Creator: Raymond Chandler

"But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid."

Raymond Chandler (1888 - 1959) was and is one of the most influential writers of and on detective fiction, through seven novels, many short stories, and a number of essays, of which the most famous is 1944's "The Simple Art of Murder". He also had an influence on the developing Film Noir, both indirectly through adaptations of his novels, and more directly through a stint as a Hollywood screenwriter (he wrote the screenplays for Double Indemnity, The Blue Dahlia, and Strangers on a Train).

His most famous creation is Los Angeles private detective Philip Marlowe, the central character of his novels: The Big Sleep (1939), Farewell, My Lovely (1940), The High Window (1942), The Lady in the Lake (1943), The Little Sister (1949), The Long Goodbye (1953), and Playback (1958).

Chandler's works with their own trope pages include:

Chandler's other works provide examples of:

  • Chandler's Law: Trope Namer
  • Chandler American Time: via pastiches.
  • Empathic Environment: The wind and heat in "Red Wind", rain in The Big Sleep.
  • Expy: Philip Marlowe, protagonist of Chandler's novels, is pretty much John Dalmas, protagonist of Chandler's stories for Dime Detective magazine, who is pretty much Carmady, protagonist of Chandler's stories for Black Mask magazine. To the extent that the Dalmas and Carmady stories were subsequently collected and reprinted with Marlowe's name substituted for theirs.
  • Friend on the Force: Bernie Ohls, chief investigator for the DA's office. Also, Violets M'Gee.
  • Gambit Pileup
  • Hardboiled Detective: Chandler basically codified the genre for once and for all.
  • Heat Wave: "Red Wind"
    "There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen."
  • Knee-capping: In one of his short stories, the protagonist stops one of the crooks from escaping by shooting in the most painful spot he could think of that wouldn't kill him: the back of the knee.
  • Patchwork Story/Self Plagiarism: Chandler cannibalised previous short stories of his when creating his first two novels, and used elements of them for further novels. The level of cannibalisation varied, from whole plots to select passages and descriptions. Chandler would usually try to build on what he had previously written.
  • Private Eye Monologue
  • Purple Prose: subverted. Chandler's descriptive writing evokes this, but his own skill makes it rise above that trope. Attempts to copy or parody his way with descriptive words tend to turn into Purple Prose.
  • Warrior Poet: Chandler dabbled as a romantic poet before enlisting in World War One. As noted above under Purple Prose, his hard-boiled detective fiction is essentially prose poetry about violence.