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* SeparatedAtBirthCasting: One of the saving graces of the ''Tabitha'' spin-off was that Lisa Hartman looked, and, uncannily enough, even ''sounded,'' like she could be Elizabeth Montgomerey's daughter. Not that it saved the show.
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** Modern psychology would recognize Darrin as an escapee from a traumatically conformist childhood. His mother is so condescending and disapproving a conformist that she is one of the few characters ever to dislike Aunt Clara, she tries to choose her husband's ties for him so that he isn't "too flashy", and she becomes physically sick at the sight of a magical hourglass in which the sands flow upwards even though at the time there was a real world novelty hour glass that did the same thing through mirrors. It is implied several times that Darrin's engagement to Sheila had been the equivalent of an arranged marriage and that Phyllis was not initially happy that Darrin chose to marry someone else instead. His obsession with conformity makes a great deal of sense once his mother appears, as does his slow adjustment to unconventionality over the run of the series.
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** Also, the distrust of Samantha's marriage to Darrin may arise in part from a general witchly distrust of the notion of marital happiness. Endora and Maurice do not live together and flirt with people outside the marriage, none of the warlocks who are appear in the series are known to be married or have children other than Maurice, and none of Samantha's female relatives are known to be married or have children other than Endora. Several times Samantha has been pursued by a lovesick warlock only to have his mother intervene, but in none of those cases has there ever been a mention of a father. Marriages of love rather than passion may be almost unknown in the *Bewitched* witching world.

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** Also, the distrust of Samantha's marriage to Darrin may arise in part from a general witchly distrust of the notion of marital happiness. Endora and Maurice do not live together and flirt with people outside the marriage, none of the warlocks who are appear in the series are known to be married or have children other than Maurice, and none of Samantha's female relatives are known to be married or have children other than Endora. Several times Samantha has been pursued by a lovesick warlock only to have his mother intervene, but in none of those cases has there ever been a mention of a father. Marriages of love rather than the need for procreation or a brief fling of passion may be almost unknown in the *Bewitched* witching world.world of the series.
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** Because Creator/DickYork was in his early 30s when the series began and by modern standards he looks older than that, people often forget that the character Darrin was stated several times in the series to be a young man in his mid-to-late 20s and still somewhat inexperienced about the world. Larry Tate, Endora, and Maurice all openly refer to him as "young man" or "the poor/dear/confused boy" (a common phrase for a young man at the time), clients have remarked on his "youth" several times when uncertain about letting him handle their campaign, and he often refers to the older men and witches around him as "sir" or "ma'am" with the exception of Endora, and even then he has backed down from her those rare times she uses a "Mom Voice" with him. Endora has often treated the spells she temporarily casts on him to "teach him lesson" the same way that sitcom parents often treated their schemes to "teach a lesson" to a high school or college-aged son or daughter, less as a magical curse and more as the witch version of being sent to your room or given a time-out. Much of Darrin's overreactions and desperation to fit in and to earn approval may arise more from his relatively young age than anything else. This is reinforced by the series in which, as time went on, Darrin seemed to mature out of his tendency to jump to conclusions and to overreact.
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** In real life, Maurice's pompous pushiness is mostly a RuleOfCool use of actor Maurice Evan's talent for comedic bombast, but it may also be understandable in the *Bewitched* reality. In the series, nearly every male supernatural being (warlock, leprechaun, ghost, elf, etc) is demonstrably less powerful than a witch. Serena repeatedly shows herself more powerful than any of the warlocks she dates, Samantha or Endora is more powerful than any of the one-shot warlocks (usually lovesick for Samantha) who appear, Arthur may be just as powerful as Endora but his spells backfire far more often, etc., and witchdom is overtly a matriarchy with a queen but no sign of a king (and Darrin gets no respect from the witches as the Queen's consort during Samantha's reign as queen). The only exceptions are Doctor Bombay and Maurice. Maurice may be so strident in part because he has had to be just to get any respect as a mere male in a female-dominated society. (It doesn't hurt that Endora makes it clear in several episodes that she finds his bombast a bit of a turn-on for her.)
** Also, the distrust of Samantha's marriage to Darrin may arise in part from a general witchly distrust of the notion of marital happiness. Endora and Maurice do not live together and flirt with people outside the marriage, none of the warlocks who are appear in the series are known to be married or have children other than Maurice, and none of Samantha's female relatives are known to be married or have children other than Endora. Several times Samantha has been pursued by a lovesick warlock only to have his mother intervene, but in none of those cases has there ever been a mention of a father. Marriages of love rather than passion may be almost unknown in the *Bewitched* witching world.
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* SeparatedAtBirthCasting: One of the saving graces of the ''Tabitha'' spin-off was that Lisa Hartman looked, and, uncannily enough, even ''sounded,'' like she could be Elizabeth Montgomerey's daughter. Not that it saved the show.
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** Some consider the show is about class warfare. The witches represent wealth (which can command anything, just like magic). Darrin loves Samantha, but doesn't want to look like a gold-digger, least of all ''to himself''. Unlike [[ComicStrip/{{Blondie}} Blondie Bumstead]], her family didn't disown her, but they're also not like [[WesternAnimation/FamilyGuy Carter Pewterschmidt]] who is happy to see his daughter swing in the wind with her poor, working-class husband. They don't hate mortals/the poor, it's just that mortal/poor person ways (like working for a living) simply aren't for folks like them, and Endora knows it. Even early on, she expresses concern that Samantha can even remain happy in her new, downgraded circumstances, and indeed worries that Sam is just "going through a phase". This is reinforced by the aggressive snobbery with which Darrin's mother Phyllis snubs everyone, even Aunt Clara, and the fact that Darrin had been in what amounted to an arranged marriage of elites when he chose "no name" Samantha instead.

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** Some consider the show is about class warfare. The witches represent wealth (which can command anything, just like magic). Darrin loves Samantha, but doesn't want to look like a gold-digger, least of all ''to himself''. Unlike [[ComicStrip/{{Blondie}} [[ComicStrip/Blondie1930 Blondie Bumstead]], her family didn't disown her, but they're also not like [[WesternAnimation/FamilyGuy Carter Pewterschmidt]] who is happy to see his daughter swing in the wind with her poor, working-class husband. They don't hate mortals/the poor, it's just that mortal/poor person ways (like working for a living) simply aren't for folks like them, and Endora knows it. Even early on, she expresses concern that Samantha can even remain happy in her new, downgraded circumstances, and indeed worries that Sam is just "going through a phase". This is reinforced by the aggressive snobbery with which Darrin's mother Phyllis snubs everyone, even Aunt Clara, and the fact that Darrin had been in what amounted to an arranged marriage of elites when he chose "no name" Samantha instead.

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* TheyChangedItNowItSucks: The ''Tabitha'' spin-off, among other things, retconning Adam to be a mortal (as well as Tabitha now being the younger sibling) despite the pilot showing him to be a warlock. Apparently, the original audience was also upset that Tabitha and Adam were suddenly adults.

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* TheyChangedItNowItSucks: TheyChangedItNowItSucks:
** Sandra Gould was always going to have a hard time [[ToughActToFollow replacing Alice Pearce as Gladys Kravitz]], but fans generally dislike the way the writers changed her version of the character from Pearce's well-meaning but NosyNeighbor to [[TookALevelInJerkass an outright antagonist out to get Samantha]].
**
The ''Tabitha'' spin-off, among other things, retconning Adam to be a mortal (as well as Tabitha now being the younger sibling) despite the pilot showing him to be a warlock. Apparently, the original audience was also upset that Tabitha and Adam were suddenly adults.
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* FriendlyFandoms: Nowadays ''Bewitched'' fans and fans of ''Series/IDreamOfJeannie'' tend to get along and enjoy both shows.

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* TheyCopiedItSoItSucks:
** Averted with ''Series/IDreamOfJeannie'', which was wildly popular despite people involved in it admitting that it ripped off ''Bewitched''.
** Played straight with the failure of ''Tabitha'', which was credited to its similarity to ''Series/TheMaryTylerMooreShow''.

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* TheyCopiedItSoItSucks:
** Averted with ''Series/IDreamOfJeannie'', which was wildly popular despite people involved in it admitting that it ripped off ''Bewitched''.
** Played straight with the
TheyCopiedItSoItSucks: The failure of ''Tabitha'', which ''Tabitha'' was credited to its similarity to ''Series/TheMaryTylerMooreShow''.
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** Many see the series as a subversion of the conformism and internalized xenophobia of the IJustWantToBeNormal trope. Darrin starts out a desperate conformist who was willing to marry a woman he didn't love just because he was expected to do so -- until he meets Samantha, and over the next few years of the series, he slowly and awkwardly learns to appreciate being different. Samantha starts out assuming she is supposed to conform as well, in part to appease Darrin but in part because she doesn't understand mortal life that well at first, and "when in Rome" as they say, but over the years she comes to realize how much damage conformity does to herself, her husband, and her children. Both Endora and Phyllis Stephens are most villainous when they are trying to force Samantha or Darrin to conform to their preferred ways of life, with Phyllis' xenophobia an ongoing shtick of the character, and TokenGoodTeammate Aunt Clara and later Uncle Arthur have to fight against conformist peer pressure from their fellow witches. Larry Tate's primary shtick is conforming on a dime to whatever the client prefers at the moment, and his most heroic moments are those when he defies conformity. Finally, NoseNeighbor Gladys Kravitz's greatest sin is not her snooping but the fact she snoops expressly as a tactic to catch nonconformists in the act, which is why there is so little sympathy for her when she witnesses witchery and no one believes her : her mislike of witchcraft seems to be based on nothing more than xenophobia.

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** Many see the series as a subversion of the conformism and internalized xenophobia of the IJustWantToBeNormal trope. Darrin starts out a desperate conformist who was willing to marry a woman he didn't love just because he was expected to do so -- until he meets Samantha, and over the next few years of the series, he slowly and awkwardly learns to appreciate being different. Samantha starts out assuming she is supposed to conform as well, in part to appease Darrin but in part because she doesn't understand mortal life that well at first, and "when in Rome" as they say, but over the years she comes to realize how much damage conformity does to herself, her husband, and her children. Both Endora and Phyllis Stephens are most villainous when they are trying to force Samantha or Darrin to conform to their preferred ways of life, with Phyllis' xenophobia an ongoing shtick of the character, and TokenGoodTeammate Aunt Clara and later Uncle Arthur have to fight against conformist peer pressure from their fellow witches. Larry Tate's primary shtick is conforming on a dime to whatever the client prefers at the moment, and his most heroic moments are those when he defies conformity. Finally, NoseNeighbor NosyNeighbor Gladys Kravitz's greatest sin is not her snooping but the fact she snoops expressly as a tactic to catch nonconformists in the act, which is why there is so little sympathy for her when she witnesses witchery and no one believes her : her mislike of witchcraft seems to be based on nothing more than xenophobia.
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* Many see the series as a subversion of the conformism and internalized xenophobia of the IJustWantToBeNormal trope. Darrin starts out a desperate conformist who was willing to marry a woman he didn't love just because he was expected to do so -- until he meets Samantha, and over the next few years of the series, he slowly and awkwardly learns to appreciate being different. Samantha starts out assuming she is supposed to conform as well, in part to appease Darrin but in part because she doesn't understand mortal life that well at first, and "when in Rome" as they say, but over the years she comes to realize how much damage conformity does to herself, her husband, and her children. Both Endora and Phyllis Stephens are most villainous when they are trying to force Samantha or Darrin to conform to their preferred ways of life, with Phyllis' xenophobia an ongoing shtick of the character, and TokenGoodTeammate Aunt Clara and later Uncle Arthur have to fight against conformist peer pressure from their fellow witches. Larry Tate's primary shtick is conforming on a dime to whatever the client prefers at the moment, and his most heroic moments are those when he defies conformity. Finally, NoseNeighbor Gladys Kravitz's greatest sin is not her snooping but the fact she snoops expressly as a tactic to catch nonconformists in the act, which is why there is so little sympathy for her when she witnesses witchery and no one believes her : her mislike of witchcraft seems to be based on nothing more than xenophobia.

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* ** Many see the series as a subversion of the conformism and internalized xenophobia of the IJustWantToBeNormal trope. Darrin starts out a desperate conformist who was willing to marry a woman he didn't love just because he was expected to do so -- until he meets Samantha, and over the next few years of the series, he slowly and awkwardly learns to appreciate being different. Samantha starts out assuming she is supposed to conform as well, in part to appease Darrin but in part because she doesn't understand mortal life that well at first, and "when in Rome" as they say, but over the years she comes to realize how much damage conformity does to herself, her husband, and her children. Both Endora and Phyllis Stephens are most villainous when they are trying to force Samantha or Darrin to conform to their preferred ways of life, with Phyllis' xenophobia an ongoing shtick of the character, and TokenGoodTeammate Aunt Clara and later Uncle Arthur have to fight against conformist peer pressure from their fellow witches. Larry Tate's primary shtick is conforming on a dime to whatever the client prefers at the moment, and his most heroic moments are those when he defies conformity. Finally, NoseNeighbor Gladys Kravitz's greatest sin is not her snooping but the fact she snoops expressly as a tactic to catch nonconformists in the act, which is why there is so little sympathy for her when she witnesses witchery and no one believes her : her mislike of witchcraft seems to be based on nothing more than xenophobia.
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* Many see the series as a subversion of the conformism and internalized xenophobia of the IJustWantToBeNormal trope. Darrin starts out a desperate conformist who was willing to marry a woman he didn't love just because he was expected to do so -- until he meets Samantha, and over the next few years of the series, he slowly and awkwardly learns to appreciate being different. Samantha starts out assuming she is supposed to conform as well, in part to appease Darrin but in part because she doesn't understand mortal life that well at first, and "when in Rome" as they say, but over the years she comes to realize how much damage conformity does to herself, her husband, and her children. Both Endora and Phyllis Stephens are most villainous when they are trying to force Samantha or Darrin to conform to their preferred ways of life, with Phyllis' xenophobia an ongoing shtick of the character, and TokenGoodTeammate Aunt Clara and later Uncle Arthur have to fight against conformist peer pressure from their fellow witches. Larry Tate's primary shtick is conforming on a dime to whatever the client prefers at the moment, and his most heroic moments are those when he defies conformity. Finally, NoseNeighbor Gladys Kravitz's greatest sin is not her snooping but the fact she snoops expressly as a tactic to catch nonconformists in the act, which is why there is so little sympathy for her when she witnesses witchery and no one believes her : her mislike of witchcraft seems to be based on nothing more than xenophobia.
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*** Still, a lot of this unfair: No one seems to remember that the very first time Maurice met Darrin, ''he killed him'' -- and then refused to bring Darrin back to life until Endora threatened extortion because "I don't a mortal on my conscience" -- and yet Darrin ten minutes later was offering him what for Darrin was an incredibly expensive bottle of champagne as a gesture of respect for his wife's father. Endora has also reminded Darrin that she could kill him easily by turning him into a "carrot in a field of hungry rabbits." How many people would try to show respect and compassion for a spouse's parents after they threatened to kill him or actually killed him even if the death were reversed?

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*** Still, a lot of this unfair: No one seems to remember that the very first time Maurice met Darrin, ''he killed him'' -- and then refused to bring Darrin back to life until Endora threatened extortion because "I don't want a mortal on my conscience" -- and yet Darrin ten minutes later was offering him what for Darrin was an incredibly expensive bottle of champagne as a gesture of respect for his wife's father. Endora has also reminded Darrin that she could kill him easily by turning him into a "carrot in a field of hungry rabbits." How many people would try to show respect and compassion for a spouse's parents after they threatened to kill him or actually killed him even if the death were reversed?
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** Several episodes imply that Darrin realizes deep down that he could never survive in Samantha's world, where at best the other witches would treat him as Samantha's pet or Samantha's trivial self-indulgence and where he would be completely defenseless against anything they do as well as treated as a tragic burden since he would need help just to pop over to Jupiter, for example. Several witches state that marriages to mortals "don't count" and then magically entrap or discard Darrin so that Samantha can marry them or their sons instead. His own father-in-law Maurice kills him the first time they meet and then brings him back to life (and yet he still tries to treat Maurice with respect by offering him particularly expensive champagne he had squirreled away). While Samantha can try to live in his world, he has no hope of living with any success in her world.

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** Several episodes imply that Darrin realizes deep down that he could never survive in Samantha's world, where at best the other witches would treat him as Samantha's pet or Samantha's trivial self-indulgence and where he would be completely defenseless against anything they do as well as treated as a tragic burden since he would need help just to pop over to Jupiter, for example.example (look at the contempt given Aunt Clara and Esmeralda because they can't ''always'' use magic successfully, so how much worse would Darrin be treated?). Several witches state that marriages to mortals "don't count" and then magically entrap or discard Darrin so that Samantha can marry them or their sons instead. His own father-in-law Maurice kills him the first time they meet and then brings him back to life (and yet he still tries to treat Maurice with respect by offering him particularly expensive champagne he had squirreled away). While Samantha can try to live in his world, he has no hope of living with any success in her world.
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**** Still, a lot of this unfair: No one seems to remember that the very first time Maurice met Darrin, ''he killed him'' -- and then refused to bring Darrin back to life until Endora threatened extortion because "I don't a mortal on my conscience" -- and yet Darrin ten minutes later was offering him what for Darrin was an incredibly expensive bottle of champagne as a gesture of respect for his wife's father. Endora has also reminded Darrin that she could kill him easily by turning him into a "carrot in a field of hungry rabbits." How many people would try to show respect and compassion for a spouse's parents after they threatened to kill him or actually killed him even if the death were reversed?


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**** On the other hand, people with particularly high intelligence or other impressive attribute often find it necessary to "dumb themselves down" for their less intelligent or less talented spouses and friends. In many friendship circles which include both a Ph.D. and a number of people who had neither the talent nor abilities to make it in grad school, there is often an agreement that the Ph.D. is forbidden to mention this Ph.D. and is barred from any casual conversations that fall into his or her fields of expertise, and professional athletes have mentioned how they have to intentionally hamper themselves if they want to enjoy casual sports games with their friends. Constantly behaving in a fashion that leaves one's wife or husband feeling inferior and left behind is not a healthy template for a relationship!

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** Several episodes imply that Darrin realizes deep down that he could never survive in Samantha's world, where at best the other witches would treat him as Samantha's pet or Samantha's trivial self-indulgence and where he would be completely defenseless against anything they do as well as treated as a tragic burden since he would need help just to pop over to Jupiter, for example. Several witches state that marriages to mortals "don't count" and then magically entrap or discard Darrin so that Samantha can marry them or their sons instead. His own father-in-law Maurice kills him the first time they meet and then brings him back to life (and yet he still tries to treat Maurice with respect by offering him particularly expensive champagne he had squirreled away). While Samantha can try to live in his world, he has no hope of living with any success in her world.



** Some consider the show is about class warfare. The witches represent wealth (which can command anything, just like magic). Darrin loves Samantha, but doesn't want to look like a gold-digger, least of all ''to himself''. Unlike [[ComicStrip/{{Blondie}} Blondie Bumstead]], her family didn't disown her, but they're also not like [[WesternAnimation/FamilyGuy Carter Pewterschmidt]] who is happy to see his daughter swing in the wind with her poor, working-class husband. They don't hate mortals/the poor, it's just that mortal/poor person ways (like working for a living) simply aren't for folks like them, and Endora knows it. Even early on, she expresses concern that Samantha can even remain happy in her new, downgraded circumstances, and indeed worries that Sam is just "going through a phase".

to:

** Some consider the show is about class warfare. The witches represent wealth (which can command anything, just like magic). Darrin loves Samantha, but doesn't want to look like a gold-digger, least of all ''to himself''. Unlike [[ComicStrip/{{Blondie}} Blondie Bumstead]], her family didn't disown her, but they're also not like [[WesternAnimation/FamilyGuy Carter Pewterschmidt]] who is happy to see his daughter swing in the wind with her poor, working-class husband. They don't hate mortals/the poor, it's just that mortal/poor person ways (like working for a living) simply aren't for folks like them, and Endora knows it. Even early on, she expresses concern that Samantha can even remain happy in her new, downgraded circumstances, and indeed worries that Sam is just "going through a phase". This is reinforced by the aggressive snobbery with which Darrin's mother Phyllis snubs everyone, even Aunt Clara, and the fact that Darrin had been in what amounted to an arranged marriage of elites when he chose "no name" Samantha instead.

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* EnsembleDarkhorse:
** Aunt Clara, you can't help but love her.
** Uncle Arthur was only in about ten episodes, though some fans feel like he's been in more because Paul Lynde was so hysterical as him.

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* EnsembleDarkhorse:
** Aunt Clara, you can't help but love her.
**
EnsembleDarkhorse: Uncle Arthur was only in about ten episodes, though some fans feel like he's been in more because Paul Lynde was so hysterical as him.him.
%%(ZCE)** Aunt Clara, you can't help but love her.
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* NightmareFuel: The ghost conjured up at the seance in "Abner Kadabra" (Uncle Harold, according to Gladys Kravitz) is surprisingly grotesque in appearance. He also speaks in a low, menacing voice.

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* NightmareFuel: The Uncle Harold, the ghost conjured up by Samantha at the seance in "Abner Kadabra" (Uncle Harold, according in order to scare Gladys Kravitz) Kravitz and discourage her from attempting to use the powers of ESP she was convinced she had. He is surprisingly very grotesque in appearance. He also appearance and speaks in a low, menacing voice.
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* NightmareFuel: The ghost conjured up at the seance in "Abner Kadabra" (Uncle Harold, according to Gladys Kravitz) is surprisingly grotesque in appearance. He also speaks in a low, menacing voice.
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Removing flame bait


* WhatAnIdiot:
** '''You'd expect:''' Darrin to learn to bite his tongue in front of Endora and Samantha's other relatives.
** '''Instead''': He doesn't and keeps getting spells cast on him.
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* BaseBreakingCharacter: Darrin and Endora. Those who support Darrin think that Endora is an EvilMatriarch who is prejudiced against mortals and sadistically tortures him for no good reason while Endora's supporters see Darrin as a PoliticallyIncorrectHero who deserves every bit of supernatural torment that Endora throws at him (and more). Then there are those who support both. It doesn't help that Darrin and Endora have legitimate reasons for being irritated by the other and that both of their negative traits got turned UpToEleven as the series progressed thanks to {{Flanderization}}.

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* BaseBreakingCharacter: Darrin and Endora. Those who support Darrin think that Endora is an EvilMatriarch who is prejudiced against mortals and sadistically tortures him for no good reason while Endora's supporters see Darrin as a PoliticallyIncorrectHero who deserves every bit of supernatural torment that Endora throws at him (and more). Then there are those who support both. It doesn't help that Darrin and Endora have legitimate reasons for being irritated by the other and that both of their negative traits got turned UpToEleven [[ExaggeratedTrope up to eleven]] as the series progressed thanks to {{Flanderization}}.

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* WhatAnIdiot: You'd expect Darrin to learn to bite his tongue in front of Endora and Samantha's other relatives. But he doesn't and keeps getting spells cast on him.

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* WhatAnIdiot: You'd expect WhatAnIdiot:
** '''You'd expect:'''
Darrin to learn to bite his tongue in front of Endora and Samantha's other relatives. But he relatives.
** '''Instead''': He
doesn't and keeps getting spells cast on him.
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* CommonKnowledge: That Creator/DickSargent was actually the original choice by producer/director William Asher (and to a certain extent, his wife and star of the show Creator/ElizabethMontgomery) for Darrin all along. While it is true that Sargent was considered initially for the show, but was under contract to another studio at the time and thus was unavailable to accept the role, he was considered for the role back when production of the show was under different people and was drastically different (for starters, it was considering Tammy Grimes for the main female role, named ''Cassandra''; Grimes and Sargent starred in ''The Tammy Grimes Show'' a couple of years later instead). When that project fell apart and then landed on Asher and Montgomery, Creator/DickYork was always their first pick. Reportedly, Sargent and Elizabeth Montgomery had been good friends prior to the show's start, which may have led to the mistaken rumors.
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* RecycledScript: By the end of its run, the show was recycling its ''own'' scripts.

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