Hiroyuki Sawano is a relatively new arrival on the Japanese entertainment scene. Born in 1980, he first became famous for the soundtrack of the Live-Action Adaptation
of Team Medical Dragon
. Since then, he has composed for movies and TV series both live-action and animated, fusing electronic and orchestral music in a sweeping, bombastic style that imbues anything he works on with as much Hollywood-esque grandeur as it can support.Has an Awesome Music page.
Sawano has composed music for:
Tropes associated with his works:
- Autobots, Rock Out!: Often combined with Orchestral Bombing. Examples include "Before my body is dry", "The Reluctant Heroes" and "BLAZE Crimson Lotus".
- Gratuitous Foreign Language: Used frequently in both lyrics and track titles, though Gratuitous German is a particular favourite.
- Idiosyncratic Episode Naming: His pieces tend to have exceedingly strange titles, featuring a jumble of symbols and letters from various different alphabets. To wit:
- The title theme for Attack on Titan is "ətˈŠk 0N tάɪtn", whilst another track, "Titan's Attack", is transcribed as "凸】♀】♂】←巨人". In fact, the entire second soundtrack one ups the first by being filled with these.
- Ditto for Kill la Kill, which is mostly consisting of different variations of the anime's title (save for the vocal themes like Ragyo's Leitmotif "Blumenkranz" and Ryuko's "Before my body is dry"). The second soundtrack, while mostly in Japanese, adds a number convention to tracks 1 through 12, with an added "boshi" (i.e. star, referring to the show's Goku uniforms).
- One of the tracks from Mobile Suit Gundam Unicorn also has a dose of this: the light-hearted track named "H@R0".
- Meanwhile, a lot of his tracks from Guilty Crown have Greek names, such as "βίος" (Bios) and "Βασιλευζ" (Basileus).
- Aldnoah.Zero continues the trend with titles like "Bre@th//less" and "[aLIEz]".
- Ominous Latin Chanting: Usually not in Latin, but certainly ominous. This crops up a lot in his villain motifs, like "Devil King of the Sixth Heaven" and "This Is A Fight To Change The World" from Sengoku Basara, and "XL-TT" from Attack on Titan.
- One-Woman Wail: There's always at least one in every musical score he composed, courtesy of Mika Kobayashi's powerful singing voice.
- Orchestral Bombing: Action scenes will either be heavy on the electronics or dive straight into this - there's not much of a middle ground.
- Psycho Strings: Uses jarring electronics to achieve the same effect, as in "Banshee" from Mobile Suit Gundam Unicorn.
- Surprisingly Good English: Several songs have perfect English grammar, like "DOA" for Attack on Titan, performed by Aimee Blackshleger (an American singer living in Japan), who also sung for Guilty Crown, Final Fantasy XIII-2, and the Devil May Cry anime.
- Victorious Chorus: Regularly used to give a Triumphant Reprise some extra zing. An example would be "Zero Gravity", a reworking of the main theme from Mobile Suit Gundam Unicorn.