and, tellingly, for all his clashes with Mr White continues to work with the same record label with his subsequent band.

to:

** Jimmy plays with this. On the surface, he presents himself as a "true artist" type and is the one who is most invested in the band itself; of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines. However, it's pretty telling that when you look closer, most of his interests seem to revolve around the commercial and ego-boosting opportunities of the music industry rather than the pleasure of creating art for its own sake; he obsesses over contracts and track listings (specifically ensuring his songs are on there) and, tellingly, for all his clashes with Mr White White, continues to work with the same record label with his subsequent band.



** The band's name in all of its iterations (One-ders, Wonders) is itself a pretty big clue of what [[OneHitWonder their eventual fate]] after "That Thing You Do!" is going to be.

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** The band's name in all of its iterations (One-ders, Wonders) is itself a pretty big clue of what [[OneHitWonder their eventual fate]] after "That Thing You Do!" is going to be. [[invoked]]



* {{Foil}}: Jimmy to Guy. While Jimmy presents the image of the "True" artist "Doing it for the music," he's really more interested in playing the industry game than actually connecting with other musicians, while Guy is genuinely interested in music and goes out of his way to connect with his idols. Jimmy attempts to take sole credit for the writing of "That Thing You Do," despite not only writing it with Lenny but without Guy it wouldn't have become the hit that it was. Meanwhile Guy takes no credit for the song's success, despite being crucial to it's development. Even in the end, Jimmy goes on to become a Play-Tone executive while Guy opens a school to teach aspiring musicians.

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* {{Foil}}: Jimmy to Guy. While Jimmy presents the image of the "True" artist "Doing it for the music," he's really more interested in playing the industry game than actually connecting with other musicians, while Guy is genuinely interested in music and goes out of his way to connect with his idols. Jimmy attempts to take sole credit for the writing of "That Thing You Do," despite not only writing it with Lenny but without Guy it wouldn't have become the hit that it was. Meanwhile Guy takes no credit for the song's success, despite being crucial to it's development. Even in the end, Jimmy goes on to become a Play-Tone executive successful record producer while Guy opens a school conservatory to teach aspiring musicians.



* InsufferableGenius: Jimmy. After he pitches a fit and storms off at lunch late in the film, Faye tries to explain away his behavior by saying his standards are very high because he tested at genius levels in high school, but by then even she's not believing it anymore. Mr. White also acknowledges he has talent, but a bad attitude for a band leader. He's the only member of the band to continue producing pop music, although Faye and Guy end up as music teachers and open their own school. It's also questionable how much the "Genius" part actually applies; while he can certainly write some good songs and clearly has musical talent, he actually has some surprisingly dodgy creative instincts (he seems obsessed with making everything a slow ballad, and it's fitting that the key thing that makes "That Thing You Do" was Guy's contribution, not his), suggesting that he might actually just be Insufferable.

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* InsufferableGenius: Jimmy. After he pitches a fit and storms off at lunch late in the film, Faye tries to explain away his behavior by saying his standards are very high because he tested at genius levels in high school, but by then even she's not believing it anymore. Mr. White also acknowledges he has talent, but a bad attitude for a band leader. He's the only member of the band to continue producing pop music, although Faye and Guy end up as music teachers and open their own school. It's also questionable how much the "Genius" part actually applies; while he can certainly write some good songs and clearly has musical talent, he actually has some surprisingly dodgy creative instincts (he seems obsessed with making everything a writing slow ballad, ballads, and it's fitting that the key thing that makes "That Thing You Do" was Guy's a hit is ''Guy's'' contribution, not his), suggesting that he might actually just be Insufferable.



** The bassist is a forgettable member who leaves while the band is on tour, a couple months before his planned departure, and is replaced by a session musician without anyone missing a beat. However, the title song was, in real life, written by a bassist and puts the bassline front and center.

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** The bassist is a forgettable member who leaves while the band is on tour, a couple months before his planned departure, and is replaced by a session musician without anyone missing a beat. However, the title song was, in real life, written by a bassist [[note]] Adam Schlesinger of Music/FountainsOfWayne [[/note]] and puts the bassline front and center.



* LyricalDissonance: Changing the tempo of the song makes it a peppy pop tune, but the lyrics are still Jimmy's lament about the girl who's "breaking my heart into a million pieces, like you always do".

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* LyricalDissonance: Changing the tempo of the song "That Thing You Do" makes it a peppy pop rock tune, but the lyrics are still Jimmy's lament about the girl who's "breaking my heart into a million pieces, like you always do".



** While he was definitely upset that he was being ordered to cover songs owned by PlayTone, and to record "That Thing You Do" in Spanish, the last straw for Jimmy was that, while he was, by contract, allowed 1 original song on each side of the LP, Mr. White wouldn't allow him to record "any of that lover's lament crap", which is implied that Jimmy had brought to record. Mr. White wanted additional up tempo (snappy) songs.

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** While he was definitely upset that he was being ordered to cover songs owned by PlayTone, [=PlayTone=], and to record "That Thing You Do" in Spanish, the last straw for Jimmy was that, while he was, by contract, allowed 1 original song on each side of the LP, Mr. White wouldn't allow him to record "any of that lover's lament crap", which is implied that Jimmy had brought to record. Mr. White wanted additional up tempo (snappy) songs.



--> '''Mr. White:''' It's a very common tale.\\
'''Guy:''' Well, maybe for you, but I was in a band and we still have a hit record.\\
'''Mr. White:''' Yeah, you do. [[OneHitWonder One Hit Wonders]]. It's a very common tale. [[invoked]]



*** Another slightly oblique Beatles Shout Out; "That Thing You Do" starts off as a slow ballad, but when Guy ups the tempo of the drumbeat, turning it into a quick-paced pop song, it becomes a very popular #1 hit. Something similar happened with "Please Please Me", which was originally written as a Music/RoyOrbison-style crooner, but it didn't really click with the band and the producer until they sped it up a bit -- and it ended up becoming the Beatles' first ever #1 hit.

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*** Another slightly oblique Beatles Shout Out; "That Thing You Do" starts off as a slow ballad, but when Guy ups the tempo of the drumbeat, turning it into a quick-paced pop song, it becomes a very popular #1 hit. Something similar happened with "Please Please Me", which was originally written as a Music/RoyOrbison-style crooner, but it didn't really click with the band and the producer their producer, George Martin, until they sped it up a bit the tempo -- and it ended up becoming the Beatles' first ever #1 hit.



** The film does a very good job of getting period details such as cars, clothes, and signage right. The guitars are also correct -- at the start, the boys have appropriate garage-band instruments for the era, and later they get equally appropriate upgrades.

to:

** The film does a very good job of getting period details such as cars, clothes, and signage right. The guitars are also correct -- at the start, the boys have appropriate garage-band instruments for the era, era [[note]] Specifically, Danelectro guitars and basses [[/note]], and later they get equally appropriate upgrades.upgrades [[note]] Lenny plays a Fender Jaguar, and Jimmy plays a Rickenbacker 360/12 [[/note]].
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Fixed spelling of Jimmie Nicol's surname.


*** The bass player disappearing and being replaced by a session player for the live TV broadcast and for (what would have been) their first album recording refers to two incidents within the Beatles career. The first is to the recording of "Love Me Do", where Ringo Starr (who had recently been hired by the band after Pete Best was fired) was not allowed to play on the recording by George Martin, who had already hired a session drummer and did not want to rely on an unknown. The second was during the band's 1964 world tour, when Ringo (again) fell ill and was unable to play, requiring the band to temporarily hire another session drummer (Jimmie Nichol) to fill in for him. The latter is also alluded to by Faye falling ill when the band travels to California and missing several of the gigs they do.

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*** The bass player disappearing and being replaced by a session player for the live TV broadcast and for (what would have been) their first album recording refers to two incidents within the Beatles career. The first is to the recording of "Love Me Do", where Ringo Starr (who had recently been hired by the band after Pete Best was fired) was not allowed to play on the recording by George Martin, who had already hired a session drummer and did not want to rely on an unknown. The second was during the band's 1964 world tour, when Ringo (again) fell ill and was unable to play, requiring the band to temporarily hire another session drummer (Jimmie Nichol) Nicol) to fill in for him. The latter is also alluded to by Faye falling ill when the band travels to California and missing several of the gigs they do.
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Corrected a dialogue quote.


'''Heckler''': You're a jerkhead!\\

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'''Heckler''': You're a jerkhead!\\jerk, Ken!\\



'''Heckler''': Eat my shorts, Captain!\\

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'''Heckler''': Eat my shorts, Captain!\\Ken!\\
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* InsufferableGenius: Jimmy. After he pitches a fit and storms off at lunch late in the film, Faye tries to explain away his behavior by saying his standards are very high because he tested at genius levels in high school, but by then even she's not believing it anymore. Mr. White also acknowledges he has talent, but a bad attitude for a band leader. He's the only member of the band to continue producing pop music, although Faye and Guy end up as music teachers and open their own school.

to:

* InsufferableGenius: Jimmy. After he pitches a fit and storms off at lunch late in the film, Faye tries to explain away his behavior by saying his standards are very high because he tested at genius levels in high school, but by then even she's not believing it anymore. Mr. White also acknowledges he has talent, but a bad attitude for a band leader. He's the only member of the band to continue producing pop music, although Faye and Guy end up as music teachers and open their own school. It's also questionable how much the "Genius" part actually applies; while he can certainly write some good songs and clearly has musical talent, he actually has some surprisingly dodgy creative instincts (he seems obsessed with making everything a slow ballad, and it's fitting that the key thing that makes "That Thing You Do" was Guy's contribution, not his), suggesting that he might actually just be Insufferable.
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** Of the One-ders/Wonders, Jimmy is the one who is most into the band as an opportunity to create art, being the one who worries over contracts, nags Mr. White about cutting an album, and is far more interested in his ballads than a pop song, and so on. Of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines.

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** Of the One-ders/Wonders, Jimmy plays with this. On the surface, he presents himself as a "true artist" type and is the one who is most into invested in the band as an opportunity to create art, being the one who worries over contracts, nags Mr. White about cutting an album, and is far more interested in his ballads than a pop song, and so on. Of itself; of the others, Lenny is clearly more interested in having fun and enjoying the pop-star life while it lasts, Guy is more into jazz and is not overly invested in the band itself, and the bass player seems to view it more as a hobby before he fulfills his true calling of joining the Marines. However, it's pretty telling that when you look closer, most of his interests seem to revolve around the commercial and ego-boosting opportunities of the music industry rather than the pleasure of creating art for its own sake; he obsesses over contracts and track listings (specifically ensuring his songs are on there) and, tellingly, for all his clashes with Mr White continues to work with the same record label with his subsequent band.
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* FifteenMinutesOfFame: The Wonders get to enjoy success for roughly two months before breaking up.
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** Achieves BrickJoke status when at their biggest performance before the television appearance, they're the star act... and ''still'' mechanically unplug their instruments and quickly leave the stage.

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** Achieves BrickJoke status when at their biggest performance before the a television appearance, audience, they're the star act... and ''still'' mechanically unplug their instruments and quickly leave the stage.
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* CoolShades: Mr. White gives Guy a pair when he signs the band, and renames him 'Shades' in the process. "Wear them at all times. They're your trademark." When a reporter later asks why he's always wearing them, he can only awkwardly say "Well, I ''am'' the drummer."

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* CoolShades: Mr. White gives Guy a pair when he signs the band, and renames him 'Shades' in the process. "Wear them at all times. They're your trademark." When a reporter later asks why he's always wearing them, he can only awkwardly say respond, "Well, I ''am'' the drummer."
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** Jimmy is obsessed with lover's lament ballads (which becomes a major point of contention), and the title song was supposed to be one. Meanwhile, he has a loving and devoted girlfriend in Faye, who he can only describe as "sort of like" my girlfriend, and it's implied ''he'' cheats on her with Diane Dane during the state fair tour. (Then again, Jimmy is probably dating Faye on the rebound, and the song is about his former girlfriend, which is why he doesn't take her seriously as a future partner.)

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** Jimmy is obsessed with lover's lament ballads (which becomes a major point of contention), and the title song was supposed to be one. Meanwhile, he has a loving and devoted girlfriend in Faye, who he can only describe as "sort of like" like my girlfriend, girlfriend", and it's implied ''he'' cheats on her with Diane Dane during the state fair tour. (Then again, Jimmy is probably dating Faye on the rebound, and the song is about his former girlfriend, which is why he doesn't take her seriously as a future partner.)
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Mr. White says "It's". It's spoken quickly, more like "...'tsa very common tale," but it's there.


'''Mr. White:''' Yeah, you do. One-hit Wonders. [''looks at Guy''] A ''very'' common tale.

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'''Mr. White:''' Yeah, you do. One-hit Wonders. [''looks at Guy''] A It's a ''very'' common tale.



--> "One-hit Wonders. A very common tale."

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--> "One-hit Wonders. A It's a very common tale."

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