Film / Magnolia

"There is the story of a boy genius, and the game show host, and the ex-boy genius.
There is the story of the dying man, his lost son, and the dying man's wife, and the caretaker.
And there's the story of a mother, and the daughter, and the police officer in love.
And this will all make sense in the end."
The Narrator (Ricky Jay), Magnolia Trailer

A 1999 drama film about dysfunctional people in Los Angeles, with Loads and Loads of Characters (as the page quote illustrates), written and directed by Paul Thomas Anderson (Boogie Nights, There Will Be Blood) and partly inspired by the songs of Aimee Mann. Told in a series of interlocking stories. Known for being over three hours long, and for possibly the most non-sequitur third-act twist of all time, as well as for getting an Oscar Nomination for Tom Cruise.

The title refers to the flower, which have many petals going off in different directions, but which are all connected in the back.

Now has a character sheet.

Tropes include:

  • Aborted Arc: The murder of the guy that Officer Jim finds in the closet is forgotten after a while.
  • Abusive Parents: One of the themes of the movie.
    • Earl Partridge, who abandoned his wife and son.
    • Donnie Smith's parents used the money he earned during his time in What Do Kids Know?
    • Jimmy Gator quite likely molested his daughter Claudia, though it's hard to say with certainty. She's a drug addict, which could be her response to such an event, or warped her memory into believing it. When confronted, however, his only reply is an apparently sincere claim that he doesn't remember, which is frightening on its own. Also noted is his invasion of her bedroom earlier in the movie. This gives the sense that he is dismissive of personal space and thinks himself entitled to his daughter's time at the drop of a hat even though he knows of his status as a possibly-still-dangerous abuser in her mind.
    • Rick Spector constantly forces, manipulates and guilt-trips his son to win. Like Donnie's parents, Rick profits from his son's efforts.
    • The parents of the other two quiz kids.
  • All There in the Script: Along with the scenes further explaining The Worm, there were many other scenes and dialogue exchanges included in the script but not used for the final film, including:
    • A scene in which Jimmy talks with Paula, the dancer he is sleeping with in the opening credits.
    • Extended dialogue between Gwenovier and Frank, about "Subjective human experience and terrible things", which was referenced in the final cut but not shown.
    • A brief dialogue between Jim and Claudia after he asks her on a date, in which they both find they have the same favorite restaurant.
    • We see what happens to Stanley between the events of that day's game show, and him talking to his sleeping father.
    • Further explanation during Earl's monologue concerning the reasons why he mistreated his first wife.
    • The tone of Frank's confrontation with his father is considerably different, with him showing less hostility, more genuine sympathy and concern, and attempting to wake him up.
    • It is made clear in the script that Jimmy doesn't survive the fire in his house caused by the destroyed television.
    • We see Marcie's confession for what happened to the "guy in the closet".
  • As the Good Book Says: The arc numbers 8 and 2 appear throughout the film. They refer to Exodus 8:2, in which God calls the plague of frogs against Egypt. The film climaxes with just such a plague falling over Los Angeles.
    • Also, contains a subversion with the line "And the book says, we may be through with the past, but the past ain't through with us," spoken by multiple characters. The book in question is not the Bible, but The Natural History of Nonsense a 1946 anti-superstition book by English professor and game-show host Dr. Bergen Evans. When first we see Stanley in the library simultaneously contemplating multiple books, The Natural History of Nonsense is among them; it is in the center-right, and has a blue cover. (Perhaps on the big screen—or in HD—the book's appearance is not as difficult to discern.)
    • Apparently the powers that be weren't aware of the Biblical connections to the rain of frogs. Once they were informed, they decided to sneak in the 8 and 2 references all over the place.
  • Break the Cutie: Stanley, for our sins.
  • Child Prodigy: Stanley Spector. Donnie Smith was once this, but is now an Ineffectual Loner.
  • Cluster F-Bomb: Most of the film's characters could fall under this trope (Good examples are Marcy and Claudia's beginning scenes). However, none of them can seem to reach the extent that Linda Partridge does with this trope. She says the word "fuck" in virtually every scene she's in, and it's usually never uttered just once.
    Linda Partridge (to the pharmacist #1): You motherfucker. You motherfucker, you fucking asshole, who the fuck are- who the fuck do you think you are? I come in here, you don't know me, you don't know who I am, what my life is, and you have the balls, the indecency to ask me a question about my life? (to pharmacist #2) And fuck you too, don't you call me lady!... I have sickness all around me, and you fucking ask me my life? What's wrong? Have you seen death in your bed? In your house? Where's your fucking decency? And that I'm asked fucking questions, what's WRONG? Suck my dick! That's what's wrong! And you! You fucking call me lady!
  • Country Matters: We're introduced to Tom Cruise's character as he's leading a chant: "Respect the cock! Tame the cunt!"
  • Crapsack World
  • Creator Cameo: P.T. Anderson is a member of the "What Do Kids Know?" crew.
  • Crowd Song: "Wise Up", which manages to combine this with Lonely Piano Piece.
  • Deus ex Machina: The plague of frogs. Is also Weather Dissonance.
  • Ensemble Cast
  • Glory Days: Quiz Kid Donnie Smith's childhood stardom.
  • Gold Digger: Linda Partridge. She married Earl for his money, but then fell in love with he was dying.
  • He-Man Woman Hater: Frank T.J. Mackey. "Respect… the cock! Tame… the cunt!" Eventually revealed to be something of a subversion. Mackey's real hatred is for his father (and himself, in that he loves and leaves them just as his father did), and part of the reason he treats women poorly is because he can't stand the thought of getting close enough to one that he'd love them the way he loved his mother.
  • Hyperlink Story: All the characters link together in one way or another. The end credits to "What Do Kids Know" reveal that Earl Partridge is the producer of the show.
  • Hollywood Law: In-universe: in the urban legend about the son shot by his mother while leaping from the roof in a suicide attempt, the narrator says that the mother was charged with murder. However, without the requisite intent, the appropriate charge would be manslaughter.
  • I Thought That Was: It's not about flowers.
  • Jerk Ass: Frank T. J. Mackey and Rick Spector.
  • Jukebox Musical: Sort of. Actually only has one musical number.
  • Jump Scare: When the first two frogs hit the windshild of Jim's car.
  • Leaning on the Fourth Wall: See This Is the Part Where....
  • Loads and Loads of Characters: Ten main characters and numerous others.
  • Melodrama: Serious example.
  • Mysterious Parent: Inverted. Dying television producer Earl Partridge is looking for his long-lost son. It turns out to be Frank T. J. Mackey.
  • Nice Guy: Jim Kurring and Phil Pharma.
  • One Steve Limit: Averted with Jim Kurring and Jimmy Gator.
  • Potty Failure: Poor Stanley. And on live TV, too.
  • Promotion to Parent: Stanley, hurrying to get ready for school, reminds his father they're out of dog food: promptly—and almost imperceptibly—establishing which member of the Spector household is fully-engaged and responsible. In the green room—after the on-air meltdown of the show's host, and its brightest contestant—Daddy throws a tantrum (and a chair). Role reversal complete: as a parent, Rick has been invisible.
  • Rain of Something Unusual: The climax has frogs raining from the sky.
  • Rape as Drama: Claudia Gator's backstory (possibly; see Abusive Parents).
  • Ray of Hope Ending: For everyone except the dead/dying.
  • Recycled Soundtrack: Aimee Mann's "Wise Up" was originally written for Jerry Maguire, and several of the other songs were meant for her album Bachelor No. 2, which was recorded before the movie but due to record-company problems not released until afterwards.
  • Repetitive Name: Solomon Solomon, Donnie Smith's boss.
  • Sensei for Scoundrels: Frank T.J. Mackey.
  • Smash to Black: The ending. Perfectly timed with the big guitar lick in Aimee Mann song "Save Me".
  • This Is the Part Where...: Possibly one of the most tear-jerking examples ever, tying in neatly with our own Tropes Are Tools article.
    Phil: I know this sounds silly, and I know that I might sound this is the scene of the movie...where the guy is trying to get a hold of the long-lost son, y'know, but this is that scene. This is that scene. And I think they have those scenes in movies because they're true. Y'know, because they really happen. And you gotta believe me, this is really happening. I mean, I can give you my number and you can go check with whoever you gotta check with and call me back. But do not leave me hanging on this. Please. I'm just — please. See...this is the scene of the movie where you help me out.
  • Truth in Television: Believe it or not, frogs and other creatures raining from the sky has actually happened on more than one occasion. When a particularly heavy storm or tornado sweeps over swampland filled with frogs, it isn't that unusual for the animals to be swept up in to the air and dropped on nearby land.
  • Urban Legends: No, the three anecdotes that open the movie are not true stories. The last anecdote, about the man shot while jumping off the roof of a building, was also used in Homicide: Life on the Street, and is also apparently used as a test case in criminal law classes.
  • Waxing Lyrical: Several lines are quoted or paraphrased lyrics from Aimee Mann songs, the most obvious being the opening line of "Deathly":
    Claudia Gator: Now that I've met you, would you object to never seeing me again?
  • Wrong Genre Savvy: Jim narrates to himself like he is participating in an episode of C.O.P.S..