Gone Home is really a story that happens to be presented in a video game format. The game consists of you (a early 20s woman who lives as an independent adult – you were in the military) coming home after a vacation in Europe to an empty house; your parents and your sister are all absent, and as you explore the house, it becomes increasingly clear that it is a bit disheveled. You find some notes from your sister scattered around, as well as various notes and scraps of life left by your sister and parents. Some of these trigger audio logs from your sister, which are really journal entries that you are listening to. These tell the story about what your sister has been going through over the last year, and the story of her relationship with Lonnie, a girl she knows.
There are other stories interwoven into that one – your father, who is a failed writer who is trying to climb back on the horse while working a real job, and your mother, who is struggling with her relationship with your father and who might or might not be having an affair, or at least contemplating one, as well as the story of the former owner of the house that your family moved into while you were in the military.
These stories all come together to create a picture of a family that is troubled, but not broken, and of people who are people. Your sister is an immature high school student, but she is mostly immature like rebels without a cause are. Lonnie seems to be simultaneously more and less mature; she’s a bad influence on your sister in some ways, but also seems to have a more realistic and grounded view of the world in other ways.
I liked the story of the lives presented here; it is sort of everyday drama, with people struggling with real problems rather than contrived situations (much as the game likes to pretend at one point that there might be supernatural elements involved).
What I didn’t like, however, was the ending; when you get to the end, it seems to sort of throw away Lonnie’s character to force a “happy ending” which, if you think about it, isn’t actually really a happy ending at all. And this sort of ruins the story to an extent, because the whole story had been about growing up and trying to accept reality and find happiness through it, and then the end has Lonnie and your sister throw all that away while making a very stupid decision which flies in the face of Lonnie’s prior characterization, as well as the general theme of the piece.
I’ll also note that it is possible to sequence skip in this game; as I assumed it was more gamey than it really was, I managed to find some secret passages, including the one that lead to the very final area of the game, far before I was supposed to. This partially spoiled a major aspect of the story to me from quite early on. The worst of it is, finding these secret passages isn’t even very hard if you are familiar with floor plans and realize that there are empty spaces which, in a real house, would have rooms in them.
Ambivalent; the story's conclusion undermines the story's own themes
Gone Home is really a story that happens to be presented in a video game format. The game consists of you (a early 20s woman who lives as an independent adult – you were in the military) coming home after a vacation in Europe to an empty house; your parents and your sister are all absent, and as you explore the house, it becomes increasingly clear that it is a bit disheveled. You find some notes from your sister scattered around, as well as various notes and scraps of life left by your sister and parents. Some of these trigger audio logs from your sister, which are really journal entries that you are listening to. These tell the story about what your sister has been going through over the last year, and the story of her relationship with Lonnie, a girl she knows.
There are other stories interwoven into that one – your father, who is a failed writer who is trying to climb back on the horse while working a real job, and your mother, who is struggling with her relationship with your father and who might or might not be having an affair, or at least contemplating one, as well as the story of the former owner of the house that your family moved into while you were in the military.
These stories all come together to create a picture of a family that is troubled, but not broken, and of people who are people. Your sister is an immature high school student, but she is mostly immature like rebels without a cause are. Lonnie seems to be simultaneously more and less mature; she’s a bad influence on your sister in some ways, but also seems to have a more realistic and grounded view of the world in other ways.
I liked the story of the lives presented here; it is sort of everyday drama, with people struggling with real problems rather than contrived situations (much as the game likes to pretend at one point that there might be supernatural elements involved).
What I didn’t like, however, was the ending; when you get to the end, it seems to sort of throw away Lonnie’s character to force a “happy ending” which, if you think about it, isn’t actually really a happy ending at all. And this sort of ruins the story to an extent, because the whole story had been about growing up and trying to accept reality and find happiness through it, and then the end has Lonnie and your sister throw all that away while making a very stupid decision which flies in the face of Lonnie’s prior characterization, as well as the general theme of the piece.
I’ll also note that it is possible to sequence skip in this game; as I assumed it was more gamey than it really was, I managed to find some secret passages, including the one that lead to the very final area of the game, far before I was supposed to. This partially spoiled a major aspect of the story to me from quite early on. The worst of it is, finding these secret passages isn’t even very hard if you are familiar with floor plans and realize that there are empty spaces which, in a real house, would have rooms in them.