Wild Mass Guessing for Labyrinth.
- Her little-changing expressions.
- Awkward dialogue, as if she just repeats melodramatic lines she heard on TV when she thinks they apply (not uncommon in the world of mental disorders.
- Her immaturity and undeveloped-seeming behavior.
- Ooh. And Jim Henson never died. After Labyrinth he realized how much more lucrative being a rock star was compared to being a puppeteer. He's been "playing" Bowie ever since.
- As of January 2016, let's just say the Muppet was retired.
- Strangely, The Venture Brothers does insist that he is an actual shapeshifter. He even turns into a bird like in this movie, which is Lampshaded: "The guy from Labyrinth just turned into a bird!"
- Nooooooo!
- Some people just can't cope with fantasy.
- Jareth (Bowie) could raise her from the dead and bring her back with him, but is far too faye to do so since she already made the wrong choice.
- Count D from Pet Shop of Horrors is another of that species. Same wish-granting theme and elaborate outfits.
- They both seem to be powered by desire. The Beldam lures in Coraline when she starts to get upset with her life. Jareth provides an adventure for Sarah, who is also upset with her life.
Well, he is a supernatural being and may have different ideas of what's an appropriate age to begin lusting after someone, or the difference between 'What a cute baby!' and 'Hel~looo, nurse.'
- This just makes the lyrics of "Magic Dance" a million times worse...Dance, magic dance!
Dance, magic dance!
Put that baby spell on me
Jump, magic jump!
Jump, magic jump!
Put that magic jump on me
Slap that baby... make him free!
Jareth & The Goblins, "Magic Dance" - Jossed. The manga has Toby brought to the Goblin Kingdom to become the new King so that Jareth can run after Sarah in the Real World as her Stalker with a Crush. The yaoi implications, like the art on the covers, were just there to lure in the fangirls.
- Anyone lured in by that yaoi deserved what they got.
- Further Jossed by the fact that, while Jareth might play at "caring for" Toby when he thinks Sarah has no chance to rescue her brother, when she actually gets to the city and seems likely to reach his castle, the Goblin King refers to his new prize as "it"/"the baby" and briskly hands him off to a minion rather than try to defend his claim upon Toby himself. Nobody refers to a person they're romantically attracted to as "it".
- The fact that abusive relationships and narcissistic personalities exist would disagree, though that doesn't change the above conclusions.
Hoggle on the other hand, despite his being a short warty something or other, has her overly happy to see him every time he shows up, she calls for him all the time throughout the movie when it would have probably been in her best interests to forget about him, and she even tries to kiss him once. Change Hoggle's appearance to something like, say, Crow in Maleficent, and keep all Sarah's actions the exact same, and there'd be fan art of the two of them all over the entire internet.
"I need you Hoggle."
Watch her tear up on that. Seriously. She is tearing up for *Hoggle* specifically.
Meiriona is using this in her own fanworks on fanfiction.net.
Both brothers, in spite of completely different upbringings, later fell in love with and lured teenage girls named Sarah who were bored to death with their normal lives.
In addition, isn't it obvious that Herbert (Graf von Krolock's son) is SOMEHOW related to Jareth? Just look at Jareth◊ and then Herbert◊.
- Not only is that the case, but Jareth was also specifically trying to duplicate that with Toby, more or less—he wanted to raise Toby to be his heir. Either he really ages at a normal rate and couldn't be the goblin king forever, or he didn't want to be the goblin king forever but couldn't leave without finding a replacement. (Abdication - successor = chaos, and not the kind the goblins will like.)
- The second theory is the implication of Return to Labyrinth, although whether or not it's canon depends on the reader.
- According to the Book of the Movie, the first theory is partially correct. Jareth does age, but at a much slower rate. The beginning of the book has him realizing he's getting older and that he needs an heir.
- Jareth's being taken by the goblins and either not aging or aging slowly makes his attraction to Sarah less creepy. After all, the era he was born in may have considered a girl eligible for marriage at 16, or even 14, depending on how long he has been in the care of the goblins.
- Different version of the theory but along the same lines: Jareth was stolen as a baby by a previous Goblin King also named Jareth because his big sister wished him away. His sister tried to get him back, but instead fell for the King's charms, and the King used the girl to break out of the Goblin Kingdom and into the real world to live with her. He named his "heir" Jareth as well before leaving the kingdom in his control. Jareth stopped aging at around 30, so this may have been centuries ago. In Labyrinth Jareth tried to to the same thing to Toby that was done to him, even considering changing Toby's name to Jareth.
- The Archaia Entertainment comic confirms this. Jareth's predecessor, The Owl King kidnaps him as a baby from 18th century Venice.
Likewise, he follows no particular rules of time or space; but when Sarah stops believing in his power, it is broken, just with a lie. And he cannot show up until she tells him to.
- Well, let's make a long essay comparatively short:
The only real difference is that Sarah got Toby back, while Daniel took over for Morpheus. It's obviously an alternative ending Dream made for himself and his heir to be comforted by.
Come on. Look at the way der Tod dresses. Watch "Der Letze Tanz" on one of the productions where Elisabeth's wedding dress looks decidedly white and poofy. Overtones of Sarah? You bet.
The reason for all the puzzles and awkward semi-romantic imagery? Hormones.
- The other inhabitants of this so-called Labyrinth are simple criminals. They get by, and they aren't heroes, but they aren't crazy either. Jareth, however, works outside the rules and is deeply delusional. Naturally, they would despise and occasionally disregard him— but fear him as well.
- In other words, what was going on in Pan's Labyrinth.
- Elves are canonically an offshoot of the boogeymen and look like small, ugly monkey things underneath their glamours - that is, goblins. They live in parasitical pocket dimensions they can mold to their whims - that is, the Labyrinth. They get off on convincing mortals to worship them and are near helpless against a human that's managed to overpower their illusions. Jareth's an elf that got fed up with all the dog raping characteristics of his kind and decided to head off, start his own kingdom, and play the Trickster God instead! It all makes sense!
- In particular, Jareth is the Elf King himself, absentee husband of the Quin Tiffany fights in The Wee Free Men. Notice their shared power ranges (dreams and delusions), child-stealing characteristics (and for plucky teenage heroines' irritating younger brothers, too!), bizarre and uncertain kingdoms and subjects (and especially using the victims own thoughts/dreams to shape a world), particular affiliation with doors and gateways, 'waking up' from surreal-seeming real life into a dream (actually that doesn't quite sum up what was going on with sarah, but it'll have to do), and even use of the same type of dream (of ballrooms, though in wildly differing contexts). Fairy kings are also apparently more likely to keep in other dimensions, away from the kingdom they rule, while the Queen does the actual business of ruling, and it could be assumed that the Labyrinth was Jareth's one of these, which he retreated to after leaving the Queen?
- Alternatively, Jareth is a drome that created the Labyrinth dream for Sarah.
Forever touched by the powers of Arcadia, Sarah returns triumphant from her Durance in the Labyrinth, but finds herself growing even more distant from normal humans because she's found real friends among the goblins and hobgoblins she met in the Hedge.
When Toby grows up and finds his sister consorting with monsters (and possibly being able to see through her Mask, having been touched by Jareth's power as a baby), and generally becoming less and less human as she grows more fully into her Fae powers, he'll eventually hear the story of how he was stolen and Sarah came to rescue him, and dedicate himself to keeping the Fae from stealing anyone else.
- Alternately, Sarah is one of the Wizened. Her Durance certainly had more to do with being cunning than being pleasing, we only think of her as fair because we - most of us, anyway - cannot see through her Mask. She actually looks much like the dweller of the dump who helped her reach one of her most important realizations.
- Jareth put her through all that because he fell in love with her, in as much as any True Fae can; Wizened durances typically mean pointless, hideous tortures or impossible labors, and they become what they do more than anything like what they were made to be. Since Sarah is as gorgeous as ever and has learned to make friends over the course of the journey, it's unlikely that she picked up the characteristic bitterness and spite that the Wizened all have— however, it may be that she's picked up a dual kith, reflecting her unusually triumphant escape from Faerie by actually defeating her Keeper.
- What makes you so sure she really did defeat him?
- And to take it further, Toby has become a Fairest.
- Jareth put her through all that because he fell in love with her, in as much as any True Fae can; Wizened durances typically mean pointless, hideous tortures or impossible labors, and they become what they do more than anything like what they were made to be. Since Sarah is as gorgeous as ever and has learned to make friends over the course of the journey, it's unlikely that she picked up the characteristic bitterness and spite that the Wizened all have— however, it may be that she's picked up a dual kith, reflecting her unusually triumphant escape from Faerie by actually defeating her Keeper.
David Bowie is, however distantly, the direct descendant of King Aragorn, son of Arathorn, and Queen Arwen, making him not only the leader of the Dúnedain (and, by extension, the Númenóreans), as well as the one of the last elves on Earth. This is evidenced by his slow-aging and as his singing.
- ... awesome! This is further supported by the name Jareth bestows on Toby ("I think I'll call him Jareth").
- But Jareth is in love with Sarah, at least so far as one assumes a Goblin King can be. The manga makes it clear that Toby, like Jareth, has very fond memories of his creative elder sister, and regrets her mundane 'growing up,' and sure, he falls in love with a palette-swapped version of Sarah as she was at his age, but... Oh.
- I had a similar interpretation, but slightly more tragic: Jareth really does want to be loved and appreciated by his creator for how well he's dispatched the role for which he was made. But since he was made with the desires of an Evil Overlord, he can't disentangle this from his urge for dominance, hence his weirdly contradictory pitch (do as I say, and I will be your slave!). When that fails he realizes it isn't going to happen, so after one last look at Sarah and her friends he takes off to form his own destiny.
- Each of the goblins represents a responsibility that Sarah has shrugged off or forgotten, which is why Toby is in danger of turning into one.
- And every puzzle represents something she can do to help repair her relationship with her father and grow up - for instance, asking for permission, asking politely for information instead of demanding it, being somewhere on time, helping because it's the right thing to do instead of it being required, not placing so much value on material possessions, not taking things at face value etc.
- Therefore, The Labyrinth is Hell, and all the Goblins are former humans atoning for their sins (for example, by being forced to wage battles blind, being dismembered until they go mad from it, being immobilized across the hall from someone they hate, being trapped in the Bog Of Stench, etc.) - Sarah's stepmother sold her firstborn child to the devil, hence Jareth's interest.
- Underground suddenly makes more sense, doesn't it?
- And Jareth does want someone to help get him out of there...
- Implied in the book. Jareth clearly states that if Sarah fails to save Toby in time, he will turn into a goblin. When she advances further, he muses about the threat she poses to him, because she is 'too old to be a goblin, but too young to be kept by him, damn her innocent eyes.' He tried to corrupt her in the bubble, but failed to do so. The other people inside might have been the ones he was able to corrupt all right.
- Many if not all of the masks that the dancers wear match up with individual goblins who follow Jareth around. Perhaps each dancer's mask is a reminder of the younger brother or sister who is now a goblin, because they failed to complete the labyrinth.
- This is implied even more heavily in the book than it already was in the movie.
- Plus only a mother would have the power to give a baby away to Goblins.
- Explains why she doesn't date. As well as perhaps why she seems to have no friends (back in the day, it wasn't popular to get knocked up in high school)
- May also explain the flowy tops, dresses and big shirts are common after pregnancy to cover the in between stages of huge and recovered tummy. Toby about one year would put her into that time.
- This theory might be appropriate for some dubbed versions, but for the English version it's right out. First of all, it is stated more than once that Toby is her brother. (Sarah says, "But I have to have my brother back! He must be so scared..." and Jareth says, "You have thirteen hours in which to solve the labyrinth before your baby brother becomes one of us, forever!" Secondly, it's not likely that her stepmother would be telling Sarah, "You should have dates at your age!" if Sarah had already gotten pregnant. The implied conflict is that Sarah is *behind* in sexuality for her age, not ahead of it. Toby being Sarah's son would also just clash with the entire theme of the story. It's about a girl who is sheltered, living like a child, trying to learn how to take care of herself and live like an adult. Girls who get knocked up in high school aren't sheltered, unless they got pregnant under very unusual circumstances, and the movie would have discussed such a backstory if it were there.
- Not necessarily. Firstly, her father and stepmother might have adopted Toby. That's not so uncommon when the single, teenaged daughter of a married couple gets pregnant. That would make Toby both Sarah's son and brother. Also, her stepmother might be worried that Sarah wasn't dating if Sarah had regressed after having Toby. It's not hard to imagine that a teenaged girl, having gotten pregnant by a boyfriend who subsequently ditched her, might react by seeking shelter in fantasy and acting more like a younger girl, essentially seeking shelter in a younger, less mature persona. Her stepmother might feel, in effect, that while it's not great the Sarah got pregnant as a teenager, it's not healthful for her to regress. It also might explain why Sarah seems so hostile toward Toby at the beginning, and why she wants to get rid of him: she reminds him of the guy who broke her heart, and he's the reason, in her mind, at least, why she can't be a normal teenager. I only seen the movie once but I'm clearly remember two lines that the step-mother and Sara say right after Sara gets home a bit late. Step-mother says something like "We told you you need to watch your brother!" Sara "HALF-brother!"
- This theory might be appropriate for some dubbed versions, but for the English version it's right out. First of all, it is stated more than once that Toby is her brother. (Sarah says, "But I have to have my brother back! He must be so scared..." and Jareth says, "You have thirteen hours in which to solve the labyrinth before your baby brother becomes one of us, forever!" Secondly, it's not likely that her stepmother would be telling Sarah, "You should have dates at your age!" if Sarah had already gotten pregnant. The implied conflict is that Sarah is *behind* in sexuality for her age, not ahead of it. Toby being Sarah's son would also just clash with the entire theme of the story. It's about a girl who is sheltered, living like a child, trying to learn how to take care of herself and live like an adult. Girls who get knocked up in high school aren't sheltered, unless they got pregnant under very unusual circumstances, and the movie would have discussed such a backstory if it were there.
- In the end she chooses to keep believing in her friends at least, preserving their existence.
The story isn't about maturity or responsibility, it's about learning to cope with unfairness, and become more fair herself in response. She does act like a brat in the scene with her parents, but her parents aren't stellar people either; her stepmother sees her as a complication in her marriage, her father is clearly more interested in his new wife and baby than helping his daughter cope. These things aren't her fault, but she feels like a third wheel in her own family, and she may be right. Going to the Labyrinth reminds her that the only person she can count on to treat her fairly and take care of her needs is herself; once she gains that self-reliance, she recognizes that she can be okay on her own, because she has her daydreams to keep her company.
- "Cinderella": Sarah sees herself as a Cinderella figure at the start of the story. She spites her stepmother and half-brother and describes herself as "practically a slave," while her stepmother complains, "She treats me like a wicked stepmother in a fairy story no matter *what* I say..." But of course, the "wicked" step-mother and half-brother are decent people, while the sparkly prince is the villain. The ballroom scene, which is a huge shout-out to Cinderella (especially with that white ballgown), is sinister rather then triumphant. And instead of spending the story trying to escape an "evil" family by marrying a "perfect" prince, she's trying to rescue and reconnect with her family, while avoiding the lure of the seductive prince. Also, while Cinderella starts off as a slave, and ends as a princess, Sarah, in a sense, is a "princess" from the start, as emphasized by her Meaningful Name.
- "The Little Mermaid": The mermaid leaves her family to enter a race against time, to be with a prince she doesn't even know. Sarah on the other hand is in a race against time to rescue a family member, and resist the urge to leave her family for the prince. Also, Sarah's dog Merlin (and by extension, Ambrosious) resembles Prince Eric's dog Max, from Disney's The Little Mermaid.
- Many people have noted that Jareth's ballroom attire resembles the Beast's from the famous Disney's Beauty and the Beast. But while Belle must learn not to judge a beast by his looks, Sarah is being fooled by Jareth's good looks in this scene.
However, this troper always heard the worm's words as, "SHOULDA' kept on going down that way! SHOULD'A gone straight to that castle!" This would make more sense, since Sarah did tell the worm, "I have to get to the center of the Labyrinth," so the worm would know where she's trying to go. When the worm said, "Never go that way!" he wasn't talking about going left; he was talking about going *either* left or right. What he wanted Sarah to do was keep going *straight.* The brick-wall illusion continued straight forward, right to the Goblin Castle. If Sarah had kept going "that way" (straight) she would have reached the castle in no time. Instead, she misunderstood the worm, and thought he wanted her to go right.
THIS IS NOT MY THEORY. Instead it's the theory of tumblr user glamdamnit, who is a genius and who should get all the credit, but I had to put it here.
"My sister asked if the events of “The Labyrinth” are meant to be Sarah dreaming, or are they real? Although my primary reaction was that she shouldn’t put that much thought into any children’s movie (or any instance of David Bowie in tight pants), I’d like to take this opportunity to put so much thought into this children’s movie, that it’ll blow your mind.
So why is David Bowie kidnapping a child from an underage Jennifer Connelley?
In a time long long ago a sorcerer named Jareth fell in love with a girl named Sarah. Sarah’s father and step-mother would not let her marry Jareth because they wanted her to keep her, as a servant, to care for their other child. In a fit of rage Jareth kidnapped this other child and spirited it away to the fairy world. In this new world Jareth built a palace for his Sarah. He turned the spoiled child into a goblin, and kept it to be a servant.
Many stories of the fairy world tell us that time moves differently there than in our world (Rip Van Winkle for one). In the time it took for Jareth to build his kingdom, which he may have thought was little more than a few years, Sarah grew old and died.
Overcome by grief and addled by a lifetime spent in a strange world filled with monsters, Jareth goes mad. He refuses to believe that he has lost his love. He searches the mortal world from his castle, looking for her.
Sarah is a Hebrew name. So, it is common, and has been in use for thousands and thousands of years. It does not take long (for him) to find a dark haired girl named Sarah, who has a younger sibling, and who feels that she is treated unfairly by her step mother. In a fit of rage he kidnaps this other child and spirits it away to the fairy world. Perhaps this new Sarah dies in the quest to find the child, perhaps she wins her sibling back and flees.
Jareth searches the mortal world from his from his castle, looking for her. It does not take long to find a dark haired girl named Sarah…
This is how Jareth becomes the goblin king. Every goblin in the goblin city is a child Jareth has stolen, who was not recovered by a Sarah. (he told the current Sarah that Toby would become a goblin if she did not find him in time)
This is why he builds the maze. The magic bog, the junk yard of useless treasures, all tricks to slow Sarah down. Because if he can only have his Sarah for the time it takes for her to regain the stolen child, he will make it take as long as possible, keep her as long as possible.
This is why there exists in our world a book containing the story. Because it has happened before. So many times. At some point some lucky Sarah must have returned to our world to tell the story.
This is why when the most recent Sarah first meets Hoggle at the start of the labyrinth, and introduces herself; “I’m Sarah”, Hoggle responds “That’s what I figured.”
Because of course she’s Sarah.
They were all Sarah."
- This WMG also has it's opponents including Pika-la-Cynique (Subtilior and Lixxle also agree with her and all three of these people are big name / good enough to be featured on FanficRecs.Labyrinth) because to quote her and some commenters from here:Pika: Also, that theory - WAY to make SARAH's story, you know, OUR HEROINE, in one of those too-rare films with an independant capable young girl taking control of her destiny and pwning all personally relevant obstacles and temptations in her path, and Growing Up right there in front of your eyes in the fim - and go NOPE LETS MAKE THIS AAAALL ABOUT WOOBIE, SEXY JARETH's FEELS, and hey, "Sarah" is just the last of a series of interchangeable idealized love interests and he can't even tell them apart.bruwench: The base concept is intriguing, but sloppy exposition and a failure to acknowledge some of the greatest merits of the original story weaken the argument altogether. With a bit more critical thinking and in the hands of the right author, though, I'd read the fanfic version.Subtilior: Been there, done that, made him Satan.notetoshers-girl: Meh it's sorta a stupid theory isn't it? Backed up by very little, typical/usual in what it suggests and doesn't really add anything to the movie or fanon at all. I mean it's not even that super-creepy because it's just so blandly generic.sadsiren: Glad I'm not the only one who didn't like that concept being tossed around. If this person actually paid attention to later in the film, the reason Hoggle knew Sarah was coming was because...Jareth told him she was coming! OMG WHAT A TWIST! 9_9TheDiva1977:As to the theory in question...yeah, kind of interesting if your headcanon swings to the morbid, but I have issues:
1.) For all that Jareth is an old-school Fair Folk and has probably been stealing babies and dicking in human lives for goodness knows how long, I don't see him doing this exact same dance over and over again—especially if, as the theory suggests, he doesn't always come out on top of it.
2.) The Labyrinth is rather well-populated—the idea that every single goblin in it came about by a) being the much-younger (step)-sibling of b) an adolescent/young-adult brunette woman named Sarah who c) resented their presence enough to wish them elsewhere seems a bit of a stretch to me.
3.) That last scene seems a bit too...intimate (in a creepy way, but still) to have been played out before. There's just something about Jareth's approach to Sarah that leads me to think there's something about this particular girl that attracts him, not that she's the latest in a long line of (attempted) conquests.rosegoddess9: Interesting fan theory, but if that was the case I wonder why he doesn't keep her there perpetually? Have her ever-running the labyrinth... Also, wouldn't the odds be that there is at least one Sarah who would be like "You know what? Yeah. I'll totally be your slave. Let's go."LouisaGallie: My main issue with the this theory is the opening paragraph: "Although my primary reaction was that she shouldn’t put that much thought into any children’s movie (or any instance of David Bowie in tight pants), I’d like to take this opportunity to put so much thought into this children’s movie, that it’ll blow your mind."
Yes, yes! My mind is absolutely blown. It just cannot with the remarkable depth of thought and analysis that has been put into this short story, which is like, so much deeper than any of the 8000+ fics (on FF.net alone) and all of the writing that went on before/during the birth of the internet (I think they used stone tablets or something? Or did they have quills then?). I bet she spent whole HOURS thinking this up and writing it, even, and all those shallow slackers who spend months writing multi-chaptered epics with every spin on myth, legend and original theory you could hope for obviously didn't put THOUGHT into any of that. Because THAT much thought obviously causes spontaneous mental combustion. Which she knows, because she is the first person to have ever done it.
/sarcasm mode to OFF
8000 fics, a pre-internet fandom in the form of zines and an internet fandom so old we remember Geocities. It's a neat little theory but it's not one-of-a-kind, and simultaneously sneering at the idea of "putting much thought into a children's movie*" while acting like having done so makes her a very clever special snowflake is...irksome also.
(*Because children's films are not supposed to include depth or lessons because god forbid children actually learn to think about things? Don't even get me started...)Pika-la-Cynique: Like, eurgh, "~The clever don't start, 'til I waltz in!~".Owl-songs: ... I can't stand the idea that this theory is somehow revolutionary within the fandom when it is very clear—at least to me—that the author has not spent much time at all actually exploring the other fan theories out there.Manon-de: I agree- I was already prejudiced against the theory from the start just because of the snide way it began. Fandoms are fun! So are children's movies! Why not think about them? - And now some other people against it! A slightly Rouge Angles of Satin tumblr analysis here, a blog entry here, a DeviantArt comic here, one more from tumblr here.
- Most of these boil down to: the author is too full of herself (see "it’ll blow your mind" etc.) and gets hyped too much (see "genius") for someone, who doesn't know much about the fandom and already existing theories, ignores half the rules of the Verse (the Right Words for example) to create a bland theory, that goes against all the original stood for, has major logical issues and (as the Jareth's previous victims idea) was done to death.
The thing is... this is the same for Sarah and Toby - Sarah's suffering the distress of her mother leaving her father for the actor Jeremy. While she does like Jeremy and has forgiven her mother, she's living with her father because he was awarded custody during the divorce. She's so angry because her father drove her mother away and she has to stay behind. She's angry at Toby because she's lashing out.
Jareth was already watching Sarah and Toby because he feared their parents would abandon them and would've whisked them to the Goblin city at the first opportunity. This is why Sarah's raising Toby in the manga sequel.
Sarah, like Eleanor, has a very fantasy prone personality, often losing herself to the elaborate daydreams and pretendings going on inside her head. During her trip from home to Hill House, Eleanor Vance concocts multiple fantasies about everything from a pair of carved lions in front of a house, to a square of oleander trees in the country.
So prone to these imaginings, the two both eventually came to their Labyrinths, Sarah to Jareth's realm, and Eleanor to Hill House. Sarah was able to wake from her fantasies in time, though, returning from her Labyrinth to her real world. She realizes that, though she'll always need the fantasies in her head, she also needs to set them aside in order to grow.
Eleanor clung more and more tightly to her fantasies, even weaving them together into elaborate lies to Theodora, Luke and Dr. Montague about her actual life. Hill House, with its odd geometry and rumors swirling about it, became her Labyrinth, and, even as she was being sent away from it, was unable to find her way out of her own fantasies until it was too late.
Eleanor's sister, or niece, was Sarah's birth mother.
Both characters are portrayed by David Bowie. In that film and its deleted scenes found in The Missing Pieces, Phillip Jeffries goes to a hotel Buenos Aires in 1987. When he uses the elevator, he ends up in the FBI office Philadelphia on February 16, 1989. He then tells fellow agents about a room above a convenience store, where inhabitants of a place in another dimension called the Black Lodge resided. Jeffries then disappears and teleports back to Buenos Aires. It's implied that there is a portal to the Black Lodge in that hotel. So perhaps the Labyrinth is of that same realm. So between his disappearance in Fire Walk with Me and his transformation that took place prior to The Return, he might have become the Goblin King. Or, the Goblin King could be his doppelganger. Jareth is able to transform into an owl, which is an ability that evil spirit Killer BOB has. One could say that perhaps BOB possesses Jareth. However, they are different looking owls, so there may not be any possession going on whatsoever. But one thing that's clear in Twin Peaks is "The owls are not what they seem."