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Wyldchyld (Old as dirt)
#56701: Nov 17th 2018 at 5:10:19 PM

Okay, I've had to rewatch this several times just to figure out where to begin. Some of my guesses were right, some were wrong, and some of what I guessed turned out to be right but in a completely different way to how I imagined it unfolding. I don't particularly get sentimental about episodes, but I have to admit this episode was quite powerful, especially the very last scene.

     What We Learned 
  • Salem was locked away by a cruel father in a way that Weiss will be very familiar with. We don't actually know why, or whether she had any other family. Unlike Weiss, Salem didn't fight for her own freedom. Someone had to fight to obtain that freedom for her. I expected Salem and Oz to be either siblings or lovers, so the lovers option didn't surprise me.
  • Once upon a time humanity was capable of using magic and there were many kingdoms across the world. It therefore appears that magic evened the odds against the Grimm.
  • So, the incarnation with sceptre wasn't the King of Vale, and wasn't even a previous incarnation. It was the original incarnation, Ozma.
  • Oz was not the cause of Salem's descent into evil. His death was the trigger.
  • The God of Light has a fantastic domain. The tree is probably Bodhi, or a fig of some kind, even though the leaves aren't quite the right shape. Votive offerings appear to be in the form of candles and flowers.
  • The God of Light looks like the Celtic Horned God, Cernunnos. His voice actor sounds a lot like General Ironwood's (it's not until I read the credits at the end of the episode that I realised it was a different actor).
  • Light is very concerned with protecting the delicate balance between life and death, but doesn't explain why.
  • The God of Darkness's realm is equally interesting. Not simply because it's clearly connected to the domain Salem now spends her time living in, but because of the implications for where the original Domain of Light is located.
  • The God of Light has a single Pool of Life, whereas the God of Darkness has multiple Pools of Annihilation from which the Grimm are spawned (re: later in the episode, I realised these are called Pools of Grimm).
  • And the God manifests and straightens up exactly the same way as the Nuckelavee did.
  • With the ram/goat horns, the God of Darkness has more of a Baphomet look about him. And his voice sounds like Arthur Watt's (at the end of the episode, I learn that it is a different actor).
  • So, Salem hid from the God of Darkness that she planned on visiting his brother if he rejected her request to bring Ozma back to life. She then hides from the God of Darkness that she first approached his brother before approaching him. And the God of Darkness seems so happy with the idea that someone - any one - came to him with faith in his power. I guess he just wants people to love him.
  • Watching Ozma being killed and restored multiple times is... fascinating, in a horrible sort of way. He has no idea what's going on and the two Gods are quite literally toying with his life/death status until they figure out Salem's deceit. That's pretty sick and a good way to build sympathy for Oz's plight.
  • So, Salem is cursed with immortality to prevent her from reuniting with Ozma in the afterlife, which implies there's an afterlife where people can reunite. The curse states she must walk the world for as long as it turns. This punishment will last for as long as it takes her to learn the importance of life and death.
  • Salem's descent into evil truly began the moment she realised she had successfully fooled the two Gods. Even if it was only for a moment, she had managed to successfully manipulate two gods, the result of which was to turn them against each other instead of against her. When you think about it, that is really powerful knowledge.
  • Salem's original plan was to turn humanity against the gods in the hope that her curse could be undone. Failing that, to at least make the gods suffer for what they did to her.
  • It's very interesting that the reason all of humanity could use magic is because it was the God of Darkness (not Light or both) who gave them that ability.
  • It's also very interesting that the God of Darkness wipes out the whole of humanity just to teach Salem a lesson. And the God of Light just stands there, let's him do it, and then supports the punishment once it's done. 'Darkness' and 'Light' here definitely do not mean 'evil and 'good'.
  • We now know why the world is called Remnant. It is the ghost of the original experiment — something that became a shadow of what it was originally intended to be. Humanity has existed twice: destroyed the first time as a punishment to force Salem to live eternally alone. Brought back a second time to see if past mistakes can be redeemed.
  • The reason the Pools of Grimm did not kill Salem is because of the curse. It's the reason she took on the skin and eyes of the Grimm, but it did not give her the tainted veins or the mark in the centre of her forehead that looks like a closed third eye. It did not take away her magic either. What it has done is make her the exact opposite of Ozma: she is pure-hearted, but a being of pure-hearted destruction.
  • Originally, I thought the gods cursed Oz to fix a mistake Oz was responsible for, but Oz is actually innocent at this point. The God of Light's request is interesting for the lack of responsibility he takes in his own actions. While Jinn has commented on how Salem blamed everyone but herself for her predicament, the God of Light absolves himself of responsibility, too. He tells Ozma that the God of Darkness destroyed humanity, which glosses over the fact that he permitted his brother to do that via non-action. Ilia had a lot to say about the consequences of standing back while bad things unfold in front of you.
  • The God of Light appears to be offering humanity a second chance, but is placing all the responsibility for the success or failure of that second chance on Ozma's shoulders.
  • So, Relics: Detail shadowed out to avoid revealing too much, I suspect.
    • Destruction: A sword. No surprise there. But it's darkened out and the scene moves away from it really fast. It looks to me as though it might be a sword within a sword, however. So I still think it might be capable of splitting into two.
    • Choice: A crown, called it. I notice that it's shape is very similar to Glynda's tiara symbol, but the WoR episode that covered how the King of Vale ended the Great War showed off a crown of a very similar shape to the Relic, so I'm standing by my theory that the King of Vale was using the Relics at the end of the war (in particular, the Relics of Destruction and Choice). The Relic isn't a tiara, it's what's known as an 'open crown'. It's style commonly gets referred to as a 'circlet' or sometimes a'diadem' in this day and age, but I'm going to stick with 'open crown' (or 'circlet' if I get lazy).
    • Creation: Is that a spear? Why would a spear represent creation (aside from the phallic symbolism that real life creation myths use, that is)? It can't be as simple as it appears. We don't ever see the other end of it.
  • If the four Relics are brought together, they can summon the gods back to Remnant. However, if they do so, they will trigger a Day of Judgement, where the gods will assess humanity's worth through their unity. If humanity is still divided and fighting against itself, they will destroy the world. Not humanity. The world. Last time, only humanity was destroyed. This time will be different.
  • Now we know why Ozpin and Salem have different types of immortality. Ozma was already dead when he was given his burden. More importantly, the God of Light appears to acknowledge he and his brother made a terrible mistake with Salem's punishment, so rectify it by making sure Ozma will never be alone. While Salem's curse separates her from the world. Ozma's curse forces him to be a part of it.
  • So, Second Oz. It seems like Ozma was sent into the body of a grown man. One with which he cannot, or does not, bond. As Oscar notes, Ozma doesn't know his host's name or anything about his life. Instead, Ozma simply focusses on the task the God of Light burdened him with. That, or the shock of the merge destroyed the host's ability to self-identify.
  • Confirmation that there is no magic in the world beyond the magic Salem and Oz have. So, all magic in this world should be connected in some way to either Salem or Oz.
  • Salem has the ability to recognise Oz no matter what his host body looks like.
  • Faunus appear to have not existed during the first existence of humanity. How they came to be during the second existence of humanity is glossed over. Their origin remains a mystery to us, but does not appear to be related to the two gods. That leaves Salem as a potential culprit. I think the origin of Faunus will be important.
  • It's even more interesting that the God of Light alone addresses Ozma, creates the Relics, and sends him back to save humanity. Did he do that with the God of Darkness's knowledge or behind his brother's back?
  • Salem came up with the dress first, long before she settled on a symbol, her hairstyle and long before she gained the tainted veins or the forehead mark that might be a third eye.
  • Well, Ozma's first incarnation isn't doing too good a job here, but it's probably true that he needed to learn for himself what the reality of an unleashed Salem would mean. He's a good example of how the road to Hell is paved with good intentions. He doesn't want to believe Salem has become what the God of Light suggests, and so lets himself be led down a dark road that would horrify the original Ozma.
  • They had four daughters, who all seem normal despite their weird mother — but who could all use magic; I don't see any silver eyes. No wonder Ozpin always seemed quite concerned with letting children have a chance to grow up. I thought that was purely because of his curse stealing the childhood from new hosts. I always wondered if any of his hosts had children along the way, but strangely I didn't wonder if he ever had children with Salem. It's no wonder that Oz was so influenced by the four sisters to end up making them Maidens, however.
  • Ozma's second incarnation makes two terrible mistakes: allowing Salem to talk him into becoming a 'god' to humanity, and telling Salem about the Relics. I'm not going to count the death of the children as his mistake because he was trying to sneak them out of there when Salem found them. Salem attacked Oz right in front of the children. If Oz hadn't blocked it, he and the kids would all have been hit in that first attack. But that fight was horrific.
  • I wonder what Oz was about to say just before he died?
  • I suspected there were lifetimes where Oz just gave up. The Wizard seemed to be one of those lifetimes. Until the four sisters inspired him. And he seems to have gone through alcoholic phases, too. Take note, Qrow.
  • The man with glasses seems to be very interesting. He's covered in a little bit more detail, too. He seems to have been the one who redesigned the sceptre as the cane we're so familiar with, and to have got Oz back on track with his quest. He also seems to have had a family of his own (and a hint that his wife may have known the truth). His kids also look like they have silver eyes (and Ruby is notably the witness for this scene).
  • Oz asked Jinn the wrong question: he asked how he can destroy Salem. The wording of the curse doesn't allow for that to be answered in any way other than 'You can't'.

    Scenery observations 
  • I still think Jaune's twin crescents look like the half of Salem's original motif that she has not incorporated into her modern symbolism. Although, that's likely to be her cruel father's motif, not hers.
  • The motif on the floor of Salem's chamber is very similar (but not the same) as the motif on the ground of the temple ruins the student initiation occurred at (see Yang and Blake discovering the ruins in Volume 1, Episode 7).
  • The spiral pattern on Ozma's sceptre is the same one we see on Ozpin's cane and on the tea set Ozpin gave to Leo. Clearly green and the vine design are signs of Ozma carrying through all the generations of Oz that have existed.
  • Ozpin's symbol of cogs looks like it's influenced by Ozma's design. The cog spokes are a good way to honour that spoke-style of armour edging that Ozma used to wear, which is also reflected in the sceptre he carries, too.
  • Beacon Tower has similarities to the highest tower of the lonely palace that Salem was imprisoned in. Salem's crystal symbol can also be found on the floor of Ozpin's office within Beacon Tower (look at the edges where the floor meets wall, Salem's crystal can be found marking off intervals, to give the floor the impression of a clock face).
  • Look at the shrine at the base of the steps leading upwards to the Domain of Light. There's a cross above the statue of the god. That cross is identical to the cross Professor Ozpin wore at his throat. It therefore seems to be a reference to the God of Light. The old king later on is wearing the cross as a design on the back of his robe.
  • The entire design of the Domain of Light is far too similar to the Vault of the Spring Maiden to be coincidence. Right down to the tree that seems to shed leaves in its own secret breeze, to the three circles of different sizes (albeit laid out in a trail rather than stacked on top of each other). However, it seems to be mimicry or remembrance. The connection does seem certain, however, given the God of Light's Asian-themed dragon form.
  • It's very interesting that Weiss and Blake are shown for the Domain of Light scene, whereas Yang is shown for the Domain of Darkness scene.
  • The way the God of Light takes Ozma's life is very similar to how Cinder's power destroyed Pyrrha's body. My guess is that this is not a coincidence.
  • When Ozma falls towards the Pool of Life, her tears float upwards, exactly like the behaviour of the Relic of Knowledge's chamber.
  • In further similarities to the Relic of Knowledge's chamber, the in-between realm is having the same effect on Ozma's appearance that the Relic chamber was having on everything (that blurry distintergration effect).
  • The God of Darkness breaks the moon as the gods leave. I always knew the moon would be the 'clue in plain sight' — the mistake that can be remembered every night when the shattered moon is visible in the sky. But I thought it was Ozpin's mistake to remember. It is instead Salem's mistake to remember.
  • The lonely cottage: the window is shaped like Salem's symbol. It's also similar to some of Beacon Academy's window designs, and the designs of Salem's Lair. The tea set they're using has the vine design that Ozpin gave to Leo.
  • Their palace definitely shares design elements with both Beacon Academy and Salem's lair. Especially Salem's lair — right down to the candles. And Salem has her crystal ball habit long before the rest of her design elements settle into the modern form of Salem we're used to.

    Speculation 
  • I always knew Princess Ozma had to figure into the story somehow. Originally (in V4), I thought Oscar was that character. When it became clear he wasn't, I figured it must be connected to Salem's identity. So I latched on to the theme of the villains as being the reverse of fairy tale/storybook heroes (Salem is an evil Princess Ozma). What I did not latch onto was the gender-inversion theme that Team JNPR is known for. For those fans who have wondered all along if Oscar would be the unofficial 'P' in JNPR, this revelation must be quite exciting on that front as it gives Oscar the right connecting theme (gender-inverted Ozma).
  • Ozma's reputation seems insanely hard to live up to: Righteous, pure-hearted, courageous, willing to give his life for justice. He was the perfect hero. All that incarnation and failure through time, is bound to take the shine off that original purity — that original idealism. When Ozpin lectured Salem in the pilot episode about the things she'd long forgotten, he probably didn't quite realise just how much he's forgotten, too.
  • Beacon Academy's location is suspiciously similar to the appearance of the Domain of Light. The Domain is set in the Pool of Life and Creation, a circular pool that acts as shallow as a puddle — except for when it's deep enough to drown in. When looking at the long shot of Beacon, the castle is built on what appears to be a circular moat, with the tower exactly where the Domain of Light's tree would be. Given that Salem appears to have retreated to the God of Darkness's old domain, it makes sense for Oz to have retreated to the God of Light's old domain. It might also explain Cinder's confusion about how plain Beacon's vault was compared to Haven's: Beacon has been built in a way that completely hides what was originally there, which can now only be seen in the true Vault of the Fall Maiden, rather than the 'fake' vault Cinder was in.
  • The God of Darkness seems to have some abandonment issues: he seems so happy to have someone come to him with faith in his power.
  • The Vault of the Spring Maiden appears to be a visual retelling of the Lost Fable and how humanity came to ruin. The approach to the Domain of Light is set up and the interior of the chamber is the aftermath of the God of Darkness killing humanity. It's a lesson and a warning to anyone who approaches the Relic of Knowledge (Cinder, Raven and Yang didn't care about trying to understand the vault's meaning — but Vernal did; perhaps she would have made a suitable Spring Maiden, after all). Given the similarities between the strangle blurry disintegration inside the Relic chamber, the chamber is 'in between realms' the way Ozma was when the God of Light gave him his instructions. The other Relics will have similar stories to tell, and also be in the 'in between realm'.
  • The wording of Salem's curse is quite specific. While it's clear that she will remain immortal until she learns the importance of life and death (indicating she will then be allowed to die), there is an indication that she can actually be killed in another way: if the world stops turning, she will die. In other words, destroy the world itself, and Salem will finally die.
  • The wording the God of Light gives to Ozma is also quite specific: if the Relics summon the gods before humanity is ready, the world will be destroyed. Here lies the key to why Salem wants both humanity divided and the Relics. She can summon the gods while humanity is divided and therefore destroy the world — and thereby finally ending her curse. This is Salem's plan.
  • It's interesting that Oz is looking at Dust when Jinn talks about humanity having no magic. Is that saying that Dust (no matter how powerful) is a poor substitute for magic? Magic was portrayed as being extremely colourful. Dust may be the last remnant of magic left on this world. The purple crystals that surround Salem's lair and the Domain of Darkness existed before humanity's first apocalypse, and we saw Ozma's green crystal expressing great power. So Dust existed in some form long before the first humans were wiped out but it may also be the 'remnants' of magic in the modern world because of the colour similarities between Dust and Magic.
  • The lonely cottage where Salem and Oz reunite is going to be the cottage Oz was living alone in when the four sisters first met him, and therefore the site where he sacrifices his magic to them.
  • I might dare to speculate about whether the four daughters survived since we saw no bodies, but that cheapen the tragedy (and lead me back to speculating about Jaune's symbol being similar to Salem's, which I'm not ready to do just yet). Still, we know that other Oz incarnations had families with non-Salem women, so I wonder how many descendants of an Oz host exist in the world.
  • It's worth remembering that the question that sparked this episode was 'What is Ozpin hiding?', so Jinn may not have told a complete story — she will have told what Ozpin is hiding. This is therefore Ozpin's understanding of everything that has happened; what Ozma would be hiding is his version of things. There are therefore inevitable gaps (how humans came back, where Faunus came from, the Maidens have been completely skipped, there is no mention of Silver-Eyed Warriors (despite certain suspicious eye colours in the children of one of the Oz hosts, etc.).
  • And, on that note: one very interesting omission occurred in Jinn's tale — we know Ozma asked Jinn where the remaining three Relics are hiding, but we don't actually know how he found the Relic of Knowledge in the first place, or how he knew what that Relic's power actually was (he had to ask Jinn what the powers of the other Relics were, so how did he know what the Relic of Knowledge was or how to use the name Jinn).
  • Oz has given Jinn a lot of leeway with the question 'How can I destroy Salem?'. There are two problems with the question:
    • He is asking how he personally can do it. If he is not the one to stop Salem, Jinn would say that he can't do it.
    • If the path to defeating Salem does not lie with 'destroying' her (and the word of curse indicates that is an issue), Jinn would say she can't be destroyed.
    • Remember, people. Destroying Salem and stopping her are two different things. Also, destroying her or stopping her are both different from the actual terms of her curse, including how the curse is supposed to end.
  • I guess the opening credit scene where Jaune pushes Oscar against the wall is going to be when JNPR are brought up to speed. Jaune's reaction to the news that Salem cannot be destroyed (or as Raven interprets it — incorrectly, I think — cannot be stopped) , he's going to believe that Pyrrha died for nothing. And that's going to upset him. So, hopefully, this leads to the Jaune/Ozpin discussion of Pyrrha that fans have been asking for, given that still hangs in the air between them.
  • Okay, Salem. Jinn never said she cannot be defeated. She only confirmed that Ozma cannot destroy Salem. Ozma had already understood no mortal means could destroy her, so he was clearly hoping for a magical solution — which he should have known didn't exist because Salem had already tried a supernatural (even godly) option in the Pools of Grimm. But that wasn't the terms of the curse. So, this is what I think is going to be needed: The Silver-Eyed Warrior can burn the Grimm right out of Salem. That will restore her to the woman she used to be. That doesn't end the problem because the woman Salem used to be was the cause of the problem in the first place. What it address is the fact that the Pools of Grimm turned Salem into a being of pure destruction. Address that first (which the Silver-Eyed Warrior will be able to do), then deal with the human woman who couldn't take responsibility for her actions. She will still be dangerous and she will still be deeply flawed, but at least the 'divine malice' will be gone.

     Likes & Dislikes 
Likes:
  • Giving Oscar's voice actor the role of playing Ozma. There seem to be clear personality links between Ozma and Oscar, and the voice actor serves to really highlight that.
  • Giving the second Oz to Ozpin's voice actor. That seems to be where the second Oz learns to start manipulating the truth and keeping secrets, where he starts the fall from Ozma's purity. I think Shannon's voice was perfect for that.
  • The way the creators show us that magic, despite all its power, has limits: it cannot solve sickness and it cannot prevent death.
  • The way the God of Darkness is portrayed in a manner that calls to mind various Grimm we've seen: stretching like the Nuckelavee, wings growing out of the back the way the Sea Feilong's did.
  • The eerie discrepancy between Salem drowning in the depths of the water... only to find herself on the surface of it as if it's just a puddle.
  • Ruby's horror at the sight of Salem trying to kill herself. That's a terrible place to be, and not one that will ever make for comfortable viewing.
  • Okay, the way that Giant Nevermore was destroyed was quite creepy. It's like he got hit with enough gravity to make him fold up on himself and implode.
  • The complete disparity between Salem and Oz's reactions to realising their children can use magic. Salem looks happy, Oz looks horrified.
  • Confirmation that Ozma had to learn over time how to live with the hosts and share their lives properly.
  • The very last scene of the episode, where the Jinn's story merges with the modern day Ozpin, still on his knees where he was when Ruby asked Jinn the question, looking utterly defeated.
  • That said, I also liked the focus on Oscar when the truth about Ozma's curse came out.

Dislikes:

  • 'Mankind would fall to ruin' — it's a bit too copycat of the Peter Jackson Lord of the Rings films for me. It's still effective, but it was also a bit jarring.

     Unanswered questions 
There's still a lot we don't know:
  • Salem's development of her forehead mark, tainted veins and symbol.
  • The question Oz asked less than a hundred years ago.
  • How Oz found the Relic of Knowledge (he had to ask the Relic how to find the others).
  • How Oz knew what the Relic of Knowledge's powers were, including the name to use to activate it (he had to ask Jinn what the powers of the other Relics were).
  • Is there a reason why specific hosts are chosen, or is it random?
  • Does Salem still have her magic because this episode gives no indication she's lost it or given it away (but the episode also gives no indication that Oz gave his magic away, we know that from other episodes)?
  • What is Ozpin still capable of where magic is concerned (especially since he lied to everyone about why he had magic)?
  • How to stop Salem (Oz asked Jinn the wrong question, given the wording of Salem's curse).
  • How to unify humanity.
  • How Raven knew that Salem couldn't be stopped (Ozpin sort of implied that he told Leo after getting the 'we'll never leave you' line).
  • The real reason why Oz gave the magic to the four sisters to create the first Maidens (in light of the four daughters, this actually becomes quite important).
  • Why Oz is so interested in Silver-Eyed Warriors: what's their (ultimately Ruby's) role in this?
  • Why Oz thinks the answer lies in a soul (specifically, a smaller and more honest soul than him or Salem).
  • The significance of The Shallow Sea (every other fairy tale mentioned by Pyrrha has turned out to have plot importance, so The Shallow Sea should have relevance, too).
  • Where Salem's domain is.
  • How did Humanity come back?
  • Where the Faunus came from and why they exist.
  • What caused the Great War (because, let's face it, it's plot relevant).
  • What Oz did to end the Great War (same — especially if Relics and/or magic were involved).
  • The significance of the Relic chambers (since judging by Ozma's 'between realm' experience and animation, there's definitely something going on there).
  • Why the Grimm are attracted to the Relics.
  • What's really going on with the Oz cane (is it the sceptre remodelled, is it a separate item that creates hammerspace in which the original sceptre lies — and can be resummoned when needed, is it something else)?
  • How much Salem's subordinates really know about her past and her plans.
  • What the full truth of Ozpin and Hazel are.
  • What happened with Summer.

Edited by Wyldchyld on Nov 21st 2018 at 9:17:48 AM

If my post doesn't mention a giant flying sperm whale with oversized teeth and lionfish fins for flippers, it just isn't worth reading.
VutherA Since: Jul, 2009
#56702: Nov 17th 2018 at 5:27:24 PM

[up][up]Probably lots of cool heroism stuff. BLASTY heroism stuff, hopefully.

[up]About the dusting: Yeah this was totally "CRWBY I don't feel so good...": The Episode. I have to agree with LSBK that it was almost funny Oz blinkin' in and out like that. I'm personally still wondering why the heck someone bothered to make a giant fortress to lock up Salem.

CaptainCapsase from Orbiting Sagittarius A* Since: Jan, 2015
#56703: Nov 17th 2018 at 5:31:42 PM

@Wyldchyld: I have my suspicions that the Gods deliberately set up Ozpin and Salem to fight as a test for humanity 2.0 after they noticed that new humans reemerged from dust; remember Salem's line at the start of the series? The dust from either the moon being destroyed or the Gods' Thanos snap is where new humans came from. Also, I think the God of Light deliberately told Ozpin just enough about what had happened to Salem that he'd be tormented forever if he didn't find out the truth for himself, but not enough that he knew why it'd be a bad idea. I'm also not sure if Salem's curse actually has an automatic end condition; my guess is that she was supposed to come back to the gods and beg for their forgiveness and the release of death, and when she instead came with an army bent on their violent overthrow, that opportunity was rescinded.

I'm also a little suspicious about the afterlife since Ozma clearly doesn't remember it, otherwise he'd already be aware Salem wasn't there. That makes me wondering if we could be in for a scenario where the Gods are lying about there being an afterlife and instead devouring (slowly, meaning they could raise the recently deceased) the souls of the dead to sustain themselves. If the Gods are the final villains, and I think that's a distinct possibility, that's one of the ways they could be weakened enough to be beatable; pull a His Dark Materials and throw open the doors to the afterlife, allowing the tortured souls of the dead to escape to merciful oblivion.

Then there's the matter of what uniting humanity actually means. In it's most inclusive definition of all humans living in peace together, that would seem to include Salem since she's the last of the first generation humans, and even if it's not that strict, if I'm right about the Gods' maniuplating Salem and Ozpin into fighting against one another for eternity as a test for humanity, I would think it does specifically include Salem.

I personally forsee an outcome in which Ruby manages to talk both Salem and Ozpin into just...giving up their crazy schemes of redeeming humanity in the eyes of the God and destroying the Gods respectively (I'm leaning towards that being Salem's actual goal given some developments in V 6 E 4), while agreeing to leave the relics locked away forever rather than summoning the Gods back to Remnant. That could either be followed by their immortality ending and the two of them passing into the afterlife together or the Gods turning up and revealing that by rejecting their creators once again, despite being united, humanity has failed their test and will be destroyed. Then we have a JRPG esque struggle against the Gods as the final villains which would presumably involve the former heroes and villains banding together in a desperate struggle to assert humanity's right to live regardless of whether their creators approve of them or not. Option two is more exciting for me, we'll have to see though.

Edited by CaptainCapsase on Nov 17th 2018 at 8:44:40 AM

LSBK Since: Sep, 2014
#56704: Nov 17th 2018 at 5:47:00 PM

Also yeah slightly chubby past life man had a husband and kids, I somehow expected people to make a bigger deal about that.

Yeah, I just went back and looked, and no he didn't. He had a wife and kids. The other guy was "Ozma/Ozpin/whatever". You can tell because they looked exactly alike.

VutherA Since: Jul, 2009
#56705: Nov 17th 2018 at 6:16:09 PM

[up]Yeah, I think it's kinda hard to decipher since you're just seeing the same guy twice doing utterly normal things, but it's presenting Ozpin's body in the moment along with the true soul of the body watching over...or Ozpin's soul, it's kinda confusing.

...honestly I still can't ever see getting comfortable with having a love life while you've got Oz's soul seeing everything the entire time.

Edited by VutherA on Nov 17th 2018 at 9:17:53 AM

Zelenal The Cat Knows Where It's At from Purrgatory Since: Jul, 2009 Relationship Status: Maxing my social links
The Cat Knows Where It's At
#56706: Nov 17th 2018 at 6:51:08 PM

I interrupt this discussion to bring you how the Faunus were made.

Let the joy of love give you an answer! Check out my book!
LSBK Since: Sep, 2014
#56707: Nov 17th 2018 at 7:08:36 PM

This backstory does reconcile how the brothers of light and darkness were said to have made humanity without any mention of the Faunus, while the Wo R about the Faunus mentions they've been around since man, if not longer.

I had been wondering about that.

VeryMelon Since: Jul, 2011 Relationship Status: Anime is my true love
Saiga (4 Score & 7 Years Ago) Relationship Status: Getting away with murder
#56709: Nov 17th 2018 at 7:19:25 PM

Completely consistent with many real world myths.

Particularly Greek mythology.

Darthwyn Ace Pilot from The void Since: Feb, 2016 Relationship Status: You cannot grasp the true form
Ace Pilot
#56710: Nov 17th 2018 at 7:46:01 PM

[up] * 4 accepted for headlore

"When I offered to make Norea my third back-up girlfriend she just glared at me and started throwing things at me.." Renee Costa
VutherA Since: Jul, 2009
#56711: Nov 17th 2018 at 7:48:00 PM

It's why Oz's committed to the fight against her despite how she can't died instead of trying to change her mind about it. He can't let her live that down (plus it wasn't exactly one goat).

DeanCole Since: Jun, 2015
#56712: Nov 17th 2018 at 8:32:33 PM

I mean,there are aquatic faunses to.So how does that work exactly?

Edited by DeanCole on Nov 17th 2018 at 8:34:29 AM

Darthwyn Ace Pilot from The void Since: Feb, 2016 Relationship Status: You cannot grasp the true form
Ace Pilot
#56713: Nov 17th 2018 at 8:40:55 PM

Life finds a way or in this case Salem found a way to make it work.

"When I offered to make Norea my third back-up girlfriend she just glared at me and started throwing things at me.." Renee Costa
Prime_of_Perfection Where force fails, cunning prevails Since: Jun, 2009 Relationship Status: Maxing my social links
Where force fails, cunning prevails
#56714: Nov 17th 2018 at 8:58:48 PM

LMFAO at that explanation. [lol] I mean, I'd accept it given that it does fit actual mythology.

Also, with all the life and death rules, I figured that was rules made between the brothers. Given what we know about how The God of Light created stuff, his brother kept destroying, and they made humanity together - something which can both create more life as well as has a set end. My thinking on the rules, it's because breaking the rule there due to an emotional reaction can easily lead to a slippery slope between them that ruins the functioning balance they created.

Huh. A lot the problems, I notice, can be traced to the God of Darkness' decisions. God of Light makes stuff, he keeps destroying it, forcing Light to compromise with him since he is his brother. Light then tries to honor the deal he made with his brother when someone asks him to ignore it, only for his brother to say screw it now based on a whim, putting him in this position where he either has to accept it (meaning that he's permitting his brother to do whatever he pleases again or setting up for future issues if he chose to do something his brother didn't agree with that broke the rules) or be the responsible one and shut shit down. Then his bro wipes out all of humanity because he's pissed about the actions of a few. God of Light steps in through Ozma to create a second chance for humanity and leaves behind the stuff they used for creating humanity.

They come off a pair of Foolish Sibling, Responsible Sibling to me.

Improving as an author, one video at a time.
unknowing from somewhere.. Since: Mar, 2014
#56715: Nov 17th 2018 at 11:50:57 PM

[up]Kinda but note, God of Light kinda have this "I know better" way around is brother, darkness is finally happy about someone asking something to him, which imples people care more about is brother tham him.

Also if salem was workship as goddess, Maybe that is were tyrian come, isnt? he is one of a cultist in a way.

"My Name is Bolt, Bolt Crank and I dont care if you believe or not"
Neveratall Since: Apr, 2016
#56716: Nov 18th 2018 at 12:17:22 AM

I'll just say,that I agree with the idea of the gods being evil, or at least amoral. That's how they came off to me. Whatever Salem did, they did far worse.

unknowing from somewhere.. Since: Mar, 2014
#56717: Nov 18th 2018 at 12:21:01 AM

[up]Yeah, Gods are amoral, they arent dickish but they truly dont care.

Also Cinder and Ruby clearly represent Salem and Ozma: Cinder is strong but take too much pride in her strenght and never forget a slight while Ruby is too naive and tend to not ask question about stuff, just rushing and expecting the best.

"My Name is Bolt, Bolt Crank and I dont care if you believe or not"
TheLovecraftian Since: Jul, 2017
#56718: Nov 18th 2018 at 1:19:40 AM

I mean... Loki is officially the mother (yes, mother) of Odin's horse in Norse mythology, so yeah...

TwinBird Dunkies addict from Eastern Mass Since: Oct, 2009 Relationship Status: YOU'RE TEARING ME APART LISA
Dunkies addict
#56719: Nov 18th 2018 at 1:53:37 AM

...dammit, that makes way too much sense. It could even explain how humans came back, if Salem started having sex with her descendants (hey, once you've hitched your wagon to zoophilia). I really hope we get an actual origin for the faunus (and modern humanity), or I'm going to start to be convinced that's in the series bible.

Although speaking of that, am I the only one disappointed we didn't get Blake's reaction to the caged faunus?

My posts make considerably more sense read in the voice of John Ratzenberger.
FergardStratoavis Stop Killing My Titles from And Locations (Not-So-Newbie) Relationship Status: And here's to you, Mrs. Robinson
Stop Killing My Titles
#56720: Nov 18th 2018 at 2:34:29 AM

Isn't the new generation of humanity "born from dust", a.k.a the bits and pieces of the moon God of Darkness left on his way out? That would also explain the Faunus, since both gods have distinct animal horns in their human forms.

Additionally, a startling theory came to me that only the God of Light will be the "real" villain. I realize that giving the God of Darkness - who casually wiped out all of humanity in a fit - the benefit of the doubt is sketchy as hell, but he stands firmly on the "individualism" part of the "individualism/unity" axis that has been prominent for a time in the early volumes. Ozpin himself seemed to stand behind individualism, at odds with Ironwood who supported unity (in his own way) and despite the fact that his (Ozpin's) job is to unite the humanity.

Plus, it is true that GOD was willing to humor Salem with no strings attached, just because she actually came and asked for his help. Given that the narrative of old painted him as the "evil" god, even by their joint creation, he must have been elated to have someone approach him. Who knows, perhaps the gods would come to blows should Salem visit him first and the narrative would go somewhere else entirely.

There's also the fact that he doesn't seem to be involved in the whole "second chance" deal God of Light presented to Ozma. The relics were made by the elder brother, it's the elder brother who proposed the idea - while blaming his younger brother for it 100% - and it's only his word, as said by a Relic he himself created, that we have to believe. The myths remember him as weaker, malicious, the negative figure - but Jinn's recount made it clear that it was not quite that.

Edited by FergardStratoavis on Nov 18th 2018 at 11:35:02 AM

grah
CaptainCapsase from Orbiting Sagittarius A* Since: Jan, 2015
#56721: Nov 18th 2018 at 4:18:02 AM

[up] Considering Choice was one of the Dark Brothers' gifts to humanity, that's not entirely impossible, but at the same time he's the one who actually pulled the trigger on the Thanos snap, and that's monstrous beyond the pale. OTOH, it would be interesting if instead of going for the typical JRPG "God is the final boss" trope and actually have the capricious celestial tyrants learn the value of their creations. Sounds a bit Steven Universe-ish to me, but if Ruby's going to end up Talking Down Salem, might as well try it with the Gods as well right?

bandersnitch Since: Aug, 2016
#56722: Nov 18th 2018 at 4:40:45 AM

@Wyldchyld

His interest in SEW was kinda alluded to. Look at the eyes of Glasses Ozpin's family.

What I liked about the gods was how their actions reflected their relics. Go L was defined by inaction, because he lacked choice. Go D was easily manipulated because he lacked knowledge. Go D destroyed the world and Go L seemed to have recreated it.

Edited by bandersnitch on Nov 18th 2018 at 4:41:02 AM

Wyldchyld (Old as dirt)
#56723: Nov 18th 2018 at 6:52:23 AM

[up] It took me a moment to realise you meant 'silver-eyed warrior' by SEW. Yes, I did notice the eyes of his children — in fact, I was looking for it (you should have seen me scrutinising the eye colours of the four little daughters, and then glasses-man comes along with two of them). That's why I'm so interested in further information. That's exactly why I was intrigued by the lack of mention. It is, however, an unanswered question, so that's where I listed it. (I probably could have clarified why I listed it, however.)


@Captain Capsase: I am very interested about the request the God of Light made of Ozma.

  • All the way through Jinn's story, she talks of Salem and Ozma being bound together, whether by love or magic or 'possibly by something more'. That's mentioned at least twice — when they first meet at the lonely tower, and later when Ozma's first host finds Salem. So, what's the 'something more' because it's almost saying that this was fated, and that brings us to Pyrrha's discussion about what destiny really is. Which suddenly becomes even more important than it was before — if there's something of the gods behind Jinn's phrasing (and there should be since she was created by the God of Light).
  • There's choosing Ozma in the first place, after all his lecturing of his brother against bringing back the dead. Even accounting for the 'loophole' the God of Light uses by having Ozma 'reincarnate' rather than come back in his original body like the God of Darkness tried to do, we have to observe that the God of Light seemed to indicate that the real reason for the reincarnating wasn't the balance of life-and-death, it was the mistake the gods had made to force Salem to endure her punishment alone and separated from humanity: bringing back Ozma in this fashion forces him to be never alone. It seems designed to prevent Ozma becoming a second Salem (a path Salem does indeed start leading the reincarnated Ozma down).
  • It is very strange that the God of Darkness wasn't there, that the God of Light appeared to create the Relics right in front of Ozma (again, without the God of Darkness's input) from the four gifts the two brothers left the original humanity. I did notice that the God of Light put the blame for the destruction of humanity squarely on his brother's shoulders, without commenting on the fact he was standing right there and let it happen. As I mentioned in my post, Ilia has a lot to say about that, but it also makes what Ilia said far more important than perhaps it first seemed — and Ilia's point was already important because we'd seen the heroes doing exactly that in Volume 1 when Velvet was being bullied. Now we know it goes right to the top; the God of Light did exactly the same thing.
  • The God of Light glosses over how humanity can come back from extinction. It also glosses over whether or not the God of Darkness knows humanity came back from extinction given that he's not present when the God of Light is telling Ozma all this. In fact, there are some interesting signs about the new humanity — humanity has come back without the ability to use magic; the God of Light says that this is because the gods no longer live among them but the God of Darkness told Salem that he was the one who gifted humanity with magic — him, the God of Darkness alone. So is the real reason that Humanity Revised has no magic because the God of Light gave humanity the seeds to return without the God of Darkness's blessing?

The above doesn't necessarily mean the God of Light has ill intent. It does clearly indicate that there's an agenda here that Ozma doesn't understand. The brothers told Salem that they had engaged in an experiment. By the time Salem is confronting the two gods with her army of humans, the God of Light is already describing humanity as a fraction of what they once were. So it's not simply that Humanity Revised is the 'remnant' of what they once were — the God of Light described 'Original Humanity' has that as well. Indeed, it seemed to be his way of justifying why the God of Darkness had just destroyed all of humanity, except for Salem.

So, what was the purpose of the experiment? According to the legend, the brothers were fighting over it until they came up with humanity, which finally united them together because of something they could share pride in. Salem's decision to disunite humanity and turn them against the gods seems more like a final straw in the behaviour of humanity, judging by what the God of Light tells her. So the God of Darkness had his final straw moment when the humans tried to use the God of Darkness's gift (magic) against him, and destroyed them. But the God of Light then takes the time to patiently explain to Salem why they had to be destroyed — and he doesn't really explain it at all, he simply says just enough to make it clear that he is supporting what his brother has just done.

So, again, it gets turned into Salem's punishment, but we look at what the brothers said, the destruction isn't really because of her so much as her being the final straw. It's almost like she exposed a deep flaw in the design of humanity that made the gods finally realise why their grand experiment had been failing over time to reach this 'remnant' that could be so easily swayed by Salem. The God of Light even mentions that the brothers need to contemplate the mistake they made. But he's again a little coy over what exactly he perceives that mistake to be.

Salem's punishment is therefore not the destruction of humanity to leave her alone, but not destroying her along with the rest of humanity to leave her alone — if you see the difference I'm trying to convey there.

What the God of Light focusses on when talking to Ozma is that apparent design flaw in humanity, this ability of humanity to be so easily swayed into disunity and fighting. But that's a flaw they clearly share with the brother gods, who also were easily swayed into turning on each other. The difference between the gods and humanity appears to be the speed at which the God of Darkness realised the manipulation, trusted his brother's word alone, apologised for his mistake and corrected it. Something we don't see in humanity, and definitely don't see in Salem.

The afterlife thing didn't immediately flag with me. The reason for that is because I'm so used to stories keeping the afterlife hidden from the consciousness of humans: so when deceased people are brought back to life, or even brought back to 'between realms' or 'purgatory' or whatever half-way house equivalent, they do not remember the afterlife. Sometimes they don't remember either the afterlife or their actual lives.

So, that is quite normal storytelling. At the same time, I appreciate that it could be a clue. Sometimes, stories do indeed go that route — that the reason the person cannot remember is because the gods (or whatever death/life cycle beings the work has) are covering up something that's plot significant. So I do understand where you're coming from there. I'm just explaining why it didn't flag up for me.

Regarding Ruby. I think the Silver Eyes are going to be the key to freeing Salem from the Pools of Grimm. Effectively, the Silver Eyes will burn that 'pure destruction' right out of Salem, restoring her to the woman she once was.

Now, that's not the end of it because the woman that Salem once was caused the problem in the first place. But, with the divine malice gone from her system, that should both sever her link with the Grimm and make her a wholely human threat. One that Ruby's positive nature, that 'spark' that Ozpin commented on, can work on.

To me the end solution seems fairly obvious: Salem and Ozma will voluntarily, and fully at peace, agree to die. The story, really, is about getting them to that point.

Edited by Wyldchyld on Nov 18th 2018 at 3:04:18 PM

If my post doesn't mention a giant flying sperm whale with oversized teeth and lionfish fins for flippers, it just isn't worth reading.
CaptainCapsase from Orbiting Sagittarius A* Since: Jan, 2015
#56724: Nov 18th 2018 at 7:26:36 AM

The afterlife thing didn't immediately flag with me. The reason for that is because I'm so used to stories keeping the afterlife hidden from the consciousness of humans: so when deceased people are brought back to life, or even brought back to 'between realms' or 'purgatory' or whatever half-way house equivalent, they do not remember the afterlife. Sometimes they don't remember either the afterlife or their actual lives.

Yeah, it's fairly normal for fiction to do that to avoid offending religious sensibilities, but I think the show has already crossed that line, which is what makes me suspicious. Why I say that is because, when you really dissect why Salem and the original humanity rebelled against their creators, the root of it is essentially the problem of evil, where the world was created by supposedly just and benevolent deities who deliberately designed humans to wither away and die from age, and created all the horrible diseases people suffer from. So far, the Gods' answer to that is a platitude about the balance between life and death, and the only readily apparent and justifiable explanation for such a rule being a compromise between the creators' opposing nature seems to be ruled out by the God of Darkness not really giving a damn about that rule.

There might be some contrived reason that explains the problem in the future, that's what many fantasy settings do if they even allow Gods to resurrect people in the first place, maybe we aren't supposed to think too hard about the Gods' morality, but it could also be an indication of something more sinister, like the theory I proposed where the Gods secretly consume the souls of the dead for sustenance, meaning resurrections are against their best interest.

I do agree the likely endgame of the story has Ozma and Salem being at peace in death, but I could also see that happening in the form of a mutual Heroic Sacrifice / Redemption Equals Death (respectively) in a final battle against the Gods*; let's say Ruby manages to talk down Salem and gets Ozpin to agree to a compromise where they leave the relics in the vaults and agree not to summon the creators. If my theory about the Gods having deliberately set up Salem and Ozpin's conflict as a test for the new humanity is correct, they're probably watching from afar all along, and in this scenario, while humanity technically passed their test, they've also rejected their creators a second time, which in my reading was the central reason for the Gods destroying the human race, and the big design flaw that Salem exposed was the gift of choice, ie free will, kind of like the devil in John Milton's Paradise Lost crossed with the biblical Eve, which might be why the God of Darkness appears to have nothing to do with the "second chance" that his brother is offering humanity.

* Perhaps by throwing open the doors to the afterlife and allowing tortured souls trapped within to escape to merciful oblivion, weakening the Gods in the process, if we go with my theory about why people don't seem to remember it.

Edited by CaptainCapsase on Nov 18th 2018 at 10:48:44 AM

TheLovecraftian Since: Jul, 2017
#56725: Nov 18th 2018 at 7:32:56 AM

I hope we don't get the whole "Teenagers vs Evil Gods" thing. It's such a tired idea at this point, especially in anime and the like.


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