Seven Brides for Seven Brothers is a musical, based on a short story by Stephen Vincent Benet, that was made into a film in 1954 and staged on Broadway in 1984. The movie focuses on Adam Pontipee and his new bride Milly on the American frontier. Adam has six rowdy lumberjack brothers, who each are also looking for a wife. Milly tries to train them into being gentlemen, but they go against that and kidnap the women they are sweet on instead of properly courting. An avalanche traps the women with the men over the winter, and they warm up to each other. The musical was in part based off of The Rape Of The Sabine Women.
Altar the Speed: Millie and Adam get married after knowing each other only a few hours.
Alphabetical Theme Naming / Family Theme Naming: The brothers have been named alphabetically from the Old Testament: Adam, Benjamin, Caleb, Daniel, Ephraim, Frank (short for Frankincense, the Old Testament having no names beginning with F), and Gideon.
Embarrassing First Name: The brothers' parents named them after Biblical characters going down through the alphabet. They hit a snag when they came to the letter F, so they named their son Frankincense. Let's say he's not exactly fond of it.
Exiled To The Barn: Millie kicks the brothers out of the house when she realizes what they did, and gives their beds to the women.
Fiery Red Head: All seven Pontipee brothers. An interview on the DVD points out that this is a case of Color-Coded Characters, as the production team needed to signal the brothers' difference from the townsmen.
The Kindnapper: All of the six brothers who are bachelors in the beginning. They kidnap the women with the intention of marrying them, but they do state that they want to "make them Sobbin' women smile" and they intend for the kidnappings to result in happy marriages. Seems like they were honestly fooled (by Adam) into thinking this is what the women really wanted and they clearly had no intention of harming them or forcing anything on anyone (except for the whole forcing them away from their homes part). They repent later on once they figure it out, and try to take them back home.
Marriage Before Romance: Adam convinces a townswoman named Milly to marry him, promising an idealistic life in the woods. But when he gets her home she discovers that he failed to mention his six rowdy adult brothers who would also be living under the same roof. Despite her initial anger, she starts to fall in love with him, but their romance is derailed when he decides that since kidnapping one woman worked so well, they might as well head into town and grab themselves six more. Snowed in over winter, all of the girls warm to their captors and when spring arrives and their menfolk come to rescue them, they all manage to finagle shot-gun weddings instead.
No Social Skills: The first time the brothers see a girl, they try to start a conversation by offering them tobacco to chew. Even after another man steps in and accuses them of insulting a lady, the brothers are still clueless.
Shotgun Wedding: It ends with all of the title characters having this, although by then they had all fallen in love with each other. (Each bride claimed that a baby born at the ranch was theirs, to prevent their fathers from shooting the men who had kidnapped them and whom they had now fallen for.)
Silk Hiding Steel: Millie embodies every ideal of femininity at the time: she's not afraid of working hard; she cooks, cleans, and sews for seven men, and yet turns a house of barbarians into a matriarchy through sheer force of personality.
Stockholm Syndrome: An important part of the story arc, as the story of six brothers desperate for women going into the city and kidnapping several maidens in the middle of the night and taking them back to the ranch, completely isolated for six months, has very strong subtext of lust and rape even though none of them have any intention of raping anyone. Though, it's worth noting that the girls had already met the brothers previously, and showed an interest in them.