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Just expanding the page

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** "I'm Gonna Be Somebody" by Jack Mack & The Heart Attacks that plays over the closing credits of the first film.
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That\'s trivia, and already listed on that subpage


* FranchiseKiller: ''Mission to Moscow'' is considered to be this.
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** While opinions certainly vary on the quality of the films themselves, most viewers can agree that the main [[https://www.youtube.com/watch?v=wA-NRyWoYII Police Academy March]] is a surprisingly great theme.

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** While opinions certainly vary on the quality of the films themselves, most viewers can agree that the main [[https://www.youtube.com/watch?v=wA-NRyWoYII Police Academy March]] is a surprisingly great theme.genuinely ''great'' theme, to the point that real police, fire and EMS training programs have used it for graduation ceremonies.
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* HilariousInHindsight: In ''Assignment: Miami Beach''

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* HilariousInHindsight: In ''Assignment: Miami Beach''Beach'', Nick Lassard deals with a kidnapper by apparently giving him the Vulcan nerve pinch (actually using anaesthetic). The following year, Matt [=McCoy=], who played Nick, appeared in an episode of ''Series/StarTrekTheNextGeneration''.

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* ContestedSequel: ''Back in Training''. Some consider it to be where the series started going downhill, for embracing full-on slapstick humor and StatusQuoIsGod. However, those who actually like that sort of humor consider it to be one of, if not ''the'' best film in the series, for starring the series' best-known ensemble of characters, and being able to dive into the action right away with only minimal time needed for set-up.



* HilariousInHindsight: In ''Assignment: Miami Beach''



* {{Sequelitis}}: As a general rule, the lower the number in the title, the better the film. The numbers go to 7.
** On the other hand, the third movie is considered by many fans to be the [[EvenBetterSequel peak of the series]].

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* ReplacementScrappy: Nick Lassard and Connors, neither of whom are anywhere near as memorable as Mahoney. In addition, the former is often seen as a cocky SmugSnake, and the latter just generally bland and forgettable.
* {{Sequelitis}}: As a general rule, the lower the number in the title, the better the film. The numbers go to 7.
** On the other hand, the third movie
each sequel is considered by many fans to be weaker than the [[EvenBetterSequel peak last. The first four are generally considered watchable to some degree (if you can overlook the fact that ''Citizens on Patrol'' is nearly a carbon-copy of the series]].previous film), but ''Assignment Miami Beach'' is seen as where the series really started to get bad.

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* CrazyAwesome: The semi-babbling punk Zed from the third and fourth movies, and, arguably, Eric Lassard.
** Far less arguably, ''Eugene Tackleberry''.

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* CrazyAwesome: The semi-babbling punk Zed from the third and fourth movies, and, arguably, Eric Lassard.
**
Lassard. Far less arguably, ''Eugene Tackleberry''.'''Eugene Tackleberry'''.
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** While opinions certainly vary on the quality of the films themselves, most viewers can agree that the main [[https://www.youtube.com/watch?v=wA-NRyWoYII Police Academy March]] is a surprisingly great theme.
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* AwesomeMusic: Most people who've seen the movie will probably start laughing after just hearing the first few notes of [[https://www.youtube.com/watch?v=f77PLFRP3Ok "El Bimbo"]]
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** Hmm. Seven movies plus two series plus merchandising equals ten. It is now clear why they want to do [[UpToEleven just one more]] after all this time.



** The third movie arguably sits astride the point at which the franchise ran out of ideas. The creators were able to add enough fresh material so that they could pick and choose which gags and scenarios to recycle from the previous two. So, whether fresh or not, the third movie could be said to represent the best of what the franchise had to offer. After that, though, the only way was down...
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* CriticalDissonance: * This series was always critically panned. Some will try to tell you that only the first film was good, but even that received a critical drubbing (RogerEbert rated the original ''no stars'', something he almost never did). The series' reputation is so bad that any time it's referred to in other fiction, it's ''always'' intended as a TakeThat, ''never'' as an affectionate ShoutOut. And yet the original spawned six sequels, which doesn't happen to a series if absolutely nobody likes it.

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* CriticalDissonance: * This series was always critically panned. Some will try to tell you that only the first film was good, but even that received a critical drubbing (RogerEbert rated the original ''no stars'', something he almost never did). The series' reputation is so bad that any time it's referred to in other fiction, it's ''always'' intended as a TakeThat, ''never'' as an affectionate ShoutOut. And yet the original spawned six sequels, which doesn't happen to a series if absolutely nobody likes it.
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Added DiffLines:

* CriticalDissonance: * This series was always critically panned. Some will try to tell you that only the first film was good, but even that received a critical drubbing (RogerEbert rated the original ''no stars'', something he almost never did). The series' reputation is so bad that any time it's referred to in other fiction, it's ''always'' intended as a TakeThat, ''never'' as an affectionate ShoutOut. And yet the original spawned six sequels, which doesn't happen to a series if absolutely nobody likes it.
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* ValuesDissonance: There's a LOT of anti-gay language in the first movie that was fine in the 80s, but would be unacceptable by today's standards (e.g. Guttenberg's throwaway line "Sleep is for fags".)

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* ValuesDissonance: There's a LOT of anti-gay language in the first movie that was fine in the 80s, but would be unacceptable by today's standards standards, now that gay people are no longer considered AcceptableTargets (e.g. Guttenberg's throwaway line "Sleep is for fags".)fags").
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* TooCoolToLive: Tackleberry and Hightower's most likely fates now that their actors have kicked the bucket.

to:

* TooCoolToLive: Tackleberry and Hightower's most likely fates now that their actors have kicked the bucket.bucket.
* ValuesDissonance: There's a LOT of anti-gay language in the first movie that was fine in the 80s, but would be unacceptable by today's standards (e.g. Guttenberg's throwaway line "Sleep is for fags".)
Is there an issue? Send a MessageReason:
None


* TooCoolToLive: Tackleberry and Hightower's most likely fates now that their actors has kicked the bucket.

to:

* TooCoolToLive: Tackleberry and Hightower's most likely fates now that their actors has have kicked the bucket.
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None


* DeaderThanDisco: You couldn't escape ''Police Academy'' in the 80s and even well into the 90s thanks to frequent television syndication, merchandising and pop culture references (a then-contemporary episode of ''The Simpsons'', 'Homer the Great" even had a throwaway joke about Steve Gutenberg's star power). By the turn of the Millennium, however, the movie series had been all but completely forgotten while other 80s icons such as ''{{Franchise/Rocky}}''/''{{Franchise/Rambo}}'', ''{{Franchise/Ghostbusters}}'', ''{{Franchise/Transformers}}'', ''{{Franchise/Robocop}}'' and others are not only still fondly remembered but even had new movies or at least other material come out (though a ''Police Academy'' reboot is scheduled for 2014/2015).

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* DeaderThanDisco: You couldn't escape ''Police Academy'' in the 80s and even well into the 90s thanks to frequent television syndication, merchandising and pop culture references (a then-contemporary episode of ''The Simpsons'', ''TheSimpsons'', 'Homer the Great" even had a throwaway joke about Steve Gutenberg's star power). By the turn of the Millennium, however, the movie series had been all but completely forgotten while other 80s icons such as ''{{Franchise/Rocky}}''/''{{Franchise/Rambo}}'', ''{{Franchise/Ghostbusters}}'', ''{{Franchise/Transformers}}'', ''{{Franchise/Robocop}}'' and others are not only still fondly remembered but even had new movies or at least other material come out (though a ''Police Academy'' reboot is scheduled for 2014/2015).
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None

Added DiffLines:

* DeaderThanDisco: You couldn't escape ''Police Academy'' in the 80s and even well into the 90s thanks to frequent television syndication, merchandising and pop culture references (a then-contemporary episode of ''The Simpsons'', 'Homer the Great" even had a throwaway joke about Steve Gutenberg's star power). By the turn of the Millennium, however, the movie series had been all but completely forgotten while other 80s icons such as ''{{Franchise/Rocky}}''/''{{Franchise/Rambo}}'', ''{{Franchise/Ghostbusters}}'', ''{{Franchise/Transformers}}'', ''{{Franchise/Robocop}}'' and others are not only still fondly remembered but even had new movies or at least other material come out (though a ''Police Academy'' reboot is scheduled for 2014/2015).

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Just tweaking the page a little.


* FranchiseKiller: ''Mission to Moscow'' is considered to be this.



* TooCoolToLive: Tackleberry's most likely fate now that his actor has kicked the bucket.
** And now Hightower, too.

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* TooCoolToLive: Tackleberry's Tackleberry and Hightower's most likely fate fates now that his actor their actors has kicked the bucket.
** And now Hightower, too.
bucket.
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* FetishFuelStationAttendant: Just look at the number of TurnOnTropes that apply to Callahan.
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This isn\'t YMMV. Moving.


* MissionPackSequel: The fourth film has a near-identical plot to the third, the only major differences being that the third deals with new Police Academy recruits, and the fourth is based around a civilian training course. In fact, the two movies were meant to be shot back-to-back, but a combination of Art Metrano's injury and director Jerry Paris falling seriously ill (and later dying) forced them to delay shooting of the fourth film.
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YMMV sinkhole


* {{Sequelitis}}: YourMileageMayVary (just look at the edit history) but as a general rule, the lower the number in the title, the better the film. The numbers go to 7.

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* {{Sequelitis}}: YourMileageMayVary (just look at the edit history) but as As a general rule, the lower the number in the title, the better the film. The numbers go to 7.
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None

Added DiffLines:

* MissionPackSequel: The fourth film has a near-identical plot to the third, the only major differences being that the third deals with new Police Academy recruits, and the fourth is based around a civilian training course. In fact, the two movies were meant to be shot back-to-back, but a combination of Art Metrano's injury and director Jerry Paris falling seriously ill (and later dying) forced them to delay shooting of the fourth film.
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None


* TooCoolToLive: Tackleberry's most likely fate now that his actor has kicked the bucket.

to:

* TooCoolToLive: Tackleberry's most likely fate now that his actor has kicked the bucket.bucket.
** And now Hightower, too.
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None

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** Far less arguably, ''Eugene Tackleberry''.
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* StrawmanHasAPoint: Chief Hurst and Lt. Harris of the first film. In any other situation, having people like some of the cadets who obviously don't meet realistic fitness requirements, educational levels, and medical standards to be effective cops allowed into the Academy would be extremely foolish. But due to them being [[GenreBlindness Genre Blind]] and {{Jerkass}}es the message is lost.

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* StrawmanHasAPoint: Chief Hurst and Lt. Harris of the first film. In any other situation, having people like some of the cadets who obviously don't meet realistic fitness requirements, educational levels, and medical standards to be effective cops allowed into the Academy would be extremely foolish. But due to them being [[GenreBlindness Genre Blind]] and {{Jerkass}}es the message is lost.lost.
* TooCoolToLive: Tackleberry's most likely fate now that his actor has kicked the bucket.
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None
Is there an issue? Send a MessageReason:
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** The third movie arguably sits astride the point at which the franchise ran out of ideas. The creators were able to add enough fresh material so that they could pick and choose which gags and scenarios to recycle from the previous two. So, whether fresh or not, the third movie could be said to represent the best of what the franchise had to offer. After that, though, the only way was down...

to:

** The third movie arguably sits astride the point at which the franchise ran out of ideas. The creators were able to add enough fresh material so that they could pick and choose which gags and scenarios to recycle from the previous two. So, whether fresh or not, the third movie could be said to represent the best of what the franchise had to offer. After that, though, the only way was down...down...
* StrawmanHasAPoint: Chief Hurst and Lt. Harris of the first film. In any other situation, having people like some of the cadets who obviously don't meet realistic fitness requirements, educational levels, and medical standards to be effective cops allowed into the Academy would be extremely foolish. But due to them being [[GenreBlindness Genre Blind]] and {{Jerkass}}es the message is lost.
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* MisaimedMarketing: Oh, lord. These movies were not for kids. Everything else connected to them was, though.
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* EnsembleDarkhorse: There's a reason the third movie had Zed join the force. Also, depending who ask, Tackleberry, Jones, and Hightower.
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* FirstInstallmentWins: The series' infamous Sequelitis tends to overshadow the fact that the original was actually a rather good comedy.

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* FirstInstallmentWins: The series' infamous Sequelitis {{Sequelitis}} tends to overshadow the fact that the original was actually a rather good comedy.
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Added DiffLines:

* FirstInstallmentWins: The series' infamous Sequelitis tends to overshadow the fact that the original was actually a rather good comedy.

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