Thank heaven for little girls
for little girls get bigger every day!
Thank heaven for little girls
they grow up in the most delightful way!
— Honoré Lachaille, singing the most famous number
A 1958 MGM movie musical based on the 1944 novella by Sidonie-Gabrielle Colette, Gigi
was directed by Vincente Minnelli
and written by Alan Jay Lerner and Frederick Loewe, following their success on My Fair Lady
. Starring Maurice Chevalier
and Leslie Caron as the eponymous Gigi, the film won all nine of its Academy Award
nominations, including Best Picture, breaking the record set by Gone with the Wind
Gaston is a rich Parisian who wants to break from the stultifying traditions of his family. He finds refuge in his time with Gigi, a young girl raised by her aunt and grandmother to be a rich man's courtesan. For quite a while, the two see each other as siblings, nothing more. Over time, Gaston comes to the realization that Gigi has grown up. Can he really bear to take her as his mistress?Betty Wand filled in
for most of Leslie Caron's singing.
Not to be confused with Gigli
This film provides examples of:
- All-Knowing Singing Narrator: Honoré Lachaille.
- All Musicals Are Adaptations: of a novel by Colette
- Breaking the Fourth Wall: Honore addressing the camera on multiple occasions.
- Cool Old Guy: Honore.
- Costume Porn
- Disappeared Dad: Gigi's father, never even mentioned.
- Fashion Show
- The Film of the Book: Colette was an insanely successful writer in her day, beginning with the scandalous Claudine at School, written when she was about Gigi's age. Gigi was only one of her many, many bestsellers. Today, if it weren't for this film, she might be largely forgotten, at least by English speakers.
- Fourth Date Marriage: Averted. While Gaston and Gigi go on maybe one date before the proposal, they've known each other for most of their lives, and have gone on several non-dates.
- The Gay Nineties: This film, its predecessor film and stage adaptations, and the original novella, are all dripping with nostalgie for la Belle Epoque.
- Have a Gay Old Time: Well, it is The Gay Nineties, after all...
- He Who Must Not Be Seen / The Voice: Gigi's mother, who left the family tradition of prostitution to become an opera singer, and is occasionally heard off-stage, practicing her arpeggios.
- High-Class Call Girl: Calling her a "courtesan" makes it sound nicer. What's amazing is that Gigi's grandmother and aunt look down on Gigi's mother for getting a job instead of following family tradition and becoming a fancy prostitute.
- Idle Rich: Gaston is so bored with life as an ultra-rich man in Paris that he has a whole number, "It's a Bore". Unfortunately the French Revolution is no longer going, so there's no one to put him on a guillotine.
- The Mistress: The role Gigi is being groomed for. Mamita prefers the term "courtesan"
- Parental Abandonment: Gigi's father is never mentioned unless he is the "young man with all those flour mills" whom her grandmother almost implies to be him (especially given Gigi's reaction when she says this), and her mother "has neither the mind nor the inclination to take care of her" being absorbed by being a second-rate opera singer. Gigi was raised by her grandmother.
- Pimped-Out Dress: Given all the upper class characters, several of these are worn throughout the film.
- Pretty in Mink: Gaston sees one of his girlfriends with another man. The girlfriend is wearing a gray fur wrap and hat.
- Protagonist Title
- Pygmalion Plot
- Running Gag: Gigi's mother, who never appears on-screen, is a chorus member in a comic opera company. Three times in the course of the movie she's heard practicing her vocal scales in another room, and each time someone else closes the door to block out the noise.
- Screen-to-Stage Adaptation: Later got a stage version in the seventies.
- She Is All Grown Up: The whole point of the plot, basically lampshaded in its title number.
- Spirited Young Lady: Gigi.
- Worst News Judgment Ever: When Liane tries to kill herself after Gaston dumps her, it's front-page news.