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* CreateYourOwnHero: Godzilla (or a previous incarnation) attacked a small fishing village and was killed sometime before WWII, where he was promptly forgotten about by everyone involved as all attention turned to the war effort. Except for a young Ashihara, who lived in that village and witnessed Godzilla's manifestation and attack. This would lead to him researching the corpse, discovering the Singular Point in India, and ultimately setting the groundwork for Godzilla's defeat when he manifested again in 2030.



* OurDragonsAreDifferent :

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* OurDragonsAreDifferent :OurDragonsAreDifferent:



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** Godzilla, even he looks like an outdated theropod reconstruction, [[AlternativeCharacterInterpretation he can be seen as one of the most dragon-like versions of the character]] due to his looks, his [[AllMuthsAreTrue "folkloric status"]] or his behavior being similar to those of dragons.

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** Godzilla, even he looks like an outdated theropod reconstruction, [[AlternativeCharacterInterpretation he can be seen as one of the most dragon-like versions of the character]] due to his looks, his [[AllMuthsAreTrue [[AllMythsAreTrue "folkloric status"]] or his behavior being similar to those of dragons.
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* AlasPoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for hi after witnessing his death ?

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* AlasPoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for hi him after witnessing his death ?
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* Alas,PoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for hi after witnessing his death ?

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* Alas,PoorVillain AlasPoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for hi after witnessing his death ?
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* Alas,PoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for hi after witnessing his death ?
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* AlienInvasion : according to some fan theories, since kaiju, as being described in the series, seem to be unlikely to be native of Planet Earth, or even it's dimension.


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* OurDragonsAreDifferent :
** Godzilla, even he looks like an outdated theropod reconstruction, [[AlternativeCharacterInterpretation he can be seen as one of the most dragon-like versions of the character]] due to his looks, his [[AllMuthsAreTrue "folkloric status"]] or his behavior being similar to those of dragons.
** Mandas even though they have more fish, or shrimp-like looks compared to more reptile-like traditional dragons
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** In episode 1, a couple kids seeing Rodan remark, [[Franchise/{{Superman}} "It's a bird?" "It's a plane!"]]
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** Aside from the ContinuityCavalcade in the credits, the episodes each contain minor references to other Toho properties and characters, such as a person wearing an [[Film/YamatoTakeru Utsuno Ikusagami]] helmet or a girl's [[Film/FrankensteinConquersTheWorld Bara]][[Film/GodzillaMothraKingGhidorahGiantMonstersAllOutAttack gon]]-themed cellphone case.

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** Aside from the ContinuityCavalcade in the credits, the episodes each contain minor references to other Toho properties and characters, such as a person wearing an [[Film/YamatoTakeru Utsuno Ikusagami]] helmet or a girl's Mei's [[Film/FrankensteinConquersTheWorld Bara]][[Film/GodzillaMothraKingGhidorahGiantMonstersAllOutAttack gon]]-themed cellphone case.
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* SixIsNine: One of Professor Ashihara's many cryptic notes has "6=9" written on it. Mei figures from this hint that Archetype material works with space-time, as in a curved area (like with a Mobius Strip) a direction can turn 180 degrees.
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** Godzilla Ultima briefly reenacts the "atomic breath straight up" shot from Film/GodzillaKingOfTheMonsters2019.
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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design is being handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' creator Kazue Katou and music by Kan Sawada from {{Manga/Doraemon}}. The series will air on Tokyo MX in Japan and {{Creator/Netflix}} internationally.

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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design is being handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' creator Kazue Katou and music by Kan Sawada from {{Manga/Doraemon}}.of ''{{Manga/Doraemon}}'' fame. The series will air on Tokyo MX in Japan and {{Creator/Netflix}} internationally.

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* MilitariesAreUseless: An old standby of Godzilla stories, and still valid in this one. When all is said and done, the three-man engineering firm Otaki Factory does more to stop the various Kaiju than the entire JSDF, both over the course of the entire series and in most individual episodes.



** Anguirus' name was coined in-universe by the grandson of the mayor of the area saw footage of him on television and mistook him for an ''Ankylosaurus''. In reality, this was indeed the primary basis for Anguirus' name and design.

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** Anguirus' name was coined in-universe by the grandson of the mayor of the area saw footage of him on television and mistook him for an ''Ankylosaurus''.''Ankylosaurus'' (whose name he couldn't pronounce). In reality, this was indeed the primary basis for Anguirus' name and design.
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* LovecraftLite: Almost bordering on CosmicHorrorStory with how the Kaiju have BizarreAlienBiology, and Godzilla serves as a reality-warping EldritchAbomination and his arrival heralds a Catastrophe that will destroy the world. It is only classified as Lovecraft Lite due to the human characters trying their damndest to stop the Catastrophe from occuring [[spoiler:and pulling it off in the end]] and no one (except maybe Dr. Ashihara) having gone completely insane.

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* LovecraftLite: Almost bordering on CosmicHorrorStory with how the Kaiju have BizarreAlienBiology, and Godzilla serves as a reality-warping EldritchAbomination and his arrival heralds a Catastrophe that will destroy the world. It is only classified as Lovecraft Lite due to the human characters trying their damndest to stop the Catastrophe from occuring [[spoiler:and pulling it off in the end]] and no one (except maybe Dr. Ashihara) having gone completely insane. A book on non-Euclidean geometry is mentioned early in the first episode, and near the end of series, as the MeatMoss grows, it's noted that the [[AlienGeometries corners of a triangle no longer add up to 180 degrees in Godzilla's vicinity]].
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** The "Wandaba" choral leitmotif from the Franchise/UltraSeries receives an homage in the series' score.

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** The recurring "Wandaba" choral leitmotif from the Franchise/UltraSeries receives an homage in the series' score.episode 3.
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** The "Wandaba" choral leitmotif from the Franchise/UltraSeries receives an homage in the series' score.

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* MasterOfYourDomain: The kaiju of this series are theorized to be able to control their own evolution. [[spoiler: Once Godzilla transforms into its third form, it turns its outer layer of flesh into reactive armor to survive two large missiles, then straight up grows tentacles from its wounds to catch and envelope a third missile.]]

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* MainliningTheMonster: SHIVA's Archetype turns out to be [[spoiler:derived from the red dust produced by the Godzilla skeleton in the basement of the Misakioku and Salunga]].
* MasterOfYourDomain: The kaiju of this series are theorized to be able to control their own evolution. [[spoiler: Once [[spoiler:Once Godzilla transforms into its third form, it turns its outer layer of flesh into reactive armor to survive two large missiles, then straight up grows blood tentacles from its wounds to catch and envelope a third missile.]]
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* BittersweetEnding:[[spoiler:The crisis with Godzilla and the red dust has been dealt with. But at the cost of Jet Jaguar and Pelops-2]].
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* AmbiguousSituation: The true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler:does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's impossible?]]

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* AmbiguousSituation: The true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler:does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's it's impossible?]]
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** The camera-eye of the robot body Pellops 2 takes control of is extremely similar in shape to the silver antennae on top of Series/ZoneFighter's helmet.

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** The camera-eye of the robot body Pellops 2 takes control of is extremely similar in shape to Moguera's head and the silver antennae on top of Series/ZoneFighter's helmet.
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* MoreThanThreeDimensions: Archetype is this, as it interacts with the fourth dimension, allowing it to seemingly violate the laws of physics.

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* SdrawkcabName: The End Credits briefly show the name "Godzilla" written in all caps on a window backwards so that it reads "All Iz Dog". [[spoiler:The climax of the story involves Pello2, the AI that appears in the form of a dog, using complicated time travel to merge with infinite copies of itself to formulate the equation that allows Jet Jaguar to neutralize the Catastrophe]]

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* SdrawkcabName: The End Credits briefly show the name "Godzilla" written in all caps on a window backwards so that it reads "All Iz Dog". [[spoiler:The climax of the story involves Pello2, Pelops-2, the AI that appears in the form of a dog, using complicated time travel to merge with infinite copies of itself to formulate the equation that allows Jet Jaguar to neutralize the Catastrophe]]



** In episode 12, some of the multiversal copies of Pelops-2 sport facial expressions similar to ''Manga/{{Doraemon}}'' and [[Anime/DomoTV Domo-kun]].


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** In episode 12, some of the multiversal copies of Pelops-2 sport facial expressions similar to ''Manga/{{Doraemon}}'' and [[Anime/DomoTV Domo-kun]].
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* SdrawkcabName: The End Credits briefly show the name "Godzilla" written in all caps on a window backwards so that it reads "All Iz Dog". [[spoiler:The climax of the story involves Pello2, the AI that appears in the form of a dog, using complicated time travel to merge with infinite copies of itself to formulate the equation that allows Jet Jaguar to neutralize the Catastrophe]]
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* OminousLatinChanting: Godzilla appears in many forms, but his iconic orchestral Leitmotif always accompanies these new forms, but grows more ominous with each form. When he becomes Godzilla Ultima, a choir joins the orchestra.
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* AmbiguousSituation: the true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler: does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's impossible?]]

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* AmbiguousSituation: the The true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler: does [[spoiler:does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's impossible?]]
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* BeastOfTheApocalypse: The appearance of Godzilla, the Rodans, and the red mist is tied to an old Japanese legend of a beast known as "Gojira" that will rise to bring about the End Times when the sea turns red, and is depicted in a mural alongside a flock of tengu-like creatures. Li Guiying points out that the biblical Literature/BookOfRevelation contains a very similar passage about the sea turning into blood and a huge beast rising from it, suggesting that these apocalyptic myths may have a common origin.

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* BeastOfTheApocalypse: The appearance of Godzilla, the Rodans, and the red mist is tied to an old Japanese legend of a beast known as "Gojira" that will rise to bring about the End Times when the sea turns red, and is depicted in a mural alongside a flock of tengu-like creatures.creatures later revealed to be Rodans. Li Guiying points out that the biblical Literature/BookOfRevelation contains a very similar passage about the sea turning into blood and a huge beast rising from it, suggesting that these apocalyptic myths may have a common origin.
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* BeastOfTheApocalypse: According to an old Chiba legend, a beast known as "Gojira" will rise to bring about the End Times when the sea turns red, and is depicted in an illustration alongside a flock of tengu-like creatures. It's mentioned that, before the first episode, a red tide is plaguing Japan's coast and by the second episode, living pterodactyls are mysteriously appearing across the Kantō region...

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* BeastOfTheApocalypse: According The appearance of Godzilla, the Rodans, and the red mist is tied to an old Chiba legend, Japanese legend of a beast known as "Gojira" that will rise to bring about the End Times when the sea turns red, and is depicted in an illustration a mural alongside a flock of tengu-like creatures. It's mentioned that, before Li Guiying points out that the first episode, biblical Literature/BookOfRevelation contains a red tide is plaguing Japan's coast very similar passage about the sea turning into blood and by the second episode, living pterodactyls are mysteriously appearing across the Kantō region...a huge beast rising from it, suggesting that these apocalyptic myths may have a common origin.



* OneMythToExplainThemAll: A painting based on in universe Japanese mythology showing traditional Japanese artwork depicting Godzilla as a giant fish-monster and a swarm of Rodan as {{tengu}} stand-ins is a prominent piece within the first two episodes.

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* OneMythToExplainThemAll: A painting based on in universe Japanese mythology showing traditional Japanese artwork depicting Godzilla as a giant fish-monster The red mist and a swarm of Rodan as {{tengu}} stand-ins is a prominent piece within the first two episodes.kaiju that arise from it are speculated to have inspired various accounts of monsters and apocalyptic events from Japanese, Hindu, and Judeo-Christian mythology.
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* LovecraftLite: Almost bordering on CosmicHorrorStory with how the Kaiju had bizarre alien biology, Godzilla serving as a reality warping EldritchAbomination and his arrival heralding a Catastrophe that will destroy the world. It is only classified as Lovecraft Lite due to the human characters trying their damndest to stop the Catastrophe from occuring and no one (except maybe Dr Ashihara) has gone completely insane.

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* LovecraftLite: Almost bordering on CosmicHorrorStory with how the Kaiju had bizarre alien biology, have BizarreAlienBiology, and Godzilla serving serves as a reality warping reality-warping EldritchAbomination and his arrival heralding heralds a Catastrophe that will destroy the world. It is only classified as Lovecraft Lite due to the human characters trying their damndest to stop the Catastrophe from occuring [[spoiler:and pulling it off in the end]] and no one (except maybe Dr Dr. Ashihara) has having gone completely insane.
Is there an issue? Send a MessageReason:
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* AmbiguousSituation: the true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler: does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's's impossible?]]

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* AmbiguousSituation: the true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler: does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's's that's impossible?]]
Is there an issue? Send a MessageReason:
None

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* AmbiguousSituation: the true nature of the Godzilla skeleton held in Misakioku's vault: [[spoiler: does it represent a different specimen of the same species as the individual that later shows up alive and well in Tokyo, or due to Godzilla's status as a Singular Point, are the two ''one and the same'' despite logic dictating that that's's impossible?]]

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fixed alphabetical order


* AnimationBump: On some brief occasions, when they need to move more fluidly, the kaiju (which are normally portrayed with rather stiff [=CGI=]) switch to 2-D animation. This occurs with the Rodan that attacks Li, when Salunga smashes the Super Dimension Calculator, and after Jet Jaguar's face is blasted by Godzilla's atomic breath.
* ArtShift:
** In episode 12, the "multiversal" copies of Pelops-2 are mainly a gathering of cute to cartoonish Pelops-2's, with a wolf-like version at the bottom of the screen.
** In episode 9, a Rodan is briefly shown in traditional animation. [[spoiler:In the finale, Jet Jaguar, Rodan, and especially Salunga constantly shift between 3D and 2D animation.]]


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* AnimationBump: On some brief occasions, when they need to move more fluidly, the kaiju (which are normally portrayed with rather stiff [=CGI=]) switch to 2-D animation. This occurs with the Rodan that attacks Li, when Salunga smashes the Super Dimension Calculator, and after Jet Jaguar's face is blasted by Godzilla's atomic breath.
* ArtShift:
** In episode 12, the "multiversal" copies of Pelops-2 are mainly a gathering of cute to cartoonish Pelops-2's, with a wolf-like version at the bottom of the screen.
** In episode 9, a Rodan is briefly shown in traditional animation. [[spoiler:In the finale, Jet Jaguar, Rodan, and especially Salunga constantly shift between 3D and 2D animation.]]

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