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Changed line(s) 10 (click to see context) from:
** Ella trying to shoot herself in the head, then running off through town in tears after Jake's failed assassination.
to:
** Ella trying to shoot herself in the head, then running off through town in tears after Jake's failed assassination.assassination.
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Changed line(s) 4 (click to see context) from:
* NauseaFuel: The cop who comes to arrest El Merro getting fresh chicken shit in his mouth when he laughs.
to:
* NauseaFuel: The cop who comes to arrest El Merro getting fresh throws his head back and laughs... only for Merro's chicken to shit in directly into his mouth when he laughs.mouth.
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Changed line(s) 1 (click to see context) from:
* AwesomeArt: The animation drawings are a gorgeous blend of monochromatic pencil sketches digitally colored to resemble watercolor. Certain shots also feature [[AnimationBump some of his most fluid animation]]. The result is one of Bill Plympton's absolute best-looking films.
to:
* AwesomeArt: SugarWiki/AwesomeArt: The animation drawings are a gorgeous blend of monochromatic pencil sketches digitally colored to resemble watercolor. Certain shots also feature [[AnimationBump some of his most fluid animation]]. The result is one of Bill Plympton's absolute best-looking films.
Changed line(s) 3 (click to see context) from:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
to:
* HeartwarmingMoments: SugarWiki/HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
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Deleted line(s) 3,6 (click to see context) :
* FreudWasRight
** One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there, Bill.
** Later, when Ella bakes a cake, she takes a dollop of frosting in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
** The suggestive car maintenance during the montage of Jake's various mistresses.
** One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there, Bill.
** Later, when Ella bakes a cake, she takes a dollop of frosting in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
** The suggestive car maintenance during the montage of Jake's various mistresses.
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Changed line(s) 9 (click to see context) from:
* TearJerker
to:
* TearJerkerTearJerker: This is easily Plympton's saddest film.
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Changed line(s) 7,9 (click to see context) from:
* HeartwarmingMoments
** Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either crying or making love.
** Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either crying or making love.
to:
* HeartwarmingMoments
**HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either crying or making love.up.
**
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either crying or making love.
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Changed line(s) 5 (click to see context) from:
** Later, when Ella bakes a cake and ices her's and Jake's faces on it, she takes a dollup of the frosting on Jake's face in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
to:
** Later, when Ella bakes a cake and ices her's and Jake's faces on it, cake, she takes a dollup dollop of the frosting on Jake's face in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
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Added DiffLines:
* NauseaFuel: The cop who comes to arrest El Merro getting fresh chicken shit in his mouth when he laughs.
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Changed line(s) 9 (click to see context) from:
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either kissing or crying.
to:
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either kissing crying or crying.making love.
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None
Changed line(s) 7 (click to see context) from:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
to:
* HeartwarmingMoments: HeartwarmingMoments
** Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot popsup.up.
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either kissing or crying.
** Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops
** The fact that, at any given opportunity to be, Jake and Ella simply ''can not'' get mad at one another and simply end up either kissing or crying.
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None
Changed line(s) 12 (click to see context) from:
** Ella, having spend who knows how many nights alone, taking one of Jake's shirts and cuddling it in bed... [[WhamShot only to find another woman's phone number in the shirt pocket]].
to:
** Ella, having spend who knows how many nights alone, taking one of Jake's shirts and cuddling it in bed... [[WhamShot only to find another woman's phone number in the shirt pocket]].pocket]].
** Ella trying to shoot herself in the head, then running off through town in tears after Jake's failed assassination.
** Ella trying to shoot herself in the head, then running off through town in tears after Jake's failed assassination.
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None
** The suggestive car maintenance during the montage of Jake's various mistresses.
Changed line(s) 10 (click to see context) from:
** Jake resisting Ella's advances after coming home from his first time cheating on her, her sadness illustrated by their bed literally cracking in half and him floating away from her.
to:
** Jake resisting Ella's advances after coming home from his first time cheating on her, her sadness illustrated by their bed literally cracking in half and him floating away from her.her.
** Ella, having spend who knows how many nights alone, taking one of Jake's shirts and cuddling it in bed... [[WhamShot only to find another woman's phone number in the shirt pocket]].
** Ella, having spend who knows how many nights alone, taking one of Jake's shirts and cuddling it in bed... [[WhamShot only to find another woman's phone number in the shirt pocket]].
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None
Changed line(s) 9 (click to see context) from:
** The scene after, where Jake sadly blows a kiss to Ella from behind the kitchen door, drops the (supposedly) incriminating photo on the table and just leaves.
to:
** The scene after, where Jake sadly blows a kiss to Ella from behind the kitchen door, drops the (supposedly) incriminating photo on the table and just leaves.leaves.
** Jake resisting Ella's advances after coming home from his first time cheating on her, her sadness illustrated by their bed literally cracking in half and him floating away from her.
** Jake resisting Ella's advances after coming home from his first time cheating on her, her sadness illustrated by their bed literally cracking in half and him floating away from her.
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None
Changed line(s) 7 (click to see context) from:
* TearJerker: Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage, pounding his head against the steering wheel and eventually attempting to [[DrivenToSuicide drive himself off a cliff]].
to:
* TearJerker: TearJerker
** Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage, pounding his head against the steering wheel and eventually attempting to [[DrivenToSuicide drive himself off acliff]].cliff]].
** The scene after, where Jake sadly blows a kiss to Ella from behind the kitchen door, drops the (supposedly) incriminating photo on the table and just leaves.
** Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage, pounding his head against the steering wheel and eventually attempting to [[DrivenToSuicide drive himself off a
** The scene after, where Jake sadly blows a kiss to Ella from behind the kitchen door, drops the (supposedly) incriminating photo on the table and just leaves.
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Changed line(s) 3 (click to see context) from:
* FreudWasRight: One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there, Bill.
to:
* FreudWasRight: FreudWasRight
** One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there,Bill.Bill.
** Later, when Ella bakes a cake and ices her's and Jake's faces on it, she takes a dollup of the frosting on Jake's face in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
** One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there,
** Later, when Ella bakes a cake and ices her's and Jake's faces on it, she takes a dollup of the frosting on Jake's face in her finger and sticks it in her mouth. [[DoesThisRemindYouOfAnything Repeatedly]].
Changed line(s) 5 (click to see context) from:
* TearJerker: Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage.
to:
* TearJerker: Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage.rage, pounding his head against the steering wheel and eventually attempting to [[DrivenToSuicide drive himself off a cliff]].
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None
Changed line(s) 4 (click to see context) from:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
to:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.up.
* TearJerker: Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage.
* TearJerker: Jake breaking down into sobs when he believes Ella is cheating on him, then speeding off in his car through town in a depressed rage.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FreudWasRight: One of Ella's {{ImagineSpot}}s, where she's Juliet to Jake's Romeo, has Jake offering her tulip, which she daintily sniffs before licking. We see what you did there, Bill.
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None
Changed line(s) 3 (click to see context) from:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster.
to:
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster. And following the "Libiamo ne' lieti calici" sequence, which is implied to take place during, she coos to herself as he foot pops up.
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Added DiffLines:
* BigLippedAlligatorMoment: Ella and Jake randomly breaking out into "[[Theatre/LaTraviata Libiamo Ne' Lieti Calici]]" in their kitchen, and the DerangedAnimation that follows.
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Changed line(s) 1 (click to see context) from:
* AwesomeArt: The animation drawings are a gorgeous blend of monochromatic pencil sketches digitally colored to resemble watercolor. Certain shots also feature [[AnimationBump some of his most fluid animation]]. The result is one of Bill Plympton's absolute best-looking films.
to:
* AwesomeArt: The animation drawings are a gorgeous blend of monochromatic pencil sketches digitally colored to resemble watercolor. Certain shots also feature [[AnimationBump some of his most fluid animation]]. The result is one of Bill Plympton's absolute best-looking films.films.
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster.
* HeartwarmingMoments: Ella and Jake's embrace during their first breakfast as husband and wife, as seen on the poster.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AwesomeArt: The animation drawings are a gorgeous blend of monochromatic pencil sketches digitally colored to resemble watercolor. Certain shots also feature [[AnimationBump some of his most fluid animation]]. The result is one of Bill Plympton's absolute best-looking films.