History AwesomeMusic / RedVsBlue

%%* The season finale of ''Singularity'' has [[https://youtu.be/AonvvN7Gwq4 "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and her past self in the Labyrinth.

* The original ''WebAnimation/RedVsBlue'' theme, "[[https://www.youtube.com/watch?v=sEvtcvYfUEM Blood Gulch Blues]]". The iconic theme that was the show's first proper piece of music, and as a keyboard-driven rock jam, it's not a bad start.
* The season 5 credits theme, "[[https://www.youtube.com/watch?v=PXOHowG-b6Y Colors]]", has a relaxed mood and pretty vocal harmonies.
* "[[https://www.youtube.com/watch?v=tw2VDWB-u2Y When Your Middle Name Is Danger]]", The Meta's suitably menacing and intense {{Leitmotif}}.
* "[[https://www.youtube.com/watch?v=_OZ8LoQi6LM Big Prize]]" plays during the intros of the episodes of ''Reconstruction'' and captures the DarkerAndEdgier mood of the season.
* "[[https://www.youtube.com/watch?v=6xrQCd8WDgw First Wave]]", a mournful and dramatic string piece that memorably caps off Reconstruction and the credits of season 6, following The Alpha's demise as the Director reads his last letter to the Chairman and TheReveal that The Alpha's mind was based off of the Director himself, Dr. Leonard Church.
* The [[https://www.youtube.com/watch?v=HSiWrJHZ4sc#t=66s "Forge World" song]] Sarge sings in the final part of the [[VideoGame/HaloReach Reach]] mini-series, basically MundaneMadeAwesome in sound form (it's just Sarge walking through Forge World, but with melodic guitars and enthusiastic singing!).
* "[[https://www.youtube.com/watch?v=z4Gg5fmb9fc Another One Down]]" is a rock-tinged rearrangement of "When Your Middle Name is Danger", but more importantly Tucker's [[TookALevelInBadass reintroduction as the sword-wielding badass we knew he could be]].
* "[[https://www.youtube.com/watch?v=Qebt75dhcsI Agent Tex]]", played as the titular Freelancer escapes the memory unit and [[SugarWiki/MomentOfAwesome utterly demolishes both teams]]. Taking her distinctively Western {{Leitmotif}} to construct a rockabilly dance cue around such a simple idea. It would be redundant to call both the scene and the music accompanying it impressive.
* "[[https://www.youtube.com/watch?v=VCtPpo3eKwo The Revelation Suite]]", played during the awesome fight between Tex, Washington, and the Meta, combinies Ice Fight, Boss Battle, and Plagam Extremam Infligere to great effect.
* "[[https://www.youtube.com/watch?v=HEgyKecqLVU Ice Fight]]" is a short but epic rock orchestra piece with some great choir.
* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash have their climactic fight against the Meta, taking him out once and for all. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10.
* There's an [[https://www.youtube.com/watch?v=AuMvtT1iFYE extended version]] of the above track that pushes the vocals higher in the mix, has a handful of extra lyrics, and adds a guitar solo.
* "[[https://www.youtube.com/watch?v=N_fMCRo_rOA The Pelican Has Landed]]", a badass piece that plays as the Reds and Blues set off to rescue Church and Tex.
* "[[https://www.youtube.com/watch?v=rCyt_wuroBU Epilogue]]", a haunting, beautiful, and uplifting piece that plays during Church's monologue at the end of ''Revelation''.

** "[[https://www.youtube.com/watch?v=5Lhz7V1mQQY Extraction]]" lets the audience know they've cranked up the awesome factor as soon as the first metal riff scores North and South's epic battling, then [[https://www.youtube.com/watch?v=5Lhz7V1mQQY#t=2m09s shifting into]] [[OminousLatinChanting Ominous Italian Chanting]] when "Number One" joins the fray, courtesy of Casey Lee Williams). The fact that she sang operatic vocals at the age of twelve is an awesome moment in of itself! Hell, the melody was so good they made it Carolina's {{Leitmotif}} whenever she' shows up to a fight.
** "[[https://www.youtube.com/watch?v=MUxCTUA5VLs Pelican Escape]]" is how you write aerial chase scene music!
** [[FanNickname Sharkface]] is epic enough to warrant his own [[https://www.youtube.com/watch?v=dd6Sd9EcSN4 theme]]. Amusingly, the song mixes in Wash's incredulous "What the fuck is with this guy?", an apropos remark if there ever was one.
** "[[https://www.youtube.com/watch?v=SXDzS9nmKgY On Your Knees]]", the middle of the song is basically Lamar Hall, Jeff Williams and Sandy Casey rapping about how Tex kicked every Freelancer's ass apart from Florida and York.
** "[[https://www.youtube.com/watch?v=XNtJ_gjwTlE Falling Towards the Sky]]", the score for the big free fall scene, starts out with glockenspiel and Casey's vocals before switching to rap for the action.
** "[[https://www.youtube.com/watch?v=fsMWvraCUVI Spiral]]", played during the Season 9 episode of the same name, is a perfect epic track for the high-speed highway battle that dominates the episode.
** [[https://www.youtube.com/watch?v=ZurCuAX7ADA Can't Trust Anybody Now]] really ends the season on a high note, revealing Carolina in the present with her newfound desire to kill the director.

** "[[https://www.youtube.com/watch?v=KDwi0X7A0F0 Fragments]]", where Texas rips apart the Freelancer mooks by playing GrenadeTag via GrenadeSpam.
** York: "[[https://www.youtube.com/watch?v=RULay3iPp24 Worst Lockpicker Ever]]" and his, uh... "[[https://www.youtube.com/watch?v=MOV2pS6TzYs Heroic Entrance]]".
** And for our first Renegade Freelancer and the three songs about her, "[[https://www.youtube.com/watch?v=QYPydV5hFoc C.T.]]", "[[https://www.youtube.com/watch?v=9uPHD9MrJhQ The Darkness of C.T.]]", and "[[https://www.youtube.com/watch?v=teWiEVNEuGQ Message From C.T]]". The last is more of a TearJerker than awesome as Connie reads her message about who Tex really is and her defecting, unaware that Tex herself wound up the one to kill her.
** The set of songs from the Freelancer's assault upon the Insurrectionists: "[[https://www.youtube.com/watch?v=4FA4qHonmHs Ouch]]", "[[https://www.youtube.com/watch?v=6T0QG-unHbc Land of Enemies]]", "[[https://www.youtube.com/watch?v=8r4kPnffpq0 Welcome To Maine]]", "[[https://www.youtube.com/watch?v=mk8USjPqiFU Mental Meta Metal]]", "[[https://www.youtube.com/watch?v=fSPWVBhGXOk Mystery Blue Guy]]", "whom we all know as Agent Florida/Captain Butch Flowers", the brutal flow of "[[https://www.youtube.com/watch?v=4-ZchNVtbKg Pray]]" which wouldn't feel out of place in the hardcore rap scene, and the utter heartbreak of "[[https://www.youtube.com/watch?v=G8rm9V2rKZY Forever]]", a ballad that plays after CT's death, conveying in a few minutes the love and tragedy of a doomed romance more intimately than dialogue ever could. As sung by Casey, it's emblematic of her and Jeff's later work on ''WebAnimation/{{RWBY}}''.
** "[[https://www.youtube.com/watch?v=rRV7LhUhsug Training Room Showdown]]", quite possibly a very horrifying experience for Carolina, no thanks in part to the Director.
** "[[https://www.youtube.com/watch?v=Xmru1D4FnGw Suit Up/Partners In Crime]]", where the Meta finally comes in, as well as the beginning of Project Freelancer's downfall.
** "[[https://www.youtube.com/watch?v=XQSn20jfnNs Tex vs Tank]]" and "[[https://www.youtube.com/watch?v=XQSn20jfnNs Your Catch]]", both equally funny battles for both Tex and York.
** The [[https://www.youtube.com/watch?v=yUChBbTZIK0 Twins]] have a bit of an argument...
** [[{{Tearjerker}} On a more tragic note....]] Carolina's unfortunate "[[https://www.youtube.com/watch?v=ZDz0woffIsI Ballet Breakup]]" shows her slide into despair with her theme in full force. Along with her temporary demise in "[[https://www.youtube.com/watch?v=osK4hLGxdtI Freelancer Implosion]]". It takes fighting [[https://www.youtube.com/watch?v=5tSdCxNSczA 100 Tex Robots]] for her to realize she will never beat Texas on her own, even with Epsilon's help.
** As the Reds and Blues arrive to help Carolina, the battle's score ([[https://www.youtube.com/watch?v=BZ7EfOuNgjw "Bloody Mary Mix"]]) starts as a basic drum beat, before "Roses are red, and violets are blue" is heard, giving rise to a remix of "Blood Gulch Blues" as the two teams demonstrate their bond of unity in combat, something the Freelancers for all their training and AI-enhanced specialized armor could never achieve.
** [[https://www.youtube.com/watch?v=OjManTRsyeo Carolina and Epsilon confront the Director]], only to find not a power-hungry schemer but an insane, broken shell of a man that begs them for just a little more time to resurrect Allison while obssessively watching her last recording. The scene uses just a solo piano to convey the tragedy, but a closer listen will find nods to every reoccurring theme in the series up to this point, ending with the melody from the last line of Revelation's theme.
** And lastly are the songs from the end credits of the season. "[[https://www.youtube.com/watch?v=YLN0ZJK0eK8 Now That We've Come So Far]]" and "[[https://www.youtube.com/watch?v=egXubVdSGo8 Terminate]]". The first is a melodic rock ballad that conveys the core themes of love and memory in the Freelancer Saga, and the second is some nice high-octane rhymes that leaves the season on a triumphant note.
%%** There's also "[[https://www.youtube.com/watch?v=8Rmf5JVeAgY The More]]" from the Season 10 trailer, "[[https://www.youtube.com/watch?v=AbSUd9Kqp3w Terrify!]]", "[[https://www.youtube.com/watch?v=Boo8Kq77DTo Space Battle]]", and "[[https://www.youtube.com/watch?v=HgGTfmG1cJU Debris Field]]".
* With Season 11, there's the theme for the Chorus Trilogy, "[[https://www.youtube.com/watch?v=A_2SuDzOYbc Contact]]". It plays during the credits and really brings home the emotional core of this season and fits the melancholy mood of the Trilogy as a whole.
* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that inspires a sense of patient tension as it tends to play when shady characters are discussing plans. The theme gets a kickass reprise when Tucker and the rest of the gang manage to transmit Felix’s monologue to the capital, giving the song an additional sense of satisfaction.
* While the season was light on music compared to the seasons proceeding and succeeding it, it nevertheless gave us Freckles' theme, "[[https://www.youtube.com/watch?v=kxUiesD65Ro Manticore Blues]]". If it was any longer it would have overshadowed much of the soundtrack.
* "[[https://www.youtube.com/watch?v=ItoMftMEQps Soul Clef XI]]", the collective theme for Locus and Felix. Like much of the Chorus BGM, it's not as blatantly in-your-face awesome as Revelation and the Freelancer Saga, but works well as a foreboding Western motif not unlike Tex's early cues. As a bonus it's an anagram of Locus and Felix. The [[https://www.youtube.com/watch?v=UJFRMk4YyeU redux varient]] is much the same, albeit with a muffled synth beat and an unexpected shift to the Meta's theme for that extra dash of scares.
* As a prelude to the above, "[[https://www.youtube.com/watch?v=HoxtFXfVsjk Loom]]" takes the sinister chords and adds a DroneOfDread that's practically thick with tension.
* "[[https://www.youtube.com/watch?v=WOvjkWUa6bM Finger Pushups]]" has an acoustic beat so infectious it'll make you want to dance.
* "[[https://www.youtube.com/watch?v=7L8UPO57q8w Hit and Run]]", the music as Tucker, Felix, and a squad of rookies are investigating a Federal base. The building guitar and steady timing, punctuated with quick percussion has the intended effect of feeling at once both exciting and nervous as Tucker certainly was.
* "[[https://www.youtube.com/watch?v=0lGMrZJtPio Control]]" is creepy and ominous with its use of mostly electronic tones in contrast with the cowboy feel of Chorus.
* "[[https://www.youtube.com/watch?v=Yz0tvkCTa_w Saltine]]", an atmospheric blissful trip into Epsilon's mind as he converses with the other fragments while slowing time.
* "[[https://www.youtube.com/watch?v=Fmt664h5qts Prancing Bull]]" is a wild, quirky action piece as all hell breaks loose when the Feds and News are about to finish what they started while the Reds and Blues go after Felix and Locus. The distorted guitar and elaborate drum patterns keep it unique at the least.
* Not to be outdone in the sad credits department, Season 12's ending, "[[https://www.youtube.com/watch?v=dAFEIGFhRVM Half Life]]", is a dreamy, somber song about loneliness and gentle regrets. A bit unrelated to the season at hand, but beautiful all the same.
* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as Church delivers his final "[[MemeticMutation ain't that a bitch]]" speech.

* "[[https://www.youtube.com/watch?v=zHaeHn7HSns Fatum Iustum Stultorum]]", the song that plays when Carolina and Wash face off against Locus and Felix. Five minutes and forty-five seconds of pure awesome. What makes it better is that it spends a lot of time with tense music that would usually be heard in movie trailers, and manages to incorporate both Felix and Locus' themes in the same minute.

* Episode 13 of Season 14 has "[[https://www.youtube.com/watch?v=AHfuMHUBp14 Slingshot]]", the epic music that plays during Carolina and the Meta's WebAnimation/DeathBattle. It also gives insight on the Meta's character, and can be interpreted as the Meta being a fundamentally flawed entity, and that Sigma's idea of attaining metastability from collecting other fragments may very well have been a futile attempt in the first place.
* Episode 20 of Season 14, "[[https://www.youtube.com/watch?v=bEPG08HHnqk RvB Throwdown]]", is a [[BattleRapping rap battle]] between Church and Sarge with Locus and Felix chiming in, featuring [[BoastfulRap serious smack talk]], a badass backing track, and [[ContinuityNod references all the way back to the first episode]]. As for the mercenaries, [[SmugSnake Felix]] is as [[BoastfulRap smug as ever]] and even [[ColdSniper Locus]] [[TheComicallySerious gets a few rhymes in]].
* [[https://www.youtube.com/watch?v=0pegMBnj7ds "Landing,"]] the ominous theme played during the imposter Reds and Blues' attack on a UNSC supply depot in "Prologue". Elements of "Landing" would later be incorporated into the {{Leitmotif}} of the [[PsychoPrototype Blues and Reds]] throughout Season 15, being most prominently featured in the main theme of the season's BigBad - [[https://www.youtube.com/watch?v=HeoHdZyE7nA "Temple"]], as heard at the end of "Battlescars".

* [[https://www.youtube.com/watch?v=-UxMf3U4cJo "Seek To Serve,"]] the highly unsettling {{Leitmotif}} of the FOTUS Soldier with loads of FreakyElectronicMusic and only serves to make the jarringly anti-climatic reveal of his quest all the funnier.
* "[[https://www.youtube.com/watch?v=q5Y9PRusjwQ Hateglue]]", Grif's {{Leitmotif}} from Season 15 onwards, is a melancholy and somber, yet strangely uplifting piece that fits with Grif's status as a SourSupporter.

* The ending of season 16 features the appropriately dreamy tune [[https://www.youtube.com/watch?v=rMpbN59C9yg "Rush"]].
%%* The season finale of ''Singularity'' has [[https://www.youtube.com/watch?v=AonvvN7Gwq4 "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and her past self in the Labyrinth.
* The ending of Season 17 features a melancholy reprise of Blood Gulch Blues (as sung by Meredith Hagan), entitled [[https://www.youtube.com/watch?v=aiPy7CL70iA "Blood Gulch Blue"]]. On the uplifting side is the credits song, [[https://www.youtube.com/watch?v=xLqfLCVY1T8 "(My Own) Best Enemy"]].
* Season 18 has "[[https://www.youtube.com/watch?v=akOaGW4WdFM Touch the Sky]]", a banging energetic track that describes One's mentality and pumps up the viewer as they watch her and East spar with Carolina.
* While the announcement of ''Family Shatters'' became an immediate dislike for the fandom (with some WinBackTheCrowd once it actually came out), at least [[https://www.youtube.com/watch?v=rwVRVeg6Cio the intro song first showcased in the trailer]] is a fun re-tread of 1980s sitcom themes (by the same composer of ''Zero'' and frequent ''Webanimation/DeathBattle'' collaborator Werewolf Therewolf) that showed Jessica Vasami has a good singing voice.

* "[[https://www.youtube.com/watch?v=6xrQCd8WDgw First Wave]]", a mournful and dramatic string piece that memorably caps off Reconstruction and the credits of season 6, following [[spoiler:The Alpha's demise]] as the Director reads his last letter to the Chairman and TheReveal that [[spoiler:The Alpha's mind was based off of the Director himself, Dr. Leonard Church]].

* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash have their climactic fight against [[spoiler:the Meta, taking him out once and for all]]. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10.

** "[[https://www.youtube.com/watch?v=KDwi0X7A0F0 Fragments]]", [[spoiler: where Texas rips apart the Freelancer mooks by playing GrenadeTag via GrenadeSpam]].

** And for our first Renegade Freelancer and the three songs about her, "[[https://www.youtube.com/watch?v=QYPydV5hFoc C.T.]]", "[[https://www.youtube.com/watch?v=9uPHD9MrJhQ The Darkness of C.T.]]", and "[[https://www.youtube.com/watch?v=teWiEVNEuGQ Message From C.T]]". The last is more of a TearJerker than awesome as Connie reads her message about who Tex really is and her defecting, unaware that [[spoiler:Tex herself]] wound up the one to kill her.
** The set of songs from the Freelancer's assault upon the Insurrectionists: "[[https://www.youtube.com/watch?v=4FA4qHonmHs Ouch]]", "[[https://www.youtube.com/watch?v=6T0QG-unHbc Land of Enemies]]", "[[https://www.youtube.com/watch?v=8r4kPnffpq0 Welcome To Maine]]", "[[https://www.youtube.com/watch?v=mk8USjPqiFU Mental Meta Metal]]", "[[https://www.youtube.com/watch?v=fSPWVBhGXOk Mystery Blue Guy]]", "[[spoiler: whom we all know as Agent Florida/Captain Butch Flowers]]", the brutal flow of "[[https://www.youtube.com/watch?v=4-ZchNVtbKg Pray]]" which wouldn't feel out of place in the hardcore rap scene, and the utter heartbreak of "[[https://www.youtube.com/watch?v=G8rm9V2rKZY Forever]]", a ballad that plays after [[spoiler:CT's death]], conveying in a few minutes the love and tragedy of a doomed romance more intimately than dialogue ever could. As sung by Casey, it's emblematic of her and Jeff's later work on ''WebAnimation/{{RWBY}}''.
** "[[https://www.youtube.com/watch?v=rRV7LhUhsug Training Room Showdown]]", quite possibly a very horrifying experience for [[spoiler: Carolina, no thanks in part to the Director]].
** "[[https://www.youtube.com/watch?v=Xmru1D4FnGw Suit Up/Partners In Crime]]", where [[spoiler: the Meta finally comes in, as well as the beginning of Project Freelancer's downfall]].

** [[https://www.youtube.com/watch?v=OjManTRsyeo Carolina and Epsilon confront the Director]], only to find not a power-hungry schemer but an insane, broken shell of a man that begs them for just a little more time to [[spoiler:resurrect Allison while obssessively watching her last recording]]. The scene uses just a solo piano to convey the tragedy, but a closer listen will find nods to every reoccurring theme in the series up to this point, ending with the melody from the last line of Revelation's theme.

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that inspires a sense of patient tension as it tends to play when shady characters are discussing plans. The theme gets a kickass reprise when [[spoiler:Tucker and the rest of the gang manage to transmit Felix’s monologue to the capital, giving the song an additional sense of satisfaction]].

* "[[https://www.youtube.com/watch?v=ItoMftMEQps Soul Clef XI]]", the collective theme for Locus and Felix. Like much of the Chorus BGM, it's not as blatantly in-your-face awesome as Revelation and the Freelancer Saga, but works well as a foreboding Western motif not unlike Tex's early cues. As a bonus it's an anagram of Locus and Felix. The [[https://www.youtube.com/watch?v=UJFRMk4YyeU redux varient]] is much the same, albeit with a muffled synth beat and an unexpected shift to the [[spoiler:Meta's]] theme for that extra dash of scares.

* "[[https://www.youtube.com/watch?v=Yz0tvkCTa_w Saltine]]", an atmospheric blissful trip into Epsilon's mind as he [[spoiler:converses with the other fragments while slowing time]].

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as [[spoiler:Church delivers his final "[[MemeticMutation ain't that a bitch]]" speech]].

* Episode 20 of Season 14, "[[https://www.youtube.com/watch?v=bEPG08HHnqk RvB Throwdown]]", is a [[BattleRapping rap battle]] between Church and Sarge [[spoiler:with Locus and Felix chiming in]], featuring [[BoastfulRap serious smack talk]], a badass backing track, and [[ContinuityNod references all the way back to the first episode]]. [[spoiler: As for the mercenaries, [[SmugSnake Felix]] is as [[BoastfulRap smug as ever]] and even [[ColdSniper Locus]] [[TheComicallySerious gets a few rhymes in]].]]
* [[https://www.youtube.com/watch?v=0pegMBnj7ds "Landing,"]] the ominous theme played during [[spoiler:the imposter Reds and Blues]]' attack on a UNSC supply depot in "Prologue". Elements of "Landing" would later be incorporated into the {{Leitmotif}} of the [[PsychoPrototype Blues and Reds]] throughout Season 15, being most prominently featured in the main theme of the season's BigBad - [[spoiler:[[https://www.youtube.com/watch?v=HeoHdZyE7nA "Temple"]]]], as heard at the end of "Battlescars".
* In Season 15, the Music/EnnioMorricone-esque "Role Model" that plays when [[spoiler:the aspect ratio switches to anamorphic and the two Red and Blue teams finally meet at Desert Gulch]].
* [[https://www.youtube.com/watch?v=-UxMf3U4cJo "Seek To Serve,"]] the highly unsettling {{Leitmotif}} of the FOTUS Soldier with loads of FreakyElectronicMusic [[spoiler:and only serves to make the jarringly anti-climatic reveal of his quest all the funnier]].

%%* The season finale of ''Singularity'' has [[https://www.youtube.com/watch?v=AonvvN7Gwq4 "Fall, Break and Rise,"]] the theme that plays during the climactic battle between Carolina and [[spoiler:her past self]] in the Labyrinth.
* [[spoiler: The ending of Season 17]] features a melancholy reprise of Blood Gulch Blues (as sung by Meredith Hagan), entitled [[https://www.youtube.com/watch?v=aiPy7CL70iA "Blood Gulch Blue"]]. On the uplifting side is the credits song, [[https://www.youtube.com/watch?v=xLqfLCVY1T8 "(My Own) Best Enemy"]].

* "[[https://www.youtube.com/watch?v=6xrQCd8WDgw First Wave]]", a mournful and dramatic string piece that memorably caps off Reconstruction and the credits of season 10, following [[spoiler:The Alpha's demise]] as the Director reads his last letter to the Chairman and TheReveal that [[spoiler:The Alpha's mind was based off of the Director himself, Dr. Leonard Church]].

* The season 5 credits, "[[https://www.youtube.com/watch?v=PXOHowG-b6Y Colors]]", has a relaxed mood and pretty vocal harmonies.

* The season 5 credits, "[[https://www.youtube.com/watch?v=981PUPrblIM Colors]]", has a relaxed mood and pretty vocal harmonies.

%%* The [[https://www.youtube.com/watch?v=HSiWrJHZ4sc#t=66s "Forge World" song]] Sarge sings in the final part of the [[VideoGame/HaloReach Reach]] mini-series.

* The original ''Machinima/RedVsBlue'' theme, "[[https://www.youtube.com/watch?v=sEvtcvYfUEM Blood Gulch Blues]]". The iconic theme that was the show's first proper piece of music, and as a keyboard-driven rock jam, it's not a bad start.

* While the announcement of ''Family Shatters'' became an immediate dislike for the fandom (with some WinBackTheCrowd once it actually came out), at least [[https://www.youtube.com/watch?v=rwVRVeg6Cio the intro song first showcased in the trailer is fine]], a fun re-tread of 1980s sitcom themes (by the same composer of ''Zero'' and frequent ''Webanimation/DeathBattle'' collaborator Werewolf Therewolf) that showed Jessica Vasami has a good singing voice.

* While the announcement of [[https://www.instagram.com/p/CRJtjMDLS9o/?utm_medium=copy_link Family Shatters]] became an immediate dislike for the fandom, at least the song in the trailer is fine, a fun re-tread of 1980s sitcom themes (by frequent ''Webanimation/DeathBattle'' collaborators Werewolf Therewolf) that showed Jessica Vasami has a good singing voice.

** [[{{Tearjerker}} On a more tragic note....]] Carolina's unfortunate "[[https://www.youtube.com/watch?v=ZDz0woffIsI Ballet Breakup]]" shows her slide into despair with her theme in full force. Along with her temporary demise in "[[https://www.youtube.com/watch?v=ZDz0woffIsI Freelancer Implosion]]". It takes fighting [[https://www.youtube.com/watch?v=5tSdCxNSczA 100 Tex Robots]] for her to realize she will never beat Texas on her own, even with Epsilon's help.

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as [[spoiler:Church delivers his [[FamousLastWords final]] "[[MemeticMutation ain't that a bitch]]" speech]].

* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans. The theme gets a kickass reprise when [[spoiler:Tucker and the rest of the gang manage to transmit Felix’s monologue to the capital, giving the song a new sense of satisfaction]].

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as [[spoiler:Church delivers his "[[MemeticMutation ain't that a bitch]]" goodbye speech]].

* While the announcement of [[https://www.instagram.com/p/CRJtjMDLS9o/?utm_medium=copy_link Family Shatters]] was an instant dislike for the fandom, at least the song in the trailer is fine, a fun retread of 1980s sitcom themes (by frequent ''Webanimation/DeathBattle'' collaborators Werewolf Therewolf) that showed Jessica Vasami has a good singing voice.

* The "Forge World" song Sarge sings in the final part of the [[VideoGame/HaloReach Reach]] mini-series ([[https://www.youtube.com/watch?v=HSiWrJHZ4sc#t=66s Listen to it here]]).

* The "Forge World" song Sarge sings in the final part of the [[VideoGame/HaloReach Reach]] mini-series ([[https://www.youtube.com/watch?v=HSiWrJHZ4sc#t=66s Enjoy it here]]).

* [[https://www.youtube.com/watch?v=-UxMf3U4cJo "Seek To Serve,"]] the delightfully unsettling {{Leitmotif}} of the FOTUS Soldier with loads of FreakyElectronicMusic [[spoiler:and only serves to make the incredibly anti-climatic reveal of his quest all the funnier]].

* "[[https://www.youtube.com/watch?v=Qebt75dhcsI Agent Tex]]", played as the titular Freelancer escapes the memory unit and [[SugarWiki/MomentOfAwesome utterly demolishes both teams]]. Taking her distinctively Western {{Leitmotif}} to construct a rockabilly dance cue around such a simple cue. It would be redundant to call both the scene and the music accompanying it impressive.

* "[[https://www.youtube.com/watch?v=Qebt75dhcsI Agent Tex]]", played as the titular Freelancer escapes the memory unit and [[SugarWiki/MomentOfAwesome utterly demolishes both teams]]. Taking her distinctively Western {{Leitmotif}} to construct a rockabilly headbanger around such a simple cue. It would be redundant to call both the scene and the music accompanying it impressive.

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as [[spoiler:Church delivers his "[[MemeticMutation ain't that a bitch]]" [[FamousLastWords goodbye speech]]]].

* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash have their climactic fight against [[spoiler:the Meta, taking him out once and for all]]. The autotuned asides may not be to everyone's taste, but there's no denying the rest is a great HeavyMetal track. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10.

* The track simply titled "[[https://www.youtube.com/watch?v=0rktLE-DDJU Red vs Blue]]" from the Revelation Soundtrack, played as The Reds and Wash have their climactic fight against [[spoiler:the Meta, taking him out once and for all.]] The autotuned asides may not be to everyone's taste, but there's no denying the rest is a great HeavyMetal track. While already sounding awesome as it is, the song's lyrics really highlight the series' theme of GreyAndGrayMorality, particularly when its melody comes back at the most emotional part of Season 10.

** "[[https://www.youtube.com/watch?v=KDwi0X7A0F0 Fragments]]", [[spoiler: where Texas rips apart the Freelancer mooks by playing GrenadeTag via GrenadeSpam.]]
** York: "[[https://www.youtube.com/watch?v=RULay3iPp24 Worst Lockpicker Ever]] and his, uh...[[https://www.youtube.com/watch?v=MOV2pS6TzYs Heroic Entrance]]".
** And for our first Renegade Freelancer and the three songs about her, "[[https://www.youtube.com/watch?v=QYPydV5hFoc C.T.]]", "[[https://www.youtube.com/watch?v=9uPHD9MrJhQ The Darkness of C.T.]]", and "[[https://www.youtube.com/watch?v=teWiEVNEuGQ Message From C.T]]".The last is more of a TearJerker than awesome as Connie reads her message about who Tex really is and her defecting, unaware that [[spoiler:Tex herself]] wound up the one to kill her.
** The set of songs from the Freelancer's assault upon the Insurrectionists: "[[https://www.youtube.com/watch?v=4FA4qHonmHs Ouch]]", "[[https://www.youtube.com/watch?v=6T0QG-unHbc Land of Enemies]]", "[[https://www.youtube.com/watch?v=8r4kPnffpq0 Welcome To Maine]]", "[[https://www.youtube.com/watch?v=mk8USjPqiFU Mental Meta Metal]]", "[[https://www.youtube.com/watch?v=fSPWVBhGXOk Mystery Blue Guy]]", "[[spoiler: whom we all know as Agent Florida/Captain Butch Flowers]]", the brutal flow of "[[https://www.youtube.com/watch?v=4-ZchNVtbKg Pray]]" which wouldn't feel out of place in the hardcore rap scene,, and the utter heartbreak of "[[https://www.youtube.com/watch?v=G8rm9V2rKZY Forever]]", a ballad that plays after [[spoiler:CT's death]], conveying in a few minutes the love and tragedy of a doomed romance more intimately than dialogue ever could. As sung by Casey, it's emblematic of her and Jeff's later work on ''WebAnimation/{{RWBY}}''.
** "[[https://www.youtube.com/watch?v=rRV7LhUhsug Training Room Showdown]]", quite possibly a very horrifying experience for "[[spoiler: Carolina, no thanks in part to the Director.]]
** "[[https://www.youtube.com/watch?v=Xmru1D4FnGw Suit Up/Partners In Crime]]", where "[[spoiler: the Meta finally comes in, as well as the beginning of Project Freelancer's downfall.]]

** [[{{Tearjerker}} On a more tragic note....]] Carolina's unfortunate [[https://www.youtube.com/watch?v=ZDz0woffIsI Ballet Breakup]]" shows her slide into despair with her theme in full force. Along with her temporary demise in [[https://www.youtube.com/watch?v=ZDz0woffIsI Freelancer Implosion]]" It takes fighting "[[https://www.youtube.com/watch?v=5tSdCxNSczA 100 Tex Robots]] for her to realize she will never beat Texas on her own, even with Epsilon's help.

** "[[https://www.youtube.com/watch?v=OjManTRsyeo Carolina and Epsilon confront the Director]], only to find not a power-hungry schemer but an insane, broken shell of a man that begs them for just a little more time to [[spoiler:resurrect Allison while obssessively watching her last recording]]. The scene uses just a solo piano to convey the tragedy, but a closer listen will find nods to every reoccurring theme in the series up to this point, ending with the melody from the last line of Revelation's theme.

%%** There's also "[[https://www.youtube.com/watch?v=8Rmf5JVeAgY The More]] from the Season 10 trailer, "[[https://www.youtube.com/watch?v=AbSUd9Kqp3w Terrify!]]", "[[https://www.youtube.com/watch?v=Boo8Kq77DTo Space Battle]]", and "[[https://www.youtube.com/watch?v=HgGTfmG1cJU Debris Field]]".
* With Season 11, there's the theme for the Chorus Trilogy, "[[https://www.youtube.com/watch?v=A_2SuDzOYbc Contact]]" It plays during the credits and really brings home the emotional core of this season and fits the melancholy mood of the Trilogy as a whole.
* "[[https://www.youtube.com/watch?v=6Yh4Dtdq_-o Chorus]]" a methodical, serene mix of electronic texture, a constant tapping bass, and a distinctive drum beat that although minimalist, still inspires a sense of patient tension as it tends to play when shady characters are discussing plans. The theme gets a kickass reprise when [[spoiler:Tucker and the rest of the gang manage to transmit Felix’s monologue to the capital, giving the song a new sense of satisfaction.]]
* While the season was light on music compared to the seasons proceeding and succeeding it, it nevertheless gave us Freckles' theme, "[[https://www.youtube.com/watch?v=kxUiesD65Ro Manticore Blues]]. If it was any longer it would have overshadowed much of the soundtrack.
* "[[https://www.youtube.com/watch?v=ItoMftMEQps Soul Clef XI]]", the collective theme for Locus and Felix. Like much of the Chorus bgm, it's not as blatantly in-your-face awesome as Revelation and the Freelancer Saga, but works well as a foreboding Western motif not unlike Tex's early cues. As a bonus it's an anagram of Locus and Felix. The [[https://www.youtube.com/watch?v=UJFRMk4YyeU redux varient]] is much the same, albeit with a muffled synth beat and an unexpected shift to the [[spoiler:Meta's]] theme for that extra dash of scares.

* Not to be outdone in the sad credits department, Season 12's ending, "[[https://www.youtube.com/watch?v=dAFEIGFhRVM Half Life]]" is a dreamy, somber song about loneliness and gentle regrets. A bit unrelated to the season at hand, but beautiful all the same.
* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as [[spoiler:Church delivers his "[[MemeticMutation ain't that a bitch]]" [[FamousLastWords goodbye speech.]]]]

* While waiting for the beginning of Season 13, a relatively new fan by the name of Meredith Hagan sat down and recorded her own mix of "Contact", and posted it online. Two days later, she was emailed by one of the composers to rerecord her cover. The result was "[[https://www.youtube.com/watch?v=grMqiZKmUeE Contact Redux]]" that played at the end credits of Season 13, a sad reprise as the Chorus trilogy finally comes to an end, which is even more melancholy and reflective than the original (she ended up doing further work with Trocadero and Rooster Teeth). The instrumental version of "Contact Redux", "[[https://www.youtube.com/watch?v=wjwGD_ytY48 Contact (Final Transmission)]]", is a somber piece that plays as Church delivers his "[[MemeticMutation ain't that a bitch]]" [[FamousLastWords goodbye speech.]]

* "[[https://m.youtube.com/watch?v=N_fMCRo_rOA The Pelican Has Landed]]", a badass piece that plays as the Reds and Blues set off to rescue Church and Tex.
* "[[https://m.youtube.com/watch?v=rCyt_wuroBU Epilogue]]", a haunting, beautiful, and uplifting piece that plays during Church's monologue at the end of ''Revelation''.

* "[[https://www.youtube.com/watch?v=tw2VDWB-u2Y When You're Middle Name Is Danger]]", The Meta's suitably menacing and intense {{Leitmotif}}.
* "[[https://www.youtube.com/watch?v=_OZ8LoQi6LM Big Prize]]", which plays during the intros of the episodes of ''Reconstruction'', and captures the DarkerAndEdgier mood of the season.