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They Do is a disambiguation.


* NearVillainVictory: Lady Tremaine's schemes come within [[TheyDo two words]] of succeeding. Fortunately, Anastasia has her HeelFaceTurn.

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* NearVillainVictory: Lady Tremaine's schemes come within [[TheyDo two words]] words of succeeding. Fortunately, Anastasia has her HeelFaceTurn.
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%%[[caption-width-right:300:[[{{Tagline}} What if the slipper didn't fit?]]]]

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%%[[caption-width-right:300:[[{{Tagline}} What if [[caption-width-right:300:If the slipper didn't fit?]]]]
shoe doesn't fit...]]
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* ChuckCunninghamSyndrome: Bruno the faithful dog, Major the loyal horse, and all the mice except for Jaq and Gus are completely absent from this film, which is rather odd.

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* ChuckCunninghamSyndrome: ChuckCunninghamSyndrome:
**
Bruno the faithful dog, Major the loyal horse, and all the mice except for Jaq and Gus are completely absent in this film. This is especially noticeable when Cinderella is shown locked in her room during the original film's events, as the mice and Bruno all played a crucial role in helping to free her, but here it is not shown how Cinderella escaped, and only Jaq and Gus are present when she comes downstairs.
** While the film features cameos by several characters
from this film, which ''Dreams Come True'', confirming that it's [[BroadStrokes at least partially canon]], Pom Pom, the royal family's pet cat who menaced the mice and served as a love interest for Lucifer, is rather odd.not seen or mentioned.
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* ArtImitatesArt: The end credits imitate at least two famous artworks: Edvard Munch's "TheScream" and Thomas Gainsborough's "Little Boy Blue". The other works are not as clearly parody, but imitate Rococo works such as Fragonard's "The Swing", a classic war hero's portrait, a still life (ruined by the mice), and a photo booth strip.

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* ArtImitatesArt: The end credits imitate at least two famous artworks: Edvard Munch's "TheScream" {{paintings}}: Creator/EdvardMunch's "Art/TheScream" and Thomas Gainsborough's "Little Boy Blue". The other works are not as clearly parody, but imitate Rococo works such as Fragonard's "The Swing", "Art/TheSwing", a classic war hero's portrait, a still life (ruined by the mice), and a photo booth strip.
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* WhatYouAreInTheDark: [[spoiler: Anastasia spends the entire movie--and, if her dialogue is any indication, her entire ''life''--dreaming of her HappilyEverAfter with a "perfectly perfect love." Toward the end of the movie, she's been transformed into Cinderella's exact clone and is standing on the altar with Prince Charming, about to finally achieve the marriage she's always wanted...but she turns it down with an "I don't." She knows that Charming's feelings for her aren't real, and she's decided that she wants someone to love her for 'herself'', even if it means giving up the happy ending she's fantasized about for so long.]]

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* WhatYouAreInTheDark: [[spoiler: Anastasia spends the entire movie--and, if her dialogue is any indication, her entire ''life''--dreaming of her HappilyEverAfter with a "perfectly perfect love." Toward the end of the movie, she's been transformed into Cinderella's exact clone and is standing on the altar with Prince Charming, about to finally achieve the marriage she's always wanted... but she turns it down with an "I don't." She knows that Charming's feelings for her aren't real, and she's decided that she wants someone to love her for 'herself'', ''herself'', even if it means giving up the happy ending she's fantasized about for so long.]]

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* EvilCannotComprehendGood: Lady Tremaine's biggest flaw in her plan is that she keeps underestimating the PowerOfLove and Cinderella's [[TheDeterminator unbreakable spirit]]. She didn't count on the prince being able to break free from his brainwashing due to his love for Cinderella, nor did she think that her own daughter would pull a HeelFaceTurn and go against the plan.

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* EvilCannotComprehendGood: EvenEvilHasStandards: Lady Tremaine, despite her abusive and manipulative mindset, possesses ''some'' degree of self-awareness, as she recruits Anastasia to assist with the plan to seduce Prince Charming instead of Drizella. The latter is much more similar to Tremaine herself and far loyaler to her, but Tremaine knows, on some level, that Drizella's horrible personality and stupidity would be anathema to wooing the Prince.
* EvilCannotComprehendGood:
**
Lady Tremaine's biggest flaw in her plan is that she keeps underestimating the PowerOfLove and Cinderella's [[TheDeterminator unbreakable spirit]]. She didn't count on the prince being able to break free from his brainwashing due to his love for Cinderella, nor did she think that her own daughter would pull a HeelFaceTurn and go against the plan.
** Lady Tremaine is generally unable to comprehend ''any'' sort of love, even familial (which makes sense, given that she's [[AbusiveParents abusive]]). When Anastasia gleefully tells her all about the King's kindness to her and shows her the special seashell he gave her as a present, Tremaine blows her off and tells her to keep focusing on the plan to marry the Prince, as she can't understand why anyone would bother to focus on love. To Lady Tremaine, everything--even marriage and family relationships--is about gaining power, not happiness.



* IChooseToStay: [[spoiler:At the end of the film, Fairy Godmother offers to return things to how they were in the original timeline, but both Cinderella and Charming reject it in favor of the new one.]]

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* IChooseToStay: [[spoiler:At the end of the film, Fairy Godmother offers to return things to how they were in the original timeline, but both since Cinderella and Charming reject it in favor of the new one.Prince don't know about that timeline, they simply stare happily into each other's eyes, and the Godmother wisely realizes that they're just fine with things as they are now.]]


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* IntergenerationalFriendship: Anastasia and the King develop a genuine bond, especially because her clumsiness reminds him of his own deceased Queen, who was equally uncoordinated. The King even gives Anastasia his most prized possession: a seashell he and the Queen found on their first date together. Granted, he thought that Anastasia was going to be his daughter-in-law at the time, but they're clearly getting along in a deeper way than expected. [[spoiler: Once Anastasia pulls her full HeelFaceTurn at the end of the film and tries to return the seashell, the King lets her keep it with a smile and assures her that she is worthy of true love, too, which leads to an enormous and mutual hug.]]
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* WhamLine: "I...I ''don't.''" This is [[spoiler: Anastasia, transformed into a clone of Cinderella and mere seconds away from marrying Prince Charming, turning down her vows at the altar. She's realized that Charming's love for her has been totally manufactured and refuses to trap him, and herself, in a marriage based on lies.]]


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* WhatYouAreInTheDark: [[spoiler: Anastasia spends the entire movie--and, if her dialogue is any indication, her entire ''life''--dreaming of her HappilyEverAfter with a "perfectly perfect love." Toward the end of the movie, she's been transformed into Cinderella's exact clone and is standing on the altar with Prince Charming, about to finally achieve the marriage she's always wanted...but she turns it down with an "I don't." She knows that Charming's feelings for her aren't real, and she's decided that she wants someone to love her for 'herself'', even if it means giving up the happy ending she's fantasized about for so long.]]
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* DarkerAndEdgier: The darkest the original film got was when Cinderella is being chased by the palace guards and locked in the attic. This film has Cinderella's stepmother mind wiping her prince, ruining the original's happy ending, and attempting to get her killed.

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* DarkerAndEdgier: The darkest This sequel is ''way'' darker/edgier than the original film got was when original. We have Lady Tremaine concocting a very diabolical plan, this time with dark magic on her side, a demonic pumpkin carriage that nearly carries Cinderella is being chased by the palace guards to her doom and locked in the attic. This film has Cinderella's stepmother mind wiping a pretty intense climax. In addition, Cinderella and her prince, ruining the original's happy ending, and attempting to get her killed.prince [[TookALevelInBadass take levels in badass]].
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* DarkerAndEdgier: The darkest the original film got was when Cinderella is being chased by the palace guards and locked in the attic. This film has Cinderella's stepmother mind wiping her prince, ruining the original's happy ending, and attempting to get her killed.
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* HoistByHerOwnPetard: At the end of the film, [[spoiler:Lady Tremaine's use of Fairy Godmother's wand turns against her after Cinderella and the Prince step into protect Anastasia. After that, Lady Tremaine and Drizella transform into frogs. Eventually, they return to human form and work as maids]].

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* HoistByHerOwnPetard: At the end of the film, [[spoiler:Lady Tremaine's use of Fairy Godmother's wand turns against her after Cinderella and the Prince step into in to protect Anastasia. After that, Lady Tremaine and Drizella transform into frogs. Eventually, they return to human form and work as maids]].
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* PapaWolf: The King is furious that Lady Tremaine used magic on his son to make him forget the girl he danced with at the ball and fall in love with Anastasia, and he wants the Tremaines arrested for this.

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* ExactWords[=/=]LoopholeAbuse:

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* ExactWords[=/=]LoopholeAbuse:ExactWords:



* LoopholeAbuse: Played for laughs. When Princes Charming is attempting to leave the castle to find Cinderella, the King forbids Charming from taking another step down the stairs. Charming replies with a nonchalant "Okay", then dives out of a window.



* MakeWrongWhatOnceWentRight: Lady Tremaine's evil plot.

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* MakeWrongWhatOnceWentRight: Lady Tremaine's evil plot.plot is to use the Fairy Godmother's magic wand to undo Cinderella's victory and put Anastastia in Cinderella's place.
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* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are presented as purely cruel and greedy, are quickly outed as liars and then punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however, the story is presented quite a bit from Anastasia's view, showing how she's forced into the charade by the WickedStepmother, her conflict and guilt over her actions, and how her motivation is wanting [[IJustWantToBeLoved love]] rather than status. The film also takes time to show how much concern Cinderella has for Anastasia, knowing her stepsister is also a victim of Lady Tremaine's abuse. It's even proven that as much as Anastasia can magically take on Cinderella's physical characteristics, she can't replicate the personal qualities that made the Prince fall in love with her, and so their relationship is awkward and loveless.

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* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are presented as purely cruel and greedy, are quickly outed as liars and then punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, In the film, however, the story is presented quite a bit from Anastasia's view, showing how she's forced into the charade by the WickedStepmother, her conflict WickedStepmother and guilt over her actions, and how her motivation is wanting [[IJustWantToBeLoved love]] rather than status. The film also takes time status, which soon causes her to show how much concern feel conflicted and guilty over her actions. Cinderella has is even concerned for Anastasia, knowing as she knows her stepsister is also a victim of Lady Tremaine's abuse. It's even also proven that as much as Anastasia can magically take on Cinderella's physical characteristics, she can't replicate the personal qualities that made the Prince fall in love with her, and so their relationship is awkward and loveless.



* {{Foreshadowing}}: With Anastasia, she has several of these moments.

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* {{Foreshadowing}}: With Anastasia, she Anastasia has several of these moments.



** When Anastasia turns the fairy godmother to stone, she is outright horrified at what she did and starts apologizing. This foreshadows that [[spoiler: She actually isn't even that bad - at the very least she [[EvenEvilHasStandards had standards]].]]
** The wand's magic turns green when Lady Tremaine gets her hands on it, as does Drizella, but when Anastasia uses it, the magic remains white. [[spoiler: This is another hint towards her change of heart.]]

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** When Anastasia turns the fairy godmother to stone, she is outright horrified at what she did and starts apologizing. This foreshadows that [[spoiler: She [[spoiler:she actually isn't even that bad evil - at the very least least, she [[EvenEvilHasStandards had standards]].]]
** The wand's magic turns green when Lady Tremaine gets her and Drizella get their hands on it, as does Drizella, but when Anastasia uses it, the magic remains white. [[spoiler: This is another hint white, [[spoiler:hinting towards her change of heart.]]



* GreenEyedMonster: Anastasia suffers this. [[spoiler:She realizes it's wrong and grows out of it, though after realizing that trying to be loved isn't worth pretending to be something she's not.]]

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* GreenEyedMonster: Anastasia suffers this. [[spoiler:She realizes it's wrong and grows out of it, though it though, after realizing that trying to be loved isn't worth pretending to be something someone she's not.]]



* IJustWantToBeLoved: Anastasia. At first she thinks she'll be happy with the prince's love, but then she realizes that she wants someone who loves her [[JustTheWayYouAre for who she really is]], not because they're under a spell. She also craves for her mother's approval and love, which explains a lot about [[spoiler:how she went with Tremaine's plan anyway.]]

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* IJustWantToBeLoved: Anastasia. At first first, she thinks she'll be happy with the prince's love, but then she realizes that she wants someone who loves her [[JustTheWayYouAre for who she really is]], not because they're under a spell. She also craves for her mother's approval and love, which explains a lot about [[spoiler:how she went with Tremaine's plan anyway.]]



** Lady Tremaine. She is '''worse''' than the original movie, and she was already an abusive parent. [[spoiler:She poofs Cinderella in a twisted pumpkin carriage with Lucifer as its human driver, and attempts to get Lucifer to kill Cinderella. Especially heinous because up until that point she was satisfied with just making Cinderella's life a living hell. She also has Anastasia posing as Cinderella to fool the prince. If anyone doesn't know, this is rape by deception... and for worse, she tries to use one of her own flesh and blood daughters for this, and right when Anastasia is becoming more and more sympathetic. Finally, Tremaine herself eventually ends up earning the wrath of the king and the prince, meaning she continues to go through with her wicked scheme for no reason except to spite not only Cinderella but also Anastasia.]]

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** Lady Tremaine. She is '''worse''' than the original movie, and she was already an abusive parent. [[spoiler:She poofs Cinderella in a twisted pumpkin carriage with Lucifer as its human driver, and attempts driver in an attempt to get Lucifer to kill Cinderella. Especially heinous because up until that point point, she was satisfied with just making Cinderella's life a living hell. She also has makes Anastasia posing pose as Cinderella to fool the prince. If anyone doesn't know, this is rape by deception... and for worse, she tries to use one of her own flesh and blood daughters for this, and right when Anastasia is becoming more and more sympathetic. Finally, Tremaine herself eventually ends up earning the wrath of the king and the prince, meaning she continues to go through with her wicked scheme for no reason except to spite not only Cinderella but also Anastasia.]]
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* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she believes Anastasia is also a victim of Lady Tremaine's abuse. The film shows that as much as Anastasia can take on the physical characteristics of Cinderella, she can't replicate the personal qualities that made the Prince fall in love with Cinderella, and so their relationship is awkward and loveless.
* DeconReconSwitch: This film takes many of the tropes from the original film and plays with them. While many tropes are deconstructed and questioned (TheGirlWhoFitsThisSlipper and LoveAtFirstSight), it still maintains many of the original tropes, while adding a touch of realism to them (the prince doesn't just fall for the first girl who can wear the slipper, he wonders if she's truly the one he fell in love with).

to:

* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present presented as purely cruel and greedy greedy, are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however however, the story is presented quite a bit from Anastasia view. Showing Anastasia's view, showing how much she's feeling conflicted forced into the charade by the WickedStepmother, her conflict and guilty guilt over the whole situation, her actions, and how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the than status. The film also takes time to show how much concern Cinderella has for Anastasia, as she believes Anastasia knowing her stepsister is also a victim of Lady Tremaine's abuse. The film shows It's even proven that as much as Anastasia can magically take on the Cinderella's physical characteristics of Cinderella, characteristics, she can't replicate the personal qualities that made the Prince fall in love with Cinderella, her, and so their relationship is awkward and loveless.
loveless.
* DeconReconSwitch: This film takes many of the tropes from the original film and plays with them. While many tropes are deconstructed and questioned (TheGirlWhoFitsThisSlipper and LoveAtFirstSight), it still maintains many of the original tropes, while adding a touch of realism to them (the prince doesn't just fall for the first girl who can wear the slipper, he wonders if she's truly the one he fell in love with).
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I suppose this was added by accident...?



[[quoteleft:350:https://static.tvtropes.org/pmwiki/pub/images/8b8a65c3b2ce4218b72b0846fbae3433_a.png]]
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[[quoteright:650:https://static.tvtropes.org/pmwiki/pub/images/figqvaoxsaug5cf.jpg]]

[[caption-width-right:650:Anastasia accidentaly steps on Prince's feet]]
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[[quoteright:650:https://static.tvtropes.org/pmwiki/pub/images/figqvaoxsaug5cf.jpg]]

[[caption-width-right:650:Anastasia accidentaly steps on Prince's feet]]
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[[quoteleft:350:https://static.tvtropes.org/pmwiki/pub/images/8b8a65c3b2ce4218b72b0846fbae3433_a.png]]
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* MindControlEyes:
** The Prince's eyes turn green when being enchanted by Lady Tremaine into forgetting Cinderella and marrying Anastasia that night.
** Gus briefly has these when reenacting what Lady Tremaine did to Cinderella.
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** The prince invokes this on his father midway through the movie. After going to find Cinderella, the king forbids Prince Charming to take another step down the stairs. Prince Charming agrees, and then dives out of a nearby window.

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** The prince invokes this on his father midway through the movie. After going to find Cinderella, the king forbids Prince Charming to take another step down the stairs. Prince Charming agrees, and then dives out of a nearby window. The king said "no stairs" but he ''didn't'' say "no window".

Removed: 92

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TRS cleanup; covered already, and misuse (Prince Charming wasn't in captivity)


* {{Hypnotize the Prince|ss}}: Lady Tremaine brainwashes Prince Charming to marry Anastasia.
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* FourthDateMarriage: Not only does Lady Tremaine magically alter Charming's memory so he forgets Cinderella and marries Anastasia instead, she arranges for the wedding to take place ''that night.''
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* NearVillainVictory: Lady Tremaine's schemes come within [[TheyDo two words]] of succeeding. Fortunately, Anastasia has her HeelFaceTurn.
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* CosmicRetcon: Due to the course of the first movie being changed through time travel, ''Cinderella II: Dreams Come True'' is presumably retconned out of existence (though some characters from it still exist in the new continuity, such as Prudence and [[spoiler:Anastasia's love interest]]). Though even then, it's implied that the events of ''II'' weren't even canon to begin with since Anastasia is still longing for true love when we first see her and Drizella.

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* CosmicRetcon: Due to the course The ending of the first movie, as a matter of fact: [[HappilyEverAfter all's well that ends well]], but Lady Tremaine's meddling with the timeline isn't simply undone with another magic spell at the end, leaving the conclusion of this movie being changed through time travel, ''Cinderella II: Dreams Come True'' is presumably retconned out of existence (though some characters from it still exist in the new continuity, such as Prudence and [[spoiler:Anastasia's love interest]]). Though even then, it's implied that the events of ''II'' weren't even canon ending to begin with since Anastasia is still longing for true love when we first see her and Drizella.Cinderella's story.
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* BrideAndSwitch: After her spell on the Prince is broken, Lady Tremaine tries one last time to ruin Cinderella’s happy ending and marry her own child into the throne by [[spoiler: teleporting Cinderella away and having Anastasia take her place in the wedding, magically disguised to look exactly like her stepsister.]]

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* BrideAndSwitch: After her spell on the Prince is broken, Lady Tremaine tries one last time to ruin Cinderella’s happy ending and marry her own child into the throne by [[spoiler: teleporting Cinderella away and having Anastasia take her place in the wedding, magically disguised to look exactly like her stepsister. Fortunately, Anastasia turns down the vows last-minute.]]
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rearrangement of words


* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she also believes Anastasia is a victim of Lady Tremaine's abuse. The film shows that as much as Anastasia can take on the physical characteristics of Cinderella, she can't replicate the personal qualities that made the Prince fall in love with Cinderella, and so their relationship is awkward and loveless.

to:

* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she also believes Anastasia is also a victim of Lady Tremaine's abuse. The film shows that as much as Anastasia can take on the physical characteristics of Cinderella, she can't replicate the personal qualities that made the Prince fall in love with Cinderella, and so their relationship is awkward and loveless.
Is there an issue? Send a MessageReason:
None


* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she also believes Anastasia is a victim of Lady Tremaine's abuse.

to:

* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she also believes Anastasia is a victim of Lady Tremaine's abuse. The film shows that as much as Anastasia can take on the physical characteristics of Cinderella, she can't replicate the personal qualities that made the Prince fall in love with Cinderella, and so their relationship is awkward and loveless.
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* WhyWasteAWedding: [[spoiler:The disguised Anastasia saying, "I don't" and Cinderella crashing the royal wedding ruin what was to be the wedding between Charming and a fake Cinderella. Once her stepmother is defeated, Anastasia reverses her disguise in redemption and the real Cinderella takes her place.]]

to:

* WhyWasteAWedding: [[spoiler:The disguised Anastasia saying, "I don't" and Cinderella crashing the royal wedding ruin what was to be the wedding between Charming and a fake Cinderella. Once her stepmother mother is defeated, Anastasia reverses her disguise in redemption and the real Cinderella takes her place.]]
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* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia rather than just treating her as an obstacle to overcome.

to:

* DeconstructedCharacterArchetype: Of the Wicked Stepsister and "False Bride" archetype present in many fairy tales. Most of these characters are present as purely cruel and greedy are quickly outed as liars and then are punished, often [[FamilyUnfriendlyViolence quite gruesomely]] without a second thought from the true heroine. Here, however the story is presented quite a bit from Anastasia view. Showing how much she's feeling conflicted and guilty over the whole situation, how her motivation is wanting [[IJustWantToBeLoved love]] rather then status and the film takes time to show how much concern Cinderella has for Anastasia, as she also believes Anastasia rather than just treating her as an obstacle to overcome.is a victim of Lady Tremaine's abuse.

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