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Changed line(s) 1,35 (click to see context) from:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/bedlam1946_1090_678x380_07262016091400.jpg]]
[[caption-width-right:350:So creepy!]]
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of [[TheForties 1940s]] horror, Creator/ValLewton.
It is set in 1761 at [[https://en.wikipedia.org/wiki/Bethlem_Royal_Hospital St. Mary of Bethlehem]] hospital, the oldest continually operating mental institution in the world, more popularly known as "Bedlam." Karloff plays George Sims, the master of Bedlam. Sims is a cruel and vicious man who beats and starves his inmates and locks them in cages. He also treats them as zoo animals, putting them on exhibit for anyone who forks over two pence.
One of the people who pays tuppence to see the inmates of Bedlam is Nell Bowen (Anna Lee), an actress and paid companion of Lord Mortimer, a patron of Bedlam House. Nell is shocked by the abuse suffered by the inmates of Bedlam, and repulsed by the oily Sims, who sucks up to Lord Mortimer and arranges for his mental patients to put on a show for Mortimer's amusement. She resolves to reform Bedlam, which makes an enemy of Sims. When she insults Lord Mortimer for his chumminess with Sims, she makes an enemy of him as well, and the two of them conspire to have Nell committed to Bedlam as a patient.
Third and last collaboration between Karloff and Lewton, and the last of Lewton's cycle of horror films for RKO. Not to be confused with television series ''Series/{{Bedlam}}''.
----
!!Tropes:
* AristocratsAreEvil: Lord Mortimer isn't as overtly, actively evil as Sims, but he really is quite the bastard nevertheless. He chortles and guffaws like the fat pig he is when the inmates of Bedlam make a show for his entertainment, and he doesn't bat an eye when one of the mental patients collapses and dies from the golden paint all over his body.
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
* BlackmailIsSuchAnUglyWord: Bribery instead of blackmail, and inverted in any case. But when Hannay the mason asks for a construction job, and Sims demands a two-guinea kickback in return for giving him the job, Hannay says a lot of words to the effect of IllPretendIDidntHearThat. An indignant Sims shoots back with "What kind of cant is this? I've asked you for a bribe, man!"
* BodyPaint: Nearly 20 years before ''Film/{{Goldfinger}}'' embedded an UrbanLegend in the public consciousness, one of Sims's inmates dies from the full body-paint job he got to play a role in Sims's little pageant. The nonsense about breathing through the skin is even discussed.
* BuriedAlive: After the catatonic woman stabs Sims InTheBack with the trowel, the inmates panic. They resolve to hide the body by walling it up, and to make out that Sims ran away in order for them to avoid blame. They proceed to do so--only for Sims to open his eyes and reveal that he is still alive right before the last brick is put in place.
* CallBack: When Hannay first meets Nell and talks to her as Quakers did, she says "Are we lovers that you 'thee and thou' me?" In the last scene she starts addressing him by "thee" and "thou", signaling that she has accepted him as a lover, and he wryly repeats this line back to her.
* CallForward: One of the inmates demonstrates a page-flip cartoon he's made of Nell ministering to the other inmates, and remarks that "If I could only get a light behind these pages I could throw them large as life up on the wall." The person he's addressing says they could charge admission.
* Catch22Dilemma: How Sims keeps Hannay from visiting Nell in the asylum. There's a rule stating that all visitors must deposit their weapons in the front before taking the tour of the asylum. Hannay can't deposit his weapon because he doesn't have one; he's a Quaker. So since he won't deposit a weapon, Sims won't let him in.
* {{Chiaroscuro}}: Used several times to make the asylum's interiors more creepy, most dramatically in the scene where Hannay has snuck in and has to make his way through the detention wing for the violently insane, who reach out and grab at him from their cages as he passes.
* ComeToGawk: For two pence, Sims lets visitors come in and gawk at the inmates of Bedlam. This really happened at the real Bedlam in this era.
* CompensatedDating: Essentially what's going on with Nell and Lord Mortimer. She makes pains to let people know that she is ''not'' TheMistress. In fact she is a paid companion whose job is to amuse Lord Mortimer and make him laugh.
* CorruptBureaucrat: Sims maneuvers his way into getting people he doesn't like chucked into his asylum. He also takes kickbacks from contractors who work at Bedlam.
* DudeShesLikeInAComa: When characterizing his various inmates as "dogs" who need beating, or "tigers" who need to be locked in cages, Sims brings Nell to a very young attractive who is standing against a support beam, staring out in a catatonic trance. He says "Some, like this one, are doves," and creepily caresses her cheek. It's strongly implied that he's sexually abusing her. Notably, at the end it's the catatonic woman who stabs Sims InTheBack.
* EyeOpen: The horrifying moment in which Sims's eyes fly open to reveal he's still alive, right before he's BuriedAlive by the last brick in the wall.
* GettingCrapPastTheRadar: When Nell is introducing herself to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, and they shake hands and part as friends; still, this isn't the sort of thing that [[https://productioncode.dhwritings.com/multipleframes_productioncode.php Section II of the Hays Code]] allowed.
* HistoricalDomainCharacter: Nell meets John Wilkes, who in the movie as in RealLife is a liberal reformer.
* JokerJury: The inmates of the asylum "try" Sims near the end. Subverted that they let him go...
* KangarooCourt: The ridiculous farce of a sanity hearing by which Sims gets Nell clapped into Bedlam. Sims is whispering in the ear of the head examiner throughout.
* LadyDrunk: Sims's niece, who is brought to Sims by Mortimer as a much more low-rent replacement for Nell. She insists on drinking gin instead of being more genteel and drinking wine as Sims tells her. She's also rather bitter and sarcastic.
* NapoleonDelusion: One inmate believes himself to be King Solomon, and his advice is to apply the JudgmentOfSolomon to Sims.
* YeOldeButcheredeEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
[[caption-width-right:350:So creepy!]]
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of [[TheForties 1940s]] horror, Creator/ValLewton.
It is set in 1761 at [[https://en.wikipedia.org/wiki/Bethlem_Royal_Hospital St. Mary of Bethlehem]] hospital, the oldest continually operating mental institution in the world, more popularly known as "Bedlam." Karloff plays George Sims, the master of Bedlam. Sims is a cruel and vicious man who beats and starves his inmates and locks them in cages. He also treats them as zoo animals, putting them on exhibit for anyone who forks over two pence.
One of the people who pays tuppence to see the inmates of Bedlam is Nell Bowen (Anna Lee), an actress and paid companion of Lord Mortimer, a patron of Bedlam House. Nell is shocked by the abuse suffered by the inmates of Bedlam, and repulsed by the oily Sims, who sucks up to Lord Mortimer and arranges for his mental patients to put on a show for Mortimer's amusement. She resolves to reform Bedlam, which makes an enemy of Sims. When she insults Lord Mortimer for his chumminess with Sims, she makes an enemy of him as well, and the two of them conspire to have Nell committed to Bedlam as a patient.
Third and last collaboration between Karloff and Lewton, and the last of Lewton's cycle of horror films for RKO. Not to be confused with television series ''Series/{{Bedlam}}''.
----
!!Tropes:
* AristocratsAreEvil: Lord Mortimer isn't as overtly, actively evil as Sims, but he really is quite the bastard nevertheless. He chortles and guffaws like the fat pig he is when the inmates of Bedlam make a show for his entertainment, and he doesn't bat an eye when one of the mental patients collapses and dies from the golden paint all over his body.
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
* BlackmailIsSuchAnUglyWord: Bribery instead of blackmail, and inverted in any case. But when Hannay the mason asks for a construction job, and Sims demands a two-guinea kickback in return for giving him the job, Hannay says a lot of words to the effect of IllPretendIDidntHearThat. An indignant Sims shoots back with "What kind of cant is this? I've asked you for a bribe, man!"
* BodyPaint: Nearly 20 years before ''Film/{{Goldfinger}}'' embedded an UrbanLegend in the public consciousness, one of Sims's inmates dies from the full body-paint job he got to play a role in Sims's little pageant. The nonsense about breathing through the skin is even discussed.
* BuriedAlive: After the catatonic woman stabs Sims InTheBack with the trowel, the inmates panic. They resolve to hide the body by walling it up, and to make out that Sims ran away in order for them to avoid blame. They proceed to do so--only for Sims to open his eyes and reveal that he is still alive right before the last brick is put in place.
* CallBack: When Hannay first meets Nell and talks to her as Quakers did, she says "Are we lovers that you 'thee and thou' me?" In the last scene she starts addressing him by "thee" and "thou", signaling that she has accepted him as a lover, and he wryly repeats this line back to her.
* CallForward: One of the inmates demonstrates a page-flip cartoon he's made of Nell ministering to the other inmates, and remarks that "If I could only get a light behind these pages I could throw them large as life up on the wall." The person he's addressing says they could charge admission.
* Catch22Dilemma: How Sims keeps Hannay from visiting Nell in the asylum. There's a rule stating that all visitors must deposit their weapons in the front before taking the tour of the asylum. Hannay can't deposit his weapon because he doesn't have one; he's a Quaker. So since he won't deposit a weapon, Sims won't let him in.
* {{Chiaroscuro}}: Used several times to make the asylum's interiors more creepy, most dramatically in the scene where Hannay has snuck in and has to make his way through the detention wing for the violently insane, who reach out and grab at him from their cages as he passes.
* ComeToGawk: For two pence, Sims lets visitors come in and gawk at the inmates of Bedlam. This really happened at the real Bedlam in this era.
* CompensatedDating: Essentially what's going on with Nell and Lord Mortimer. She makes pains to let people know that she is ''not'' TheMistress. In fact she is a paid companion whose job is to amuse Lord Mortimer and make him laugh.
* CorruptBureaucrat: Sims maneuvers his way into getting people he doesn't like chucked into his asylum. He also takes kickbacks from contractors who work at Bedlam.
* DudeShesLikeInAComa: When characterizing his various inmates as "dogs" who need beating, or "tigers" who need to be locked in cages, Sims brings Nell to a very young attractive who is standing against a support beam, staring out in a catatonic trance. He says "Some, like this one, are doves," and creepily caresses her cheek. It's strongly implied that he's sexually abusing her. Notably, at the end it's the catatonic woman who stabs Sims InTheBack.
* EyeOpen: The horrifying moment in which Sims's eyes fly open to reveal he's still alive, right before he's BuriedAlive by the last brick in the wall.
* GettingCrapPastTheRadar: When Nell is introducing herself to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, and they shake hands and part as friends; still, this isn't the sort of thing that [[https://productioncode.dhwritings.com/multipleframes_productioncode.php Section II of the Hays Code]] allowed.
* HistoricalDomainCharacter: Nell meets John Wilkes, who in the movie as in RealLife is a liberal reformer.
* JokerJury: The inmates of the asylum "try" Sims near the end. Subverted that they let him go...
* KangarooCourt: The ridiculous farce of a sanity hearing by which Sims gets Nell clapped into Bedlam. Sims is whispering in the ear of the head examiner throughout.
* LadyDrunk: Sims's niece, who is brought to Sims by Mortimer as a much more low-rent replacement for Nell. She insists on drinking gin instead of being more genteel and drinking wine as Sims tells her. She's also rather bitter and sarcastic.
* NapoleonDelusion: One inmate believes himself to be King Solomon, and his advice is to apply the JudgmentOfSolomon to Sims.
* YeOldeButcheredeEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
to:
[[caption-width-right:350:So creepy!]]
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of [[TheForties 1940s]] horror, Creator/ValLewton.
It is set in 1761 at [[https://en.wikipedia.org/wiki/Bethlem_Royal_Hospital St. Mary of Bethlehem]] hospital, the oldest continually operating mental institution in the world, more popularly known as "Bedlam." Karloff plays George Sims, the master of Bedlam. Sims is a cruel and vicious man who beats and starves his inmates and locks them in cages. He also treats them as zoo animals, putting them on exhibit for anyone who forks over two pence.
One of the people who pays tuppence to see the inmates of Bedlam is Nell Bowen (Anna Lee), an actress and paid companion of Lord Mortimer, a patron of Bedlam House. Nell is shocked by the abuse suffered by the inmates of Bedlam, and repulsed by the oily Sims, who sucks up to Lord Mortimer and arranges for his mental patients to put on a show for Mortimer's amusement. She resolves to reform Bedlam, which makes an enemy of Sims. When she insults Lord Mortimer for his chumminess with Sims, she makes an enemy of him as well, and the two of them conspire to have Nell committed to Bedlam as a patient.
Third and last collaboration between Karloff and Lewton, and the last of Lewton's cycle of horror films for RKO. Not to be confused with television series ''Series/{{Bedlam}}''.
----
!!Tropes:
* AristocratsAreEvil: Lord Mortimer isn't as overtly, actively evil as Sims, but he really is quite the bastard nevertheless. He chortles and guffaws like the fat pig he is when the inmates of Bedlam make a show for his entertainment, and he doesn't bat an eye when one of the mental patients collapses and dies from the golden paint all over his body.
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
* BlackmailIsSuchAnUglyWord: Bribery instead of blackmail, and inverted in any case. But when Hannay the mason asks for a construction job, and Sims demands a two-guinea kickback in return for giving him the job, Hannay says a lot of words to the effect of IllPretendIDidntHearThat. An indignant Sims shoots back with "What kind of cant is this? I've asked you for a bribe, man!"
* BodyPaint: Nearly 20 years before ''Film/{{Goldfinger}}'' embedded an UrbanLegend in the public consciousness, one of Sims's inmates dies from the full body-paint job he got to play a role in Sims's little pageant. The nonsense about breathing through the skin is even discussed.
* BuriedAlive: After the catatonic woman stabs Sims InTheBack with the trowel, the inmates panic. They resolve to hide the body by walling it up, and to make out that Sims ran away in order for them to avoid blame. They proceed to do so--only for Sims to open his eyes and reveal that he is still alive right before the last brick is put in place.
* CallBack: When Hannay first meets Nell and talks to her as Quakers did, she says "Are we lovers that you 'thee and thou' me?" In the last scene she starts addressing him by "thee" and "thou", signaling that she has accepted him as a lover, and he wryly repeats this line back to her.
* CallForward: One of the inmates demonstrates a page-flip cartoon he's made of Nell ministering to the other inmates, and remarks that "If I could only get a light behind these pages I could throw them large as life up on the wall." The person he's addressing says they could charge admission.
* Catch22Dilemma: How Sims keeps Hannay from visiting Nell in the asylum. There's a rule stating that all visitors must deposit their weapons in the front before taking the tour of the asylum. Hannay can't deposit his weapon because he doesn't have one; he's a Quaker. So since he won't deposit a weapon, Sims won't let him in.
* {{Chiaroscuro}}: Used several times to make the asylum's interiors more creepy, most dramatically in the scene where Hannay has snuck in and has to make his way through the detention wing for the violently insane, who reach out and grab at him from their cages as he passes.
* ComeToGawk: For two pence, Sims lets visitors come in and gawk at the inmates of Bedlam. This really happened at the real Bedlam in this era.
* CompensatedDating: Essentially what's going on with Nell and Lord Mortimer. She makes pains to let people know that she is ''not'' TheMistress. In fact she is a paid companion whose job is to amuse Lord Mortimer and make him laugh.
* CorruptBureaucrat: Sims maneuvers his way into getting people he doesn't like chucked into his asylum. He also takes kickbacks from contractors who work at Bedlam.
* DudeShesLikeInAComa: When characterizing his various inmates as "dogs" who need beating, or "tigers" who need to be locked in cages, Sims brings Nell to a very young attractive who is standing against a support beam, staring out in a catatonic trance. He says "Some, like this one, are doves," and creepily caresses her cheek. It's strongly implied that he's sexually abusing her. Notably, at the end it's the catatonic woman who stabs Sims InTheBack.
* EyeOpen: The horrifying moment in which Sims's eyes fly open to reveal he's still alive, right before he's BuriedAlive by the last brick in the wall.
* GettingCrapPastTheRadar: When Nell is introducing herself to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, and they shake hands and part as friends; still, this isn't the sort of thing that [[https://productioncode.dhwritings.com/multipleframes_productioncode.php Section II of the Hays Code]] allowed.
* HistoricalDomainCharacter: Nell meets John Wilkes, who in the movie as in RealLife is a liberal reformer.
* JokerJury: The inmates of the asylum "try" Sims near the end. Subverted that they let him go...
* KangarooCourt: The ridiculous farce of a sanity hearing by which Sims gets Nell clapped into Bedlam. Sims is whispering in the ear of the head examiner throughout.
* LadyDrunk: Sims's niece, who is brought to Sims by Mortimer as a much more low-rent replacement for Nell. She insists on drinking gin instead of being more genteel and drinking wine as Sims tells her. She's also rather bitter and sarcastic.
* NapoleonDelusion: One inmate believes himself to be King Solomon, and his advice is to apply the JudgmentOfSolomon to Sims.
* YeOldeButcheredeEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
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Changed line(s) 10,11 (click to see context) from:
Third and last collaboration between Karloff and Lewton. Not to be confused with television series ''Series/{{Bedlam}}''.
to:
Third and last collaboration between Karloff and Lewton.Lewton, and the last of Lewton's cycle of horror films for RKO. Not to be confused with television series ''Series/{{Bedlam}}''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* JokerJury: The inmates of the asylum "try" Sims near the end. Subverted that they let him go...
Added DiffLines:
* NapoleonDelusion: One inmate believes himself to be King Solomon, and his advice is to apply the JudgmentOfSolomon to Sims.
Is there an issue? Send a MessageReason:
None
Changed line(s) 4,5 (click to see context) from:
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of 1940s horror, Creator/ValLewton.
to:
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of 1940s [[TheForties 1940s]] horror, Creator/ValLewton.
Is there an issue? Send a MessageReason:
Deleted line(s) 15 (click to see context) :
* AluminumChristmasTrees: Latter-day viewers might not understand when Nell says to Hannay "Are we lovers that you 'thee and thou' me"--viewers in 1946 might not have understood for that matter. But it is true that when "thou" was used in English it was the familiar, intimate form of address, the way one would talk to a lover or a husband or a child.
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None
Changed line(s) 30 (click to see context) from:
%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
to:
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Changed line(s) 30 (click to see context) from:
* GettingCrapPastTheRadar: When Nell is introducing herself to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, and they shake hands and part as friends.
to:
%% * GettingCrapPastTheRadar: When Nell is introducing herself GettingCrapPastThe Radar: Due to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, overwhelming and they shake hands and part as friends.persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/bedlam1946_1090_678x380_07262016091400.jpg]]
[[caption-width-right:350:So creepy!]]
[[caption-width-right:350:So creepy!]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* GettingCrapPastTheRadar: When Nell is introducing herself to John Wilkes, he makes clear that he expects more than CompensatedDating with his companions; if she lives with him she'll have to put out. He isn't gross about it, though, and they shake hands and part as friends.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* EyeOpen: The horrifying moment in which Sims's eyes fly open to reveal he's still alive, right before he's BuriedAlive by the last brick in the wall.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, and co-written by the master of 1940s horror, Creator/ValLewton.
to:
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, produced and co-written by the master of 1940s horror, Creator/ValLewton.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
Third and last collaboration between Karloff and Lewton.
to:
Third and last collaboration between Karloff and Lewton.
Lewton. Not to be confused with television series ''Series/{{Bedlam}}''.
Added DiffLines:
* BuriedAlive: After the catatonic woman stabs Sims InTheBack with the trowel, the inmates panic. They resolve to hide the body by walling it up, and to make out that Sims ran away in order for them to avoid blame. They proceed to do so--only for Sims to open his eyes and reveal that he is still alive right before the last brick is put in place.
Added DiffLines:
* Catch22Dilemma: How Sims keeps Hannay from visiting Nell in the asylum. There's a rule stating that all visitors must deposit their weapons in the front before taking the tour of the asylum. Hannay can't deposit his weapon because he doesn't have one; he's a Quaker. So since he won't deposit a weapon, Sims won't let him in.
* {{Chiaroscuro}}: Used several times to make the asylum's interiors more creepy, most dramatically in the scene where Hannay has snuck in and has to make his way through the detention wing for the violently insane, who reach out and grab at him from their cages as he passes.
* {{Chiaroscuro}}: Used several times to make the asylum's interiors more creepy, most dramatically in the scene where Hannay has snuck in and has to make his way through the detention wing for the violently insane, who reach out and grab at him from their cages as he passes.
Added DiffLines:
* CorruptBureaucrat: Sims maneuvers his way into getting people he doesn't like chucked into his asylum. He also takes kickbacks from contractors who work at Bedlam.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BodyPaint: Nearly 20 years before ''Film/{{Goldfinger}}'' embedded an UrbanLegend in the public consciousness, one of Sims's inmates dies from the full body-paint job he got to play a role in Sims's little pageant. The nonsense about breathing through the skin is even discussed.
Added DiffLines:
* KangarooCourt: The ridiculous farce of a sanity hearing by which Sims gets Nell clapped into Bedlam. Sims is whispering in the ear of the head examiner throughout.
* LadyDrunk: Sims's niece, who is brought to Sims by Mortimer as a much more low-rent replacement for Nell. She insists on drinking gin instead of being more genteel and drinking wine as Sims tells her. She's also rather bitter and sarcastic.
* LadyDrunk: Sims's niece, who is brought to Sims by Mortimer as a much more low-rent replacement for Nell. She insists on drinking gin instead of being more genteel and drinking wine as Sims tells her. She's also rather bitter and sarcastic.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AristocratsAreEvil: Lord Mortimer isn't as overtly, actively evil as Sims, but he really is quite the bastard nevertheless. He chortles and guffaws like the fat pig he is when the inmates of Bedlam make a show for his entertainment, and he doesn't bat an eye when one of the mental patients collapses and dies from the golden paint all over his body.
Added DiffLines:
* CompensatedDating: Essentially what's going on with Nell and Lord Mortimer. She makes pains to let people know that she is ''not'' TheMistress. In fact she is a paid companion whose job is to amuse Lord Mortimer and make him laugh.
Is there an issue? Send a MessageReason:
None
Changed line(s) 17 (click to see context) from:
* YeOldeButcheredEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
to:
* YeOldeButcheredEnglishe: ComeToGawk: For two pence, Sims lets visitors come in and gawk at the inmates of Bedlam. This really happened at the real Bedlam in this era.
* DudeShesLikeInAComa: When characterizing his various inmates as "dogs" who need beating, or "tigers" who need to be locked in cages, Sims brings Nell to a very young attractive who is standing against a support beam, staring out in a catatonic trance. He says "Some, like this one, are doves," and creepily caresses her cheek. It's strongly implied that he's sexually abusing her. Notably, at the end it's the catatonic woman who stabs Sims InTheBack.
* HistoricalDomainCharacter: Nell meets John Wilkes, who in the movie as in RealLife is a liberal reformer.
* YeOldeButcheredeEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
* DudeShesLikeInAComa: When characterizing his various inmates as "dogs" who need beating, or "tigers" who need to be locked in cages, Sims brings Nell to a very young attractive who is standing against a support beam, staring out in a catatonic trance. He says "Some, like this one, are doves," and creepily caresses her cheek. It's strongly implied that he's sexually abusing her. Notably, at the end it's the catatonic woman who stabs Sims InTheBack.
* HistoricalDomainCharacter: Nell meets John Wilkes, who in the movie as in RealLife is a liberal reformer.
* YeOldeButcheredeEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BlackmailIsSuchAnUglyWord: Bribery instead of blackmail, and inverted in any case. But when Hannay the mason asks for a construction job, and Sims demands a two-guinea kickback in return for giving him the job, Hannay says a lot of words to the effect of IllPretendIDidntHearThat. An indignant Sims shoots back with "What kind of cant is this? I've asked you for a bribe, man!"
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
to:
* AluminumChristmasTrees: Latter-day viewers might not understand when Nell says to Hannay "Are we lovers that you 'thee and thou' me"--viewers in 1946 might not have understood for that matter. But it is true that when "thou" was used in English it was the familiar, intimate form of address, the way one would talk to a lover or a husband or a child.
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in thismovie.movie.
* CallBack: When Hannay first meets Nell and talks to her as Quakers did, she says "Are we lovers that you 'thee and thou' me?" In the last scene she starts addressing him by "thee" and "thou", signaling that she has accepted him as a lover, and he wryly repeats this line back to her.
* CallForward: One of the inmates demonstrates a page-flip cartoon he's made of Nell ministering to the other inmates, and remarks that "If I could only get a light behind these pages I could throw them large as life up on the wall." The person he's addressing says they could charge admission.
* YeOldeButcheredEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this
* CallBack: When Hannay first meets Nell and talks to her as Quakers did, she says "Are we lovers that you 'thee and thou' me?" In the last scene she starts addressing him by "thee" and "thou", signaling that she has accepted him as a lover, and he wryly repeats this line back to her.
* CallForward: One of the inmates demonstrates a page-flip cartoon he's made of Nell ministering to the other inmates, and remarks that "If I could only get a light behind these pages I could throw them large as life up on the wall." The person he's addressing says they could charge admission.
* YeOldeButcheredEnglishe: Practiced InUniverse by Hannay the Quaker, who not only uses "thee" but uses it all the time, including when he should say "thou." This is how Quakers of the day really talked
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Added DiffLines:
''Bedlam'' is a 1946 horror film directed by Mark Robson, starring Creator/BorisKarloff, and co-written by the master of 1940s horror, Creator/ValLewton.
It is set in 1761 at [[https://en.wikipedia.org/wiki/Bethlem_Royal_Hospital St. Mary of Bethlehem]] hospital, the oldest continually operating mental institution in the world, more popularly known as "Bedlam." Karloff plays George Sims, the master of Bedlam. Sims is a cruel and vicious man who beats and starves his inmates and locks them in cages. He also treats them as zoo animals, putting them on exhibit for anyone who forks over two pence.
One of the people who pays tuppence to see the inmates of Bedlam is Nell Bowen (Anna Lee), an actress and paid companion of Lord Mortimer, a patron of Bedlam House. Nell is shocked by the abuse suffered by the inmates of Bedlam, and repulsed by the oily Sims, who sucks up to Lord Mortimer and arranges for his mental patients to put on a show for Mortimer's amusement. She resolves to reform Bedlam, which makes an enemy of Sims. When she insults Lord Mortimer for his chumminess with Sims, she makes an enemy of him as well, and the two of them conspire to have Nell committed to Bedlam as a patient.
Third and last collaboration between Karloff and Lewton.
----
!!Tropes:
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
It is set in 1761 at [[https://en.wikipedia.org/wiki/Bethlem_Royal_Hospital St. Mary of Bethlehem]] hospital, the oldest continually operating mental institution in the world, more popularly known as "Bedlam." Karloff plays George Sims, the master of Bedlam. Sims is a cruel and vicious man who beats and starves his inmates and locks them in cages. He also treats them as zoo animals, putting them on exhibit for anyone who forks over two pence.
One of the people who pays tuppence to see the inmates of Bedlam is Nell Bowen (Anna Lee), an actress and paid companion of Lord Mortimer, a patron of Bedlam House. Nell is shocked by the abuse suffered by the inmates of Bedlam, and repulsed by the oily Sims, who sucks up to Lord Mortimer and arranges for his mental patients to put on a show for Mortimer's amusement. She resolves to reform Bedlam, which makes an enemy of Sims. When she insults Lord Mortimer for his chumminess with Sims, she makes an enemy of him as well, and the two of them conspire to have Nell committed to Bedlam as a patient.
Third and last collaboration between Karloff and Lewton.
----
!!Tropes:
* BedlamHouse: Surprised? The RealLife Bedlam is the TropeNamer and was every bit the hellhole that it's portrayed in this movie.
