History WebVideo / NonMaisTAsVuCeQueTEcoutes

* TheCameo:
** [[spoiler:[=BigFlo=] & Oli make an appearence at the end of the episode on their song "Je suis".]]
** The show itself in the 50/50 on ''Les Nouvelles Aventures d'Aladin'' (The New Adventures of Aladin) for a few minutes, because the movie in question has a song.

* SourOutsideSadInside: The [[MidReviewSketchShow Mid-Review Sketch] ] and central theme of the Charles Aznavour episode. Alexis has to deal with the fact that his brothers can't work with him on the show anymore, and is struggling with his fear of disappointing his audience with mediocre work. All of the songs he studies gravitate around this theme: ''J'aime Paris au mois de mai''[[note]]I love Paris in May[[/note]] reminds him that Jérémie left to live in Paris, ''Je m'voyais déjà''[[note]]I could already see it[[/note]] makes him fear he's being as terrible and delusional as the character of the song, ''Retiens la nuit''[[note]]Hold the night back[[/note]] illustrates his somber thoughts hidden beneath a fun-sounding appearance, ''Je bois''[[note]]I drink[[/note]] shows him at his lowest point, and ''La Bohème'' [[note]]The Bohemian Life[[/note]] makes him finally accept that things will never be the same again. The episode ends with him getting back on his feet and trying to make the show work on his own. However, that was the last NMT.

* DevilsAdvocate: Lilith, who is literally Satan's spokesperson. Her favorite thing is to give artists excuses for questionable choices (no, just because Black M is justified in criticizing the school system, does not mean he can advocate for school shootings), and to invoke discrimination to refute criticism.

* SourOutsideSadInside: The MidReviewSketchShow and central theme of the NMT about Charles Aznavour. Alexis has to deal with the fact that his brothers can't work with him on the show anymore, and is struggling with his fear of disappointing his audience with mediocre work. All of the songs he studies gravitate around this theme: ''J'aime Paris au mois de mai''[[note]]I love Paris in May[[/note]] reminds him that Jérémie left to live in Paris, ''Je m'voyais déjà''[[note]]I could already see it[[/note]] makes him fear he's being as terrible and delusional as the character of the song, ''Retiens la nuit''[[note]]Hold the night back[[/note]] illustrates his somber thoughts hidden beneath a fun-sounding appearance, ''Je bois''[[note]]I drink[[/note]] shows him at his lowest point, and ''La Bohème'' [[note]]The Bohemian Life[[/note]] makes him finally accept that things will never be the same again. The episode ends with him getting back on his feet and trying to make the show work on his own. However, that was the last NMT.

** The [[UpToEleven show itself]] in the 50/50 on ''Les Nouvelles Aventures d'Aladin'' (The New Adventures of Aladin) for a few minutes, because the movie in question has a song.

* TastesLikeDiabetes: InUniverse, this is Links' reaction to Indila's interviews.
-->'''Links:''' Do you also shit butterflies?

* SomethingCompletelyDifferent: The alternate review of Jul's "Wesh alors", which barely approached the song and instead berated negative critics attacking both the song and the singer, while the main review featured the usual snarky comments by Creator/LinksTheSun.

** The parody of the simplicity of Tragédie's lyrics is directly lifted from Creator/Moliere's Theatre/TheBourgeoisGentleman.

-->Jeremy: "When you write the lyrics of this song on a sheet of paper, it turns blank again. And when you try to listen to it backwards… *plays a walkman* there’s nothing."

* TastesLikeDiabetes: Links' reaction to Indila's interviews

''NMT'' episodes follow a certain number of set rules: Links only talks about the lyrics themselves (thus excluding the music video), he can only criticize one song per {{album}}, the song has to be in French, and it has to be part of the current Top 50 best sales. Though the rules have been broken on occasion, they serve as a pretty solid guideline.