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* AdaptationalNiceGuy: In the original film he was a lazy worker and in the stage musical he was still meek and shy but was sketchy and manipulative when it suited him, especially after Audrey II starts to sweet-talk him into feeding it human blood and flesh with him deliberately getting people killed to achieve his goals; the film makes him much more passive and unwilling to take a life even if it's one such as Orin's and much more prone to questioning Audrey II's advice.

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* AdaptationalNiceGuy: In the original film he was a lazy worker and in the stage musical he was still meek and shy but was sketchy and manipulative when it suited him, especially after Audrey II starts to sweet-talk him into feeding it human blood and flesh with him deliberately getting people killed to achieve his goals; the 1986 film makes him much more passive and unwilling to take a life even if it's one such as Orin's and much more prone to questioning Audrey II's advice.
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* YankTheDogsChain: Really the whole story is to Seymour. Being a geeky, down-on-his-luck shlub living in an extremely poor part of town, working for a failing shop with a boss that treats him poorly. Than it seems like things are looking up when he acquires a "strange and interesting plant" bringing some badly-needed success to his workplace and even becoming famous, with the chance at moving out of Skid Row and becoming a bigshot celebrity. If only the plant didn't have such....unusual cravings.

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* YankTheDogsChain: Really the whole story is to Seymour. Being a geeky, down-on-his-luck shlub living in an extremely poor part of town, working for a failing shop with a boss that treats him poorly. Than Then it seems like things are looking up when he acquires a "strange and interesting plant" bringing some badly-needed success to his workplace and even becoming famous, with the chance at moving out of Skid Row and becoming a bigshot celebrity. If only the plant didn't have such....unusual cravings.



* TheMasochismTango: Not only is she a walking ad, she's an Olympic level master. Her CutSong "The Worse He Treats Me" is a literal example.

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* TheMasochismTango: Not only is she a walking ad, she's an Olympic level Olympic-level master. Her CutSong "The Worse He Treats Me" is a literal example.



* INeedAFreakingDrink: More than a singular freaking drink in this cae. In the original, after witnessing Seymour feeding a human foot to the plant, he goes back to the restaurant and orders every alcoholic drink he can think of.

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* INeedAFreakingDrink: More than a singular freaking drink in this cae.case. In the original, after witnessing Seymour feeding a human foot to the plant, he goes back to the restaurant and orders every alcoholic drink he can think of.

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* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film version by having most of his [[BeyondRedemption irredeemable]] moments cut down or downplayed.

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* AdaptationalHeroism: While Seymour is mostly the same character he was in the stage version, he is given a much more sympathetic light in the film 1986 version by having most of his [[BeyondRedemption irredeemable]] moments cut down or downplayed.



* AdaptationalWimp: The film version is much more passive than the in play version. Instead of deliberately tricking Mushnik into Audrey II's mouth like in the play, the film's Seymour somewhat backs Mushnik next to Audrey II and it is Mushnik's own fault for looking directly into the plant's open maw and even outside of that he's nowhere near as aggressive or direct in assisting Audrey II or defying him. This passiveness is likely what caused the original ending to gain negative reception from test audiences, as it showcases Audrey II humiliating a cowardly Seymour before eating him rather than Seymour growing a spine and voluntarily jumping into the plant's maw with a machete in his hand to atone for his sins.

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* AdaptationalWimp: The film 1986 version is much more passive than the in play version. Instead of deliberately tricking Mushnik into Audrey II's mouth like in the play, the film's Seymour somewhat backs Mushnik next to Audrey II and it is Mushnik's own fault for looking directly into the plant's open maw and even outside of that he's nowhere near as aggressive or direct in assisting Audrey II or defying him. This passiveness is likely what caused the original ending to gain negative reception from test audiences, as it showcases Audrey II humiliating a cowardly Seymour before eating him rather than Seymour growing a spine and voluntarily jumping into the plant's maw with a machete in his hand to atone for his sins.






* EatTheEvidence: In the 1960 film, Seymour uses Audrey Junior's hunger for blood to dispose of the corpses he accidentally killed. Unfortunately, the buds growing on him open up to reveal all the victims' faces.



* MultipleHeadCase: Has talking faces of the people he eats appear in flowers that advise people not to feed him.

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* MultipleHeadCase: Has talking In the 1960 film and the musical, he has flowers with the faces of the people he eats appear he's eaten; in flowers that the latter they advise people not to feed him.him and his kind.
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* EyelessFace: Despite not having discernable eyes, he behaves as if he was sighted in the 1986 movie (for instance, turning upwards and "looking" at Seymour at the radio station).
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* ScaryBlackMan: Or rather, scary green plant with a scary black voice but he notably speaks with an unmistakable black-coded accent and even employs some slang.

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* ScaryBlackMan: Or rather, scary green plant with voiced by a scary black voice but he notably speaks man (complete with an the unmistakable black-coded accent and accent). It even employs some slang.
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* CompositeCharacter: Mushnik’s death in the musical, being fooled into Audrey II’s mouth by getting told that’s where the receipts are hidden, is the same as a thief from the 1960 version. Ironically, Mushnik was the one doing the fooling in the original.
* DeathByAdaptation: Didn’t die in the original movie but dies in both the musical and its film adaptation.

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* CompositeCharacter: Mushnik’s death in In the stage musical, being Mushnik is fooled into Audrey II’s mouth by getting being told that’s where the receipts are hidden, is the hidden. The same as thing happened to a thief from the 1960 version. Ironically, Mushnik was the one doing the fooling in the original.
* DeathByAdaptation: Didn’t die in the original movie but dies DeathByAdaptation: He is eaten by Audrey II in both the musical and its film adaptation.adaptation, but avoided this fate in the original 1960 movie.



* INeedAFreakingDrink: In the original, after witnessing Seymour feeding a human foot to the plant, he goes back to the restaurant and orders every alcoholic drink he can think of.

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* INeedAFreakingDrink: More than a singular freaking drink in this cae. In the original, after witnessing Seymour feeding a human foot to the plant, he goes back to the restaurant and orders every alcoholic drink he can think of.



* TooDumbToLive: In the musical [[spoiler:he somehow believes it when Seymour tells him he hid the receipts in Audrey II and goes to get them.]]

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* TooDumbToLive: In the musical [[spoiler:he somehow believes it when Seymour tells him he hid the receipts in Audrey II and goes inside to get them.]]
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not what that means


* EstablishingCharacterMoment: Orin's song "Dentist!" is all about making it clear what a sadistic degenerate he is.

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* EstablishingCharacterMoment: Orin's song "Dentist!" is all about making it clear what a sadistic degenerate monster he is.
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* FakeShemp: One of the Greek Chorus Girls wasn't available to shoot the FocusGroupEnding, thus the camera abruptly panning down after the other two come into frame.

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* FakeShemp: One of the Greek Chorus Girls Tisha Campbell wasn't available to shoot the FocusGroupEnding, thus the camera abruptly panning down after the other two Tichina Arnold and Michelle Weeks come into frame.
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* WouldHurtAChild: Not even adolescent patients are safe from the doctor's clutches. He tortures not one, but two kids in the movie!
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* RedFlagRecreationMaterial: A cut song, "[[https://littleshop.fandom.com/wiki/I_Found_A_Hobby I Found a Hobby]]", had Orin Scrivello sing about how he grew up using torture scenes from horror films and lithographs of torture devices to turn himself on from the time he was ten years old, until finally, he [[DepravedDentist grew up to be a dentist and enact torture as part of his job]] (as well as domestically abuse his girlfriend Audrey).
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---> Vincent Gardenia (1986 film)

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---> Vincent Gardenia Creator/VincentGardenia (1986 film)
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* AdaptationalNiceGuy: In the original film he was a lazy worker and in the stage musical he was still meek and shy but was sketchy and manipulative when it suited him, especially after Audrey II starts to sweet-talk him into feeding it human blood and flesh with him deliberately getting people killed to achieve his goals; the film makes him much more passive and unwilling to take a life even if it's one such as Orin's; most notably is that in the stage musical he deliberately tricks Mushnik into getting eaten unprovoked just so the latter won't risk exposing his crimes, in the movie adaptation of the musical he instead gets held at gunpoint and Mushnik gets himself eaten by his own curiosity with Seymour at most just instinctively out of fear backing his boss towards the plant.
* AdaptationalWimp: The film version is much more passive than the in play version. Instead of deliberately tricking Mushnik into Audrey II's mouth like in the play, the film's Seymour somewhat backs Mushnik next to Audrey II and it is Mushnik's own fault for looking directly into the plant's open maw. This passiveness is likely what caused the original ending to gain negative reception from test audiences, as it showcases Audrey II humiliating a cowardly Seymour before eating him rather than Seymour growing a spine and voluntarily jumping into the plant's maw with a machete in his hand to atone for his sins.

to:

* AdaptationalNiceGuy: In the original film he was a lazy worker and in the stage musical he was still meek and shy but was sketchy and manipulative when it suited him, especially after Audrey II starts to sweet-talk him into feeding it human blood and flesh with him deliberately getting people killed to achieve his goals; the film makes him much more passive and unwilling to take a life even if it's one such as Orin's; most notably is that in the stage musical he deliberately tricks Mushnik into getting eaten unprovoked just so the latter won't risk exposing his crimes, in the movie adaptation of the musical he instead gets held at gunpoint Orin's and Mushnik gets himself eaten by his own curiosity with Seymour at most just instinctively out of fear backing his boss towards the plant.
much more prone to questioning Audrey II's advice.
* AdaptationalWimp: The film version is much more passive than the in play version. Instead of deliberately tricking Mushnik into Audrey II's mouth like in the play, the film's Seymour somewhat backs Mushnik next to Audrey II and it is Mushnik's own fault for looking directly into the plant's open maw.maw and even outside of that he's nowhere near as aggressive or direct in assisting Audrey II or defying him. This passiveness is likely what caused the original ending to gain negative reception from test audiences, as it showcases Audrey II humiliating a cowardly Seymour before eating him rather than Seymour growing a spine and voluntarily jumping into the plant's maw with a machete in his hand to atone for his sins.

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* AdaptationalNiceGuy: In the original film he was a lazy worker and in the stage musical he was still meek and shy but was sketchy and manipulative when it suited him, especially after Audrey II starts to sweet-talk him into feeding it human blood and flesh with him deliberately getting people killed to achieve his goals; the film makes him much more passive and unwilling to take a life even if it's one such as Orin's; most notably is that in the stage musical he deliberately tricks Mushnik into getting eaten unprovoked just so the latter won't risk exposing his crimes, in the movie adaptation of the musical he instead gets held at gunpoint and Mushnik gets himself eaten by his own curiosity with Seymour at most just instinctively out of fear backing his boss towards the plant.



* AdaptationalVillainy: Gets this twice. In the original film, he's a MeanBoss, but in fairness Seymour was a pretty bad employee. In the play, he becomes an abusive ParentalSubstitute, but he seems to believe Seymour when he says he didn't kill Scrivello and just wants him to come to the police station to make a statement. In the movie musical, he blackmails Seymour at gunpoint so he can have the plant and the profits to himself.

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* AdaptationalVillainy: AdaptationalJerkass: Gets this twice. In the original film, he's a MeanBoss, but in fairness Seymour was a pretty bad employee. In the play, he becomes an abusive ParentalSubstitute, but he seems to believe Seymour when he says he didn't kill Scrivello and just wants him to come to the police station to make a statement. In the movie musical, he blackmails Seymour at gunpoint so he can have the plant and the profits to himself.
* AdaptationalVillainy: In the original film he was at most an unpleasant boss to a rather mediocre employee but was otherwise a harmless guy. The theatre adaptation largely kept him the same way except making him an abusive parental figure but the movie truly ramped up this aspect by making him greedy enough to blackmail Seymour at gunpoint and trying to cut a deal with him so Seymour can hide from the law while he keeps Audrey II and its profits for
himself.



* AssholeVictim: In the musical and its film adaptation, he's eaten by Audrey II, but it's hard to feel too bad when he's been verbally abusive to Seymour for the entire story and was completely willing to sweep (what he thought was) a murder under the rug so long as it benefits him.

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* AssholeVictim: In the musical and its film adaptation, he's eaten by Audrey II, but II and in the former he dies after trying to get Seymour to confess to his crimes willingly so he won't get an extremely harsh sentence; in the film, however, it's hard to feel too bad when he's been verbally abusive to Seymour for the entire story and when he found out about Seymour's involvement in Orin's disappearance and death was completely willing to sweep (what he thought was) a murder the deed under the rug so long as it benefits him.to let Seymour get away and hide while he kept Audrey II and its profits for himself.



* DeathByMaterialism: In the stage musical Seymour tricks him into getting close to Audrey II's maw by telling him that its maw had the receipts of the money inside.



* GreedyJew: His main concern is making money out of the plant.

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* GreedyJew: His main concern is making money out of the plant.plant though at least he has the justification of the shop not being too popular to make enough money until Audrey II drew customers. The film takes it even further by making him greedy enough to try and cut a deal with Seymour to profit off the plant in exchange for remaining silent about Seymour's crimes while sending him away to hide.
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* CatchPhrase: "I didn’t mean it" whenever he makes a mistake in the original film.

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* CatchPhrase: CharacterCatchphrase: "I didn’t mean it" whenever he makes a mistake in the original film.



* UsedToBeASweetKid: His mother says something along these lines about him at the end of the first movie, prompting [[spoiler:his face in one of Audrey Jr's buds]] to say his CatchPhrase.

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* UsedToBeASweetKid: His mother says something along these lines about him at the end of the first movie, prompting [[spoiler:his face in one of Audrey Jr's buds]] to say his CatchPhrase.catchphrase.
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---> Ellen Greene (1986 film)

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---> Ellen Greene Creator/EllenGreene (1986 film)

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Our main protagonist, a meek and bumbling florist who discovers a strange and interesting plant.
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A sweet young woman who works at Mushnik's flower shop with Seymour.
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The owner of a small floral shop on Skid Row. He is Seymour and Audrey's employer.
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The monster of this horror story, a [[ManEatingPlant sentient plant with a voracious appetite for human blood]].
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A sadistic dentist who delights in torturing his patients. In the musical, he is Audrey's abusive boyfriend.
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* AdaptationNameChange: He has two different names between the 1960 movie and the musical.
** Called Paine Driller in the cartoon.

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* AdaptationNameChange: He has two different names between the 1960 movie and the musical.
** Called
musical. In the cartoon, he is called Paine Driller in the cartoon.Driller.


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A trio of street urchins who serve as the GreekChorus of the musical.
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A loony masochist who visits the dentist to appease his kink. He appears in both film versions, but not the stage musical.
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* AdaptationDyeJob: Her hair is brunette in the 1960 movie, blonde in the musical version, and black in the cartoon series. In the recent off-Broadway revival, she's a redhead.


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* AdaptationalAngstUpgrade: She's given a ''much'' harder life in the musical, being the victim of an abusive relationship while trapped in a scummy place like Skid Row.
* AdaptationDyeJob: Her hair is brunette in the 1960 movie, blonde in the musical version, and black in the cartoon series. In the recent off-Broadway revival, she's a redhead.

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* AdaptationDyeJob: Brunette in the 1960 movie, blonde in the musical version.
** Black hair in the cartoon series.

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* AdaptationDyeJob: Brunette Her hair is brunette in the 1960 movie, blonde in the musical version.
** Black hair
version, and black in the cartoon series.series. In the recent off-Broadway revival, she's a redhead.



* DisneyCreaturesOfTheFarce: In the "Somewhere That's Green" ImagineSpot.

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* DisneyCreaturesOfTheFarce: In the "Somewhere That's Green" ImagineSpot.ImagineSpot, she's accompanied by animated birds.



* ImagineSpot: "Somewhere That's Green".

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* ImagineSpot: "Somewhere That's Green".Green" depicts her fantasy of living a humble life outside of Skid Row, with a loving husband (Seymour) and kids of her own.
* IWantSong: She sings about her desire for a quaint and humble life in "Somewhere That's Green".


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* RaceLift: More recent productions, like the 2019 revival, have cast women of color in the role.
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* AdaptationalKarma: In the stage musical, the original 1986 ending and most adaptations it gets away with all its crimes and successfully takes ove the world and even in the original 1960 film it only withered away after eating Seymour and everyone else prior as part of its lifecycle. In the [[FocusGroupEnding theatrical ending]] of the 1986 film, however, he gets [[HighVoltageDeath fried]] and [[DefeatEqualsExplosion blown up]] by Seymour at the last second [[spoiler:(though at least one of his buds manages to survive)]].

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* AdaptationalKarma: In the stage musical, the original 1986 ending and most adaptations it gets away with all its crimes and successfully takes ove over the world and even in the original 1960 film it only withered away after eating Seymour and everyone else prior as part of its lifecycle. In the [[FocusGroupEnding theatrical ending]] of the 1986 film, however, he gets [[HighVoltageDeath fried]] and [[DefeatEqualsExplosion blown up]] by Seymour at the last second [[spoiler:(though at least one of his buds manages to survive)]].

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* AdaptationalKarma: In the stage musical, the original 1986 ending and most adaptations it gets away with all its crimes and successfully takes ove the world and even in the original 1960 film it only withered away after eating Seymour and everyone else prior as part of its lifecycle. In the [[FocusGroupEnding theatrical ending]] of the 1986 film, however, he gets [[HighVoltageDeath fried]] and [[DefeatEqualsExplosion blown up]] by Seymour at the last second [[spoiler:(though at least one of his buds manages to survive)]].



* HighVoltageDeath: [[spoiler:Audrey II in the FocusGroupEnding gets fried by a wire that Seymour pulls from the wreckage while the planet is too distracted laughing and gloating about his apparent victory to notice, the attack completely obliterates Audrey II, though one of his buds survive.]]
* IAmSong: "Mean Green Mother From Outer Space".
* TheJuggernaut: The Audrey II's are so powerful, not even the military can stop them. [[spoiler:Subverted in the FocusGroupEnding where Seymour fries Audrey II at the end of the film with a wire, albeit before he can eat more and grow to kaiju size.]]

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* HighVoltageDeath: [[spoiler:Audrey II in the FocusGroupEnding gets fried by a wire that Seymour pulls from the wreckage while the planet plant is too distracted laughing and gloating about his apparent victory to notice, the attack completely obliterates Audrey II, though one of his buds survive.]]
* IAmSong: "Mean Green Mother From Outer Space".
Space" sang at the climax of the play/film has Audrey II boasting about his incoming victory and fully telling the audience and Seymour just what he thinks of himself and his origins.
* TheJuggernaut: The Audrey II's are so powerful, not even the military can stop them. [[spoiler:Subverted [[spoiler:It ends up subverted in the FocusGroupEnding where Seymour fries Audrey II at the end of the film with a wire, albeit before he can eat more and grow to kaiju size.size like his spawn.]]



* ScaryBlackMan: Or rather, scary green plant with a scary black voice.

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* ScaryBlackMan: Or rather, scary green plant with a scary black voice.voice but he notably speaks with an unmistakable black-coded accent and even employs some slang.
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--> '''Audrey II:''' Now I don't come from no [[Film/TheCreatureFromTheBlackLagoon Black Lagoon]]. I'm from past the stars and beyond the Moon!

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--> '''Audrey II:''' Now I don't come from no [[Film/TheCreatureFromTheBlackLagoon [[Film/CreatureFromTheBlackLagoon Black Lagoon]]. I'm from past the stars and beyond the Moon!

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* ForgotAboutHisPowers: Doesn’t seem to be able to hypnotize Seymour in the musical. Has to offer him success or threaten Audrey in order to get fed.

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* ForgotAboutHisPowers: Doesn’t seem to be able to hypnotize Seymour in the musical.musical or even outright charm him as he does to the people that come into the store. Has to offer him success or threaten Audrey in order to get fed.



* HighVoltageDeath: [[spoiler:Audrey II in the FocusGroupEnding.]]

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* HighVoltageDeath: [[spoiler:Audrey II in the FocusGroupEnding.FocusGroupEnding gets fried by a wire that Seymour pulls from the wreckage while the planet is too distracted laughing and gloating about his apparent victory to notice, the attack completely obliterates Audrey II, though one of his buds survive.]]



* TheJuggernaut: The Audrey II's are so powerful, not even the military can stop them. [[spoiler:Subverted in the FocusGroupEnding.]]
* {{Kaiju}}: In the original, unreleased ending, swarms of 50-foot plant-monsters rampage throughout New York in what may have been a ShoutOut to ''Franchise/{{Godzilla}}''. (And ''Film/KingKong''.)
* KarmaHoudini: He doesn't get punished for the murders in the Director's Cut, but that is treated as a DownerEnding rather than a HappilyEverAfter, so that would be a case of IntendedAudienceReaction.
* KarmicDeath: In the FocusGroupEnding.
* KilledMidSentence: In the FocusGroupEnding.

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* TheJuggernaut: The Audrey II's are so powerful, not even the military can stop them. [[spoiler:Subverted in the FocusGroupEnding.FocusGroupEnding where Seymour fries Audrey II at the end of the film with a wire, albeit before he can eat more and grow to kaiju size.]]
* {{Kaiju}}: In the original, unreleased ending, swarms of 50-foot plant-monsters rampage throughout New York in what may have been a ShoutOut to ''Franchise/{{Godzilla}}''. (And ''Film/KingKong''.)
''Film/KingKong''). Implicitly brought about by the people buying Audrey II buds feeding them enough to grow even larger than the original Audrey II.
* KarmaHoudini: He doesn't get punished any comeuppance for the murders in the Director's Cut, Cut and gets away with destroying humanity and spreading his kind across the world, but that is treated as a DownerEnding rather than a HappilyEverAfter, so that would be a case of IntendedAudienceReaction.
* KarmicDeath: In the FocusGroupEnding.
FocusGroupEnding after bringing the house down on Seymour and gloating as he thinks he's defeated Seymour, he gets fried by Seymour using a loose wire on one of his vines.
* KilledMidSentence: In the FocusGroupEnding.FocusGroupEnding he gives one last OhCrap before his defeat that ends cut short at the last letter.



* NearVillainVictory: The theatrical version turns Audrey II's plan into this.
* [[OhCrap Oh Shit]]: Has a very loud one prior to its death in the FocusGroupEnding.

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* NearVillainVictory: The theatrical version turns Audrey II's plan into this.
this thanks to Seymour frying the plant with an electric wire before he could eat him and spread across the world as he'd planned. [[spoiler:Even after Seymour defeats him for good, an Audrey II bud is shown to have survived, implicitly setting the stage for Audrey II to succeed posthumously.]]
* [[OhCrap Oh Shit]]: NotSoInvincibleAfterAll: In both the theatrical and Director's Cut version of the 1986 film he's as invincible as it gets against a lone human armed with all kinds of weapons, with bullets bouncing off him and Seymour's attempt to hack him away failing thanks to his quick thinking, but whereas in the Director's Cut he wins the final battle the theatrical ending has him fried by a loose wire that Seymour pulls out while he's too distracted which completely obliterates him.
* OhCrap:
Has a very loud one "Oh, shit" prior to its death in the FocusGroupEnding.



* {{Plant Alien|s}}: In the musical and second film.

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* {{Plant Alien|s}}: In the musical and 1986 second film.film he's not a plant from an experiment but rather an alien organism.
--> '''Audrey II:''' Now I don't come from no [[Film/TheCreatureFromTheBlackLagoon Black Lagoon]]. I'm from past the stars and beyond the Moon!
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** A minor version between the musical, where he hits Audrey for forgetting her sweater at the flower shop, and the movie, where he hits her for ''falling off his motorcycle''.

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** A minor version between the musical, where he hits Audrey for forgetting her sweater at the flower shop, and the movie, where he hits her for ''falling off his motorcycle''.''being out of Vitalis''.

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* NervousWreck: The main source of his sour attitude and outbursts is stress over his unsuccessful business and fear of poverty.


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* NervousWreck: The main source of his sour attitude and outbursts is stress over his unsuccessful business and fear of poverty.
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* AttackOfThe50FootWhatever: In the original ending, Audrey II and one of his clones are huge and rampage throughout the city.

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* AttackOfThe50FootWhatever: In the original ending, Audrey II and one of his clones are grow huge and rampage throughout the city.
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* YankTheDogsChain: Really the whole story is to Seymour. Being a geeky, down-on-his-luck shlub living in an extremely poor part of town, working for a failing shop with a boss that treats him poorly. Than it seems like things are looking up when he aquires a "strange and interesting plant"bringing some badly-needed success to his workplace and even becoming famous, with the chance at moving out of Skid Row and becoming a bigshot celeberty. If only the plant didn't have such....unusual cravings

to:

* YankTheDogsChain: Really the whole story is to Seymour. Being a geeky, down-on-his-luck shlub living in an extremely poor part of town, working for a failing shop with a boss that treats him poorly. Than it seems like things are looking up when he aquires acquires a "strange and interesting plant"bringing plant" bringing some badly-needed success to his workplace and even becoming famous, with the chance at moving out of Skid Row and becoming a bigshot celeberty.celebrity. If only the plant didn't have such....unusual cravingscravings.



* DeathByAdaptation / SparedByTheAdaptation: Didn’t die in the original film but was supposed to die in the remake before the FocusGroupEnding.

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* DeathByAdaptation / SparedByTheAdaptation: DeathByAdaptation: Didn’t die in the original film but was supposed to die in the remake before the FocusGroupEnding.
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* VikingFuneral: In the original ending, Audrey II gives her a dignified death similar to one.

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* VikingFuneral: In the original ending, Audrey II gives her a dignified death similar to one.one, gently closing its jaws and swallowing her body whole instead of the brutal chewing it inflicts on its other victims.
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---> Jackie Joseph (1960 film)

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---> Jackie Joseph Creator/JackieJoseph (1960 film)
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* EvilIsHammy: [[{{Irony}} The one character who isn't made of actual meat is the hammiest character in the film/musical.]]

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* EvilIsHammy: [[{{Irony}} The It’s ironic as hell that the one character who isn't made of actual meat is the hammiest character in the film/musical.]]
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* GenderBlenderName: Audrey Jr./II, named after Seymour's girlfriend and voiced by male actors Charles Griffith (1960 film), and Four tops singer Levi Stubbs (1986 film).

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* GenderBlenderName: Audrey Jr./II, named after Seymour's girlfriend and voiced by male actors Charles Griffith (1960 film), and Four tops Tops singer Levi Stubbs (1986 film).

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