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* HiredHelpAsFamily: Sofia and the children see Cleo as this by the end.

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It is set in Mexico City in 1970-71, and is is a semi-autobiographical take on Cuarón's upbringing. (In fact, the house in the movie is located directly across the street from the house where Cuaron grew up.) The protagonist is Cleodegaria Gutierrez, the live-in maid for an upper-middle class family. She works for Sofia and Antonio, parents of four children, and Antonio's mother Teresa. It eventually becomes clear that Antonio and Sofia's marriage is strained, and Antonio is seizing multiple opportunities to be away from home. Meanwhile, Cleo is dating Fermín, an aspiring martial artist.

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It is set in Mexico City in 1970-71, and is is a semi-autobiographical take on Cuarón's upbringing. (In fact, the house in the movie is located directly across the street from the house where Cuaron grew up.) The protagonist is Cleodegaria Gutierrez, the live-in maid for an upper-middle class family. She works for Sofia and Antonio, parents of four children, and Antonio's mother Teresa. It eventually becomes clear that Antonio and Sofia's marriage is strained, and Antonio is seizing multiple opportunities to be away from home. Meanwhile, Cleo Cleo, meanwhile, is dating Fermín, an aspiring martial artist.



** Servants aren’t family by blood, and there’s still an economic motivator, but the work they put in raising the family can make them very much like it themselves.

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** Servants aren’t family by blood, blood and there’s still an economic motivator, but the work they put in raising the family can make them very much like it themselves. themselves.
* AnguishedDeclarationOfLove: In a non-romantic example, [[spoiler:Sofia and the children tell Cleo how much they love her after she saves two of the kids from drowning and breaks down in grief over not wanting her baby to be born.]]



* BeenThereShapedHistory: Fermín, the father of Cleo's baby, is a participant in the Corpus Christi massacre.

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* BeenThereShapedHistory: Fermín, the father of Cleo's baby, is [[spoiler:is a participant in the Corpus Christi massacre.]]



* BittersweetEnding: [[spoiler:Antonio has abandoned the family for his mistress and Cleo has suffered through Fermín's abandonment and their child's stillbirth, but Cleo, Sofia, and the rest are still strong together. Sofia is going to work, and Cleo is still an important person to the family.]]

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* BittersweetEnding: [[spoiler:Antonio has abandoned the family for his mistress and Cleo has suffered through Fermín's abandonment and their child's baby's stillbirth, but Cleo, Sofia, and the rest are still strong together. Sofia is going to work, and Cleo is still an important person to the family.]]



** While definitely not as bad, Antonio also isn't that likable either. He cheats on his wife and eventually moves in with his mistress without telling his children himself, cowardly leaving the burden of telling them onto Sofia.

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** While definitely not Although nowhere near as bad, Antonio also isn't that likable either. He [[spoiler:He cheats on his wife and eventually moves in with his mistress without telling informing his children himself, cowardly leaving the burden of telling them onto Sofia.Sofia. When Cleo is brought in to his hospital going into labor, he quickly makes an excuse to leave despite weakly promising to be by her side.]]



* LawOfInverseFertility: Cleo was a virgin before she met Fermín and barely had any sexual activity before becoming pregnant. [[spoiler:And she didn't want the baby, either, especially when it's revealed how terrible of a person Fermín is.]]

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* LawOfInverseFertility: Cleo was a virgin before she met Fermín and barely had any sexual activity before becoming pregnant. [[spoiler:And she didn't want the baby, baby either, especially when it's revealed how terrible of a person Fermín is.]]



* PeriodPiece: The film is one for Mexico City from 1970-71, which was also when and where the director grew up. The characters watch a movie that came out in that time (Marooned), drive cars appropriate to the era, and facing the political upheavals of the era. It’s a more subdued example than most, though.

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* PeriodPiece: The film is one for Mexico City from 1970-71, which was also when and where the director grew up. The characters watch a movie that came out in that time (Marooned), (''Marooned''), drive cars appropriate to the era, and facing the political upheavals of the era. It’s a more subdued example than most, though.



* TokenWhite: Sofia's sister-in-law is an American, she and her young son are the only characters who speak in English during the film.
* TragicStillbirth: Subverted. [[spoiler:Cleo's baby is born dead, and while she's obviously overcome by this for the rest of the film, it's revealed after the ocean rescue that the brunt of her grief is from not having wanted the baby.]]

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* TokenWhite: Sofia's sister-in-law is an American, she American. She and her young son are the only characters who speak in English during the film.
* TragicStillbirth: Subverted. [[spoiler:Cleo's baby is born dead, dead; and while she's obviously overcome by this for the rest of the film, it's revealed after the ocean rescue that the brunt of her grief is from not having wanted the baby.]]



* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo is Fermín.]]

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* WhamShot: [[spoiler: When [[spoiler:When the massacre begins commences outside the store, store and gunmen come charging charge in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo is Fermín.]]

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Trope was cut/disambiguated due to cleanup


It is set in Mexico City in 1970-71, and is is a semi-autobiographical take on Cuarón's upbringing. (In fact, the house in the movie is located directly across the street from the house where Cuaron grew up.) The protagonist is Cleodegaria Gutierrez, the live-in maid for an upper-middle class family. She works for Sofia and Antonio, parents of four children, and Antonio's mother Teresa. It eventually becomes clear that Antonio and Sofia's marriage is strained, and Antonio is seizing multiple opportunities to be away from home. Meanwhile, Cleo is dating Fermin, an aspiring martial artist.

to:

It is set in Mexico City in 1970-71, and is is a semi-autobiographical take on Cuarón's upbringing. (In fact, the house in the movie is located directly across the street from the house where Cuaron grew up.) The protagonist is Cleodegaria Gutierrez, the live-in maid for an upper-middle class family. She works for Sofia and Antonio, parents of four children, and Antonio's mother Teresa. It eventually becomes clear that Antonio and Sofia's marriage is strained, and Antonio is seizing multiple opportunities to be away from home. Meanwhile, Cleo is dating Fermin, Fermín, an aspiring martial artist.



* BirthDeathJuxtaposition: During the Corpus Christis massacre, Cleo watched the murder of a young man in a furniture store. Immediately, her water breaks. [[spoiler:Subverted as her daughter is stillborn.]]

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* BirthDeathJuxtaposition: During the Corpus Christis Christi massacre, Cleo watched the murder of a young man in a furniture store. Immediately, her water breaks. [[spoiler:Subverted as her daughter is stillborn.]]



* BittersweetEnding: [[spoiler:Antonio has abandoned the family for his mistress, and Cleo has suffered through her own abandonment and stillbirth, but Cleo, Sofia, and the rest are still strong together. Sofia is going to work, and Cleo is still an important person to the family.]]

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* BittersweetEnding: [[spoiler:Antonio has abandoned the family for his mistress, mistress and Cleo has suffered through her own Fermín's abandonment and their child's stillbirth, but Cleo, Sofia, and the rest are still strong together. Sofia is going to work, and Cleo is still an important person to the family.]]



* CharacterDevelopment: Sofia and the children are always shown as fond of Cleo, but in the early portions of the film tend to treat her like something that can be called and shooed away at a moment's notice. As things progress, they start becoming more empathetic to Cleo while making her feel more included and loved.
** Best illustrated how whereas they just left Cleo to bring in the luggage upon returning home after an excursion near the beginning, one of the last scenes show the children helping her carry the luggage after returning from their vacation near the beach.



** The lone Yankee lady is the only woman wearing pants. The Mexican women- regardless of ancestry- are wearing skirts or dresses in the same scene.
* DirtyCoward: Sofia's outraged because, not only is Antonio cheating on her and living with his mistress, he doesn't even have the guts to tell their children himself. When Cleo is in labor Antonio tries to comfort her, but is quick to leave when presented the chance, happy to be free from any of his past life.

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** The lone Yankee lady is the only woman wearing pants. The Mexican women- women – regardless of ancestry- ancestry – are wearing skirts or dresses in the same scene.
* DirtyCoward: Sofia's outraged because, because not only is Antonio cheating on her and living with his mistress, he doesn't even have the guts to tell their children himself. When Cleo is in labor Antonio tries to comfort her, but is quick to leave when presented the chance, happy to be free from any of his past life.



** While definitely not as bad, Antonio also isn't that likable either. He cheats on his wife and eventually moves in with his mistress without telling his children himself, cowardly leaving the burden of telling them onto Sofia.



* JerkAss: Fermín. He abandons Cleo after learning she's pregnant, refuses to see her, and when she finally manages to track him down he refuses to acknowledge the baby as his and threatens her with violence against ever looking for him again. [[spoiler:The next (and last) time we see him, he's participating in the Corpus Christi massacre... as one of the murderers.]]

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* JerkAss: Fermín. He abandons Cleo after learning she's pregnant, refuses to see her, and when she finally manages to track him down he refuses to acknowledge the baby as his and threatens her with violence against ever looking for him again. [[spoiler:The next (and last) time we see him, he's participating in the Corpus Christi massacre... massacre… as one of the murderers.]]



* {{Maid}}: The protagonist here is Cleo, a maid for a middle-class family, a common familial staple at the time.



* NiceToTheWaiter: The children all love Cleo and treat her like family, a mutual feeling. Sofia also treats her well, but her occasional snaps and outburst (an understandable product of her stress over her husband's infidelity) remind the viewer that Cleo is ''not'' family. Despite this, Sofia affirms at the end how much the family loves and needs her.

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* NiceToTheWaiter: The children all love Cleo and treat her like family, a mutual feeling. Sofia also treats her well, but her occasional snaps and outburst outbursts (an understandable product of her stress over her husband's infidelity) remind the viewer that Cleo is ''not'' family. Despite this, Sofia affirms at the end how much the family loves and needs her.



* ThePreciousPreciousCar: Antonio has a nice Ford Galaxie that takes him forever to park carefully in the narrow space at home as his children wait to greet him. When it's clear he's left the family, Sofia accidentally gouges it up between two trucks before clumsily and drunkenly parking it in the garage. She ends up trading it for a narrower car that, symbolically, fits perfectly into the home.

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* ThePreciousPreciousCar: Antonio has a nice Ford Galaxie that takes him forever to park carefully in the narrow space at home as his children wait to greet him. When it's clear he's left the family, Sofia accidentally gouges it up between two trucks before clumsily and drunkenly parking it in the garage. She ends up trading it for a more modest, narrower car that, symbolically, fits perfectly into the home.



** The beachside bar where [[spoiler:Sofia tells her kids that Antonio has left them]] looks nearly identical to the bar near the end of ''Film/YTuMamaTambien''

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** The beachside bar where [[spoiler:Sofia tells her kids that Antonio has left them]] looks nearly identical to the bar near the end of ''Film/YTuMamaTambien''''Film/YTuMamaTambien''.



* WeddingRingRemoval: We don't see it removed, but in one scene as Cleo is going through laundry, she finds Antonio's wedding ring in a drawer.
* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo is Fermin.]]

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* WeddingRingRemoval: We don't see it removed, removed; but in one scene as Cleo is going through laundry, she finds Antonio's wedding ring in a drawer.
* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo is Fermin.Fermín.]]
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Dewicked trope


* AdultFear:
** Sofia warns her children not to go too far out into the ocean when she leaves to check on the car, as Cleo can't swim. [[spoiler:Within seconds of her leaving, Cleo realizes that the current has pulled them out too far, and she's forced to go in to rescue them.]]
** [[spoiler: Cleo's baby is stillborn.]]

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** [[spoiler: Cleo's baby is stillborn.]]



** [[spoiler: Cleo's baby is stillborn.]]
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*AnAesop:
**Servants aren’t family by blood, and there’s still an economic motivator, but the work they put in raising the family can make them very much like it themselves.


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*LeaveTheCameraRunning: A lot of the film is just capturing events in a slowly panning/dollying wide shot. Most of them are pretty mundane, but some are more complex, like a fire in a forest or the kids playing in the ocean.


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*PeriodPiece: The film is one for Mexico City from 1970-71, which was also when and where the director grew up. The characters watch a movie that came out in that time (Marooned), drive cars appropriate to the era, and facing the political upheavals of the era. It’s a more subdued example than most, though.
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* HateSink: As the film goes on, Fermín is shown to be a self-absorbed asshole who doesn't take responsibility for Cleo's pregnancy and loudly threatens her in public. [[spoiler:His participation in the Corpus Christi massacre only further cements this.]]
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I don't think he's good to begin with. So that doesn't count.


* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo [[FaceHeelTurn is Fermin]].]]

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* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo [[FaceHeelTurn is Fermin]].Fermin.]]
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No longer a trope.


* YourCheatingHeart: Antonio is living with his mistress, something Sofia covers up by claiming he's away for work. Paco eventually finds out the truth when he spots his father with his mistress on a city street.
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adding additional information

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* WhamShot: [[spoiler: When the massacre begins outside the store, and gunmen come charging in to pursue a fleeing couple, the camera keeps circling slowly to reveal the gunman aiming at Cleo [[FaceHeelTurn is Fermin]].]]
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* BaitTheDog: Fermín has a very eccentric establishing scene, where he practices his martial arts in front of Cleo while naked. The way he talks about his past and the poverty he grew up in makes one feel sorry for him. As the film goes on he's shown to be selfish, unempathetic, and much more violent than he first let on. He abandons Cleo when she gets pregnant with his child, threatens her, and has no sympathy. [[spoiler:He also ends up violently suppressing protestors at the Massacre]].

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* BaitTheDog: Fermín has a very eccentric establishing scene, where he practices his martial arts in front of Cleo while naked. The way he talks about his past and the poverty he grew up in makes one feel sorry for him. As the film goes on he's shown to be selfish, unempathetic, and much more violent than he first let on. He abandons Cleo when she gets pregnant with his child, threatens her, and has no sympathy. [[spoiler:He also ends up violently suppressing protestors protesters at the Massacre]].
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* CarRadioDispute: The children have an ongoing dispute about which radio program is the best and fight over it whenever they get in the car.
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No connection to Creator/FedericoFellini's 1972 film ''Film/{{Roma|1972}}''.
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misuse. requesting a discount is not making the trope. she never defends anyone and is clearly a mess afterwards.


* NeverMessWithGranny: While Cleo shops for a crib with the family's grandmother, the store associate tries to sell one to them at full price. The grandmother, who has so far been fairly placid, firmly snaps that they expect a discount, as the family has been longtime customers. When the violence spills into the store, she stands protectively in front of Cleo.

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* BeenThereShapedHistory: Fermín , the father of Cleo's baby, is a participant in the Corpus Christi massacre.

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* BeenThereShapedHistory: Fermín , Fermín, the father of Cleo's baby, is a participant in the Corpus Christi massacre.



* BaitTheDog: Fermín has a very eccentric establishing scene, where he practices his martial arts in front of Cleo while naked. The way he talks about his past and the poverty he grew up in makes one feel sorry for him. As the film goes on he's shown to be selfish, unempathetic, and much more violent than he first let on. He abandons Cleo when she gets pregnant with his child, threatens her, and has no sympathy. [[spoiler:He also ends up violently supressing protestors at the Massacre]].

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* BaitTheDog: Fermín has a very eccentric establishing scene, where he practices his martial arts in front of Cleo while naked. The way he talks about his past and the poverty he grew up in makes one feel sorry for him. As the film goes on he's shown to be selfish, unempathetic, and much more violent than he first let on. He abandons Cleo when she gets pregnant with his child, threatens her, and has no sympathy. [[spoiler:He also ends up violently supressing suppressing protestors at the Massacre]].



* NeverMessWithGranny: While Cleo shops for a crib with the family's grandmother, the store associate tries to sell one to them at full price. The grandmother, who has so far been fairly placid, firmly snaps that they expect a discount, as the family have been longtime customers. When the violence spills into the store, she stands protectively in front of Cleo.

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* NeverMessWithGranny: While Cleo shops for a crib with the family's grandmother, the store associate tries to sell one to them at full price. The grandmother, who has so far been fairly placid, firmly snaps that they expect a discount, as the family have has been longtime customers. When the violence spills into the store, she stands protectively in front of Cleo.



* YourCheatingHeart: Antonio is living with his mistress, something Sofia covers up by claiming he's away for work. Paco eventually finds out the truth when he spots his father with his mistress on a city street.

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* YourCheatingHeart: Antonio is living with his mistress, something Sofia covers up by claiming he's away for work. Paco eventually finds out the truth when he spots his father with his mistress on a city street.street.
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He is not Bitch In Sheeps Clothing. His character is sufficiently described by Dirty Coward and Your Cheating Heart.


* BitchInSheepsClothing: Antonio always comes across as a man who enjoys life and likes having a good time. He's happy when he's with his kids... and even happier with his mistress whom he gladly abandons his children for. Sofia says to the kids that he still loves them, but he never regrets his decision and only comes back for his books. When Cleo is in labor Antonio tries to comfort her, but is quick to leave when presented the chance, happy to be free from any of his past life.



* DirtyCoward: Sofia's outraged because, not only is Antonio cheating on her and living with his mistress, he doesn't even have the guts to tell their children himself.

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* DirtyCoward: Sofia's outraged because, not only is Antonio cheating on her and living with his mistress, he doesn't even have the guts to tell their children himself. When Cleo is in labor Antonio tries to comfort her, but is quick to leave when presented the chance, happy to be free from any of his past life.
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None

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* BaitTheDog: Fermín has a very eccentric establishing scene, where he practices his martial arts in front of Cleo while naked. The way he talks about his past and the poverty he grew up in makes one feel sorry for him. As the film goes on he's shown to be selfish, unempathetic, and much more violent than he first let on. He abandons Cleo when she gets pregnant with his child, threatens her, and has no sympathy. [[spoiler:He also ends up violently supressing protestors at the Massacre]].
* BitchInSheepsClothing: Antonio always comes across as a man who enjoys life and likes having a good time. He's happy when he's with his kids... and even happier with his mistress whom he gladly abandons his children for. Sofia says to the kids that he still loves them, but he never regrets his decision and only comes back for his books. When Cleo is in labor Antonio tries to comfort her, but is quick to leave when presented the chance, happy to be free from any of his past life.
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None


* NeverMessWithGranny: While Cleo shops for a crib with the family's grandmother, the store associate tries to sell one to them at full price. The grandmother, who has so far been fairly placid, firmly snaps that they expect a discount, as the family have been longtime customers.

to:

* NeverMessWithGranny: While Cleo shops for a crib with the family's grandmother, the store associate tries to sell one to them at full price. The grandmother, who has so far been fairly placid, firmly snaps that they expect a discount, as the family have been longtime customers. When the violence spills into the store, she stands protectively in front of Cleo.
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None


* JerkAss: Fermín. He abandons Cleo after learning she's pregnant, refuses to see her, and when she finally manages to track him down he refuses to acknowledge the baby as his and threatens her against ever looking for him again. [[spoiler:The next (and last) time we see him, he's participating in the Corpus Christi massacre... as one of the murderers.]]

to:

* JerkAss: Fermín. He abandons Cleo after learning she's pregnant, refuses to see her, and when she finally manages to track him down he refuses to acknowledge the baby as his and threatens her with violence against ever looking for him again. [[spoiler:The next (and last) time we see him, he's participating in the Corpus Christi massacre... as one of the murderers.]]
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* DeliberateValuesDissonance:
** One house had taxidermized heads of the family's dearly departed dogs. Cleo is visibly put off by it.
** The lone Yankee lady is the only woman wearing pants. The Mexican women- regardless of ancestry- are wearing skirts or dresses in the same scene.

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