Literature: The Haunting of Hill House
The Haunting of Hill House
(1959) by Shirley Jackson
follows the misadventures of a group of people recruited by Dr. John Montague, a would-be specialist in the "analysis of supernatural manifestations," as they attempt to document the goings-on at Hill House. Hill House ("not sane"), erected in the late nineteenth century, was commissioned by one Hugh Crain—whose first wife died before she even managed to enter the house. His second wife also died. And the third. If this run of suspiciously bad luck wasn't enough, the house has since seen a run of mysterious events, suicides, and strange accidents, all of which have left it with a very unfortunate reputation indeed.
The main characters:
- Dr. John Montague: The rather fluttery Dr. Montague does his best to study Hill House "scientifically," although he proves completely incapable of understanding what's going on. As we later discover, he's also dominated by his wife, an enthusiast for all things paranormal.
- Eleanor Vance (a.k.a. Nell): Almost all of of the novel is told from Eleanor's perspective. She's thirty-two, unmarried, and under the thumb of her annoying family. For Eleanor, the trip to Hill House represents a last-gasp attempt to free herself from her old life.
- Theodora: A flamboyant artistic type who lives with a lover of unidentified gender, and flirts with both Eleanor and Luke Sanderson.
- Luke Sanderson: Identified point-blank as a "liar" and a "thief," Luke is on the scene because Hill House belongs to his family; he's also the intended heir.
And, last but not least...
- Hill House: The house is a character in its own right, exuding evil from the very slope of its roof.
In the tradition of Jackson's classic short story "The Lottery," most of the novel's horror derives from Mind Screw
instead of graphic terrors. The Haunting of Hill House
was adapted to the screen in two films named The Haunting (1963)
(1963 and 1999
), of which the former is considered a classic in its own right. The latter... not so much.
Not to be confused with fellow horror movie House on Haunted Hill (1959)
- Abusive Parents: The former children of Hill House.
- A House Divided: Thanks to Hill House's little games. The tactic works most effectively on Eleanor.
- Ambiguously Gay: Theodora and possibly Luke as well.
- Being Watched: Everyone, by the house. Later on, Eleanor begins spying on the others.
- Big Eater: Theodora is always extremely hungry and tends to blame her problems (and Eleanor's) on the need for a meal.
- Big Fancy House: One of the creepiest ones ever.
- Bizarrchitecture: Everything's slightly off, from the floors to the walls. As a result, doors never stay open...
- Blank Slate: Eleanor whose identity revolves around more powerful personalities around her.
- Creepy Housekeeper: Mrs. Dudley.
- Crusty Caretaker: Mr. Dudley.
- Deadpan Snarker: Luke, Theadora and, arguably even Eleanor.
- Demonic Possession: The House is able to influence, possess and even devour people.
- Driven to Suicide: In the past, the "companion" who inherited the house instead of Crain's younger daughter. In the present, Eleanor.
- Dying Town: The crumbling Hillsdale.
- Dysfunctional Family: Every single family in the novel. Hugh Crain's family, needless to say, takes first prize.
- Extreme Doormat: Eleanor, first to her mother her entire life, then to her sister, and finally to the house.
- Genius Loci: Hill House itself.
- Genre Savvy: The quartet realize very early on that they should not ever split up while in the house and that anyone who leaves during the night will die. That don't do a great job of following those rules, though.
- Ghostly Chill: There's a chill right before you enter the nursery.
- Haunted Heroine.
- Haunted House: One of the classic examples.
- Hearing Voices
- Henpecked Husband: Dr. Montague.
- Holier Than Thou: Hugh Crain, whose version of Christianity seems to have been somewhat ''unusual" (though more so now than in the 19th century). That book he leaves for his daughters...
- In-Series Nickname: The others start calling Eleanor Nell.
- Mind Rape: The house invites Eleanor to "come home," tempting her with one of the most important things she lacks.
- Nothing Is Scarier: A point most notably lost in the 1999 adaptation.
- Romantic Runner-Up: Eleanor for both Theodora and Luke.
- Science Versus Magic
- Shrinking Violet: Eleanor
- Surreal Horror: What happens when Theo and Eleanor try to leave the house after dark.
- Our Founder: The apparently horrific statue of Hugh Crain and his daughters.
- Unreliable Narrator: Or, rather, unreliable third-person POV. As the story progresses, Eleanor's perspective becomes noticeably warped.
- Uptight Loves Wild: Eleanor/Theodora
- Where It All Began: The first sentences repeat the opening almost exactly.