Music / Thin Lizzy
One of the many, many lineups of Thin Lizzy.

"He's just a boy, that has lost his way
He's a rebel that has fallen down
He's a fool, been blown away
To you and me, he's a renegade"
— "Renegade", from the 1981 album of the same name.

Thin Lizzy are a (mostly) Irish rock/metal band originating in 1969, Led by co-founder, bass player/singer and main songwriter Phil Lynott. The name was lifted from The Dandy comic's character "Tin Lizzie", with an alteration of spelling (Dubliners pronounce "th" as "t").

The core members were Lynott and Drummer Brian Downey, with guitar spots filled by a long list of ever changing names, the longest serving of which is Californian guitarist Scott Gorham, who moved to the UK to fill a guitar spot in Supertramp, but was unsuccessful.

When he joined the band in 1974, the original guitarist Eric Bell had been and gone, recording the hit single "Whiskey in the Jar", Thin Lizzy's first major success. Joining Scott in the other guitar role was Glaswiegan Brian Robertson, a hot-headed Scottish guitar prodigy, and between them they developed the ground-breaking distinctive twin lead guitar attack which characterizes Thin Lizzy's sound.

They finally found international recognition with 1976's Jailbreak, and Thin Lizzy's other hit, "The Boys Are Back In Town". The band led a career that lasted until 1983, when the band split, and all hopes of recording more original material were tragically crushed forever when Phil Lynott died in 1986, aged just 36.

Thin Lizzy was a unique combination of hard rocking songs about fighting & cool characters, epic guitar parts & harmonies, and sensitive, thoughtful and wide-ranging songwriting. Thin Lizzy are unfortunately still under-appreciated and lesser known compared to their world-famous '70's and '80's contemporaries (they're still mainly only known for two songs, "Whiskey In The Jar" and "The Boys Are Back In Town"), but in their heyday they developed a reputation for being one of the best live bands in the world and once played to a gigantic crowd on the steps of the Sydney Opera House; their Live Album "Live And Dangerous" is widely regarded as one of the best live albums ever recorded. They were also one of the few '70's rock bands who weren't dismissed as dinosaurs by the Punk Rock bands who rose at the end of the decade who appreciated the band's straightforward sound and lack of pretension.


  • Lineup 1 (Phil Lynott on bass & vocals, Brian Downey on drums. With Eric Bell on guitars):
Thin Lizzy (1971), Shades of a Blue Orphanage (1972), Vagabonds of the Western World (1973)

  • Lineup 2 (with Brian Robertson and Scott Gorham on guitars):
Nightlife (1974), Fighting (1975), Jailbreak (1976), Johnny the Fox (1976), Bad Reputation (1977), Live and Dangerous [live album] (1978)

  • Lineup 3 (with Gary Moore & Scott Gorham on guitars):
Black Rose: A Rock Legend (1978)

  • Lineup 4 (with 'Snowy White' & Scott Gorham on guitars & Darren Wharton on keyboards):
Chinatown (1980), Renegade (1981)

  • Lineup 5 (with John Sykes & Scott Gorham on guitars and Darren Wharton on keyboards):
Thunder and Lightning (1983)

The tropes are back in town:

  • Abusive Parents: "Frankie Carroll" is about an alcoholic man who beats his kids.
  • Air Guitar: Thin Lizzy are just too damn riffilicious, and those guitar harmonies and the guitar "duels" are top-notch.
  • Album Filler: A lot of Thin Lizzy's ballads can come off as this, as the juxtaposition can be jarring. Also, there is a 1972 song called "I Don't Want to Forget How to Jive", which never should have been recorded.
    • Nightlife is considered to have quite a lot of filler, especially the second side.
  • Album Title Drop: There is a title track (or a track whose name includes the album title) on most Thin Lizzy albums.
  • All Drummers Are Animals: Inverted; Downey was "the quiet one", the others... not so much.
  • Anti-Christmas Song: Phil Lynott got together with some ex-Sex Pistols and recorded a medley of Christmas tunes in a hard rocking style that comes off very ironic. Oh, and they were called "The Greedy Bastards".
  • Audience Participation Song: The band were well known for this, and some songs were massively extended in concert for those call-and-response games. Other songs were written specifically for gigs and never recorded.
  • Autobots, Rock Out!: "Emerald": the show piece is a "battle" between the lead guitarists.
  • Break Up Break Out: Done dozens of times over their history, and now Lynott's gone nobody known for sure who's going to be in the band for the next gig.
  • Breakup Song: "Still In Love With You", "Borderline", "Didn't I", etc.
  • Call-and-Response Song: Thin Lizzy did this with many a Audience Participation Song.
  • Canon Discontinuity: In order to record their first single "The Farmer", the band were required to record the song "I Need You", written by the owner of the studio. The band reluctantly did so, but never considered it part of their canon. As a result, the song has never been reissued since its original 7" vinyl single release (though it has been bootlegged on CD). As a result the original single is very valuable.
  • Captain Obvious: Apparently, there's gonna be a jailbreak somewhere in this town. This troper's money is on the jail.
  • Common Meter, Common Time: with only a few exceptions.
  • Concept Album: "Jailbreak" and "Johnny the Fox" were born of failed attempts at this.
  • Cover Version: Thin Lizzy covered Bob Seger's song "Rosalie" on the "Fighting" album.
  • The Cover Changes the Meaning: Thin Lizzy's version of the popular Irish folk drinking song, "Whiskey in the Jar"
  • Darker and Edgier: Johnny The Fox was considerably angrier and heavier than their previous albums - the main reason was that Phil was ill at the time he wrote it and therefore not in the best of minds.
  • Drunk with Power: The story of "Watch out for the Danger".
  • Genre Roulette: They were rooted in hard rock, folk and ballads, and their albums always featured a mixture. Their second album Shades Of A Blue Orphanage is somewhat jarring in how it seems to have done this deliberately.
    • The Rise And Dear Demise Of The Funky Nomadic Tribes (Funk Rock)
    • Buffalo Gal (Country Ballad)
    • I Don't Want To Forget How To Jive (Rockabilly)
    • Sarah (Easy Listening)
    • Brought Down (Power Ballad)
    • Baby Face (Hard Rock)
    • Chatting Today (Folk)
    • Call The Police (Funk Rock)
    • Shades Of A Blue Orphanage (Easy Listening)
  • Greatest Hits Album: Hardly a year goes by when a new one of these doesn't get released. Sometimes if you're lucky, you'll get one with rare b-sides or unused tracks (such as the "Vagabonds Kings Warriors Angels box set).
  • Hard Rock
  • Heavy Meta: The song "The Rocker", which is supposed to be a satire of the stereotypical "rocker" image that was around in the early seventies (as in Mods & Rockers).
  • I Am the Band: Pretty much any band that Lynott was in became Thin Lizzy, with the exceptions of when he toured in release of one of his solo records.
    • Subverted in that the current lineup of Thin Lizzy doesn't contain Lynott at all (due, obviously, to his death).
  • Lonely Piano Piece: The original "Sarah", "Frankie Carroll".
  • Long Song, Short Scene: The majority of Thin Lizzy's material just doesn't get the widespread exposure it deserves. Also, two parts of "Dancing in the Moonlight" were mercilessly spliced together for a cider advert.
    • Sha La La is usually considered to have been wasted as a Nightlife album track. Had the band released it as a single it might have been a hit. Luckily a live version would appear on Live And Dangerous, a live album which is considered one of the best ever.
  • Lead Bassist: Phil Was Both Types B and C.
  • Mohs Scale of Rock and Metal Hardness: On which they move about quite wildly, around the 3-to-6 marks — although they mainly stay at a standard 4 or 5. They were around an 8 back in the '70s, however.
  • Money Song: "It's Only Money".
  • Morality Ballad: Averted. For example, the song "Suicide" is about a murder that goes reported as a suicide due to lazy and incompetent police work. Case number 81 remains unsolved, presumably forever.
    • "Frankie Carroll" tells what effect alcohol can have on a man with little morals.
  • Murder Ballad: A lot of Thin Lizzy songs are about death. "Killer on the Loose", "Warrior", "Emerald", "Angel of Death", etc.
  • Myspeld Rökband: In a sense. It was named as a pun on "tin lizzy", but with "tin" mispelt as "thin", a joke on how Dubliners would pronounce "thin" as "tin".
  • New Sound Album: Frequently done, the most significant of these was Fighting as it signalled the beginning of their most well-regarded period.
  • Obligatory Bondage Song: "S&M" from the "Black Rose" album.
  • One Woman Song: "Philomena" (Phil Lynott's mother), "Rosalie" (a Bob Seger song), "Sarah" (Lynott's grandmother) and "(My) Sarah" (Lynott's daughter).
  • Rock Star Song: apart from the satirical "The Rocker", there is also "Rocky".
    • "The Boys Are Back In Town" definitely describes the rock star lifestyle.
  • Self-Titled Album: Their debut.
  • Sex, Drugs and Rock & Roll: What many of their songs are about, but also the eventually deadly lifestyle of Lynott himself.
  • Shout-Out: In addition to the traditional songs it riffs on, "Roisin Dubh: Black Rose" gives nods to fellow Irishmen James Joyce, William Butler Yeats, Oscar Wilde, George Bernard Shaw, Brendan Behan, George Best, J M Synge and Van Morrison.
    • Add "That's Fats", a hommage to jazzer Fats Waller. (Not Domino!) Also contains a Take That to Sigmund Freud, who (allegedly) is the only one who doesn't like Fats.
  • Something Blues: "Slow Blues" and "Sugar Blues"
  • Song of Song Titles: The sub-titles of the mini-epic "Roisin Dubh: Black Rose (A Rock Legend)" reference the original Irish/Scottish/English folk melodies the track contains.
  • Spoken Word in Music: A couple; the intro to "Fool's Gold" and "The Friendly Ranger at Clondarf Castle".
  • Subverted Rhyme Every Occasion: averted - Lynott was a master at rhyming lyrics.
  • Subdued Section: More common in the band's earlier period.
  • Super Group: Technically whilst Gary Moore was in the band in 1979, as he had already cemented himself as a solo act by this point. Somewhat of a subversion in that he not only had been briefly part of the band in 1974, but he also was part of Lynott's previous band Skid Row (not to be confused with the American band of the same name).
    • Towards the end of their existence, the band briefly featured Midge Ure, first on guitar, then later on keyboards. He played with the band live, as well as played on and co-wrote a handful of recordings. He would soon after join Ultravox as their new vocalist (including their biggest hit Vienna) and also co-organised Live Aid with Bob Geldof.
  • Three Chords and the Truth: Lynott's writing style was often based around this, but the production and arrangement would usually transform them into something more elaborate.
    • This song is fully in effect on songs like "The Boys Are Back In Town" and its clones "Get Out Of Here" and "No One Told Him".
  • Title Only Chorus: "Look What The Wind Blew In", "Things Ain't Working Out Down On The Farm", "Call The Police", "The Boys Are Back In Town", "Rosalie", and "Get Out Of Here".
  • Triumphant Reprise: The end of "Roisin Dubh: Black Rose (A Rock Legend)".
  • What the Hell Is That Accent?: Phil sings "Philomena" in an exaggerated Irish accent, as the song was written for his mother who was Irish. This qualifies because the accent he uses in the song sounds nothing like his normal singing voice, and it's nothing like his speaking voice either. In a strange subversion, this song is otherwise the most melody and Lizzy like track on the album, which meant it was released as a single. It flopped, otherwise people might have bought the album confused that the accent was different.