The last film The Beatles made before their break-up. It is a Documentary/Rockumentary that covers what was supposed to be the making of an album and the concert that followed. This didn't work out well because different Beatles had different ideas about what should be done with the project and how it should be done. The personal relationships between the members of the band were also decaying quite rapidly at the time, which the movie quite bluntly reveals; several scenes involve the members of the band arguing and sniping pettily with each other. The concert ended up being held on the rooftop of the building of Apple Corps.This film was released about a year later than planned; it took that long for there to be any consensus about what the accompanying album would be like. Unfortunately, it was an incomplete consensus; while John Lennon and George Harrison were happy with it, Paul McCartney wasn't even aware of the finishing touches until they were a fait accompli. This led to a chain of events that led to the film being released in May 1970—and after Paul had issued a press release saying he was leaving the band indefinitely. Instant Harsher in Hindsight, since this film already depicted stressful relations between the Beatles.Its Cult Soundtrack (which has its own entry) effectively became the last official Beatles album to be released as a result. It won the 1970 Academy Award for Best Score. "Let It Be", "Across The Universe", "Get Back" and "The Long And Winding Road" would become the band's final hits.Keep Circulating the Tapes, as this film has not been released on home video since a laserdisc edition back in The Nineties. The long absence of Let It Be from home video has never been officially explained, although it may simply be that the surviving Beatles (three were still alive when the film went out of print) don't feel good about it.
Changed For The Video: The filmed performances of "Let It Be" and "The Long and Winding Road"are different from the versions which were later released. The "Let It Be" recording, both single and album versions, is based on take 27-A from the Jan. 31, 1969 session, while the film version, which has never been released as an audio recording, was the next take, 27-B. In the filmed video, McCartney sings "there will be no sorrow" in the last verse instead of "there will be an answer". Similarly, the filmed performance of "The Long and Winding Road" is from the Jan. 31 session, while the released song is based off a recording from five days earlier. Also, the live performance is in accordance with Paul's original conception of the song as a simple piano ballad, while the released version includes the stringed instruments and backing choir overdubbed by Phil Spector.
Control Freak: Paul comes off as this, especially during his infamous sniping with George and with the long scene where Paul blathers about the direction of the band while Lennon gives him the Thousand-Yard Stare.
We see the band running through a hard rock version of "Two of Us" during the Twickenham sessions. When they play the finished version in the studio, it is a mellow acoustic pop song.
In one scene Ringo demonstrates his new composition "Octopus's Garden", which is pretty much only one verse. George, inspired, goes to a piano and pounds out the chords that became the song's chorus (the "We would be so happy, you and me" part).
Finagle's Law: there were many disasters in the making of this film—many of them filmed.
Grief Song: It's difficult to listen to "The Long and Winding Road", without thinking of it as a goodbye song to the individual Beatles and each one of them parting to go their own way.
Last Note Hilarity: John's "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition", which he originally said at the end of the rooftop concert, but Spector edited it into the "Get Back" song.
The film ends with the concert on the roof, but in fact the "Apple studio performance" (the takes of "Let It Be", "The Long and Winding Road", and "Two of Us") happened the day after the rooftop performance, on the last day of filming and recording, January 31, 1969.
Some of the editing was due to the evolving nature of the project. The original idea was simply to film video clips that would be part of a television broadcast in which the Beatles played their new songs live. After The Beatles completely failed to get their crap together and organize themselves well enough to put on a TV show, the footage was repurposed as a film which would both recoup their investment and finish their contract with United Artists. However, not all of the songs were properly filmed and/or recorded, requiring some creative editing. No one is performing "I Me Mine" when the song plays on the soundtrack because that song wasn't properly recorded until a year after the "Get Back" sessions.
Then there's everything left out of the movie, like George Harrison's Rage Quit from the band, which lasted for nine days and only ended after Paul and the film crew agreed to abandon Twickenham Studios and reconvene at Apple.
Numerological Motif: One After 909, a reference to the fact that Lennon considered nine his lucky number.
Performance Video: Most of the movie, with the first portion being The Beatles rehearsing their new material and the latter portion being them playing the finished songs live. A careful viewer will notice that the finished products are mostly McCartney songs. George could not get the others to give his material equal attention, even while he was bringing gems like "All Things Must Pass" into the studio, and Lennon was at an all-time creative ebb.
The film was originally conceived as a documentary of the Beatles' "rebirth" as a live performing band. Instead, by capturing the tension and infighting among the band members (including a famous spat between McCartney and Harrison), it became a chronicle of the band's break-up, lampshaded by the choice of name. When originally conceived as a chronicle of the band's rebirth, the project was entitled "Get Back". By the time the pieces had been picked up and enough footage cobbled together to release as an album and film, it had metamorphosed into "Let It Be", effectively serving as the band's epitaph.
"Get Back" was written as a Take That against the then recent anti-immigration laws in the UK.
Revisiting The Roots: The driving concept behind the album and film was an attempt to return to the sort of spontaneous, energetic rock and roll they'd played at the beginning of their career - as opposed to the sophisticated and intricately produced music they'd moved on to. It didn't work out so well in practice, see Real Life Writes the Plot above.
Rooftop Concert: Trope Codifier. What most people don't remember is that the Apple rooftop performance only came after the band tried and failed to agree on anywhere else to play the planned live show—a North African ampitheatre, a cruise ship, the Royal Albert Hall, etc. After failing to come up with anything better they simply went to the top of their own building. And they still managed an iconic, much imitated rock music moment.
Lennon namedrops Bob Dylan's "Like A Rolling Stone", the FBI, the CIA, the BBC, BB King, Doris Day and Scottish soccer player Matt Busby during "Dig It".
"Across The Universe" uses the Sanskrit phrase "Jai Guru Deva". The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as "glory to the shining remover of darkness," and can be paraphrased as "Victory to God divine", "Hail to the divine guru", or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher "All Glory to Guru Dev".
Paul's line "Thanks, Mo" in "Get Back" refers to Maureen, Ringo Starr's wife who was applauding nearby.
A Simple Plan: The Beatles had already tried to get out of their obligation for a fourth movie with Yellow Submarine. Failing that, this was probably seen as the next easiest thing to do.
Something Blues: For You Blue was originally titled George's Blues (Because You're Sweet and Lovely).
Special Guest: Billy Preston on piano. He pops up without explanation, but is prominently featured in the performances that take up the second half of the film.
Time Skip: Not that you would know it from the movie. The pause in recording that lasted more than a week, after Harrison temporarily quit the band, is omitted.