A Roman tragedy by William Shakespeare. It can be viewed as a sequel to Julius Caesar, though more for historical than thematic reasons. Shakespeare's source for the play was Thomas North's 1579 translation of Plutarch's Lives, and the play is essentially an adaptation of it.The play focuses on the tragic fall of Mark Antony, a Roman general, as he is seduced by Egyptian queen Cleopatra. Antony spends much of the play ignoring his duties as a general to Rome, while living it up in Alexandria with Cleo. Octavius Ceasar, nephew of Julius, is unhappy with this, because Rome is involved in a war with Pompey and could really use Antony's help. Antony leaves Alexandria for Rome, not realizing Octavius envies his power and plots to overthrow him when the war is over. Meanwhile, Cleopatra pines and beats up a messenger. And more stuff happens. The plot is extremely complicated; if you want the full story, go to Sparknotes or The Other Wiki. Or, you know, read/go see the play.The story is set in both Rome and Alexandria, and jumps from location to location constantly. It includes a battle at sea, cross-dressing, drunken reveling, a eunuch, and a very poignant suicide attempt which is interrupted by a clown. One of the most memorable aspects of the play is Cleopatra; she's considered the most complex female character in the Shakespeare canon, and she's certainly the most emotionally extreme.
Ascended Extra: Enobarbus has only a few lines in the Plutarch.
Bearer of Bad News: The messenger; Cleopatra beats him up for daring to report that Antony has married Octavia. He catches on, though, and later only brings Cleo good, if questionably truthful, news.
The Charmer: Cleopatra, just another way for her to wrap you around her finger.
A Child Shall Lead Them: Octavius Caesar, though older than most examples, is often noted for only being in his twenties and ruling Rome.
Christmas Cake: Charmian is rather unhappy about having no children.
Civil War: In Italy. It's what spurs Antony to want to leave Egypt.
Clingy Jealous Girl: Yet another persona of Cleopatra's large tool box for twisting Antony and others to doing what she wants.
Commander Contrarian: Enobarbus. In an unusual subversion, he is absolutely right.
Complexity Addiction: Cleopatra can't simply say something straight to your face or ask you for something, she'll make sure to manipulate your emotions and thoughts to get what she wants, even when it's completely unnecessary or even counterproductive.
Conflicting Loyalty: A major part of Antony's character. He's stuck between his love for Cleopatra and his duty to serve Rome.
Enobarbus is also conflicted between his love for Antony and his duty to Rome.
Deadpan Snarker: Enobarbus, who always has something snarky to say about Antony's behaviour around Cleo.
Throughout Act 1, Scene 2, Charmian makes snarky remarks about all of the soothsayer's predictions. The soothsayer eventually gets in the game.
Soothsayer: If every of your wishes had a womb,/ And fertile every wish, a million.
Death By Despair Enobarbus. But not before he finishes his nice long monologue, of course.
Femme Fatale: Cleopatra, though she does genuinely love Antony.
The Fettered: A common trait among Romans and especially Antony. When he hears his home is under attack, his first instinct is to return with his men and defend Italy.
Foil: While all of the characters have some foil to another character, the largest one is between the general attitudes of the Roman people and the Egyptian people, to the extent where Egypt embodies the id while Rome embodies the superego.
Four Star Badass: Antony and Taurus. Even Caesar respects Antony's military prowess.
The Hedonist: Egypt's inhabitants exemplify this to some extent. Mark Antony, having lived in Egypt for a while now also seems to be holding these ideals closely.
Mark Antony: There's not a minute of our lives should stretch/ Without some pleasure now.
Manipulative Bastard: Caesar - no-one, not even his own sister, is safe from being a tool in his schemes.
Manipulative Bitch: Cleopatra, to some extent or another, tries manipulate everyone around her, to the point where it begins to backfire on her and largely contributes to her and Antony's deaths.
Manly Tears: Antony's men complain that Antony is making them cry during his supposedly-Rousing Speech.
Enobarbus: When it pleaseth their deities to take the wife of a man from him, it shows to man the tailors of the earth, comforting therein, that when old robes are worn out, there are members to make new. If there were no more women but Fulvia, then had you indeed a cut, and the case to be lamented.
Mark Antony: It is shaped, sir, like itself; and it is as broad as it hath breadth: it is just so high as it is, and moves with its own organs: it lives by that which nourisheth it; and the elements once out of it, it transmigrates.
Lepidus: What colour is it of?
Mark Antony: Of it own colour too.
Lepidus: 'Tis a strange serpent.
Mark Antony: 'Tis so. And the tears of it are wet.
Shoo Out the Clowns: Weirdly averted— at the play's climax, after Antony has died and Cleopatra has decided to kill herself rather than be paraded to Rome as Octavius' trophy, she calls for someone to bring her some asps... and that someone is a Clown, who proceeds to make bawdy puns about the "worm" eating women. This happens right before Cleopatra kills herself.
Shout Out: Enobarbus' famous description of Cleopatra's barge is paraphrasing the description in North's Plutarch, Shakespeare's source.
Tag Team Suicide: Two examples, actually; Antony's servant decides to off himself when Antony does, leaving Antony to kill himself... himself. He screws up, though, and gets brought to Cleopatra, who also decides to kill herself.
The Extremist Was Right: Whilst Antony and Cleopatra are more sympathetic overall, it becomes increasingly difficult to argue that the world would be better off with them in charge rather than Caesar.
Thinking Out Loud: Quite often. This is a Shakespeare play after all.
Worthy Opponent: Pompey to the triumvirate. He refuses, for example, to kill the leading members when they're in a vulnerable position.
Xanatos Gambit: Caesar pulls one in marrying his sister to Antony - if Antony is faithful, it breaks his influence in Egypt and binds him to Caesar. If he is not, it gives Caesar an excuse to go to war with him, as well as a propaganda coup.
Your Cheating Heart: Antony is cheating on his wife back in Rome, Fulvia, with Cleopatra. The marriage wasn't exactly a happy one before Cleopatra came in either.
's 1579 translation of Plutarch's Lives,
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