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* TechicallyASmile: Before attacking Lounds, Dolarhyde snorts poppers (amyl nitrate), and wears a dissonent happy smile before going in for what seems like a KissOfDeath (when he's about to bite off Lounds' nose as it cuts away.)

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* TechicallyASmile: TechnicallyASmile: Before attacking Lounds, Dolarhyde snorts poppers (amyl nitrate), and wears a dissonent happy smile before going in for what seems like a KissOfDeath (when he's about to bite off Lounds' nose as it cuts away.)
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* TechicallyASmile: Before attacking Lounds, Dolarhyde snorts poppers (amyl nitrate), and wears a dissonent happy smile before going in for what seems like a KissOfDeath (when he's about to bite off Lounds' nose as it cuts away.)
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** Lecktor was only specified to have been attacking college girls and there is no mention of the fact he is a cannibal. In some ways he's more of a minor character here to give some history to Will Graham- which is how he was intended to be, but is given much less focus than in the novel.

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** Lecktor was only specified to have been attacking college girls and there is no mention of the fact he is a cannibal.cannibal (save munching on a nurse's face). In some ways he's more of a minor character here to give some history to Will Graham- which is how he was intended to be, but is given much less focus than in the novel.
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* TheReasonYouSuckSpeech: Dollarhyde gives one to Lounds:

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* TheReasonYouSuckSpeech: Dollarhyde gives one to Lounds:Lounds, reflecting on Hannibal's assessment he has a [[AGodAmI god complex]]:
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* ProductPlacement: Subtly. Hannibal notes that Will's aftershave is something a child would choose because it has a ship on the bottle -- which would be Old Spice.
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* AnimalMotif: Much as been made of how reptilian Brian Cox is, with cold black eyes and a black, gaping maw.
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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence. The film ''establishes'' itself with a VillainPOV stalking the family in their own house as he ascends to their bedroom, cutting to the credits just as the wife wakes up.

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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence. The film ''establishes'' itself with a VillainPOV MurdererPOV stalking the family in their own house as he ascends to their bedroom, cutting to the credits just as the wife wakes up.
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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence. The film ''establishes'' itself with a VillainousPOV stalking the family in their own house as he ascends to their bedroom, cutting to the credits just as the wife wakes up.

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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence. The film ''establishes'' itself with a VillainousPOV VillainPOV stalking the family in their own house as he ascends to their bedroom, cutting to the credits just as the wife wakes up.
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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence.

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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence. The film ''establishes'' itself with a VillainousPOV stalking the family in their own house as he ascends to their bedroom, cutting to the credits just as the wife wakes up.

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* AdaptationalAttractiveness: The novel describes Freddy Lounds as a lumpy, ugly guy with buck teeth. Here, he's played the handsome Creator/StephenLang.



* AdaptationalAttractiveness: The novel describes Freddy Lounds as a lumpy, ugly guy with buck teeth. Here, he's played the handsome Creator/StephenLang.
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* ReCut: The Director's Cut features the following additional scenes:
** After visiting the Leeds house in the beginning of the film, Will takes a pause in watching their home movies and calls his wife and talks to her for a while.
** A scene with Graham and Dr Chilton just before Graham goes to see Lecter.
** Additional dialog during Grahams meeting with Lecter concerning how Graham caught Lecter.
** A scene with Graham telling Crawford that he is bringing his wife and son to town.
** An alternate ending, in which Graham visits the family that would be next in line for Dollarhyde, but who are now safe, thanks to Graham.
* TheReasonYouSuckSpeech: Dollarhyde gives one to Lounds:
-->Before me you are a slug in the sun. You are privy to a great becoming and you recognize nothing. You are an ant in the afterbirth. It is your nature to do only one thing correctly: tremble. Bur fear is not what you owe me. Lounds: you and the others, YOU OWE ME AWE!
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[[quoteright:275:https://static.tvtropes.org/pmwiki/pub/images/manhunter-williaml.petersen.jpg]]

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[[quoteright:275:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/manhunter-williaml.petersen.jpg]]
org/pmwiki/pub/images/manhunter.jpg]]
[[caption-width-right:350:''"Father, look in my eyes: see me as I really am..."'']]

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* BookEnds: An inter-film example: ''Manhunter'' opens with a POV sequence of Dollarhyde breaking into the Leeds' home in the dark of night, while ''Literature/TheSilenceOfTheLambs'', adapted from the sequel to the book this movie is based on, ends with a POV sequence of Buffalo Bill chasing Clarice Starling throughout his darkened basement.



* ColorMotif: Cool blue tones were used for the scenes shared between Will Graham and his wife Molly, and unsettling greens and magentas were used for the scenes with Francis Dollarhyde.

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* ColorMotif: ColorMotif[=/=]ColorWash: Cool blue tones were used for the scenes shared between Will Graham and his wife Molly, and unsettling greens and magentas were used for the scenes with Francis Dollarhyde.



* FreudianExcuse: Deconstructed. During his EurekaMoment, Graham acknowledges that Dolarhyde must have been abused and states that he pities the child Dolarhyde used to be. However, in the same monologue, Graham states that he feels absolutely no sympathy for Dolarhyde as an adult and states that Dolarhyde is a selfish, utterly-disgusting human being who deserves to die violently.

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* FreudianExcuse: Deconstructed. FreudianExcuseIsNoExcuse: During his EurekaMoment, Graham acknowledges that Dolarhyde must have been abused and states that he pities the child Dolarhyde used to be. However, in the same monologue, Graham states that he feels absolutely no sympathy for Dolarhyde as an adult and states that Dolarhyde is a selfish, utterly-disgusting human being who deserves to die violently.



* LighterAndSofter: The ending is changed completely from the book's ending to one where Graham gets to fight and kill Dolarhyde before he ever gets the chance to invade his home and attack his family. As a result, his psychological troubles are now set at ease so that he can go back to retiring in peace.

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* LighterAndSofter: The ending is changed completely from the book's ending to one where Graham gets to fight and kill Dolarhyde before he ever gets the chance to invade his home and attack his family. family and ''completely'' destroy his face (he gets a large gash across it in the film, but it's nowhere near disfiguring). As a result, his psychological troubles are now set at ease so that he can go back to retiring in peace.peace, his wife and stepson don't leave him, and he doesn't become an alcoholic.

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* EarlyInstallmentWeirdness: Compared to the 1991 film adaptation of ''Literature/TheSilenceOfTheLambs'' and its successors, ''Manhunter'' takes a far different approach, to the point where one could easily forget it's part of the same greater franchise. Among other things, it lacks the Gothic overtones of later films, opting instead for a more stylized approach making heavy use of saturated color to invoke mood, as well as lacking much of the more explicit violence of later films in favor of exploiting NothingIsScarier and the GoryDiscretionShot, which makes the few instances of explicit violence that much heavier-hitting. Probably the most microcosmic aspect of ''Manhunter'' is Hannibal "Lecktor": his prison is a sterile white mental hospital, with the mad doctor confined to a tight cell, far removed from the large, dungeonlike design seen in later films.

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* EarlyInstallmentWeirdness: Compared to the 1991 film adaptation of ''Literature/TheSilenceOfTheLambs'' and its successors, ''Manhunter'' takes a far different approach, to the point where one could easily forget it's part of the same greater franchise. Among other things, it lacks the Gothic overtones of later films, opting instead for a more stylized approach making heavy use of saturated color to invoke mood, as well as lacking much of the more explicit violence of later films in favor of exploiting NothingIsScarier and the GoryDiscretionShot, which makes the few instances of explicit violence that much heavier-hitting. Probably the most microcosmic aspect of ''Manhunter'' is Hannibal "Lecktor": his prison is a sterile cramped cell in a sterile, white mental hospital, with the mad doctor confined to a tight cell, far removed from the large, dungeonlike design seen in later films.films, and Lecktor himself is more smug and willing to put up facades than the serpentine and more outwardly malevolent portrayal by Creator/AnthonyHopkins.


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* PragmaticAdaptation: A great deal of expository content from the novel is absent from the film, thus cutting out a good amount of background information crucial to understanding the book's characters. Most notably, Francis Dollarhyde's backstory and split personality are only briefly alluded to in the film, thus making him a far more enigmatic character compared to the almost voyeuristic level of detail he's given in the book. Given that the final movie is already two hours long, it's likely much of this exposition was cut out for the sake of saving time, and the film works around these gaps by playing them into its heavy focus on implication.
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* EarlyInstallmentWeirdness: Compared to the 1991 film adaptation of ''Literature/TheSilenceOfTheLambs'' and its successors, ''Manhunter'' takes a far different approach, to the point where one could easily forget it's part of the same greater franchise. Among other things, it lacks the Gothic overtones of later films, opting instead for a more stylized approach making heavy use of saturated color to invoke mood, as well as lacking much of the more explicit violence of later films in favor of exploiting NothingIsScarier and the GoryDiscretionShot, which makes the few instances of explicit violence that much heavier-hitting. Probably the most microcosmic aspect of ''Manhunter'' is Hannibal "Lecktor": his prison is a sterile white mental hospital, with the mad doctor confined to a tight cell, far removed from the large, dungeonlike design seen in later films.
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* GoryDiscretionShot: The moment where Dollarhyde [[spoiler:bites Lounds' lips off]] isn't actually shown, instead cutting to the outside of Dollarhyde's house just before [[spoiler:his mouth reaches Lounds']] and leaving the latter's muffled screams of pain as the only indicator of what's happening. Additionally, [[spoiler:the slides that Dollarhyde shows Lounds, depicting his victims postmortem]], are left obscured from the viewer, leaving [[spoiler:Lounds']] pained reactions being the only indicators of how horrific they actually are. Compare this to the 2002 film, which shows both in vivid detail.


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* NothingIsScarier: Used quite heavily here: most of the violence occurs entirely off-screen, with probably the bloodiest scene in the movie being the shootout at Dollarhyde's house. As a result, the quick cuts to the graphic crime scene photos and [[spoiler:Lounds' flaming body]] have a much greater impact than if the film were more lenient with its violence.
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* CompositeCharacter: In ''Red Dragon'', the novel, Will has caught two serial killers prior to the Tooth Fairy case--Lecter, and another guy who was killing college students. In ''Manhunter'', the other guy is vaguely referenced but "Lecktor" has been locked up for killing college girls.


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* GunsDoNotWorkThatWay: When Graham shoots Dolarhyde, each round is shown to penetrate Dolarhyde's body, spattering blood on the wall behind him, despite the Glaser specifically being designed to avoid overpenetration.


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* OnlyInMiami: ''Manhunter'' was displaced to a mostly South Florida setting, and the film itself is very stylized around Eighties South Florida. No surprise, since [[Series/MiamiVice Michael Mann]] wrote and directed it.


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* SpotlightStealingSquad: Fans of ''Manhunter'' generally see Brian Cox as this for his true-to-the-book, brief on-screen role as Hannibal Lecter.
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* AdaptationalAlternateEnding: The ending is much lighter, being changed completely from the book's ending to one where Graham gets to fight and kill Dolarhyde before he ever gets the chance to invade his home and attack his family. As a result, his psychological troubles are now set at ease so that he can go back to retiring in peace.
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* AdaptationalJerkass: Lektor is much more of a jerk than his AffablyEvil portrayal in the book. He also lacks the redeeming qualities of his book counterpart.
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It's less "bullets don't work that way in reality" and more "this fictional type of bullet doesn't work exactly how the book defined it".


* BulletsDoNotWorkThatWay: Glaser Safety Slugs are not the OneHitKill DepletedPhlebotinumShells portrayed in the novel. The movie also makes an error by having the rounds go through Dolarhyde; the Glaser is specifically designed to avoid this.
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* OnePhoneCall: Hannibal Lektor pulls a similar stunt when he's given a phone to call his lawyer — he instead rewires the phone (it has no dial) so he can make another call to find out where Will lives.

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* OnePhoneCall: Hannibal Lektor pulls a similar stunt when he's is given a phone to call his lawyer — lawyer; he instead rewires the phone (it has no dial) so he can make another call to find out where Will lives.
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* AGodAmI: [[spoiler: Lektor's justification of why he and any SerialKiller commits murder- it makes you feel like you are God.]] He tells Will to look forward to that feeling.

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* AGodAmI: [[spoiler: Lektor's justification of why he and any SerialKiller commits murder- it makes you feel like you are God.]] God. He tells Will to look forward to that feeling.
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* TheBait: One that backfires badly [[spoiler:as the Tooth Fairy realises he's being LuredIntoATrap and goes after Lounds instead.]]
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* ShoutOut: When Freddy Lounds first sees Graham, he says to him, "[[Film/WhiteHeat Whaddya hear, whaddya say]]?"

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* ShoutOut: When Freddy Lounds first sees Graham, he says to him, "[[Film/WhiteHeat "[[Film/AngelsWithDirtyFaces Whaddya hear, whaddya say]]?"
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* ManInWhite: Lektor's prison clothes are all white, as is his cell and seemingly the whole mental facility.
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* AdaptationalHeroism: Chilton is more competent and less intrusive than in ''Red Dragon'' and later adaptations of the ''Lecter'' mythos.

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* AdaptationalHeroism: Chilton is more almost a completely different character than he is in the book and later Lecter mythos adaptations, being a quietly competent and less intrusive than in ''Red Dragon'' and later adaptations of the ''Lecter'' mythos.professional versus a self-aggrandizing {{Jerkass}}.



* AdvertisedExtra: The film was broadcast on TV immediately after the phenomenal success of ''The Silence of the Lambs'' but the title was changed to ''Red Dragon: The Pursuit of Hannibal Lector''. Of course, anyone who saw the movie in 1986 or read the book would realize that Lector had about eight minutes of screen time and being that the story is set prior to ''Silence of the Lambs'', Lector is still behind bars for the entire film. The character being pursued was a serial killer called The Tooth Fairy real name is Francis Dolarhyde. Lector's influence is marginal and is mostly part of the main character's backstory. The name change and subtitle was just an attempt to capitalize on the popularity of the recent 1991 blockbuster by broadcasting a little remembered film that was based on the previous book in the series.

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* AdvertisedExtra: The film was broadcast on TV immediately after the phenomenal success of ''The Silence of the Lambs'' but the title was changed to ''Red Dragon: The Pursuit of Hannibal Lector''. Lecter''. Of course, anyone who saw the movie in 1986 or read the book would realize that Lector Lecter had about eight minutes of screen time and being that the story is set prior to ''Silence of the Lambs'', Lector Lecter is still behind bars for the entire film. The character being pursued was a serial killer called The Tooth Fairy real name is Francis Dolarhyde. Lector's Lecter's influence is marginal and is mostly part of the main character's backstory. The name change and subtitle was just an attempt to capitalize on the popularity of the recent 1991 blockbuster by broadcasting a little remembered little-remembered film that was based on the previous book in the series.
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* DiesDifferentlyInAdaptation: [[spoiler:In the book, Molly Graham shoots Dollarhyde in her home. In the film, Will shoots him in Reba's home]].

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* AdaptationalUgliness: Rather than the serial killer of the book who ''believes'' he is ugly (due to a birth defect tied in with his traumatic childhood that has since been reduced to a small surgical scar) who is presently oblivious to how women at his workplace actually consider him attractive, Francis Dollarhyde is played onscreen as distinctly older-looking, bald on top with drawn, sunken features.



* AdvertisedExtra: The film was broadcast on TV immediately after the phenomenal success of ''The Silence of the Lambs'' but the title was changed to ''Red Dragon: The Pursuit of Hannibal Lector''. Of course, anyone who saw the movie in 1986 or read the book would realize that Lector had about eight minutes of screen time and being that the story is set prior to ''Silence of the Lambs'', Lector is still behind bars for the entire film. The character being pursued was a serial killer called The Tooth Fairy real name is Francis Dolarhyde. Lector's influence is marginal and is mostly part of the main character's backstory. The name change and subtitle was just an attempt to capitalize on the popularity of the recent 1991 blockbuster by broadcasting a little remembered film that was based on the previous book in the series.



* ColorMotif: Cool blue tones were used for the scenes shared between Will Graham and his wife Molly, and unsettling greens and magentas were used for the scenes with Francis Dollarhyde.



* TheEighties: In ''spades''.

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* TheEighties: DramaticShattering: Francis Dollarhyde who leaves slivers of glass embedded in his victim's eyes. In ''spades''.the climax, he's shown shattering a mirror as he prepares to kill Reba.
* DrivenToVillainy: Francis Dolarhyde:
-->'''Will Graham''': As a child, my heart bleeds for him. Someone took a little boy and turned him into a monster. But as an adult... as an adult, he's irredeemable. He butchers whole families to fulfill some sick fantasy. As an adult, I think someone should blow the sick fuck out of his socks.



* [[EvilisHammy Evil is Hammy]]: Largely averted with Brian Cox's cold and understated portrayal of Lecktor (in contrast to Creator/AnthonyHopkins in ''Film/TheSilenceOfTheLambs''). Tom Noonan as Dolarhyde plays it more straight in his debut scene, although all things considered there really isn't any other way to play that moment ''but'' hammy.

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* [[EvilisHammy Evil is Hammy]]: EvilIsHammy: Largely averted with Brian Cox's cold and understated portrayal of Lecktor (in contrast to Creator/AnthonyHopkins in ''Film/TheSilenceOfTheLambs''). Tom Noonan as Dolarhyde plays it more straight in his debut scene, although all things considered there really isn't any other way to play that moment ''but'' hammy.



* {{God Is Evil}}: Lektor insists this is the case, along with AGodAmI.

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* {{God Is Evil}}: GodIsEvil: Lektor insists this is the case, along with AGodAmI.



* HeWhoFightsMonsters: TheMovie. It's Will's defining trait.

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* HeWhoFightsMonsters: TheMovie. It's Will's defining trait.Will Graham is a criminal profiler who lives in fear that his understanding of the mind of a killer will turn him into a sociopath.



* ManOnFire: The ultimate fate of [[spoiler: Freddy Lounds]].

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* ManOnFire: The ultimate fate of [[spoiler: Freddy Lounds]].Lounds]] is set on fire and sent rolling down the street tied to a wheelchair.


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* OnePhoneCall: Hannibal Lektor pulls a similar stunt when he's given a phone to call his lawyer — he instead rewires the phone (it has no dial) so he can make another call to find out where Will lives.


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* PrematurelyGreyHaired: Will Graham has gray tinges in his hair due to his experience with Hannibal Lecktor.


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* SuperWindowJump: Will Graham does this to rescue Reba in a scene very well-timed to a diegetic "In-A-Gadda-Da-Vida".
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* RecycledSoundtrack: The music that plays when Graham visits Lecktor in his cell ("Freeze" by Music/KlausSchulze) originally appeared in the 1983 Austrian film ''Film/{{Angst|1983}}''.

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* RecycledSoundtrack: The music that plays when Graham visits Lecktor in his cell ("Freeze" by Music/KlausSchulze) originally appeared in the 1983 Austrian film ''Film/{{Angst|1983}}''.''Film/{{Angst}}''.
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** Kevin is Will's son, not his stepson. In the book, when Will tells Kevin about what he has to do to catch people like Lecter or Dolarhyde, he feels ashamed for having to defend himself to his stepson. In the film, it becomes a [[SugarWiki/HeartwarmingMoment bonding moment for father and son.]]

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** Kevin is Will's son, not his stepson. In the book, when Will tells Kevin about what he has to do to catch people like Lecter or Dolarhyde, he feels ashamed for having to defend himself to his stepson. In the film, it becomes a [[SugarWiki/HeartwarmingMoment bonding moment for father and son.]]

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