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** Godzilla is a WoobieDestroyerOfWorlds version. He was a once a simple ''Godzillasaurus'' living in underground caverns until one day an H-Bomb set off, giving him scars that resemble radiation burns, and powers that he had no idea he can use. Because of this, he vents his frustrations on the populace,, and once he's done, he simply wanted to rest in peace. Unlike the 50's NuclearNasty monsters and an AnthropomorphicPersonification of the weapon that gave him his powers, Godzilla stands out as the prime example of a TragicMonster/[[TragicVillain villain]] whose mutation was not of his choice to begin with, and his death has no epic fanfare. It is nothing but {{Tragedy}} altogether.

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** Godzilla is a WoobieDestroyerOfWorlds version. He was a once a simple ''Godzillasaurus'' living in underground caverns until one day an H-Bomb set off, giving him scars that resemble radiation burns, and powers that he had no idea he can use. Because of this, he vents his frustrations on the populace,, populace, and once he's done, he simply wanted to rest in peace. Unlike the 50's NuclearNasty monsters and an AnthropomorphicPersonification of the weapon that gave him his powers, Godzilla stands out as the prime example of a TragicMonster/[[TragicVillain villain]] whose mutation was not of his choice to begin with, and his death has no epic fanfare. It is nothing but {{Tragedy}} altogether.
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* SpecialEffectsFailure: A few scenes. Scene one: A military platoon attacking Godzilla, a solider oddly moves his head in a strange matter. Scene two: A window close-up shows Godzilla's tail. You can see the overhead wires near the tip. And scene 3: The Diet building is seen crumbling twice.

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* SpecialEffectsFailure: A few scenes. Scene one: A military platoon attacking Godzilla, a solider soldier oddly moves his head in a strange matter. Scene two: A window close-up shows Godzilla's tail. You can see the overhead wires near the tip. And scene 3: The Diet building is seen crumbling twice.
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** You can't destroy an element, so the weapon in itself is impossible.

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** You can't destroy an element, so the weapon in itself is impossible. Well, you theoretically can, either be splitting the atoms into lighter elements or creating an explosion far worse than any nuclear weapon ever made. But to do either is not possible outside of a laboratory at a minuscule scale.
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* ToughActToFollow: Averted with its popular third film, ''Film/KingKongVsGodzilla'', but played straight as a genre as a whole. Other giant monster movies tried to emulate the "Giant monster is a victim of circumstance", but ''Godzilla'' ''is'' that tough act that ''eclipses'' even ''Film/KingKong1933'' in terms of tragedy and the consequence of humanity's action. The main difference between this film and others is that characters do realize the monster they're trying to kill is a TragicMonster. This film on the other hand, the audience finds out on their own, but the characters ''do not'', and they ended up killing an ''innocent monster'' that is actually the victim of the same warfare as Japan did. The 2016 reboot, ''Film/ShinGodzilla'' even ups the ante by giving it a sympathetic Godzilla that mutates out of his control. After all, the series as a whole was based on Japan's real-life post-war tragedies.
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** Godzilla, having vented his revenge and left his message to man, is now content to live in the sea.

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** Godzilla, having vented his revenge and left his message to man, is now content to live in the sea. But humanity cannot be sure he will never return, and so must destroy him.
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* WhatDoYouMeanItsNotForKids: Nope. Unlike the other LighterAndSofter sequels that were often gears towards children, this film is the total opposite, with its imagery of the tragedies Japan has fallen twice over and an ending that's still depressing to this day. This film points out the horrors of nuclear weapons and how that tragedy can create consequences, and how that consequences create trageddy.

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* HarsherInHindsight: The last thing Serizawa says to Ogata and Emiko is to be together. As we found out in ''Film/GodzillaVsDestoroyah'', she did not marry him, as she chose to be Serizawa's wife posthumously.

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* HarsherInHindsight: Two, thanks to ''Film/GodzillaVsDestoroyah''
**
The last thing Serizawa says to Ogata and Emiko is to be together. As we found out in ''Film/GodzillaVsDestoroyah'', ''Destoroyah'', she did not marry him, as she chose to be Serizawa's wife posthumously.
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* VisualEffectsOfAwesome: One of the SceneryPorn scenes is when Godzilla heads to the ocean after being discovered is a well-executed map painting.

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* VisualEffectsOfAwesome: SugarWiki/VisualEffectsOfAwesome: One of the SceneryPorn scenes is when Godzilla heads to the ocean after being discovered is a well-executed map painting.
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** From the same film, Serizawa destroyed the plans and notes for the Oxygen Destroyer so that it could never be used again. The weapon ends up creating one of Godzilla's deadliest opponents, Destoroyah.
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* Emiko Yamane, surprisingly, is the first female protagonist, if not the very first in a ''Godzilla'' movie. Fans assume it's either Ogata, Serizawa, or her father, but Ogata's role is actually played with and is the DecoyProtagonist. Serizawa's importance only happens near the end of the film, and Kyohei Yamane is MrExposition. While she is no ActionGirl like other females leads had, if she didn't actually try to find a way to stop Godzilla for good, Japan would have been a nuclear wasteland.

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* ** Emiko Yamane, surprisingly, is the first female protagonist, if not the very first in a ''Godzilla'' movie. Fans assume it's either Ogata, Serizawa, or her father, but Ogata's role is actually played with and is the DecoyProtagonist. Serizawa's importance only happens near the end of the film, and Kyohei Yamane is MrExposition. While she is no ActionGirl like other females leads had, if she didn't actually try to find a way to stop Godzilla for good, Japan would have been a nuclear wasteland.
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* Emiko Yamane, surprisingly, is the first female protagonist, if not the very first in a ''Godzilla'' movie. Fans assume it's either Ogata, Serizawa, or her father, but Ogata's role is actually played with and is the DecoyProtagonist. Serizawa's importance only happens near the end of the film, and Kyohei Yamane is MrExposition. While she is no ActionGirl like other females leads had, if she didn't actually try to find a way to stop Godzilla for good, Japan would have been a nuclear wasteland.

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* VindicatedByHistory: Prior to the debut of the film, the film received very negative reviews due to its TooSoon and NuclearWeaponsTaboo imagery. However like its American counterpart ''Film/KingKong1933'' in Japan, the film was highly praised in America in 2004, where it gained two DVD releases by Classic Media and the Criterion Collection.



** Godzilla is a WoobieDestroyerOfWorlds version. He was a once a simple ''Godzillasaurus'' living in underground caverns until one day an H-Bomb set off, giving him scars that resemble radiation burns, and powers that he had no idea he can use. Because of this, he vents his frustrations on the populace,, and once he's done, he simply wanted to rest in peace. Unlike the 50's NuclearNasty monsters and an AnthropomorphicPersonification of the weapon that gave him his powers, Godzilla stands out as the prime example of a TragicMonster/[[TragicVillain villain]] whose mutation was not of his choice to begin with, and his death has no epic fanfare. It is nothing but {{Tragedy}} altogether.
* VindicatedByHistory: Prior to the debut of the film, the film received very negative reviews due to its TooSoon and NuclearWeaponsTaboo imagery. However like its American counterpart ''Film/KingKong1933'' in Japan, the film was highly praised in America in 2004, where it gained two DVD releases by Classic Media and the Criterion Collection.

to:

** Godzilla is a WoobieDestroyerOfWorlds version. He was a once a simple ''Godzillasaurus'' living in underground caverns until one day an H-Bomb set off, giving him scars that resemble radiation burns, and powers that he had no idea he can use. Because of this, he vents his frustrations on the populace,, and once he's done, he simply wanted to rest in peace. Unlike the 50's NuclearNasty monsters and an AnthropomorphicPersonification of the weapon that gave him his powers, Godzilla stands out as the prime example of a TragicMonster/[[TragicVillain villain]] whose mutation was not of his choice to begin with, and his death has no epic fanfare. It is nothing but {{Tragedy}} altogether.
* VindicatedByHistory: Prior to the debut of the film, the film received very negative reviews due to its TooSoon and NuclearWeaponsTaboo imagery. However like its American counterpart ''Film/KingKong1933'' in Japan, the film was highly praised in America in 2004, where it gained two DVD releases by Classic Media and the Criterion Collection.
altogether.
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* TheWoobie: Where do we even ''start''?
** Daisuke Serizawa: A horrifically scarred World War II [[ShellShockedVeteran vet]] who wears an eyepatch, Serizawa is a chemist who just wanted to study the element oxygen. However, in one of his researches, he created the Oxygen Destroyer by ''pure accident'' and feared its use as a new superweapon since the nuclear bombs. To say that Ogata wanted to use it against Godzilla proved his HumansAreBastards viewpoint, but relents after seeing the utter destruction of Tokyo after Godzilla's raid. In the end, he willingly chooses to sacrifice his own life so that the woman he loved ends up with the man she loves and prevent being forced to make another one.
** Kyohei Yamane, an implied widowed paleontologist, simply wanted to study Godzilla out of pure scientific discovery. But the government proves that they simply want to get rid of him. He ends up having to agree with the government's decision to kill Godzilla, and when Serizawa does kill him, he laments that either Godzilla is [[LastOfHisKind the last member of his species]], or [[ThereIsAnother there's another one out in the world]].
** The ''entire population of Tokyo''. Once living a normal life, the appearance of Godzilla causes them to fear him by simply existing. Godzilla's actions has already caused grieving families and friends, kills Masaji and his mother (mind you, he survived Godzilla's third attack at sea) leaving Shinkichi an orphan, and attacks Tokyo twice over, giving a grim reminder of both the Tokyo Fireraids, and Hiroshima. In the end, hundreds, if not ''millions'', including ''children'' are dead or dying of radiation poisoning or burns, and their fear of Godzilla will follow them in decades to come.
** Godzilla is a WoobieDestroyerOfWorlds version. He was a once a simple ''Godzillasaurus'' living in underground caverns until one day an H-Bomb set off, giving him scars that resemble radiation burns, and powers that he had no idea he can use. Because of this, he vents his frustrations on the populace,, and once he's done, he simply wanted to rest in peace. Unlike the 50's NuclearNasty monsters and an AnthropomorphicPersonification of the weapon that gave him his powers, Godzilla stands out as the prime example of a TragicMonster/[[TragicVillain villain]] whose mutation was not of his choice to begin with, and his death has no epic fanfare. It is nothing but {{Tragedy}} altogether.
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* NightmareRetardant: Despite the often primitive effects, the scary parts of the movie work remarkably well, except for... Godzilla's hand-puppet closeups. His unmoving, shriveled arms are in a constant "about to give a hug" position, and he has FishEyes. Combined with the low angles that sometimes make his mouth look like a smile, he looks like all he wants is to hug every building. In another occasion, he turns his head to the side, and ends up looking like one of Franchise/TheMuppets.

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* NightmareRetardant: Despite the often primitive effects, the scary parts of the movie work remarkably well, except for... Godzilla's hand-puppet closeups. His unmoving, shriveled arms are in a constant "about to give a hug" position, and he has FishEyes. Combined with the low angles that sometimes make his mouth look like a smile, he looks like all he wants is to hug every building. In another occasion, he turns his head to the side, and ends up looking like one of Franchise/TheMuppets. It also didn't help that Haruo Nakajima could hardly walk in that heavy suit.
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* AngstAversion: Initially, this happened when the film came out in 1954, where the source of that angst was the nuclear bombings of Hiroshima and Nagasaki, and the ''Daigo Fukuryū Maru'' incident in March 1 of that year. This later became subverted in recent years, and it has garnered enough sympathy for the audience, both Japanese and western fans of the franchise, as a post-war commentary of Japanese life after World War II, but its effects weighs heavily as life went on. Even modern fans starts to see what the the film was famous for.
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* JustHereForGodzilla: Initially, this is where people wanted to see: The Big G himself. The other side is where it's [[TooSoon a completely different story]].
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* FirstInstallmentWins: After over thirty films, almost all of which have at least some fans, the original is still regarded, almost universally, as the finest entry in the series.

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* FirstInstallmentWins: After over thirty films, almost all of which have at least some fans, the original is still regarded, almost universally, universally regarded as the finest entry in the series.
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* FirstInstallmentWins: After over thirty films, almost all of which have at least some fans, the original is still regarded, almost universally, as the finest entry in the series.

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There are other films with more famous Downer Endings, and King Kong did it all first.


* SeinfeldIsUnfunny: Subverted. While it may not be the first giant monster movie with an AlasPoorVillain TragicMonster, it's the first horror monster movie where the monster is sympathetic ''because'' of the circumstances of what it has become. Compared to other movies where the monster dies in a cheerful note (except KingKong1933), ''Godzilla'' is the first movie to show the ''consequences'' of humanity's action, and it has the most famous DownerEnding in movie history. ''No other'' film has this kind of tragedy in a monster movie, Japanese or American, before.
** In yet another subversion, ''Gojira'' remains one of the few popular movies out there where a monster terrorizing a city is treated InUniverse like a real disaster, and the movie is ultimately a tragedy rather than popcorn fluff.
*** On perhaps a more obvious but no less meaningful note, the idea of a monster being created/awakened by nuclear weapons has long been considered a cliche, even by the end of the decade in which ''Gojira'' was made. Because of this, modern viewers are more likely to overlook just how different it was from its contemporaries, and how unorthodox it continues to be as a monster movie.

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* SeinfeldIsUnfunny: Subverted. While it may not be the first giant monster movie with an AlasPoorVillain TragicMonster, it's the first horror monster movie where the monster is sympathetic ''because'' of the circumstances of what it has become. Compared to other movies where the monster dies in a cheerful note (except KingKong1933), ''Godzilla'' is the first movie to show the ''consequences'' of humanity's action, and it has the most famous DownerEnding in movie history. ''No other'' film has this kind of tragedy in a monster movie, Japanese or American, before.
** In yet another subversion, ''Gojira'' remains one of the few popular movies out there where a monster terrorizing a city is treated InUniverse like a real disaster, and the movie is ultimately a tragedy rather than popcorn fluff.
*** On perhaps a more obvious but no less meaningful note, the
The idea of a monster being created/awakened by nuclear weapons has long been considered a cliche, even by the end of the decade in which ''Gojira'' was made. Because of this, modern viewers are more likely to overlook just how different it was from its contemporaries, and how unorthodox it continues to be as a monster movie.
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* HarsherInHindsight: The last thing Serizawa says to Ogata and Emiko is to be together. As we found out in ''Film/GodzillaVsDestoroyah'', she did not marry him, as she chose to be Serizawa's wife posthumously.
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** Dr. Yamane, the benevolent scientist who discovers the truth about Gojira's origins, is played by noted Japanese thespian Takashi Shimura, who was famous at the time for his role as [[Film/{{Ikiru}} a middle-aged family man dying of cancer]]. Sixty years later, [[Film/{{Godzilla 2014}} the second American remake]] would use Dr. Joe Brody in an almost identical role. Brody, of course, would be played by noted American thespian Creator/BryanCranston...who was best known for his role as [[Series/BreakingBad a middle-aged family man dying of cancer]].

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** Dr. Yamane, the benevolent scientist who discovers the truth about Gojira's origins, is played by noted Japanese thespian Takashi Shimura, who was famous at the time for his role as [[Film/{{Ikiru}} a middle-aged family man dying of cancer]]. Sixty years later, [[Film/{{Godzilla 2014}} the second American remake]] reboot]] would use Dr. Joe Brody in an almost identical role. Brody, of course, would be played by noted American thespian Creator/BryanCranston...who was best known for his role as [[Series/BreakingBad a middle-aged family man dying of cancer]].
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* RetroactiveRecognition:
** Kenji Sahara is one of the background characters in the boat scene (he's the guy smoking).
** Jun Tazaki plays as a politician wanting to keep Godzilla's existence hidden.
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* GrowingTheBeard: This is perhaps the first, if not, only film in the franchise where it takes a typical giant monster movie involving nukes, and ''deconstructs'' it in a way that it feels more of a post-war tragedy (which it actually is). While later {{Kaiju}} films attempt to emulate the TragicMonster formula, it does not have the same effect this film does, where {{Tragedy}} and the consequences that follow affects on a major scale that ''it includes the monster itself''. This is actually the point of the film.

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** SomeAnvilsNeedToBeDropped: Subtle? No. Effective? Fairly. Something the world needed to hear in the face of a new world war fought with nuclear weapons? Without a doubt.



** NarmCharm: ...but despite that, it is still easily the most terrifying entry in the series it ended up creating, and even today can be seen as pretty scary.

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** NarmCharm: ...but despite that, * NarmCharm: Despite the comical music when Emiko is shown the Oxygen Destroyer, it is still easily the most terrifying entry in the series it ended up creating, and even today can be seen as pretty scary.



** NightmareRetardant: Despite the often primitive effects, the scary parts of the movie work remarkably well, except for... Godzilla's hand-puppet closeups. His unmoving, shriveled arms are in a constant "about to give a hug" position, and he has FishEyes. Combined with the low angles that sometimes make his mouth look like a smile, he looks like all he wants is to hug every building. In another occasion, he turns his head to the side, and ends up looking like one of Franchise/TheMuppets.

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** * NightmareRetardant: Despite the often primitive effects, the scary parts of the movie work remarkably well, except for... Godzilla's hand-puppet closeups. His unmoving, shriveled arms are in a constant "about to give a hug" position, and he has FishEyes. Combined with the low angles that sometimes make his mouth look like a smile, he looks like all he wants is to hug every building. In another occasion, he turns his head to the side, and ends up looking like one of Franchise/TheMuppets.


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*SomeAnvilsNeedToBeDropped: Subtle? No. Effective? Fairly. Something the world needed to hear in the face of a new world war fought with nuclear weapons? Without a doubt.
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* HomegrownHero: The film has an all-Japanese cast. When it was dubbed and reedited as ''Film/GodzillaKingOfTheMonsters'' for American audiences, a subplot was added about an American journalist reporting on Godzilla's rampage.

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* HomegrownHero: The film has an all-Japanese cast. When it was dubbed and reedited as ''Film/GodzillaKingOfTheMonsters'' ''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]'' for American audiences, a subplot was added about an American journalist reporting on Godzilla's rampage.
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* GermansLoveDavidHasselhoff: Due to its North American premire in 2004, several fans ''love'' this film more than ''Film/GodzillaKingOfTheMonsters''.

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* GermansLoveDavidHasselhoff: Due to its North American premire in 2004, several fans ''love'' this film more than ''Film/GodzillaKingOfTheMonsters''.''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]''.
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* SacredCow: ''The'' sacred cow of the franchise. For those who enjoy the DarkerAndEdgier aspects, this one comes to mind.

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How would a wild animal identify what country a bomb is from?


*** Especially considering Japan wasn't the one to set off the bomb that woke it up in the first place, America was.

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* HilariousInHindsight: Dr. Yamane, the benevolent scientist who discovers the truth about Gojira's origins, is played by noted Japanese thespian Takashi Shimura, who was famous at the time for his role as [[Film/{{Ikiru}} a middle-aged family man dying of cancer]]. Sixty years later, [[Film/{{Godzilla 2014}} the second American remake]] would use Dr. Joe Brody in an almost identical role. Brody, of course, would be played by noted American thespian Creator/BryanCranston...who was best known for his role as [[Series/BreakingBad a middle-aged family man dying of cancer]].

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* HilariousInHindsight: HilariousInHindsight:
**
Dr. Yamane, the benevolent scientist who discovers the truth about Gojira's origins, is played by noted Japanese thespian Takashi Shimura, who was famous at the time for his role as [[Film/{{Ikiru}} a middle-aged family man dying of cancer]]. Sixty years later, [[Film/{{Godzilla 2014}} the second American remake]] would use Dr. Joe Brody in an almost identical role. Brody, of course, would be played by noted American thespian Creator/BryanCranston...who was best known for his role as [[Series/BreakingBad a middle-aged family man dying of cancer]].cancer]].
** Godzilla's portrayal as intelligent and calculating may come across as surprising for a 1950s film, given the prevailing thought of dinosaurs at the time were as [[DumbDinos dim-witted lummoxes]].
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* AlternativeCharacterInterpretation:
** In the first two acts, Godzilla destroys multiple boats, destroys a village during a typhoon, and attacks Tokyo twice, thoroughly destroying the city in the process. In the final act, Godzilla is... resting in peace. To him, it may be the fact that HumansAreBastards and conducting nuclear tests which may have scarred him for life. His successors even sees humans this way.
** Godzilla, having vented his revenge and left his message to man, is now content to live in the sea.
* {{Anvilicious}}: This is a film about the bomb, and it's not at all subtle about it. Godzilla is born from reckless nuclear testing, and, like the atom, proves a dangerous and unstoppable force far outside man's control. Furthermore, Dr. Serizawa's anguish over potentially developing the next superweapon and struggle over using it has obvious overtones for the atomic age. The film closes with Dr. Yamane solemnly predicting that future atomic testing and brinkmanship will only create more monsters.
** SomeAnvilsNeedToBeDropped: Subtle? No. Effective? Fairly. Something the world needed to hear in the face of a new world war fought with nuclear weapons? Without a doubt.
* EarWorm: Since this is Akira Ifukube's first film in which he composed, many themes, all the music in the movie are friggin' earworm-worthy. Especially ''the sad themes'', which are guaranteed to haunt you and [[TearJerker blur your vision with tears]].
* GermansLoveDavidHasselhoff: Due to its North American premire in 2004, several fans ''love'' this film more than ''Film/GodzillaKingOfTheMonsters''.
* HilariousInHindsight: Dr. Yamane, the benevolent scientist who discovers the truth about Gojira's origins, is played by noted Japanese thespian Takashi Shimura, who was famous at the time for his role as [[Film/{{Ikiru}} a middle-aged family man dying of cancer]]. Sixty years later, [[Film/{{Godzilla 2014}} the second American remake]] would use Dr. Joe Brody in an almost identical role. Brody, of course, would be played by noted American thespian Creator/BryanCranston...who was best known for his role as [[Series/BreakingBad a middle-aged family man dying of cancer]].
* HomegrownHero: The film has an all-Japanese cast. When it was dubbed and reedited as ''Film/GodzillaKingOfTheMonsters'' for American audiences, a subplot was added about an American journalist reporting on Godzilla's rampage.
* LostInImitation: It was a horror film. Prior to this and ''Film/GodzillaRaidsAgain'', all the other films become a sci-fi {{Kaiju}} movie with each of their own themes and perks.
* MST3KMantra: As the commentary brings up, there are several aspects of the film that you have to ignore in terms of reality for it to work, like the following.
** If a giant dinosaur got hit with a hydrogen bomb blast, it would probably just kill it.
** Why would a hydrogen bomb give a dinosaur atomic breath and invulnerability to weapons (remember, this was made 9 years before the first X-Men issue, so the idea of mutant superpowers wasn't in common consciousness yet)
** A weapon that destroys oxygen doesn't kill everything in the water, it just creates a lot of hydrogen.
** You can't destroy an element, so the weapon in itself is impossible.
** The fact that the weapon simply stops working within Tokyo bay instead of spreading and affecting all water in the world as it logically would.
** And finally, why the monster seemed compelled to keep attacking Japan when other islands are relatively nearby.
*** Especially considering Japan wasn't the one to set off the bomb that woke it up in the first place, America was.
* {{Narm}}: When Emiko is shown Serizawa's experiment, she looks away and is accompanied by a sound that is supposed to sound dramatic but sounds more like the composer fell asleep on the piano.
** NarmCharm: ...but despite that, it is still easily the most terrifying entry in the series it ended up creating, and even today can be seen as pretty scary.
* NightmareFuel: Has [[NightmareFuel/{{Godzilla}} its own page]].
** NightmareRetardant: Despite the often primitive effects, the scary parts of the movie work remarkably well, except for... Godzilla's hand-puppet closeups. His unmoving, shriveled arms are in a constant "about to give a hug" position, and he has FishEyes. Combined with the low angles that sometimes make his mouth look like a smile, he looks like all he wants is to hug every building. In another occasion, he turns his head to the side, and ends up looking like one of Franchise/TheMuppets.
* OlderThanTheyThink: When people think of Godzilla, they refer to the Showa era films, only to overlook this film, which is made in 1954. And thus, any articles about this film will usually be referred as ''Godzilla (1954)''.
** The famous "In Pursuit of Godzilla" theme stems back further in Ifukube's courier, as part of his 1948 violin concerto. This early rendition can be heard in the main titles of this film: http://www.youtube.com/watch?v=NklvxiHk6sE
** Unlike the later sequels where oftentimes Godzilla gets DenserAndWackier due to CharacterizationMarchesOn, ''nope'', not this one. The film has an unusual amount of NightmareFuel and {{TearJerker}}s (hence its own page) that ''consequences'' is actually the main theme of this film. No amount of consequences could amount its level. Not even its second [[Film/{{Godzilla 2014}} remake]].
* SeinfeldIsUnfunny: Subverted. While it may not be the first giant monster movie with an AlasPoorVillain TragicMonster, it's the first horror monster movie where the monster is sympathetic ''because'' of the circumstances of what it has become. Compared to other movies where the monster dies in a cheerful note (except KingKong1933), ''Godzilla'' is the first movie to show the ''consequences'' of humanity's action, and it has the most famous DownerEnding in movie history. ''No other'' film has this kind of tragedy in a monster movie, Japanese or American, before.
** In yet another subversion, ''Gojira'' remains one of the few popular movies out there where a monster terrorizing a city is treated InUniverse like a real disaster, and the movie is ultimately a tragedy rather than popcorn fluff.
*** On perhaps a more obvious but no less meaningful note, the idea of a monster being created/awakened by nuclear weapons has long been considered a cliche, even by the end of the decade in which ''Gojira'' was made. Because of this, modern viewers are more likely to overlook just how different it was from its contemporaries, and how unorthodox it continues to be as a monster movie.
* SpecialEffectsFailure: A few scenes. Scene one: A military platoon attacking Godzilla, a solider oddly moves his head in a strange matter. Scene two: A window close-up shows Godzilla's tail. You can see the overhead wires near the tip. And scene 3: The Diet building is seen crumbling twice.
** The use of toy fire trucks (manned by very obviously toy firemen) coupled with the sped up footage during the attack on Tokyo scene is very, very obvious.
** The CircularDrive used to show the firetrucks marshaling to prepare for the attack is just as obvious. There's only one truck!
** During Godzilla's attack with the train, during a close-up of the legs, you can see the suit folding while he's walking.
*** These failures could easily fall under NarmCharm as well, considering the crew were basically ''inventing'' techniques as they went along, and one can't help but feel admiration for a film with such an extensive and experimental use of effects.
* ValuesResonance: The film's message remains powerful and almost universally accepted today. And to think that 60 years ago, humanity was on the verge of blowing itself up.
* VisualEffectsOfAwesome: One of the SceneryPorn scenes is when Godzilla heads to the ocean after being discovered is a well-executed map painting.
* WhatAnIdiot: So Godzilla has been found out to be the cause of the ships gone missing.
** '''You expect''': The government officials to listen to Dr. Yamane when he clearly points out no conventional weaponary can kill Godzilla, and he absolutely hates lights.
** '''Instead''': They try to kill him in the sea (which clearly didn't work), ignore Dr. Yamane's fact of Godzilla being immune to conventional weaponary, have a small platoon to deal with him in his first raid, '''''bombarding the thing''''' when he crosses the electrical towers, and continue attacking him when he has a BreathWeapon. All the course of the second act. Let's not forget they were waving their lights when he surfaced, something Dr. Yamane told the military ''not to do''.
* VindicatedByHistory: Prior to the debut of the film, the film received very negative reviews due to its TooSoon and NuclearWeaponsTaboo imagery. However like its American counterpart ''Film/KingKong1933'' in Japan, the film was highly praised in America in 2004, where it gained two DVD releases by Classic Media and the Criterion Collection.

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