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Changed line(s) 253 (click to see context) from:
* {{Jerkass}}
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Changed line(s) 123 (click to see context) from:
* RightForTheWrongReasons: He figures out that Seymour is connected to Orin's death and that he was motivated by his love for Audrey. However, he assumes Seymour murdered him in cold blood to get with his girlfriend (and, to be fair, the evidence ''does'' seem to point that way). He doesn't realize Seymour was more motivated by the fact that Orin was abusive towards her... or that there's a carnivoruous plant who needed fed.
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* RightForTheWrongReasons: He figures out that Seymour is connected to Orin's death and that he was motivated by his love for Audrey. However, he assumes Seymour murdered him in cold blood to get with his girlfriend (and, to be fair, the evidence ''does'' seem to point that way). He doesn't realize Seymour was more motivated by the fact that Orin was abusive towards her... or that there's a carnivoruous carnivourous plant who needed fed.fed.
* SpellMyNameWithAnS: His surname is spelled Mushni'''c'''k in the original 1960 film.
* SpellMyNameWithAnS: His surname is spelled Mushni'''c'''k in the original 1960 film.
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Changed line(s) 120 (click to see context) from:
* PetTheDog: In a FairWeatherFriend way; but his immediate response to Audrey II attracting a customer is to selflessly offer to but Seymour and Audrey dinner.
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* PetTheDog: In a FairWeatherFriend way; but his immediate response to Audrey II attracting a customer is to selflessly offer to but buy Seymour and Audrey dinner.
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Changed line(s) 102 (click to see context) from:
* AdaptationalVillainy: Gets this twice. In the original film, he's a BadBoss, but in fairness Seymour was a pretty bad employee. In the play, he becomes an abusive ParentalSubstitute, but he seems to believe Seymour when he says he didn't kill Scrivello and just wants him to come to the police station to make a statement. In the movie musical, he blackmails Seymour at gunpoint so he can have the plant and the profits to himself.
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* AdaptationalVillainy: Gets this twice. In the original film, he's a BadBoss, MeanBoss, but in fairness Seymour was a pretty bad employee. In the play, he becomes an abusive ParentalSubstitute, but he seems to believe Seymour when he says he didn't kill Scrivello and just wants him to come to the police station to make a statement. In the movie musical, he blackmails Seymour at gunpoint so he can have the plant and the profits to himself.
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Changed line(s) 41 (click to see context) from:
** It can be argued that Seymour finally standing up to and destroying the plant thus preventing the destruction of the human race pretty much makes up for the world being less one sadistic dentist (which WASN'T his fault, despite intentions to the contrary) and one greedy, albeit somewhat kind, shopkeep (which may not have been entirely on purpose whatever the plant said). Both deaths are made a lot more ambiguous in the film than the play, and can be interpreted as due to Seymour's actions or not.
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** It can be argued that Seymour finally standing up to and destroying the plant thus preventing the destruction of the human race pretty much makes up for the world being less one sadistic dentist (which WASN'T his fault, despite intentions to the contrary) and one greedy, albeit somewhat kind, shopkeep shopkeeper (which may not have been entirely on purpose whatever the plant said). Both deaths are made a lot more ambiguous in the film than the play, and can be interpreted as due to Seymour's actions or not.
Changed line(s) 108 (click to see context) from:
* EveryoneHasStandards: He treats Seymour like dirt but draws the line at physical abuse, and is appaled when Audrey's boyfriend gives her a black eye.
to:
* EveryoneHasStandards: He treats Seymour like dirt but draws the line at physical abuse, and is appaled appalled when Audrey's boyfriend gives her a black eye.
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Deleted line(s) 279 (click to see context) :
* TheFaceless: In the final scene, the camera moves down to [[spoiler:the new Audrey plant]] before we see Chiffon's face, because they had to replace the actress when she wasn't available for the reshoot.
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Changed line(s) 190 (click to see context) from:
* OhCrap!: Has a very loud one prior to its death in the FocusGroupEnding.
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* OhCrap!: [[OhCrap Oh Shit]]: Has a very loud one prior to its death in the FocusGroupEnding.
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* OhCrap!: Has a very loud one prior to its death in the FocusGroupEnding.
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Changed line(s) 218 (click to see context) from:
* AdaptationalVillainy: While he was not exactly a pleasant person in the 1960 film, he was nowhere near as awful as he is in the musical and film.
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* AdaptationalVillainy: AdaptationalVillainy:
** While he was not exactly a pleasant person in the 1960 film, he was nowhere near as awful as he is in the musical andfilm. film.
** A minor version between the musical, where he hits Audrey for forgetting her sweater at the flower shop, and the movie, where he hits her for ''falling off his motorcycle''.
** While he was not exactly a pleasant person in the 1960 film, he was nowhere near as awful as he is in the musical and
** A minor version between the musical, where he hits Audrey for forgetting her sweater at the flower shop, and the movie, where he hits her for ''falling off his motorcycle''.
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Changed line(s) 219 (click to see context) from:
* AlasPoorVillain: It's hard to feel too bad for him, but his death (especially in the stage version of the musical)can be played as pretty horrific, and [[spoiler: it ultimately leads to something much, much worse when Audrey II takes over the planet.]]
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* AlasPoorVillain: It's hard to feel too bad for him, but his death (especially in the stage version of the musical)can musical) can be played as pretty horrific, and [[spoiler: it ultimately leads to something much, much worse when Audrey II takes over the planet.]]
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Changed line(s) 48 (click to see context) from:
* MyGodWhatHaveIDone: The film gradually leads Seymour to this. He's horrified that he chopped up Scrivello and he led his boss into Audrey II's jaws. Eventually, he realizes that he's gone too far and doesn't want to continue with what he's been doing.
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* MyGodWhatHaveIDone: The film gradually leads Seymour to this. He's horrified that he chopped up Scrivello and he led his boss into Audrey II's jaws. Eventually, he realizes that he's gone too far and doesn't want to continue with what he's been doing. Happens in the stage production too, albeit [[spoiler: too late for Seymour to do anything about it.]]
--> '''Seymour:''' "You're a monster and so am I!"
--> '''Seymour:''' "You're a monster and so am I!"
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* TheChessmaster: Plans [[spoiler: his entire takeover of the planet]] from the beginning, and especially in the stage musical, knows enough to manipulate Seymour slowly. To its credit, though, [[spoiler: Seymour himself admits he is ultimately as much to blame for all the murders as Audrey II is.]]
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* DealWithTheDevil: How he seduces Seymour into feeding him blood, starting with "Feed Me (Git It)."
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* AlasPoorVillain: It's hard to feel too bad for him, but his death (especially in the stage version of the musical)can be played as pretty horrific, and [[spoiler: it ultimately leads to something much, much worse when Audrey II takes over the planet.]]
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* StarterVillain: For Act I of the musical, he's the biggest threat to Seymour and Audrey's romance.
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* ReasonableAuthorityFigure: In the play, he has every reason to believe Seymour murdered a man and tries to peacefully take him to the police station, where he can defend himself if he (Mushnik) is wrong.
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* EveryoneHasStandards: He treats Seymour like dirt but draws the line at physical abuse, and is appaled when Audrey's boyfriend gives her a black eye.
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* NervousWreck: The main source of his sour attitude and outbursts is stress over his unsuccessful business and fear of poverty.
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* PetTheDog: In a FairWeatherFriend way; but his immediate response to Audrey II attracting a customer is to selflessly offer to but Seymour and Audrey dinner.
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Changed line(s) 135,136 (click to see context) from:
* AdaptationNameChange: Called ''Audrey Jr. '' in the original movie and ''Audrey II'' in the musical.
** Back to Audrey Jr in the cartoon.
** Back to Audrey Jr in the cartoon.
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* AdaptationNameChange: Called ''Audrey Jr. '' in the original movie and ''Audrey II'' in the musical.
** Backmusical, and back to Audrey Jr in the cartoon.
** Back
Changed line(s) 138 (click to see context) from:
* AdaptationSpeciesChange: Is always a ManEatingPlant but in the original, it’s a hybrid plant created by Seymour, in this movie an alien and a prehistoric Earth plant in the cartoon series.
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* AdaptationSpeciesChange: Is always a ManEatingPlant but in the original, it’s a hybrid plant created by Seymour, in this the play and movie an alien alien, and a prehistoric Earth plant in the cartoon series.series. Some stage productions have additionally changed its plant species from flytrap to pitcher plant or lily.
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* SmallRoleBigImpact: He's only really around for three scenes in the musical (most productions usually give the actor playing him several bit parts in addition to him), but its his abusive treatment of Audrey that finally convinces Seymour to feed the plant
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Changed line(s) 137 (click to see context) from:
* AdaptationalSexuality: In the original, Audrey Jr./II being a hermaphrodite carnivorous plant (alien in Audrey II's case) is completely uninterested in the concept of romance in general, due to the fact that many plants have both male and female parts, the 1986 film shows that Audrey II can create more plants without him coming into contact with another of its species. In the cartoon, Junior being a male carnivorous plant falls madly in love with a venus flytrap which he calls "DeMila".
to:
* AdaptationalSexuality: In the original, Audrey Jr./II being a hermaphrodite carnivorous plant (alien in Audrey II's case) is completely uninterested in the concept of romance in general, due to the fact that many plants have both male and female parts, the 1986 film shows that Audrey II can create more plants without him coming into contact with another of its species. In the cartoon, Junior being a male carnivorous plant falls madly in love with a venus flytrap which he calls "DeMila"."[=DeMila=]".
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Changed line(s) 137 (click to see context) from:
* AdaptationSexuality: In the original, Audrey Jr./II being a hermaphrodite carnivorous plant (alien in Audrey II's case) is completely uninterested in the concept of romance in general, due to the fact that many plants have both male and female parts, the 1986 film shows that Audrey II can create more plants without him coming into contact with another of its species. In the cartoon, Junior being a male carnivorous plant falls madly in love with a venus flytrap which he calls "DeMila".
to:
* AdaptationSexuality: AdaptationalSexuality: In the original, Audrey Jr./II being a hermaphrodite carnivorous plant (alien in Audrey II's case) is completely uninterested in the concept of romance in general, due to the fact that many plants have both male and female parts, the 1986 film shows that Audrey II can create more plants without him coming into contact with another of its species. In the cartoon, Junior being a male carnivorous plant falls madly in love with a venus flytrap which he calls "DeMila".
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* AdaptationSexuality: In the original, Audrey Jr./II being a hermaphrodite carnivorous plant (alien in Audrey II's case) is completely uninterested in the concept of romance in general, due to the fact that many plants have both male and female parts, the 1986 film shows that Audrey II can create more plants without him coming into contact with another of its species. In the cartoon, Junior being a male carnivorous plant falls madly in love with a venus flytrap which he calls "DeMila".
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* TheFashionista: Three of them are constantly decked out in the sumptuous fashions for girl groups of the era and other period-accurate fashions for adult women, even with HighClassGloves.
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* PinkIsFeminine: In the movie, they wear pink dresses for the "Skid Row" musical sequence and the Theatrical Ending as bridesmaids, complete with dyed-to-match shoes.
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* TrueBlueFemininity: They wear blue, polka-dotted dresses in the intro for the movie that showcase their femininity and youth.
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Ronette is around the same size as Crystal and Chiffon, she just is softer and curvier.
Deleted line(s) 264 (click to see context) :
* BigBeautifulWoman: Ronette is noticeably softer and curvier than the other two.
Changed line(s) 274,275 (click to see context) from:
* SassyBlackWoman: Though some productions give them a RaceLift.
* SchoolIsForLosers: The urchins' attitude to it, they claim to have left after fifth grade.
* SchoolIsForLosers: The urchins' attitude to it, they claim to have left after fifth grade.
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* SassyBlackWoman: Though some productions give them a RaceLift.
RaceLift, they really live up to this trope with their quips and commentary and they aren't even 18.
* SchoolIsForLosers: Deconstructed. The urchins' attitude to it, they claim to have left after fifthgrade.grade, but that is more due to cynicism due to how hopeless life in Skid Row is.
* SchoolIsForLosers: Deconstructed. The urchins' attitude to it, they claim to have left after fifth
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* WiseBeyondTheirYears: They know how foolish or awful most of the adult characters are and that Orrin isn't good for Audrey.
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Changed line(s) 14 (click to see context) from:
* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film version by having most of his [[BeyondRedemption irremediable]] moments cut down or downplayed.
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* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film version by having most of his [[BeyondRedemption irremediable]] irredeemable]] moments cut down or downplayed.
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Changed line(s) 14 (click to see context) from:
* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film version by having most of his MoralEventHorizon moments cut down or downplayed.
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* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film version by having most of his MoralEventHorizon [[BeyondRedemption irremediable]] moments cut down or downplayed.
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Changed line(s) 196 (click to see context) from:
* VillainSong: Audrey II sings "Feed Me" (where it demands Seymour kill people to feed it and persuades him to make Orin his first victim), "Suppertime!" (while persuading Seymour to feed it Mushnik to save his own skin and a reprise having it attempt to make Audrey its next victim) and "Mean Green Mother from Outer Space" (a song exclusive to the 1988 film adaptation where it boasts about how futile it is for Seymour to stop it).
to:
* VillainSong: Audrey II sings "Feed Me" (where it demands Seymour kill people to feed it and persuades him to make Orin his first victim), "Suppertime!" (while persuading Seymour to feed it Mushnik to save his own skin and a reprise having it attempt to make Audrey its next victim) and "Mean Green Mother from Outer Space" (a song exclusive to the 1988 1986 film adaptation where it boasts about how futile it is for Seymour to stop it).
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name correction
Changed line(s) 178 (click to see context) from:
* ManipulativeBastard: He plays on Simon's inner desires in order to convince him to obey him. It's very effective actually.
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* ManipulativeBastard: He plays on Simon's Seymour's inner desires in order to convince him to obey him. It's very effective actually.
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Changed line(s) 196 (click to see context) from:
* VillainSong: Audrey II sings "Feed Me" (where it demands Seymour kill people to feed it and persuades him to make Orin his first victim), "Suppertime!" (while attempting to make Audrey its next victim) and "Mean Green Mother from Outer Space" (a song exclusive to the 1988 film adaptation where it boasts about how futile it is for Seymour to stop it).
to:
* VillainSong: Audrey II sings "Feed Me" (where it demands Seymour kill people to feed it and persuades him to make Orin his first victim), "Suppertime!" (while attempting persuading Seymour to feed it Mushnik to save his own skin and a reprise having it attempt to make Audrey its next victim) and "Mean Green Mother from Outer Space" (a song exclusive to the 1988 film adaptation where it boasts about how futile it is for Seymour to stop it).
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Changed line(s) 232 (click to see context) from:
* EstablishingCharacterMoment: Orin's song "Dentist!" is all about this.
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* EstablishingCharacterMoment: Orin's song "Dentist!" is all about this.making it clear what a sadistic degenerate he is.
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Changed line(s) 213 (click to see context) from:
* AssholeVictim: It's hard to feel sorry for him when Seymour feeds him to Audrey II.
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* AssholeVictim: It's Considering he's both a DepravedDentist and an abusive boyfriend towards Audrey, it's hard to feel sorry for him when Seymour feeds him to Audrey II.
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Changed line(s) 229 (click to see context) from:
* DiesDifferentlyInAdaptation: Dr. Farb in the 1960 film was the second victim to be fed to the plant and was killed when Seymour stabbed him. The musical adaptation and its 1988 film change it so Orin is the first victim fed to Audrey II and Seymour kills him by letting him suffocate on nitrous oxide.
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* DiesDifferentlyInAdaptation: Dr. Farb in the 1960 film was the second victim to be fed to the plant and was killed when Seymour stabbed him. The musical adaptation and its 1988 1986 film change it so Orin is the first victim fed to Audrey II and Seymour kills him by letting him suffocate on nitrous oxide.
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We now have a trope covering circumstances where the adaptation still kills off a character, but changes how they die.
Changed line(s) 196 (click to see context) from:
* VillainSong: "Feed Me", "Suppertime!" and "Mean Green Mother from Outer Space".
to:
* VillainSong: Audrey II sings "Feed Me", Me" (where it demands Seymour kill people to feed it and persuades him to make Orin his first victim), "Suppertime!" (while attempting to make Audrey its next victim) and "Mean Green Mother from Outer Space".Space" (a song exclusive to the 1988 film adaptation where it boasts about how futile it is for Seymour to stop it).
Changed line(s) 216 (click to see context) from:
* BadPeopleAbuseAnimals: Doing this as a child caused his mother to think he’d make a perfect dentist.
to:
* BadPeopleAbuseAnimals: Doing this He mentions in the song "Dentist" that acts of animal cruelty he committed as a child (in particular, shooting puppies, poisoning guppies and bashing in a cat's head) caused his mother to think he’d make a perfect dentist.
Deleted line(s) 225 (click to see context) :
* DeathByAdaptation: Of the dying earlier variety, in the 1960 film he was the second person to die and be fed to Audrey II. The musical and it’s film bump him to being the first.
Changed line(s) 228 (click to see context) from:
* DepravedDentist: He gets an entire musical number spelling it out too.
to:
* DepravedDentist: He gets an entire musical number spelling He's a dentist who ''really'' enjoys that his job enables him to hurt people, with the song "Dentist" having him spell it out too.how much he revels in being a sadistic dentist.
* DiesDifferentlyInAdaptation: Dr. Farb in the 1960 film was the second victim to be fed to the plant and was killed when Seymour stabbed him. The musical adaptation and its 1988 film change it so Orin is the first victim fed to Audrey II and Seymour kills him by letting him suffocate on nitrous oxide.
Changed line(s) 250 (click to see context) from:
* VillainSong: "Dentist!"
to:
* VillainSong: "Dentist!""Dentist!", where he brings up how he demonstrated sadistic tendencies as a child and his mother curbed him into becoming the DepravedDentist he is today, a career choice he very much relishes due to it enabling him to hurt people.
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Changed line(s) 211 (click to see context) from:
* AdaptationalVillainy: While he was not exactly a pleasant person in the 1960 film, he was nowhere near as awful as he is in the musical.
to:
* AdaptationalVillainy: While he was not exactly a pleasant person in the 1960 film, he was nowhere near as awful as he is in the musical.musical and film.
Changed line(s) 219 (click to see context) from:
* CompositeCharacter: Like the Railroad Detective from the 1960 film, Mushnik catches Seymour cutting Orin’s body up in order to feed him to Audrey II.
to:
* CompositeCharacter: Like with the Railroad Detective Cop from the 1960 film, Mushnik catches Seymour cutting Orin’s body up in order to feed him to Audrey II.
Changed line(s) 225 (click to see context) from:
* DeathByAdaptation: Of the dying earlier variety, in the 1960 film he was the second person to die and be fed to Audrey II. The musical bumps him to being the first, mostly due to the detective characters and their subplot being AdaptedOut.
to:
* DeathByAdaptation: Of the dying earlier variety, in the 1960 film he was the second person to die and be fed to Audrey II. The musical bumps and it’s film bump him to being the first, mostly due to the detective characters and their subplot being AdaptedOut.first.