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-->'''Goblin''': Steady, men! Hold your ground!
-->''[Ludo's boulder knocks the goblins over]''
-->'''Goblin''': Okay, I take it back - [[IndyEscape run for your lives]]!

to:

-->'''Goblin''': -->'''Goblin:''' Steady, men! Hold your ground!
-->''[Ludo's
ground!\\
''[Ludo's
boulder knocks the goblins over]''
-->'''Goblin''':
over]''\\
'''Goblin:'''
Okay, I take it back - [[IndyEscape run for your lives]]!



-->'''Sarah''': You have no power over me.

to:

-->'''Sarah''': -->'''Sarah:''' You have no power over me.



--> '''Sarah:''' I have to get to the castle at the centre of the labyrinth. Do you know the way?
--> '''Wise Man:''' Uh...
--> '''The Hat:''' ''(mockingly)'' Eh...
--> '''Wise Man:''' Uh...
--> '''The Hat:''' Eh...
--> '''Wise Man:''' Well... yes. You... want to get to the castle. Eh?
--> '''The Hat:''' How's that for brainpower, huh?

to:

--> '''Sarah:''' -->'''Sarah:''' I have to get to the castle at the centre of the labyrinth. Do you know the way?
-->
way?\\
'''Wise Man:''' Uh...
-->
Uh...\\
'''The Hat:''' ''(mockingly)'' Eh...
-->
Eh...\\
'''Wise Man:''' Uh...
-->
Uh...\\
'''The Hat:''' Eh...
-->
Eh...\\
'''Wise Man:''' Well... yes. You... want to get to the castle. Eh?
-->
Eh?\\
'''The Hat:''' How's that for brainpower, huh?



-->'''Junk Lady''': Don't you like your toys?\\
'''Sarah''': ...it's all junk.\\
'''Junk Lady''': Huh? Well, what about this? This is not junk. Hmm?\\
'''Sarah''': Yes, it is! I have to save Toby!

to:

-->'''Junk Lady''': Lady:''' Don't you like your toys?\\
'''Sarah''': ...'''Sarah:''' ...it's all junk.\\
'''Junk Lady''': Lady:''' Huh? Well, what about this? This is not junk. Hmm?\\
'''Sarah''': '''Sarah:''' Yes, it is! I have to save Toby!



--->'''Jareth''': Nothing? ''Nothing?'' '''''NOTHING, tra-la-la?'''''

to:

--->'''Jareth''': --->'''Jareth:''' Nothing? ''Nothing?'' '''''NOTHING, tra-la-la?'''''



--> '''Sir Didymus''': Well, if that is the way it is done, then that is the way you must do it.

to:

--> '''Sir Didymus''': -->'''Sir Didymus:''' Well, if that is the way it is done, then that is the way you must do it.

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Catchphrase is now a disambiguation page.


* {{Catchphrase}}
** Jareth: "''Such'' a pity."
** Sarah: "It's not fair!"
--->'''Jareth:''' [[LampshadeHanging You say that so often.]] I wonder what your basis for comparison is.


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* CharacterCatchphrase
** Jareth: "''Such'' a pity."
** Sarah: "It's not fair!"
--->'''Jareth:''' [[LampshadeHanging You say that so often.]] I wonder what your basis for comparison is.
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to:

[[caption-width-right:350:''"I saw my baby trying hard as babe could try..."'']]
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YMMV entry, moving to that page.


* CoolLoser: Sarah appears to have no friends, and goes on no dates, in spite of looking like Jennifer Connelly. However, the novelization notes she has at least one school chum, and her interest in fantasy worlds could well be blinding her to what she could be enjoying in the real one. Being depressed over her mother leaving the family has probably also contributed to her isolation.
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Sarah Williams is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.

to:

Sarah Williams (Connelly) is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Jareth the Goblin King (called Jareth) (Bowie) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.
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* CoolBigSis: Downplayed with Sarah; while she is annoyed at babysitting Toby and tells him a scary tale out of spite, it's clear that despite his constant crying he adores her, as he smiles at her in the climax. She truly grow into this role when she defies a RealityWarper king to rescue her toddler brother and make sure he is safe.

to:

* CoolBigSis: Downplayed with Sarah; while she is annoyed at babysitting Toby and tells him a scary tale out of spite, it's clear that despite his constant crying he adores her, as he smiles at her in the climax. She truly grow grows into this role when she defies a RealityWarper king to rescue her toddler brother and make sure he is safe.
Is there an issue? Send a MessageReason:
None


* In May 2020, it was reported that a [[https://deadline.com/2020/05/labyrinth-sequel-scott-derrickson-director-maggie-levin-write-script-doctor-strange-1202943188/ sequel]], to be written by Maggie Levin and with Creator/ScottDerrickson (''Film/DoctorStrange'') as director, is in development.

to:

* In May 2020, it was reported that a [[https://deadline.com/2020/05/labyrinth-sequel-scott-derrickson-director-maggie-levin-write-script-doctor-strange-1202943188/ sequel]], to be written by Maggie Levin and with Creator/ScottDerrickson (''Film/DoctorStrange'') (''Film/{{Doctor Strange|2016}}'') as director, is in development.
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Added DiffLines:

* LighterAndSofter: Compared to ''Film/TheDarkCrystal'', the previous feature length film that Jim Henson directed. That film had a story involving a decrepit world, a genocide in the backstory, a villainous faction of physically and morally repulsive creatures who enslave other races, and an overall dreary tone. ''Labyrinth'', in contrast, has a livelier mood, peppy pop tunes from star David Bowie, and antagonists who come across as surprisingly affable and likable. Even the threat posed to Toby doesn't come across as that dire given how affectionate Jareth is with him, a far cry from the reprehensible things the Skeksis did.
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* SpeculativeFictionLGBT: It has Bowie in it, playing an ambiguous (and androgynous) goblin in a high fantasy setting. The weird and wonderful all come together to make a camp classic.
* SpiritualSuccessor: The second of a Spiritual Trilogy; see the main description.

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* NobodyCanDie: Purposefully invoked by the filmmakers.
** There are things more significant than death at stake here: this isn't a battle of mortality, this is a battle of the spirit; a battle between going with what's easy vs attaining some form of self realization. Death is easy, being someone you can live with is harder.

to:

* NobodyCanDie: Purposefully invoked by the filmmakers.
**
filmmakers. There are things more significant than death at stake here: this isn't a battle of mortality, this is a battle of the spirit; a battle between going with what's easy vs attaining some form of self realization. Death is easy, being someone you can live with is harder.
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Added DiffLines:

* PoweringVillainRealization: During their final confrontation, Jareth [[SayingTooMuch all but reveals to Sarah that he has been doing everything at HER behest]]. "You asked me to take the child. He was taken. You cowered before me. I was frightening. I'm growing tired of living up to your expectations." This leads to her epiphany, wherein she realizes and loudly declares "You have no power over me!" Jareth's world is shattered, and Sarah and her baby brother are returned home.
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Added DiffLines:

* PracticallyDifferentGenerations: Sarah is sixteen years old while her younger half-brother Toby is still a baby and has only just started to toddle. As a result, Sarah is often tasked with caring for him while her father and stepmother are out, which she resents. However, when Toby is kidnapped by goblins, Sarah's BigSisterInstinct kicks in and she sets out to rescue him.
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Added DiffLines:

* AdvertisingByAssociation: One of the original trailers begins, "[=TriStar=] Pictures announces the collaboration of three extraordinary talents: Jim Henson, creator of Franchise/TheMuppets and ''[[Film/TheDarkCrystal Dark Crystal]]'', George Lucas, creator of the ''Franchise/StarWars'' saga, and one of the most innovative forces in modern entertainment, David Bowie."
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Sarah is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.

to:

Sarah Williams is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.
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* RaceAgainstTheClock: Sarah must solve the Labyrinth within 13 hours.

to:

* RaceAgainstTheClock: Sarah must solve the Labyrinth within 13 hours.hours, or else Toby will be turned into a goblin.

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* CoolLoser: Sarah appears to have no friends, and goes on no dates, in spite of looking like Jennifer Connelly. However, the novelization notes she has at least one school chum, and her interest in fantasy worlds could well be blinding her to what she could be enjoying in the real one. Being depressed over her mother leaving the family has probably also contributed to her isolation.



* CoolAndUnusualPunishment: After repeatedly threatening to do so, Jareth sends Hoggle to the Bog of Eternal Stench, so called because its odor is so horrible that it's impossible to wash off if you so much as set foot in it.

to:

* CoolAndUnusualPunishment: After repeatedly threatening to do so, Jareth sends Hoggle to the Bog of Eternal Stench, so called because its odor is so horrible that it's impossible to wash off if you off, and anyone who so much as set sets foot in it.its waters will stink forever.


Added DiffLines:

* CoolLoser: Sarah appears to have no friends, and goes on no dates, in spite of looking like Jennifer Connelly. However, the novelization notes she has at least one school chum, and her interest in fantasy worlds could well be blinding her to what she could be enjoying in the real one. Being depressed over her mother leaving the family has probably also contributed to her isolation.
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Added DiffLines:

* CoolAndUnusualPunishment: After repeatedly threatening to do so, Jareth sends Hoggle to the Bog of Eternal Stench, so called because its odor is so horrible that it's impossible to wash off if you so much as set foot in it.

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''Labyrinth'' is a 1986 Creator/JimHenson film, produced by Creator/GeorgeLucas and written by Creator/TerryJones, a musical fantasy starring Music/DavidBowie and Creator/JenniferConnelly. Sarah is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.

to:

''Labyrinth'' is a 1986 Creator/JimHenson film, produced by Creator/GeorgeLucas and written by Creator/TerryJones, a musical fantasy starring Music/DavidBowie and Creator/JenniferConnelly. Creator/JenniferConnelly.

Sarah is an unhappy teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.
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Adult Fear is now a disambig.


* AdultFear:
** In the beginning, after Sarah wishes that the goblins would take Toby away and leave the room, Toby stops crying, and then she goes back into his room and discovers that he's gone!
** This is actually Jareth's ploy to impress and entice Sarah, who is only a teenager herself. Not helping is the scene where he coerces Hoggle to drug her and traps her in a crystal ball where he fondles up her dazed self.

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* BothSidesHaveAPoint: The root of Sarah and Irene's disagreements. On the one hand, Sarah is completely right to call out her stepmother for rummaging through her things so as to give Toby a toy and volunteer her for babysitting duties without even asking if she had plans. Irene makes it clear, however, that she knows Sarah is really angry about how life has changed for both of them and can't keep throwing temper tantrums forever about circumstances beyond her control several years down the line. It says something that Sarah comes to admit that no, LifeIsntFair, but kvetching about it constantly doesn't fix things. The novelization goes further with the backstory that Sarah's mother walked out on her and her father, and Sarah is still living with the hurt and betrayal.



* ChangedMyMindKid: Hoggle, who goes off in shame and despair after feeding Sarah the peach, but comes back to help them at the castle in the end.

to:

* ChangedMyMindKid: Hoggle, who goes off in shame and despair after feeding Sarah the peach, but comes back to help them at the castle in the end. He apologizes to Sarah, saying he doesn't deserve her forgiveness.
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* SheCleansUpNicely: A creepy version where Sarah finds herself in a pouffy ballgown, chasing after a mysterious man at a masquerade ball. She looks stunning, but the way the patrons stare and laugh reminds Sarah and the audience that she's only a fifteen-year-old girl among adults. That's not even getting into the the fact that this is a fantasy world in a crystal ball, which Sarah entered after Jareth indirectly drugged her.

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* AdultFear: In the beginning, after Sarah wishes that the goblins would take Toby away and leave the room, Toby stops crying, and then she goes back into his room and discovers that he's gone!
** This is actually Jareth's ploy to impress and entice Sarah, who is only a teenager herself.

to:

* AdultFear: AdultFear:
**
In the beginning, after Sarah wishes that the goblins would take Toby away and leave the room, Toby stops crying, and then she goes back into his room and discovers that he's gone!
** This is actually Jareth's ploy to impress and entice Sarah, who is only a teenager herself. Not helping is the scene where he coerces Hoggle to drug her and traps her in a crystal ball where he fondles up her dazed self.



* BigSisterInstinct: Even though Jareth isn't physically harming Toby and serving as an impromptu babysitter, Sarah doesn't trust him. She navigates a dangerous labyrinth to save Toby and get him home safely; when her memories get wiped, the play she wrote includes a mention of a baby and she snaps out of the trance on realizing her little brother is still in danger. With that said, Sarah has a reason to be paranoid; he literally stole a baby from its crib and told her that it was her fault.



* CoolBigSis: Downplayed with Sarah; while she is annoyed at babysitting Toby and tells him a scary tale out of spite, it's clear that despite his constant crying he adores her, as he smiles at her in the climax. She truly grow into this role when she defies a RealityWarper king to rescue her toddler brother and make sure he is safe.



* GildedCage: Jareth offers Sarah that she doesn't have to go home, and he's not going to hurt Toby. On the contrary, they can both live in the castle, with Sarah as his queen and Toby as the prince and heir. Sarah gets two people that she knows will love her and never leave her. As an added bonus, there are all the fantasy creatures that she dreamed of livening up her existence and never disrupting her life again. Once, Sarah would have considered this...but at the end of the movie, she realizes that it's only a fantasy and wouldn't satisfy either her or Toby. There is also the fact that Toby is too little to have the choice taken out of his hands, and Sarah knows he needs to be safe in the real world.



* LotusEaterMachine: The ball, which is a beautiful dreamscape designed to keep Sarah happy and get her to forget about Toby. The replica of her bedroom afterwards, which is another attempt at the same, is created after she smashes her way out of the ball.
* LovableTraitor: Hoggle, Sarah's cuddly goblin friend, who betrays her to Jareth, although he doesn't feel good about it.

to:

* LotusEaterMachine: The ball, which is a beautiful dreamscape designed to keep Sarah happy and get her to forget about Toby. The replica of her bedroom afterwards, afterward, which is another attempt at the same, is created after she smashes her way out of the ball.
* LovableTraitor: Hoggle, Sarah's cuddly goblin friend, who betrays her to Jareth, although he doesn't feel good about it.



* MisplacedRetribution: Over the course of the movie, Sarah comes to realize that she doesn't blame Toby for ruining her life. It's that with so much disruption and changes, from her dad remarrying to her mother walking out on them, that a baby was the easiest focus of her understandable frustration at how her parents were rummaging through her things and reorganizing her schedule. She promises when they're both home that maybe life isn't fair, but they'll do what they can to weather it as brother and sister.



* NoSympathy: At best, Sarah's stepmother is this when Sarah throws a temper tantrum that she has babysitting foisted on her. She says that if Sarah isn't dating or hosting a social life, then she can stand to suffer watching Toby for a few hours, especially since she shouldn't be out in the rain after dark anyway. The thing is that when you read the novelization, it's not that the stepmother demanding this is making Sarah upset; it's that Irene is trying to fill in a gap that Sarah's biological mother left by walking out on her family, and no one really knows how to bring up the ElephantInTheRoom about someone abandoning a child for their selfish reasons. Irene thinks that Sarah should suck it up and accept this is the way things are, while her dad seems as conflicted as Sarah is and wants to comfort her before they go out on their date night.



* PlaceWorseThanDeath: The Bog of Eternal Stench. It not only stinks with a odor that's too horrible to describe, it curses anyone who puts so much as a foot in its waters with the same odor - forever.

to:

* PlaceWorseThanDeath: The Bog of Eternal Stench. It not only stinks with a an odor that's too horrible to describe, but it also curses anyone who puts so much as a foot in its waters with the same odor - forever.
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''Labyrinth'' is a 1986 Creator/JimHenson film, produced by Creator/GeorgeLucas and written by Creator/TerryJones, a musical fantasy starring Music/DavidBowie and Creator/JenniferConnelly. Sarah is an unhappy teenager, who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.

to:

''Labyrinth'' is a 1986 Creator/JimHenson film, produced by Creator/GeorgeLucas and written by Creator/TerryJones, a musical fantasy starring Music/DavidBowie and Creator/JenniferConnelly. Sarah is an unhappy teenager, teenager who hides from life in fantasy tales to the point of dressing up in a long flowing dress and [[{{LARP}} acting out bits of script in the park]]. The cause of her unhappiness is her father's remarriage and the resulting half-brother, one year old Toby (played by concept artist Creator/BrianFroud's son [[TheDanza Toby]]). One night, in a particularly big sulk, she wishes that the Goblin King (called Jareth) from the book she was acting out earlier would come and take Toby away -- which, to her horror, he immediately does. When Sarah regrets her wish and demands Toby be returned, Jareth gives Sarah a chance to rescue Toby; he takes her to his realm, where she must find her way through the Labyrinth to Jareth's castle before thirteen hours have elapsed. In this quest, she is aided by various goblins and monsters whose allegiance to Jareth is highly conditional or non-existent. As the film progresses, Jareth seems to have ulterior motives in giving Sarah a chance to rescue her brother.



* In May 2020, it's been reported that a [[https://deadline.com/2020/05/labyrinth-sequel-scott-derrickson-director-maggie-levin-write-script-doctor-strange-1202943188/ sequel]], to be written by Maggie Levin and with Creator/ScottDerrickson (''Film/DoctorStrange'') as director, is in development.

to:

* In May 2020, it's been it was reported that a [[https://deadline.com/2020/05/labyrinth-sequel-scott-derrickson-director-maggie-levin-write-script-doctor-strange-1202943188/ sequel]], to be written by Maggie Levin and with Creator/ScottDerrickson (''Film/DoctorStrange'') as director, is in development.



* AdorableEvilMinions: Their adorableness is debatable but this trope fits the goblins quite well.

to:

* AdorableEvilMinions: Their adorableness is debatable debatable, but this trope fits the goblins quite well.



* AffablyEvil: Jareth may have kidnapped baby Toby and he delights in being "unfair" to Sarah, but he's cheerful throughout, has David Bowie's dazzling charisma and seems to want nothing more than to have Sarah and Toby stay with him. It's also notable that at no point does he ever ''harm'' Toby, and even has a few scenes where he holds the little guy ''affectionately''.

to:

* AffablyEvil: Jareth may have kidnapped baby Toby and he delights in being "unfair" to Sarah, but he's cheerful throughout, has David Bowie's dazzling charisma charisma, and seems to want nothing more than to have Sarah and Toby stay with him. It's also notable that at no point does he ever ''harm'' Toby, and even has a few scenes where he holds the little guy ''affectionately''.



** [[http://www.astrolog.org/labyrnth/script.txt an early script]] makes this canon, ending with Sarah waking up after hitting her head.

to:

** [[http://www.astrolog.org/labyrnth/script.txt an An early script]] makes this canon, ending with Sarah waking up after hitting her head.



* AloofBigSister: Sarah's apathetic attitude towards her half-brother is what kick-started the entire plot.

to:

* AloofBigSister: Sarah's apathetic attitude towards her half-brother is what kick-started kickstarts the entire plot.



** "It's not fair!" First Jareth tells it to Sarah. Later, Sarah realizes, "Yes, it's not fair. But that's the way it is."

to:

** "It's not fair!" First Jareth tells says it to Sarah. Later, Sarah realizes, "Yes, it's not fair. But that's the way it is."



-->'''Goblin''': Okay, I take it back - [[IndyEscape Run for your lives]]!

to:

-->'''Goblin''': Okay, I take it back - [[IndyEscape Run run for your lives]]!



* BeCarefulWhatYouWishFor: Sarah wishes her brother Toby to be taken away by the Goblin King. She wasn't told that the Goblin King is very real and has the power (and the inclination) to grant her wish. Undoing this is the point of her adventure.

to:

* BeCarefulWhatYouWishFor: Sarah wishes for her brother Toby to be taken away by the Goblin King. She wasn't told that the Goblin King is very real and has the power (and the inclination) to grant her wish. Undoing this is the point of her adventure.



* BehindTheBlack: The first trick in the Labyrinth is that the turns from the first hallway are concealed by ForcedPerspective and Sarah can't see them until a resident worm points this out. From her perspective she should be seeing them edge-on and they shouldn't have been hidden at all. This may be a magical effect, but the worm's bemused reaction implies Sarah literally has NoPeripheralVision.

to:

* BehindTheBlack: The first trick in the Labyrinth is that the turns from the first hallway are concealed by ForcedPerspective and ForcedPerspective, but Sarah can't see them until a resident worm points this out. From her perspective perspective, she should be seeing them edge-on edge-on, and they shouldn't have been hidden at all. This may be a magical effect, but the worm's bemused reaction implies Sarah literally has NoPeripheralVision.



* ChekhovsArmory: Sarah's entire bedroom. Plush Didymus, plush Ludo, the musicbox with Sarah's PimpedOutDress playing "As the World Falls Down", a Jareth-looking statue, a print of that Escher drawing, it's all there. Not to mention, there's a picture of Music/DavidBowie with Sarah's actress mother in the scrap book and in the mirror, although this is not a CelebrityParadox at work. That relates to AllThereInTheManual backstory: The novelization explains that this fellow is ''Jeremy'', the fellow actor she left the family for. He gave Sarah, who found him glamorous and charming, the music box.

to:

* ChekhovsArmory: Sarah's entire bedroom. Plush Didymus, plush Ludo, the musicbox with Sarah's PimpedOutDress playing "As the World Falls Down", a Jareth-looking statue, a print of that Escher drawing, it's all there. Not to mention, there's a picture of Music/DavidBowie with Sarah's actress mother in the scrap book scrapbook and in the mirror, although this is not a CelebrityParadox at work. That relates to AllThereInTheManual backstory: The novelization explains that this fellow is ''Jeremy'', the fellow actor she left the family for. He gave Sarah, who found him glamorous and charming, the music box.



** The most frightening part of the movie is when Hoggle, under Jareth's command, gives Sarah a peach that knocks her unconscious and transports her into an illusionary fever dream world in which her agency is compromised and Jareth dances with her. Note that Jareth is obsessively in love with Sarah. Just replace "dancing" with something else and...yeah.

to:

** The most frightening part of the movie is when Hoggle, under Jareth's command, gives Sarah a peach that knocks her unconscious and transports her into an illusionary fever dream world in which her agency is compromised and Jareth dances with her. Note that Jareth is obsessively in love with Sarah. Just replace "dancing" with something else else, and...yeah.



** Sarah and her friends encounter a bridge at one point guarded by the steadfast Sir Didymus, who has taken a solemn vow to never let anyone cross it without his permission. After Ludo attempts to fight their way across, Sarah just asks for permission to use the bridge. Apparently ''nobody'' has ever just asked before as Sir Didymus reacts with utter confusion... and says yes.

to:

** Sarah and her friends encounter a bridge at one point in the Bog of Eternal Stench guarded by the steadfast Sir Didymus, who has taken a solemn vow to never let anyone cross it without his permission. After Ludo attempts to fight their way across, Sarah just asks for permission to use the bridge. Apparently ''nobody'' has ever just asked before before, as Sir Didymus reacts with utter confusion... and says yes.



** When Sarah and Ludo approach a bridge they are confronted by Sir Didymus who states ''"I have sworn with my life's blood, no one shall pass this way without my permission!"'' Ludo tries unsuccessfully to force his way across only to be stymied by Didymus' agile fighting. Sarah pauses a moment to reflect on the best way to resolve the situation and asks him politely for his permission. Apparently nobody (including Didymus himself) had ever thought of that solution before.

to:

** When Sarah and Ludo approach a bridge they are confronted by Sir Didymus who states ''"I have sworn with my life's blood, no one shall pass this way without my permission!"'' Ludo tries unsuccessfully to force his way across across, only to be stymied by Didymus' agile fighting. Sarah pauses a moment to reflect on the best way to resolve the situation and asks him politely for his permission. Apparently nobody (including Didymus himself) had ever thought of that solution before.



* FaerieCourt: Jareth is technically King of the Goblins, but because he is played by Creator/DavidBowie in full glam rock-new romantic mode fits the archetype of Fairy Queen. Of course, [[OurGoblinsAreDifferent goblins]] and the Fae have very little differences in folklore.

to:

* FaerieCourt: Jareth is technically King of the Goblins, but because he is played by Creator/DavidBowie in full glam rock-new romantic mode mode, fits the archetype of Fairy Queen. Of course, [[OurGoblinsAreDifferent goblins]] and the Fae have very little differences in folklore.



** One of the newspaper clippings has Sarah's actress mother dating in the newspaper... Music/DavidBowie? WordOfGod said this was intentional. It's not a CelebrityParadox, but ''is'' related to the AllThereInTheManual backstory: The novelization explains that ''this'' fellow is "Jeremy", the fellow actor she left the family for. Which explains why the Goblin King looks like David Bowie -- her mother effectively left her father for him!

to:

** One of the newspaper clippings has Sarah's actress mother dating in the newspaper...dating... Music/DavidBowie? WordOfGod said this was intentional. It's not a CelebrityParadox, but ''is'' related to the AllThereInTheManual backstory: The novelization explains that ''this'' fellow is "Jeremy", the fellow actor she left the family for. Which explains why the Goblin King looks like David Bowie -- her mother effectively left her father for him!



* HeelFaceTurn: Hoggle was evil or at least selfish, but ultimately takes Sarah's side. For most of the movie, though, he ''did'' [[HeelFaceRevolvingDoor keep Sarah (and the audience) guessing]].

to:

* HeelFaceTurn: Hoggle was evil or at least selfish, but ultimately takes Sarah's side. For most of the movie, though, he ''did'' ''does'' [[HeelFaceRevolvingDoor keep Sarah (and the audience) guessing]].



* IceCreamKoan: Sarah gives a valuable item for what Hoggle says is useless advice. Even the advice giver is shocked Sarah paid for it after she leaves.
* InferioritySuperiorityComplex: Hoggle, who actually ''hates'' himself and believes he's friendless because he's ugly -- something Jareth takes full advantage of. Sarah's insistence YouAreBetterThanYouThinkYouAre finally wins him over.

to:

* IceCreamKoan: Sarah gives a valuable item as payment for what Hoggle says is useless advice. Even the advice giver is shocked Sarah paid for it so generously after she leaves.
* InferioritySuperiorityComplex: Hoggle, who actually ''hates'' himself and believes he's friendless because he's ugly -- something Jareth takes full advantage of. Sarah's insistence that YouAreBetterThanYouThinkYouAre finally wins him over.



* InvasionOfTheBabySnatchers: The goblins steal children

to:

* InvasionOfTheBabySnatchers: The goblins steal childrenchildren.



* InTheEndYouAreOnYourOwn: Sarah chooses to face Jareth alone and asks her friends not to follow her in the showdown.
* ItsAllJunk: After escaping Jareth's dream, is guided into a replica of her bedroom by the Junk Lady in an attempt to make her forget Toby and just became enthralled in her possessions. Sarah realises that all of it is worthless compared to her brother, and tosses it all away.

to:

* InTheEndYouAreOnYourOwn: Sarah chooses to face Jareth alone and asks her friends not to follow her in to the showdown.
* ItsAllJunk: After escaping Jareth's dream, Sarah is guided into a replica of her bedroom by the Junk Lady in an attempt to make her forget Toby and just became enthralled in her possessions. Sarah realises that all of it is worthless compared to her brother, and tosses it all away.



* JerkWithAHeartOfGold: Initially Hoggle towards Sarah. And even Sarah towards baby Toby. In the end, both realize they should care about the other.
* KnightsAndKnaves: However, it's rigged, and even though Sarah takes the right door, she ends up falling into the oubliette. See the Trope page for KnightsAndKnaves for the likely reason why this sort of puzzle is often a MortonsFork.

to:

* JerkWithAHeartOfGold: Initially Initially, Hoggle towards Sarah. And even Sarah towards baby Toby. In the end, both realize they should care about the other.
* KnightsAndKnaves: Sarah encounters one such puzzle in the labyrinth. However, it's rigged, and even though Sarah takes the right door, she ends up falling into the oubliette. See the Trope page for KnightsAndKnaves for the likely reason why this sort of puzzle is often a MortonsFork.



* LifeIsntFair: Boy, does Sarah learn ''this'' the hard way and once she does she reminds Hoggle of the fact when she steals his jewels and ''he'' accuses ''her'' of not being fair. Touche.
* LivingStructureMonster: The movie features a number of creatures that are basically part of the architecture of the eponymous maze. These include the talking door knockers, and the talking walls which give false alarms to passersby.

to:

* LifeIsntFair: Boy, does Sarah learn ''this'' the hard way way, and once she does does, she reminds Hoggle of the fact when she steals his jewels and ''he'' accuses ''her'' of not being fair. Touche.
* LivingStructureMonster: The movie features a number of creatures that are basically part of the architecture of the eponymous maze. These include the talking door knockers, knockers and the talking walls which give false alarms to passersby.



* LotusEaterMachine: The ball, which is a beautiful dreamscape designed to keep Sarah happy and get her to forget about Toby. The replica of her bedroom afterwards, which is another attempt at the same, after she smashes her way out of the ball.

to:

* LotusEaterMachine: The ball, which is a beautiful dreamscape designed to keep Sarah happy and get her to forget about Toby. The replica of her bedroom afterwards, which is another attempt at the same, is created after she smashes her way out of the ball.



* MistreatmentInducedBetrayal: If Jareth had settled on just giving Hoggle orders then there would have been no problem, especially since Hoggle is a dyed-in-the-wool misanthrope. However, Jareth just can't seem to stop insulting Hoggle, belittling him, physically mistreating him, and issuing dire threats (it was probably his threat to dump Hoggle into the Bog Of Eternal Stench that finally tipped the scales). The manga reveals that Jareth makes good on his threat and actually made Hoggle the King of the Bog.

to:

* MistreatmentInducedBetrayal: If Jareth had settled on just giving Hoggle orders orders, then there would have been no problem, especially since Hoggle is a dyed-in-the-wool misanthrope. However, Jareth just can't seem to stop insulting Hoggle, belittling him, physically mistreating him, and issuing dire threats (it was probably his threat to dump Hoggle into the Bog Of of Eternal Stench that finally tipped the scales). The manga reveals that Jareth makes good on his threat and actually made makes Hoggle the King of the Bog.



* MobileMaze: The Labyrinth often reconfigures itself, sometimes silently off-screen to the surprise of Sarah and sometimes with moving mechanisms or creatures. At one point Hoggle even evokes it to help Sarah escape the oubliette by propping a door against a wall and opening it to reveal there is now an exit behind it... but not before first putting it up backwards and revealing a broom closet instead.

to:

* MobileMaze: The Labyrinth often reconfigures itself, sometimes silently off-screen to the surprise of Sarah and sometimes with moving mechanisms or creatures. At one point point, Hoggle even evokes invokes it to help Sarah escape the oubliette by propping a door against a wall and opening it to reveal there is now an exit behind it... but not before first putting it up backwards and revealing a broom closet instead.



* PanUpToTheSkyEnding: This bookends the movie's opening credit sequence, which panned ''down'' as it followed the barn owl's flight.

to:

* PanUpToTheSkyEnding: This bookends the movie's opening credit sequence, which panned pans ''down'' as it followed follows the barn owl's flight.



* RealityWarper: The Labyrinth is essentially Jareth's plaything; he's capable of altering time and space at will. But he holds no power over humans who enter his realm unless they give themselves willingly.
** Depending upon your interpretation, possibly Sarah herself, unwittingly; see also YourMindMakesItReal. The goblin world is heavily influenced by her interests and imagination, is able to defeat Jareth with mere ''words'', and obviously has influence over the goblins and other creatures at the end.
* RealTime: At the beginning of the movie's climax, a clock reads that there are thirteen minutes left. The entire climax lasts around thirteen minutes.

to:

* RealityWarper: The Labyrinth is essentially Jareth's plaything; he's capable of altering time and space within it at will. But But, he holds no power over humans who enter his realm unless they give themselves willingly.
** Depending upon your interpretation, possibly Sarah herself, unwittingly; see also YourMindMakesItReal. The goblin world is heavily influenced by her interests and imagination, she is able to defeat Jareth with mere ''words'', and she obviously has influence over the goblins and other creatures at the end.
* RealTime: At the beginning of the movie's climax, a clock reads shows that there are thirteen minutes left. The entire climax lasts around thirteen minutes.



** An unintentional one occurs in the panning shot of Sarah's room which showed ''Literature/WhereTheWildThingsAre'' and ''Outside Over There'' by Creator/MauriceSendak; especially the latter because it's also about a girl rescuing her sibling from goblins. However, it was not originally planned that way as Brian Froud has said "The link between his work and ours was only noticed well into production", as the concept of goblins stealing babies is well-established folklore and the original jumping-off point for the project--but Sendak actually considered suing over the matter. In the end, Henson acknowledging an artistic debt to Sendak in the end credits served to placate the author.

to:

** An unintentional one occurs in the panning shot of Sarah's room which showed shows ''Literature/WhereTheWildThingsAre'' and ''Outside Over There'' by Creator/MauriceSendak; especially the latter because it's also about a girl rescuing her sibling from goblins. However, it was not originally planned that way way, as Brian Froud has said "The link between his work and ours was only noticed well into production", as the concept of goblins stealing babies is well-established folklore and the original jumping-off point for the project--but Sendak actually considered suing over the matter. In the end, Henson acknowledging an artistic debt to Sendak in the end credits served to placate the author.



* SpeculativeFictionLGBT: It has Bowie in it... playing an ambiguous (and androgynous) goblin in a high fantasy setting. The weird and wonderful all come together to make a camp classic.

to:

* SpeculativeFictionLGBT: It has Bowie in it... it, playing an ambiguous (and androgynous) goblin in a high fantasy setting. The weird and wonderful all come together to make a camp classic.



* ThatPoorCat: As they enter the Goblin City, one can be heard then briefly seen running across the background.

to:

* ThatPoorCat: As they enter the Goblin City, one can be heard heard, and then briefly seen running across the background.



--> '''Sir Didymus''': Well if that is the way it is done, then that is the way you must do it.

to:

--> '''Sir Didymus''': Well Well, if that is the way it is done, then that is the way you must do it.



* VillainousCheekbones: Jareth the Goblin King, as portrayed by David Bowie, has promimently-defined cheeks.

to:

* VillainousCheekbones: Jareth the Goblin King, as portrayed by David Bowie, has promimently-defined prominently-defined cheeks.



* VillainHasAPoint: Jareth a few times has to point out to Sarah that he's only acting out the fantasy that she wrote, that she wanted him to be this alluring, dangerous king. It's her decision if she chooses to reject him, but he won't make it easy for her. The moment that Sarah realizes that Jareth is a fantasy and he has no power over her means that he lost, and he sends her and Toby home, unharmed.

to:

* VillainHasAPoint: Jareth a few times has to point out to Sarah a few times that he's only acting out the fantasy that she wrote, that she wanted him to be this alluring, dangerous king. It's her decision if she chooses to reject him, but he won't make it easy for her. The moment that Sarah realizes that Jareth is a fantasy and he has no power over her means that he lost, and he sends her and Toby home, unharmed.

Added: 1512

Changed: 6

Is there an issue? Send a MessageReason:
None


* AdultFear: At the beginning, after Sarah wishes that the goblins would take Toby away and leaves the room, Toby stops crying and then she goes back into his room and discovers that he's gone!

to:

* AdultFear: At In the beginning, after Sarah wishes that the goblins would take Toby away and leaves leave the room, Toby stops crying crying, and then she goes back into his room and discovers that he's gone!


Added DiffLines:

* ContractualGenreBlindness: While Jareth is hard to beat and powerful, he reminds Sarah that he's the way he is because she imagined him this way. Thus, there are points where he cannot change the rules on her, like when Ludo summons giant boulders to chase away his army. In the end, if Sarah rejects him of her own free will, he can only send her home with Toby.


Added DiffLines:

* FairPlayVillain: Zigzagged with Jareth. He does cheat a few times with the labyrinth while Sarah is trying to understand the rules, and speeds up the time limit to troll her. At the same time, he gives her a sporting chance to navigate the labyrinth and allows her to navigate the castle with minimal hindrance.


Added DiffLines:

* GracefulLoser: While Jareth isn't pleased that Sarah rejects him, he returns her and Toby home. At the DancePartyEnding, he looks in from outside in his owl form and flies off into the night.


Added DiffLines:

* PetTheDog: Jareth is very gentle with Toby, entertaining him and making sure he's comfortable while a captive in the goblin castle. He also doesn't seem to be lying when he says that Toby could be a prince, with Sarah as his partner.


Added DiffLines:

* VillainHasAPoint: Jareth a few times has to point out to Sarah that he's only acting out the fantasy that she wrote, that she wanted him to be this alluring, dangerous king. It's her decision if she chooses to reject him, but he won't make it easy for her. The moment that Sarah realizes that Jareth is a fantasy and he has no power over her means that he lost, and he sends her and Toby home, unharmed.
Is there an issue? Send a MessageReason:
None


* MistreatmentInducedBetrayal: If Jareth had settled on just giving Hoggle orders then there would have been no problem, especially since Hoggle is a dyed-in-the-wool misanthrope. However, Jareth just can't seem to stop insulting Hoggle, belittling him, physically mistreating him, and issuing dire threats (it was probably his threat to dump Hoggle into the Bog Of Eternal Stench that finally tipped the scales). The manga reveals that Jareth makes good on his threat.

to:

* MistreatmentInducedBetrayal: If Jareth had settled on just giving Hoggle orders then there would have been no problem, especially since Hoggle is a dyed-in-the-wool misanthrope. However, Jareth just can't seem to stop insulting Hoggle, belittling him, physically mistreating him, and issuing dire threats (it was probably his threat to dump Hoggle into the Bog Of Eternal Stench that finally tipped the scales). The manga reveals that Jareth makes good on his threat.threat and actually made Hoggle the King of the Bog.
Is there an issue? Send a MessageReason:
None


* AffablyEvil: Jareth may have kidnapped baby Toby and he delights in being "unfair" to Sarah, but he's cheerful throughout and seems to want nothing more than to have Sarah and Toby stay with him. It's also notable that at no point does he ever ''harm'' Toby, and even has a few scenes where he holds the little guy ''affectionately''.

to:

* AffablyEvil: Jareth may have kidnapped baby Toby and he delights in being "unfair" to Sarah, but he's cheerful throughout throughout, has David Bowie's dazzling charisma and seems to want nothing more than to have Sarah and Toby stay with him. It's also notable that at no point does he ever ''harm'' Toby, and even has a few scenes where he holds the little guy ''affectionately''.
Is there an issue? Send a MessageReason:
None


* LeftTheBackgroundMusicOn: The novelization says that Sarah can hear the background music in-universe.

to:

* LeftTheBackgroundMusicOn: The novelization says that Sarah can hear the background music BackgroundMusic in-universe.
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None


* AndYouWereThere: Everything in Sarah's room is in the Goblin King's world (as well as her dog), such as the Sir Didymous doll on her bed.

to:

* AndYouWereThere: Everything in Sarah's room is in the Goblin King's world (as well as her dog), such as the Sir Didymous Didymus doll on her bed.
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None


-->--'''Jareth, the Goblin King'''

to:

-->--'''Jareth, -->-- '''Jareth, the Goblin King'''
Is there an issue? Send a MessageReason:
Filling out zero-content examples


%%* ImNotAfraidOfYou: How Sarah wins, at the end. ''"[[NotAfraidOfYouAnymore You have no power over me!!!]]"''

to:

%%* * ImNotAfraidOfYou: How Sarah wins, wins at the end. ''"[[NotAfraidOfYouAnymore You end by remembering the final line of her book and denying Jareth.
-->''"You
have no power over me!!!]]"''me!!!"''



* KnightsAndKnaves: However, it's rigged, and even though Sarah takes the right door, she ends up falling into the Oubliette. See the Trope page for KnightsAndKnaves for the likely reason why this sort of puzzle is often a MortonsFork.

to:

* KnightsAndKnaves: However, it's rigged, and even though Sarah takes the right door, she ends up falling into the Oubliette.oubliette. See the Trope page for KnightsAndKnaves for the likely reason why this sort of puzzle is often a MortonsFork.



* MobileMaze: The Labyrinth often reconfigures itself, sometimes silently off-screen to the surprise of Sarah and sometimes with moving mechanisms or creatures. At one point Hoggle even evokes it to help Sarah escape the Oubliette by propping a door against a wall and opening it to reveal there is now an exit behind it... but not before first putting it up backwards and revealing a broom closet instead.

to:

* MobileMaze: The Labyrinth often reconfigures itself, sometimes silently off-screen to the surprise of Sarah and sometimes with moving mechanisms or creatures. At one point Hoggle even evokes it to help Sarah escape the Oubliette oubliette by propping a door against a wall and opening it to reveal there is now an exit behind it... but not before first putting it up backwards and revealing a broom closet instead.



* {{Oubliette}}

to:

* {{Oubliette}}{{Oubliette}}: Sarah falls into one after one of her poor decisions, and has to ask for Hoggle's help to escape.



%%* VillainousCheekbones: Jareth, of course.
%%* VillainousCrush: Currently provides the page quote.

to:

%%* * VillainousCheekbones: Jareth, of course.
%%*
Jareth the Goblin King, as portrayed by David Bowie, has promimently-defined cheeks.
*
VillainousCrush: Currently Jareth offers Sarah everything she wants if she reciprocates, and currently provides the page quote.

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