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* TheyWastedAPerfectlyGoodCharacter:
** How some fans feel about Max. He makes a compelling villain with a [[DarkAndTroubledPast sympathetic backstory and reasonings]], and along with his badass powers and [[InvincibleVillain incredible efficiency]] in handing the protagonists' butts to them at every encounter, him receiving a very sudden death because he gave up and because he's [[SelfDisposingViallain too powerful]] to be defeated by any means.
** Emily, considering most of her characterisation has remained static and how little of her past is shown aside from the accident, vague motivations, and little personal connections to the villain.


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* ViewerGenderConfusion: Kazu has the tendency to recycle faces, and there's little to no indication of difference from male or female characters unless their pronouns are referred or if their chests are curved.
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* FoeYayShipping: there was a considerable amount of fans who ship Max and Emily, disregarding the fact that Max is [[OlderThanTheyLook an adult who appears youthful due to the Voice]] and Emily is very much a minor.


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* JustHereForGodzilla: although many fans are disappointed by Supernova, many has desire to finish the series for coming this far, or at least know what happens to fan favorites.
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* IdiotBall: Vigo, for a senior stonekeeper, and Emily, who has a pretty solid successful streak so far, holds this, compiling ''all''three stonekeepers in one airship with NO weapons meaning if said airship is destroyed because it can't defend itself fron hostiles, then whatever powerful allies the Cielan Army have are dead. [[LampshadedTrope Lampshaded]] by Max.
** Also, when Vigo attracts the attention of Max in order to save Navin and Aly, Emily and Vigo both attacks him at the same time, with ''utter''disregard to the potential damage it will cause to the airship, who are holding Enzo, Rico, and Luger overboard, and failed to consider the possibility of ALL of them falling to their deaths. It was lucky that Trellis managed to think up of something to bother saving them too and Enzo has the foresight to install another engine. For two characters who established themselves as the Guardian Council, this is breathtakingly stupid.

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Cleaning up a little more, but honestly you need to work on your grammar in these entries. Idk what you mean about Emily being out of focus for 3 books straight either, considering she's the protagonist in every book. | Narm Charm is when something is goofy when it wasn't trying to be but it improves the scene anyway. This example sounds more like "yeah it's bad but MSTK 3 Mantra"


** Navin is briefly shown to be affacted just like Emily on losing his dad in Book 5, but other than that it's never been touched upon. Not only that, he doesn't show more than slight distress when he sees his fellow pilots die in front of him, some of which are ''his age''.

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** Navin is briefly shown to be affacted affected just like Emily on losing his dad in Book 5, but other than that it's never been touched upon. Not only that, he doesn't show more than slight distress when he sees his fellow pilots die in front of him, some of which are ''his age''.



* BaseBreakingCharacter: Emily.
** On one hand, you get people cheering for her and is inspired by her strength and the fact she subverts most female protagonists. On the other hand, some feel she isn't a well-developed character aside from the fact that she subverts most female tropes. They are also complaining she isn't well-developed, especially since she went out of focus for at least 3 books straight, and ending up as a flat character for lacking significant development.
* BrokenAesop: the entire thing about not doing things alone. Which Emily does, most of the time. Especially in Supernova, this trope is heavily undermined that the person helping her the entire time there is [[spoiler:herself]].
* BrokenBase: Supernova. There are a lot of good reviews about it, praising its exciting storyline and amazing art. However there are some, especially those who have longtime fans, are deeply disappointed and confused at the direction the series is going, since it's nearing its end.

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* BaseBreakingCharacter: Emily.
**
Emily. On one hand, you get people cheering for finding her and is inspired by inspiring because of her strength and the fact that she subverts most many female protagonists. protagonist tropes. On the other hand, some feel that she isn't a well-developed hasn't received nearly enough character aside from development outside of subverting those tropes and is flat as a result, as her personality as the fact that she subverts most female tropes. They are also complaining she isn't well-developed, especially [[TheLoner stoic loner]] has been mostly static since she went out of focus for at least 3 books straight, and ending up as a flat character for lacking significant development.
the first book.
* BrokenAesop: the entire thing The series has an aesop about not doing things handling your problems alone. Which But, and despite her claiming that she wouldn't fall into this mindset, even by the penultimate volume Emily does, ''still'' handles most of the time. her issues entirely on her own. Especially in Supernova, this trope aesop is heavily undermined in that the other person helping her the entire time there is [[spoiler:herself]].
[[spoiler:her future self]]. Emily doing things by herself actually helps resolve the plot of Supernova in another sense too, [[spoiler:as she breaks free from the void once she completely rejects a partnership with Ikol, making her almost entirely self-sufficient for the finale.]]
* BrokenBase: Supernova. There are a lot of good reviews about it, praising its exciting storyline and amazing art. However there are some, especially those who have longtime fans, who are deeply disappointed and confused at the direction the series is going, since it's nearing its end.



** Max ''destroying an entire frigate full of people'', onscreen, whereas before his slaughter of innocents was at least only implied.
** Once the full extent of Ikol's [[spoiler:or rather the Voice's]] machinations are revealed in Firelight, where it's shown that he manipulated countless stonekeepers to mindlessly or voluntarily help him to their deaths. Some he keeps imprisoned in the void, coercing them to commit genocide. It's honestly a surprise he only gets a slap on the wrist from Emily.

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** Max happily ''destroying an entire frigate full of people'', onscreen, whereas before his slaughter of innocents was at least only implied.
** Once When the full extent of Ikol's [[spoiler:or rather the Voice's]] machinations are revealed in Firelight, where revealed, it's shown that he manipulated countless stonekeepers to into mindlessly or voluntarily help helping him to their deaths. Some he keeps deaths, while keeping others imprisoned in the void, coercing all while making them to commit genocide. It's honestly a surprise he only gets genocide on their own people. Him getting just a slap on the wrist from Emily.Emily seems a little too light a resolution to his subplot for some readers.



* NarmCharm: there's a lot of outdated clichés, and its writing leaves much to be desired, but it's fun to read if you don't intend to be thoroughly invested.

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YMMV can't be played with and a Moral Event Horizon can only be crossed once. Either you cross the Moral Event Horizon or you don't. Considering that Emily is not treated as an irredeemable character by most of the fanbase, I don't think she applies at all.


** Emily nearly crossed this twice. Both times were because of her parents being in danger and she wants revenge. But the most worrying is that she very likely crossed it in book 3: Gabilan claims that Emily decided to spare him, but she didn't know she had a flying steed that could save him when she threw him out. She didn't decide to give him a quick death; she decided to give him enough time to realize how much he screwed up before he falls to his death.
** Max had a terrible past that he genuinely didn't deserve. But he had a pleased smile on his face when he ''destroyed an entire frigate full of people''. There's also an implication he's been killing large populations of people for years serving the Elf King.
** Ikol. Or rather the Voice. He may be following orders, but he manipulated countless stonekeepers to mindlessly or voluntarily help him to their deaths. Some he keeps imprisoned in the void, coercing them to commit genocide. It's honestly a surprise he only gets a slap on the wrist from Emily.

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** Emily nearly crossed this twice. Both times were because of her parents being in danger and she wants revenge. But the most worrying is that she very likely crossed it in book 3: Gabilan claims that Emily decided to spare him, but she didn't know she had a flying steed that could save him when she threw him out. She didn't decide to give him a quick death; she decided to give him enough time to realize how much he screwed up before he falls to his death.
** Max had a terrible past that he genuinely didn't deserve. But he had a pleased smile on his face when he ''destroyed ''destroying an entire frigate full of people''. There's also an implication he's been killing large populations people'', onscreen, whereas before his slaughter of people for years serving innocents was at least only implied.
** Once
the Elf King.
** Ikol. Or
full extent of Ikol's [[spoiler:or rather the Voice. He may be following orders, but Voice's]] machinations are revealed in Firelight, where it's shown that he manipulated countless stonekeepers to mindlessly or voluntarily help him to their deaths. Some he keeps imprisoned in the void, coercing them to commit genocide. It's honestly a surprise he only gets a slap on the wrist from Emily.
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* BrokenAesop: the entire thing about not doing things alone. Which Emily does, most of the time. Especially in Supernova, this trope is heavily undermined that the person helping her the entire time there is [[spoiler:herself]].
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* BrokenBase: Supernova. There are a lot of good reviews about it, praising its exciting storyline and amazing art. However there are some, especially those who have longtime fans, are deeply disappointed and confused at the direction the series is going, since it's nearing its end.
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* MoralEventHorizon:
** Emily nearly crossed this twice. Both times were because of her parents being in danger and she wants revenge. But the most worrying is that she very likely crossed it in book 3: Gabilan claims that Emily decided to spare him, but she didn't know she had a flying steed that could save him when she threw him out. She didn't decide to give him a quick death; she decided to give him enough time to realize how much he screwed up before he falls to his death.
** Max had a terrible past that he genuinely didn't deserve. But he had a pleased smile on his face when he ''destroyed an entire frigate full of people''. There's also an implication he's been killing large populations of people for years serving the Elf King.
** Ikol. Or rather the Voice. He may be following orders, but he manipulated countless stonekeepers to mindlessly or voluntarily help him to their deaths. Some he keeps imprisoned in the void, coercing them to commit genocide. It's honestly a surprise he only gets a slap on the wrist from Emily.
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None

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* BaseBreakingCharacter: Emily.
** On one hand, you get people cheering for her and is inspired by her strength and the fact she subverts most female protagonists. On the other hand, some feel she isn't a well-developed character aside from the fact that she subverts most female tropes. They are also complaining she isn't well-developed, especially since she went out of focus for at least 3 books straight, and ending up as a flat character for lacking significant development.
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** Navin is briefly shown to be affacted just like Emily on losing his dad in Book 5, but other than that it's never been touched upon. Not only that, he doesn't show more than slight distress when he sees his fellow pilots die in front of him, some of which are ''his age''.
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* NarmCharm: there's a lot of outdated clichés, and its writing leaves much to be desired, but it's fun to read if you don't intend to be thoroughly invested.

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Removing blatant complaining about the writing (like most of the narm entries) | Ambiguous Situation is not YMMV | Jerkass Woobie entry not approved by the thread


* AmbiguousSituation: Emily throwing Gabilan off the small floating island. Did she really spare him like he claimed? Or was she really trying to kill him? Like there was never any indication that she knew he had a flying steed, only that he came out of nowhere to make her mother a leverage against her as hostage. For all we know she must've deduced he just sneaked on board the Luna Moth and was genuinely trying to kill him. This undoubtedly, crosses a line.



* JerkassWoobie: Max. God, he's nearly on par with Trellis when it comes to DarkAndTroubledPast, and that's ''saying something''. First he grew up with an emotionally abusive father with no mom, his only friend is an elf in a time where it could get you or said elf killed, and sure enough she did along with her family in the middle of him rescuing her, the Council treats their students like ChildSoldiers and gives Max, a ''kid'', an unfair trial that leads to him being imprisoned for ''5 decades'', and likely even more once he had a trial at Korthan. His father even refused to comfort or even ''look'' at him. Then he nearly dies in his escape attempt, if it weren't for his DealWithTheDevil with the Voice. He then proceeds to have his RoaringRampageOfRevenge on the people of Windsor before attempting to cure himself of his curse, and AddingInsultToInjury, only to have Laura reject him after seeing all the heinous things he's done. He crosses the DespairEventHorizon and is subsequently DrivenToSuicide. Yeah. Poor guy. A murdering maniac maybe, but definitely a poor guy victimized by the world.
* {{Narm}}: the series sadly have... This as an issue.
** When Silas finally dies, feeling rather drawn out and a lot of cliché dialogue, the lights going out suddenly makes the scene a bit rather funny, rather than somber.
** Emily telling Vigo that she may not be smart or skilled, she sure as hell ready, because she has no choice. It's meant to be admirable, but to any experienced reader would just come off as foolish and naive. This is ''war''we're talking about.
** Trellis finally realizes why the King had Gabilan wipe the particular memory of his mother dead from his mind: [[CaptainObvious he wanted him to forget.]] Well ''DUH'' Trellis, why ELSE??
** Tensions are high because the Elf Army's surrender is suspicious and Logi is planning something that was ordered by the King, they still don't know where Emily is and how to get her back. Trellis then tells Riva his troubles, telling his family was manipulated to spread... Discord and Chaos. The mean ''EXACTLY''the same thing. This tense moment just got ruined so bad it'd just leave you flabbergasted.
** Emily's speech to Ikol is just... One huge does of narm. It's meant to be badass, heartwarming and amazing but it's delivery just feels, forced and flat. It also doesn't help that the Elf King turns out to be an AntiClimaxBoss this whole time.

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* JerkassWoobie: Max. God, he's nearly on par with Trellis when it comes to DarkAndTroubledPast, and that's ''saying something''. First he grew up with an emotionally abusive father with no mom, his only friend is an elf in a time where it could get you or said elf killed, and sure enough she did along with her family in the middle of him rescuing her, the Council treats their students like ChildSoldiers and gives Max, a ''kid'', an unfair trial that leads to him being imprisoned for ''5 decades'', and likely even more once he had a trial at Korthan. His father even refused to comfort or even ''look'' at him. Then he nearly dies in his escape attempt, if it weren't for his DealWithTheDevil with the Voice. He then proceeds to have his RoaringRampageOfRevenge on the people of Windsor before attempting to cure himself of his curse, and AddingInsultToInjury, only to have Laura reject him after seeing all the heinous things he's done. He crosses the DespairEventHorizon and is subsequently DrivenToSuicide. Yeah. Poor guy. A murdering maniac maybe, but definitely a poor guy victimized by the world.
* {{Narm}}: the series sadly have... This as an issue.
**
When Silas finally dies, feeling rather drawn out and while it ''does'' make sense in context, what is intended to be a lot of cliché dialogue, somber moment is made a little comical by the lights going out suddenly makes the scene a bit rather funny, rather than somber.
** Emily telling Vigo that she may not be smart or skilled, she sure as hell ready, because she has no choice. It's meant to be admirable, but to any experienced reader would just come off as foolish and naive. This is ''war''we're talking about.
** Trellis finally realizes why the King had Gabilan wipe the particular memory of his mother dead from his mind: [[CaptainObvious he wanted him to forget.]] Well ''DUH'' Trellis, why ELSE??
** Tensions are high because the Elf Army's surrender is suspicious and Logi is planning something that was ordered by the King, they still don't know where Emily is and how to get her back. Trellis then tells Riva his troubles, telling his family was manipulated to spread... Discord and Chaos. The mean ''EXACTLY''the same thing. This tense moment just got ruined so bad it'd just leave you flabbergasted.
** Emily's speech to Ikol is just... One huge does of narm. It's meant to be badass, heartwarming and amazing but it's delivery just feels, forced and flat. It also doesn't help that the Elf King turns out to be an AntiClimaxBoss this whole time.
out, complete with ByTheLightsOfTheirEyes.



* WhatDoYouMeanItsForKids: the age demographic is 9-12 and Kazu intended it to be enjoyed by all age groups and at its core a children's story meant to be understood easily with the usual themes of adolescence. It also has [[ArsonMurderAndJaywalking death of a parent ONSCREEN, child abuse, war, opression, tyranny, racism, child soldiers, attempted assassination on KIDS, attempted and successful murders, emotional and political manipulation, genocide, and airships]], all the while either voiding said messages or poorly executing it genuinely.

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* WhatDoYouMeanItsForKids: the age demographic is 9-12 and Kazu intended it to be enjoyed by all age groups and at its core a children's story meant to be understood easily with the usual themes of adolescence. It also has [[ArsonMurderAndJaywalking the onscreen death of a parent ONSCREEN, parent, child abuse, war, opression, tyranny, racism, child soldiers, attempted assassination on KIDS, children, attempted and successful murders, emotional and political manipulation, genocide, and airships]], all the while either voiding said messages or poorly executing it genuinely.genocide.]]
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* {{Narm}}: the series sadly have... This as an issue.
** When Silas finally dies, feeling rather drawn out and a lot of cliché dialogue, the lights going out suddenly makes the scene a bit rather funny, rather than somber.
** Emily telling Vigo that she may not be smart or skilled, she sure as hell ready, because she has no choice. It's meant to be admirable, but to any experienced reader would just come off as foolish and naive. This is ''war''we're talking about.
** Trellis finally realizes why the King had Gabilan wipe the particular memory of his mother dead from his mind: [[CaptainObvious he wanted him to forget.]] Well ''DUH'' Trellis, why ELSE??
** Tensions are high because the Elf Army's surrender is suspicious and Logi is planning something that was ordered by the King, they still don't know where Emily is and how to get her back. Trellis then tells Riva his troubles, telling his family was manipulated to spread... Discord and Chaos. The mean ''EXACTLY''the same thing. This tense moment just got ruined so bad it'd just leave you flabbergasted.
** Emily's speech to Ikol is just... One huge does of narm. It's meant to be badass, heartwarming and amazing but it's delivery just feels, forced and flat. It also doesn't help that the Elf King turns out to be an AntiClimaxBoss this whole time.
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* AnticlimaxBoss: [[spoiler: The Elf King, in spite of being set up as the BigBad, ends up being easily killed by Emily.]] Ultimately, Ikol is much more important that [[spoiler: The Elf King]].

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* AnticlimaxBoss: [[spoiler: The Elf King, in spite of being set up as the BigBad, ends up being easily killed by Emily.]] Ultimately, Ikol is much more important that than [[spoiler: The Elf King]].
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* AnticlimaxBoss: [[spoiler: The Elf King, in spite of being set up as the BigBad, ends up being easily killed by Emily.]] Ultimately, Ikol is much more important that [[spolier: The Elf King]].

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* AnticlimaxBoss: [[spoiler: The Elf King, in spite of being set up as the BigBad, ends up being easily killed by Emily.]] Ultimately, Ikol is much more important that [[spolier: [[spoiler: The Elf King]].

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* AnticlimaxBoss: [[spoiler: The Elf King, in spite of being set up as the BigBad, ends up being easily killed by Emily.]] Ultimately, Ikol is much more important that [[spolier: The Elf King]].



* ClicheStorm: You have the rebellious scarred prince who wishes to overthrow his father and is morally ambiguous, the Chosen One who is spoken of in a prophecy (two counts of them with both Navin and Emily,) a magical MacGuffin that is more dangerous than it seems at first, the grumpy but honest and hardworking member of the team in Cogsley, a floating city in the sky with a dark secret, and these are just a few examples. While the writing of the story can leave much to be desired, the writing in everything else and the art combined still manage to hold up, however.

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* ClicheStorm: You have the rebellious scarred prince who wishes to overthrow his father and is morally ambiguous, the Chosen One who is spoken of in a prophecy (two counts of them with both Navin and Emily,) a magical MacGuffin that is more dangerous than it seems at first, the grumpy but honest and hardworking member of the team in Cogsley, a floating city in the sky with a dark secret, and these are just a few examples. While the writing of the story can leave much to be desired, the writing in everything else else, the art, and the art ubiquitous NightmareFuel combined still manage to hold up, however.
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* AmbiguousSituation: Emily throwing Gabilan off the small floating island. Did she really spare him like he claimed? Or was she really trying to kill him? Like there was never any indication that she knew he had a flying steed, only that he came out of nowhere to make her mother a leverage against her as hostage. For all we know she must've deduced he just sneaked on board the Luna Moth and was genuinely trying to kill him. This undoubtedly, crosses a line.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WhatDoYouMeanItsForKids: the age demographic is 9-12 and Kazu intended it to be enjoyed by all age groups and at its core a children's story meant to be understood easily with the usual themes of adolescence. It also has [[ArsonMurderAndJaywalking death of a parent ONSCREEN, child abuse, war, opression, tyranny, racism, child soldiers, attempted assassination on KIDS, attempted and successful murders, emotional and political manipulation, genocide, and airships]], all the while either voiding said messages or poorly executing it genuinely.
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* JerkassWoobie: Max. God, he's nearly on par with Trellis when it comes to DarkAndTroubledPast, and that's ''saying something''. First he grew up with an emotionally abusive father with no mom, his only friend is an elf in a time where it could get you or said elf killed, and sure enough she did along with her family in the middle of him rescuing her, the Council treats their students like ChildSoldiers and gives Max, a ''kid'', an unfair trial that leads to him being imprisoned for ''5 decades'', and likely even more once he had a trial at Korthan. His father even refused to comfort or even ''look'' at him. Then he nearly dies in his escape attempt, if it weren't for his DealWithTheDevil with the Voice. He then proceeds to have his RoaringRampageOfRevenge on the people of Windsor before attempting to cure himself of his curse, and AddingInsultToInjury, only to have Laura reject him after seeing all the heinous things he's done. He crosses the DespairEventHorizon and is subsequently DrivenToSuicide. Yeah. Poor guy. A murdering maniac maybe, but definitely a poor guy victimized by the world.

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* AngstWhatAngst: After having spent the entire series brooding due to her father's death and [[DespairEventHorizon having just learnt at the end of the previous book what exactly caused him to die]], Emily gets over it rather quickly after having a pep talk about it with Moze in "Supernova".

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* AngstWhatAngst: AngstWhatAngst:
**
After having spent the entire series brooding due to her father's death and [[DespairEventHorizon having just learnt at the end of the previous book what exactly caused him to die]], Emily gets over it rather quickly after having a pep talk about it with Moze in "Supernova"."Supernova".
** Trellis despaired for a couple of panels when he finally knew [[spoiler: what happened to his mother]] in ''Supernova'', but it wasn't addressed at all after that scene and he seems mostly unaffected by it after leaving the memory.
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This... isn't a YMMV trope?


* ParentalNeglect: [[ParentsAsPeople Karen]]. Indeed, she loves her kids, provides emotional support when needed, but ''who'' in their RIGHT mind would let THEIR ''kids'' join a war?? Even though many instances have shown her children in frequent fatal danger, she doesn't ''do'' much.
** There's also the fact that Emily ended up suppressing most of her grief about her father's death that she still hasn't moved on, was implied to be due to Karen's own grief inciting guilt, making her feel like she cannot rely on her own mother for such a thing.
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* ParentalNeglect: [[ParentsAsPeople Karen]]. Indeed, she loves her kids, provides emotional support when needed, but ''who'' in their RIGHT mind would let THEIR ''kids'' join a war?? Even though many instances have shown her children in frequent fatal danger, she doesn't ''do'' much.
** There's also the fact that Emily ended up suppressing most of her grief about her father's death that she still hasn't moved on, was implied to be due to Karen's own grief inciting guilt, making her feel like she cannot rely on her own mother for such a thing.
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* NightmareRetardant: After all of the NightmareFuel in ''Firelight'' from [[spoiler: Emily's transformation into a [[AnimalisticAbomination firebird]], Emily turns out to be autonomous still, and she is freed by her older self time-travelling from the future.]] Many fans think this made Emily's plot in ''Firelight'' much less impactful in hindsight.
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Not YMMV tropes, and the description of lead you can relate to doesn't fit said trope


* LawOfChromaticSuperiority: The Charnon amulet is the only red amulet we ever see (all others are green or blue), and of course, it belongs to the heroes.
* LeadYouCanRelateTo: Trellis, but perhaps unintentionally. Although most of the things happened to him are unlikely to happen in real life, many fans can relate to his experiences with abuse, racism, war, as well as his lonliness and depression, in comparison to the likes of Emily, who is nowhere near developed or even Navin.
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De-wicking Counterpart Comparison, which is now a redirect to Surprisingly Similar Characters.


* CounterpartComparison: Trellis shares quite a lot of similarities with [[WesternAnimation/AvatarTheLastAirbender Prince Zuko]]. He's got a noticeable scar down the left side of his face, is a prince with father issues and loner tendencies, ends up disillusioned with his own people and tries to overthrow his father, and he even has an "uncle Iroh" figure in his uncle Virgil and [[spoiler:his big brother Luger, now an old man who even beats him at board games.]] He also has a lot of tension with the female lead of the main cast that eventually turns to friendship.
** Similarly, Luger has a lot of similarities with Admiral Zhao of the same show, being a high ranking and ruthless general that is much older than Trellis, yet rivals him in his service to their king. After [[spoiler:he's reduced to a weak old man without his Stone, he becomes a gentle-hearted, patient Iroh character to the moody Trellis.]]
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* LeadYouCanRelateTo: Trellis, but perhaps unintentionally. Although most of the things happened to him are unlikely to happen in real life, many fans can relate to his experiences with abuse, racism, war, as well as his lonliness and depression, in comparison to the likes of Emily, who is nowhere near developed or even Navin.
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* TheyWastedAPerfectlyGoodPlot: There are fans who feel this way about Emily's [[spoiler:escape from the Void and Stone's control in the eighth volume.]] The plot of Emily [[spoiler:losing control of her power and becoming a monster]] was presented as a real threat since Volume 2, and her [[spoiler:actually going over the edge]] in Volume 7 was presented as a DarkestHour for the heroes. By comparison, Volume 8 has her [[spoiler:break free of the stone's control]] about a third of the way in, and thanks to two new minor characters who are never seen again after (when up to that point it was presented as Trellis' responsibility to help her.) The rest of her plot [[spoiler:is just her leaving the Void, which she achieves, again, thanks to completely new characters and plot elements that contradict previous volumes.]] Similarly, the emotional turmoil she experienced that led to this plot in the seventh volume (specifically her trauma over her past) was utterly glossed over in the next.
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If the implication is that the Void can be a meeting place for people across disparate times, that's never been said either.


* AssPull: How does Emily [[spoiler:escape the Void]] in "Supernova"? [[spoiler:[[ShockingSwerve Her future self and her son]] [[DeusExMachina show up out of nowhere]] to help her escape to an exit portal, despite the fact that the previous books have established multiple times that you can only escape the Void by dispersing yourself into light. Trellis, who she had told to find her as she was about to be taken into the Void, [[AbortedArc also has little to no involvement in her escape.]]]]

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* AssPull: How does Emily [[spoiler:escape the Void]] in "Supernova"? [[spoiler:[[ShockingSwerve Her future self and her son]] [[DeusExMachina show up out of nowhere]] to help her escape to an exit portal, despite the fact that the previous books have established multiple times that you can only escape the Void by dispersing yourself into light.light and that the Void cannot actually be used for time travel. Trellis, who she had told to find her as she was about to be taken into the Void, [[AbortedArc also has little to no involvement in her escape.]]]]
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* AngstWhatAngst: After having spent the entire series brooding due to her father's death and [[DespairEventHorizon having just learnt at the end of the previous book what exactly caused him to die]], Emily gets over it rather quickly after having a pep talk about it with Mose in "Supernova".

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* AngstWhatAngst: After having spent the entire series brooding due to her father's death and [[DespairEventHorizon having just learnt at the end of the previous book what exactly caused him to die]], Emily gets over it rather quickly after having a pep talk about it with Mose Moze in "Supernova".

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* ClicheStorm: You have the rebellious scarred prince who wishes to overthrow his father and is morally ambiguous, the Chosen One who is spoken of in a prophecy (two counts of them with both Navin and Emily,) a magical MacGuffin that is more dangerous than it seems at first, the grumpy but honest and hardworking member of the team in Cogsley, a floating city in the sky with a dark secret, and these are just a few examples. The story and art combined still manage to hold up, however.

to:

* AngstWhatAngst: After having spent the entire series brooding due to her father's death and [[DespairEventHorizon having just learnt at the end of the previous book what exactly caused him to die]], Emily gets over it rather quickly after having a pep talk about it with Mose in "Supernova".
* AssPull: How does Emily [[spoiler:escape the Void]] in "Supernova"? [[spoiler:[[ShockingSwerve Her future self and her son]] [[DeusExMachina show up out of nowhere]] to help her escape to an exit portal, despite the fact that the previous books have established multiple times that you can only escape the Void by dispersing yourself into light. Trellis, who she had told to find her as she was about to be taken into the Void, [[AbortedArc also has little to no involvement in her escape.]]]]
* ClicheStorm: You have the rebellious scarred prince who wishes to overthrow his father and is morally ambiguous, the Chosen One who is spoken of in a prophecy (two counts of them with both Navin and Emily,) a magical MacGuffin that is more dangerous than it seems at first, the grumpy but honest and hardworking member of the team in Cogsley, a floating city in the sky with a dark secret, and these are just a few examples. The While the writing of the story can leave much to be desired, the writing in everything else and the art combined still manage to hold up, however.

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