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** Episode 4 ends with a another new type of monster appearing in the Rodans' wake:[[spoiler: Anguirus (along with numerous gigantic sea creatures headed for Japan at the beginning).]]

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** Episode 4 ends with a another new type of monster appearing in the Rodans' wake:[[spoiler: Anguirus (along with numerous gigantic sea creatures headed for Japan at the beginning).]]
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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design was handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' creator Kazue Katou and music by Kan Sawada of ''{{Manga/Doraemon}}'' fame. The series aired on Tokyo MX in Japan and {{Creator/Netflix}} internationally.

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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design was handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' ''Manga/BlueExorcist'' creator Kazue Katou and music by Kan Sawada of ''{{Manga/Doraemon}}'' fame. The series aired on Tokyo MX in Japan and {{Creator/Netflix}} internationally.
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%% For unreleased works where all we have to go on is advertising and other supplemental materials, we have some detailed guidelines, which can be found at Administrivia/CreatingAWorkPageForAnUpcomingWork.

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%% For unreleased works where all we have to go on is advertising and other supplemental materials, we have some detailed guidelines, which can be found at Administrivia/CreatingAWorkPageForAnUpcomingWork.Administrivia/CreatingAWorkPageForAnUnreleasedWork.
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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design is being handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' creator Kazue Katou and music by Kan Sawada of ''{{Manga/Doraemon}}'' fame. The series will air on Tokyo MX in Japan and {{Creator/Netflix}} internationally.

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''Godzilla: Singular Point'' is a 2021 {{anime}} series based on the ''Franchise/{{Godzilla}}'' series produced by Creator/{{Toho}} and animated by in-house by Toho Animation with assistance from Creator/StudioBones and [[Creator/RoughDraftStudios Orange]], produced by Naoki Amano, Jiro Ando, and Takashi Yoshizawa. It is both the third ''Godzilla'' series to get a full televised release (after ''WesternAnimation/TheGodzillaPowerHour'' and ''WesternAnimation/GodzillaTheSeries'') and the third anime adaptation of the title character after ''Series/{{Godzilland}}'' and the [[Anime/GodzillaPlanetOfTheMonsters anime film trilogy]] by Creator/GenUrobuchi, but it is the first full anime series for the character as prior entries were mini-series or theatrical films. Creature design is being was handled by Eiji Yamamori of ''Anime/HowlsMovingCastle'' fame with human characters designed by ''Anime/BlueExorcist'' creator Kazue Katou and music by Kan Sawada of ''{{Manga/Doraemon}}'' fame. The series will air aired on Tokyo MX in Japan and {{Creator/Netflix}} internationally.

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* ExpyCoexistence: In the first episode, a movie poster featuring the Rhedosaurus can be seen briefly. The original Godzilla was heavily inspired in both design and backstory by the Rhedosaurus.



* ObscuredSpecialEffects: Every time Godzilla metamorphoses into another phase, the red dust thickens and completely hides the transformation so they don't actually have to animate the model changing.

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* ObscuredSpecialEffects: ObscuredSpecialEffects:
**
Every time Godzilla metamorphoses into another phase, the red dust thickens and completely hides the transformation so they don't actually have to animate the model changing.changing.
** When Godzilla [[spoiler:blasts a hole through half of Jet Jaguar's face, the shot afterwards only depicts Jet Jaguar from the side to hide the fact his CG model still looks the same, they didn't bother to model an actual hole. The only time it shows the other side is when Jet Jaguar briefly shifts to [=2D=] animation for one shot.]]
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* StupidSacrifice: While fleeing from a swarm of Rodans, a little girl trips when her cat panics and breaks out of her arms to run for it, and Professor Li's assistant bravely scoops her up to carry her to safety. [[spoiler:Then Professor Li chases after and grabs ''the stupid cat,'' and is struggling to keep hold of it when a Rodan swoops down and eats her alive.]] A truly ''dumb'' way to die, made worse by the fact that it's literally ''the only'' human character death in the entire series.

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* StupidSacrifice: While fleeing from a swarm of Rodans, a little girl trips when her cat panics and breaks out of her arms to run for it, and Professor Li's assistant bravely scoops her up to carry her to safety. [[spoiler:Then Professor Li chases after and grabs ''the stupid cat,'' and is struggling to keep hold of it when a Rodan swoops down and eats her her, [[SenselessSacrifice and the cat]], alive.]] A truly ''dumb'' way to die, made worse by the fact that it's literally ''the only'' human character death in the entire series.
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Grammar and misuse.


* DarkerAndEdgier:In the previous cartoons Godzilla was good,here he is the hopeles future.
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*DarkerAndEdgier:In the previous cartoons Godzilla was good,here he is the hopeles future.
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** The ancient mural of Godzilla and the Rodans is a reference on Utagawa Kuniyoshi's ''Tametomo Rescued by Tengu sent by Sanuki-in'' ukiyo-e painting, with Godzilla in place of the ''wani'' and the Rodan in place of the ''tengu''.

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** The ancient mural of Godzilla and the Rodans is a reference on near one-to-one recreation of Utagawa Kuniyoshi's ''Tametomo Rescued by Tengu sent by Sanuki-in'' ukiyo-e painting, with Godzilla in place of the ''wani'' and the Rodan in place of the ''tengu''.
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** The ancient mural of Godzilla and the Rodans is a reference on Utagawa Kuniyoshi's ''Tametomo Rescued by Tengu sent by Sanuki-in'' ukiyo-e painting, with Godzilla in place of the ''wani'' and the Rodan in place of the ''tengu''.
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* MinovskyPhysics: Kaiju are justified by a substance naturally occurring in their biology that warps physics to make their existence possible. SHIVA manages to refine this into what gets called Archetype and learn how to "program" it into specific configurations known as "Codes" to use against kaiju.
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** The [[spoiler: two moth scenes]] in the finale are clearly meant to reference [[spoiler: Mothra]].


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** The series composer stated that Alapu Upala was heavily inspired by the classic Mothra’s Song.
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* LoadsAndLoadsOfRoles: Creator/BeauBillingslea plays the voice of ''many'' one-off characters, which is particularly noticeable given his distinctive voice.
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* AlasPoorVillain: Anguirus is this. Even though he's an antagonistic, yet not villainous monster, he is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable behavior. Who hadn't cried, or feel sympathy for him after witnessing his death?

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* AlasPoorVillain: Anguirus is this. Even though he's an antagonistic, yet not villainous monster, he is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable behavior. [[spoiler: Who hadn't cried, or feel sympathy for him after witnessing his death?death?]]
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* SetRightWhatOnceWentWrong: The lullaby was sent back in time from an alternate future to do this. [[spoiler:Jet Jaguar PP implies that he was the one who did so, in and in a way was time travelling with it due to being encoded in it.]]

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* SetRightWhatOnceWentWrong: The lullaby was sent back in time from an alternate future to do this. [[spoiler:Jet Jaguar PP implies that he was the one who did so, in and in a way was time travelling with it due to being encoded in it.]]
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* TerrorDactyl: Rodan, as usual, is a terrifying GiantFlyer. However, he looks ''much'' more like a proper pterosaur than his earlier portrayals, being a quadruped with a large head and a wing membrane suspended by a single finger.

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* TerrorDactyl: Rodan, as usual, is a terrifying GiantFlyer. However, he looks GiantFlyer, though this time there's many of them and they are relatively small by kaiju standards. They look ''much'' more like a proper pterosaur than his compared to earlier portrayals, being a quadruped quadrupedal with a large head and a wing membrane suspended by a single finger.

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* PteroSoarer: Averted this time. Rodan, though still exaggerated, looks ''much'' more like a proper pterosaur than his more typical portrayals. He's even a quadruped now!


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* TerrorDactyl: Rodan, as usual, is a terrifying GiantFlyer. However, he looks ''much'' more like a proper pterosaur than his earlier portrayals, being a quadruped with a large head and a wing membrane suspended by a single finger.
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* MilitariesAreUseless: An old standby of Godzilla stories, and still valid in this one. When all is said and done, the three-man engineering firm Otaki Factory does more to stop the various Kaiju than the entire JSDF, both over the course of the entire series and in most individual episodes.

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* MilitariesAreUseless: An old standby of Godzilla stories, and still valid in this one. When all is said and done, the three-man engineering firm Otaki Factory does more to stop the various Kaiju than the entire JSDF, both over the course of the entire series and in most individual episodes. Kind of {{Downplayed|Trope}}, though, in that the Rodans and even the Mandas are shown to be perfectly vulnerable to conventional weapons like machine guns and naval artillery respectively, although they still come in numbers too great for the military to effectively stop.
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* StupidSacrifice: While fleeing from a swarm of Rodans, a little girl trips when her cat panics and breaks out of her arms to run for it, and Professor Li's assistant bravely scoops her up to carry her to safety. [[spoiler:Then Professor Li chases after and grabs ''the stupid cat,'' and is struggling to keep hold of it when a Rodan swoops down and eats her alive.]] A truly ''dumb'' way to die, made worse by the fact that it's literally ''the only'' human character death in the entire series.
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* BittersweetEnding:[[spoiler:The crisis with Godzilla and the red dust has been dealt with. But at the cost of Jet Jaguar and Pelops-2]].

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* BittersweetEnding:[[spoiler:The BittersweetEnding: [[spoiler:The crisis with Godzilla and the red dust has been dealt with. But at the cost of Jet Jaguar and Pelops-2]].
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* AllThereInTheManual: The ''Godzilla Singular Point'' novelization and ''Godzilla Singular Point Fan Book'' contain details and scenes that were left out of the show and clarify some of the questions left unanswered by the series, such as how the 1954 Godzilla -- whose skeleton rests in the basement of the Misakioku building -- died and its role in the 2030 Godzilla's emergence.

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* AllThereInTheManual: The ''Godzilla Singular Point'' novelization and ''Godzilla Singular Point Fan Book'' Book contain details and scenes that were left out of the show and clarify some of the questions left unanswered by the series, such as how the 1954 Godzilla -- whose skeleton rests in the basement of the Misakioku building -- died and its role in the 2030 Godzilla's emergence.

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** In episode 12, the "multiversal" copies of Pelops-2 are mainly a gathering of cute to cartoonish Pelops-2's, with a wolf-like version at the bottom of the screen.

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** In episode 12, the "multiversal" copies of Pelops-2 are mainly a gathering of cute to cartoonish Pelops-2's, with a scary wolf-like version at the bottom of the screen.



** At the end of the same episode, a fishing boat crew member tells his partner that "[[Film/{{Jaws}} we're going to need a bigger boat]]" as they witness a massive swarm of Rodan emerge from the red tide.

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** At the end of the same episode, In Episode 2, Pelops-2 indignantly asks how Mei would like it if she woke up as an insect, which Mei immediately recognizes as a reference to Gregor Samsa from ''Literature/TheMetamorphosis''.
** In Episode 2,
a fishing boat crew member tells his partner that "[[Film/{{Jaws}} we're going to need a bigger boat]]" as they witness a massive swarm of Rodan emerge from the red tide.
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Added DiffLines:

* AllThereInTheManual: The ''Godzilla Singular Point'' novelization and ''Godzilla Singular Point Fan Book'' contain details and scenes that were left out of the show and clarify some of the questions left unanswered by the series, such as how the 1954 Godzilla -- whose skeleton rests in the basement of the Misakioku building -- died and its role in the 2030 Godzilla's emergence.
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* AlienInvasion : according to some fan theories, since kaiju, as being described in the series, seem to be unlikely to be native of Planet Earth, or even it's dimension.

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* AlienInvasion : AlienInvasion: according to some fan theories, since kaiju, as being described in the series, seem to be unlikely to be native of Planet Earth, or even it's dimension.
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* AlasPoorVillain : Anguirus is this, even though he's an antagonistic, yet not villainous monster, is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, behavior. Who hadn't cried, or feel sympathy for him after witnessing his death ?

to:

* AlasPoorVillain : AlasPoorVillain: Anguirus is this, even this. Even though he's an antagonistic, yet not villainous monster, he is portrayed more sympathetically compared to Rodan or Godzilla, thanks to his playful and shy, but unpredictable, unpredictable behavior. Who hadn't cried, or feel sympathy for him after witnessing his death ?death?
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** Godzilla Ultima briefly reenacts the "atomic breath straight up" shot from Film/GodzillaKingOfTheMonsters2019.

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** Godzilla Ultima briefly reenacts the "atomic breath straight up" shot from Film/GodzillaKingOfTheMonsters2019.''Film/GodzillaKingOfTheMonsters2019''.

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Renamed per TRS


* MainliningTheMonster: SHIVA's Archetype turns out to be [[spoiler:derived from the red dust produced by the Godzilla skeleton in the basement of the Misakioku and Salunga]].


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* MonsterOrganTrafficking: SHIVA's Archetype turns out to be [[spoiler:derived from the red dust produced by the Godzilla skeleton in the basement of the Misakioku and Salunga]].
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Up To Eleven is a defunct trope


* MoreTeethThanTheOsmondFamily: Many of the kaiju shown have many rows of teeth. Anguirus seems to have an entire tongue covered in teeth, while Godzilla has four rows of teeth on both top and bottom and the addition of tusk-like fangs. The first Rodan takes this UpToEleven with the ''entirety'' of its mouth's surface covered in teeth.

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* MoreTeethThanTheOsmondFamily: Many of the kaiju shown have many rows of teeth. Anguirus seems to have an entire tongue covered in teeth, while Godzilla has four rows of teeth on both top and bottom and the addition of tusk-like fangs. The first Rodan takes this UpToEleven with has the ''entirety'' of its mouth's surface covered in teeth.

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