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''The Revenger's Tragedy'' is a Jacobean {{Revenge}} play written in 1606 by (scholars now believe) Thomas Middleton. Earlier studies attributed the play to Cyril Tourneur and some scholars (e.g. Frank Kermode) still list Tourneur as the main author to this day, though a majority of scholars agree that Middleton is the most likely identity of the author.

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''The Revenger's Tragedy'' is a Jacobean {{Revenge}} play written in 1606 by (scholars now believe) Thomas Middleton.Creator/ThomasMiddleton. Earlier studies attributed the play to Cyril Tourneur and some scholars (e.g. Frank Kermode) still list Tourneur as the main author to this day, though a majority of scholars agree that Middleton is the most likely identity of the author.
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%%* UpToEleven: Vindice's revenge.
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* EverybodyDiesEnding: To an absurd degree. By the end of the show, ten characters have died, with another three being escorted off to be executed for a total of 13 deaths. Of the main cast, only Antonio, Castiza, Gratiana, and the Duchess are still alive. Antonio's wife dies offstage at the start of the play (suicide), then Junior (beheaded), then the Duke (poisoned and/or blood loss), then three nobles (stabbed), then Supervacuo (killed by Ambitioso), then Ambitioso (killed by Spurio), then Spurio (killed by an unnamed henchman of Ambitioso) and then Lussurioso (also stabbed). Ambitioso's henchman, Vindice, and Hippolito are all lead away to "speedy execution" at the end of the play. This list does not include Gloriana, Vindice's lost love who dies before the show starts.



* KillEmAll: To an absurd degree. By the end of the show, ten characters have died, with another three being escorted off to be executed for a total of 13 deaths. Of the main cast, only Antonio, Castiza, Gratiana, and the Duchess are still alive. Antonio's wife dies offstage at the start of the play (suicide), then Junior (beheaded), then the Duke (poisoned and/or blood loss), then three nobles (stabbed), then Supervacuo (killed by Ambitioso), then Ambitioso (killed by Spurio), then Spurio (killed by an unnamed henchman of Ambitioso) and then Lussurioso (also stabbed). Ambitioso's henchman, Vindice, and Hippolito are all lead away to "speedy execution" at the end of the play. This list does not include Gloriana, Vindice's lost love who dies before the show starts.

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** The Duke and The Duchess are only referred to by their titles, with their actual names never being said.

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** The Duke and The Duchess are only referred to by their titles, with their actual names never being said.said or even mentioned anywhere in the text itself.



** Downplayed with Lussurioso, who is almost always referred to as "the Duke's son" or "the Duke's only son". His name is only said once in the entire play by Hippolito.
** Downplayed with Ambitioso and Supervacuo. In the dialogue, they are only referred to as "the Duchess' sons". The speech prefixes and stage directions, however, do refer to them by their actual names.



** Downplayed with Ambitioso and Supervacuo. In the dialogue, they are only referred to as "the Duchess' sons". The speech prefixes and stage directions, however, do refer to them by their actual names: Ambitioso and Supervacuo.
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* MyGodWhatHaveIDone: Gratiana feels extremely guilty for trying to corrupt her daughter for Lussurioso and can barely bring herself to look at her. [[spoiler:Thankfully, Gratiana fully repents to her children. Castiza tests her mother by pretending to offer herself to Lussurioso willingly. When Gratiana begs her not to, Castiza drops the facade, embraces her mother, and forgives her. This is the closest we get to a "happy ending" in the play.]]
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* IncorruptiblePurePureness: Castiza is, easily, the most innocent and morally good character in the entire play. When Vindice pretends to be a pandar for Lussurioso in order to test Castiza's honor, she firmly and proudly rejects Lussurioso's advances, even when offered gold and promises of a lavish lifestyle. Even when Gratiana, her own mother, tries to convince her to give herself up to the Lussuroso, Castiza doesn't budge in her refusal to give in. [[spoiler:The play rewards her by letting her survive the events of the play, giving her a relatively happy ending with her mother.]]

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--> ''[[SugarWiki/FunnyMoments There it is!]]''

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--> ''[[SugarWiki/FunnyMoments There it is!]]''goes!]]''


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* ScrewThisImOuttaHere: The guard who delivers [[spoiler:Junior's head hightails it out of there when Supervacuo threatens to beat him up.]]
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* CharactersDroppingLikeFlies: And THEN some. [[spoiler:Only four major characters are still alive by the end, with ten having died over the course of the show, and another three being taken away to execution. This is particularly evident during the last scene (Act 5, Scene 3) where a total of SEVEN characters die in rapid succession.]]
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** Downplayed with Ambitioso and Supervacuo. In the dialogue, they are only referred to as "the Duchess' sons". The speech prefixes and stage directions, however, do refer to them by their actual names: Ambitioso and Supervacuo.
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** Castiza's servant Dondolo is the closest the play has to a clown, offering snarky responses to his mistress when he introduces the disguised Vindice to her. Dondolo excuses his himself and he is never seen again in the text.

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** Castiza's servant Dondolo is the closest the play has to a clown, offering snarky responses to his mistress when he introduces the disguised Vindice to her. Dondolo excuses his himself and he is never seen again in the text.
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* OneShotCharacter: While some productions may add them to more scenes, The Revenger's Tragedy has two prominent examples of this trope:
** Castiza's servant Dondolo is the closest the play has to a clown, offering snarky responses to his mistress when he introduces the disguised Vindice to her. Dondolo excuses his himself and he is never seen again in the text.
** The Fourth Man who kills Spurio during the massacre at Lussurioso's banquet never appears in the play before that scene. He is then swiftly arrested, blamed for all of the murders, and led away to execution.
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* TongueTrauma: The Duke gets his tongue nailed to the floor by Vindice and Hippolito during his excruciating death scene.
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* ThoseTwoGuys: Vindice and Hippolito. Ambitioso and Supervacuo also apply, with one never appearing in a scene without the other close by.

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* ThoseTwoGuys: Vindice and Hippolito. Ambitioso and Supervacuo also apply, qualify, with one never appearing in a scene without the other close by.
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%%* ThoseTwoGuys: Vindice and Hippolito. Ambitioso and Supervacuo also apply, with one never appearing in a scene without the other close by.

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%%* * ThoseTwoGuys: Vindice and Hippolito. Ambitioso and Supervacuo also apply, with one never appearing in a scene without the other close by.
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* TokenGoodTeammate: Downplayed with The Duchess, who is the least awful member of the royal family by FAR. The Duchess is certainly not a great person, considering she attempts to defend her youngest son Junior when he's put on trial for raping a woman, and that she engages in an adulterous relationship with her husband's bastard son out of spite. At the very least, she is the only member of the royal family who does not murder or even attempt to murder anyone. While the play calls her relationship with Spurio "incest", they are not actually related by blood at all, making their dalliances at least a little less awful (not to mention that The Duke has cheated on her multiple times before this point). [[spoiler:Fittingly, The Duchess is the only member of the royal family to survive the entire play, as Lussurioso banishes her before the final massacre scene happens.]]

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* TokenGoodTeammate: Downplayed with The Duchess, who is the least awful member of the royal family by FAR. The Duchess is certainly not a great person, considering she attempts to defend her youngest son Junior when he's put on trial for raping a woman, and that she engages in an adulterous relationship with her husband's bastard son out of spite. At the very least, she is the only member of the royal family who does not murder murder, rape, or even attempt to murder anyone. While the play calls her relationship with Spurio "incest", they are not actually related by blood at all, making their dalliances at least a little less awful (not to mention that The Duke has cheated on her multiple times before this point). [[spoiler:Fittingly, The Duchess is the only member of the royal family to survive the entire play, as Lussurioso banishes her before the final massacre scene happens.]]
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* TokenGoodTeammate: Downplayed with The Duchess, who is the least awful member of the royal family by FAR. The Duchess is certainly not a great person, considering she attempts to defend her youngest son Junior when he's put on trial for raping a woman, and that she engages in an adulterous relationship with her husband's bastard son out of spite. At the very least, she is the only member of the royal family who does not murder or even attempt to murder anyone. While the play calls her relationship with Spurio "incest", they are not actually related by blood at all, making their dalliances at least a little less awful (not to mention that The Duke has cheated on her multiple times before this point). [[spoiler:Fittingly, The Duchess is the only member of the royal family to survive the entire play, as Lussurioso banishes her before the final massacre scene happens.]]
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''The Revenger's Tragedy'' is a Jacobean {{Revenge}} play written in 1606 by (scholars now believe) Thomas Middleton. Earlier studies attributed the play to Cyril Tourneur and some scholars (Frank Kermode) still list Tourneur as the main author to this day, though a majority of scholars agree that Middleton is the most likely identity of the author.

to:

''The Revenger's Tragedy'' is a Jacobean {{Revenge}} play written in 1606 by (scholars now believe) Thomas Middleton. Earlier studies attributed the play to Cyril Tourneur and some scholars (Frank (e.g. Frank Kermode) still list Tourneur as the main author to this day, though a majority of scholars agree that Middleton is the most likely identity of the author.
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* DarkerAndEdgier: You wouldn't think that was ''possible'', with this source material. But in the original play, the Duke and Duchess have no children together (Lussurioso is the Duke's son by a previous wife, Spurio by his mistress, while Ambitioso, Supervacuo, and Junior are the Duchess' children by a previous husband). The film makes them all one biological family, which means that: [[spoiler: the Duke sentences HIS SON Junior to death; Spurio has an affair with HIS MOTHER; Ambitioso and Supervacuo try to murder THEIR BROTHER Lussurioso]]. Pretty screwed up in a step-family, but even worse when they're blood relations.

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* DarkerAndEdgier: You wouldn't think that was ''possible'', with this source material. But in the original play, the Duke and Duchess have no children together (Lussurioso is the Duke's son by a previous wife, Spurio by his mistress, while Ambitioso, Supervacuo, and Junior are the Duchess' children by a previous husband). The film makes them all one biological family, which means that: [[spoiler: the Duke sentences HIS SON Junior to death; Spurio has an affair with HIS MOTHER; Ambitioso and Supervacuo try to murder THEIR BROTHER Lussurioso]]. Pretty screwed up in a step-family, but even worse when they're blood relations. Similarly, while The Duke is awful in the original play, the film adds necrophilia to his list of crimes when he admits to a disguised Vindice that he raped Gloriana's body after he killed her.
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* ParentalIncest: Between the Duchess and Spurio.

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* ParentalIncest: Between Spurio and his step-mother, The Duchess. Though the Duchess and Spurio.two of them are not related by blood, the play still refers to their relationship as "foul incest".
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* CruelAndUnusualDeath: [[spoiler:The Duke. Good LORD, The Duke. First, he's tricked into kissing a skull that has been covered in a poison that is caustic enough to disolve his teeth. Then, he gets stamped on by Hippolito, a man he thought was his ally. Then, his tongue gets nailed to the floor. Finally, he's forced to watch his wife engage in adulterous acts with Spurio, his own bastard son. Only then does The Duke finally die which, depending on the production, comes about from the poison, his massive blood loss, Vindice murdering him, or his tongue being ripped out. Yikes]].

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* CruelAndUnusualDeath: [[spoiler:The Duke. Good LORD, The Duke. First, he's tricked into kissing a skull that has been covered in a poison that is caustic enough to disolve dissolve his teeth. Then, he gets stamped on by Hippolito, a man he thought was his ally. Then, his tongue gets nailed to the floor. Finally, he's forced to watch his wife engage in adulterous acts with Spurio, his own bastard son. Only then does The Duke finally die which, depending on the production, comes about from the poison, his massive blood loss, Vindice murdering him, or his tongue being ripped out. Yikes]].
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** Downplayed with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get briefly mentioned once by Lussurioso in Act 1, Scene 3, a scene where she does not appear.

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** Downplayed with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get briefly mentioned once by Lussurioso in is the only character who uses her name, saying it only one time during Act 1, Scene 3, a scene where she does not appear.
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** Downplayed with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get mentioned once by Lussurioso in Act 1, Scene 3.

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** Downplayed with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get briefly mentioned once by Lussurioso in Act 1, Scene 3.3, a scene where she does not appear.
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** Subverted with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get mentioned once by Lussurioso in Act 1, Scene 3.

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** Subverted Downplayed with Gratiana. The speech prefixes, the dramatis personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get mentioned once by Lussurioso in Act 1, Scene 3.
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** Subverted with Gratiana. The speech prefixes and the dramatis persona only refer to her as "Mother". Vindice, Hippolito, and Castiza also only refer to her as "Mother" while other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get mentioned once by Lussurioso in Act 1, Scene 3.

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** Subverted with Gratiana. The speech prefixes and prefixes, the dramatis persona personae, and her three children (Vindice, Castiza, and Hippolito) only refer to her as "Mother". Vindice, Hippolito, and Castiza also only refer to her as "Mother" while other Other characters also mostly refer to her as "the mother" or "Castiza's mother". Her name, however, does get mentioned once by Lussurioso in Act 1, Scene 3.
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** The masquer who kills Spurio in the final scene is only referred to in the stage directions as "a fourth man", with speech prefixes being "Fourth Man". He refers to Ambitoso as his "lord and master", implying that he is Ambitoso's servant/henchman.

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** The masquer who kills Spurio in the final scene is only referred to in the stage directions as "a fourth man", with speech prefixes being "Fourth Man".Man" or even just "Man". He refers to Ambitoso as his "lord and master", implying that he is Ambitoso's servant/henchman.

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