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--> '''Ernest''': "It's a very serious thing for a man to suddenly discover that all his life he's been speaking the exact truth."
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Changed line(s) 77 (click to see context) from:
* PassiveAggressiveKombat: When Gwendolen and Cecily mistakenly come to believe that they are both engaged to the same man, they engage in an incredibly vicious yet polite catfight. The unstated rule is that they must insult each other while maintaining the appearance of civility and the one who loses her temper first loses.
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* PassiveAggressiveKombat: When Gwendolen and Cecily mistakenly come to believe that they are both engaged to the same man, they engage in an incredibly vicious yet polite catfight. The unstated rule is that they must insult each other while maintaining the appearance of civility and the one who loses her temper first loses. [[spoiler: Cecily wins.]]
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Changed line(s) 29 (click to see context) from:
* Cross-CastRole: In contemporary theatre productions, the role of Lady Bracknell is frequently (although not always) played by a man.
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* Cross-CastRole: CrossCastRole: In contemporary theatre productions, the role of Lady Bracknell is frequently (although not always) played by a man.
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* Cross-CastRole: In contemporary theatre productions, the role of Lady Bracknell is frequently (although not always) played by a man.
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* FauxlosophicNarration: It's up to interpretation if what Algernon says is actually deep or if he just likes sounding that way. When Jack outright asks, he replies that it's "perfectly phrased."
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* StealthInsult: After Jack complains about Algernon's FauxlosophicNarration, saying that all the clever people running around are becoming 'an absolute public nuisance'.
-->'''Jack:''' I wish to goodness we had a few fools left.\\
'''Algernon:''' We have.\\
'''Jack:''' I should extremely like to meet them. What do they talk about?\\
'''Algernon:''' The fools? Oh! about the clever people, of course.
-->'''Jack:''' I wish to goodness we had a few fools left.\\
'''Algernon:''' We have.\\
'''Jack:''' I should extremely like to meet them. What do they talk about?\\
'''Algernon:''' The fools? Oh! about the clever people, of course.
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Changed line(s) 57 (click to see context) from:
* TheLawFirmOfPunPunAndWordplay: When Jack defends his ward Cecily's social status against Lady Bracknell's questions, he notes the late Thomas Cardew's three addresses (which "always inspire confidence, even among tradesmen," according to Lady Bracknell); in support of this fact, he adds that her solicitors are the firm of Markby, Markby, and Markby. They also meet with her approval ("A firm of the very highest position in their profession. Indeed I am told that one of the Mr Markby's is occasionally to be seen at dinner parties.")
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* TheLawFirmOfPunPunAndWordplay: When Jack defends his ward Cecily's social status against Lady Bracknell's questions, he notes the late Thomas Cardew's three addresses (which "always inspire confidence, even among tradesmen," according to Lady Bracknell); in support of this fact, he adds that her solicitors are the firm of Markby, Markby, and Markby. They also meet with her approval ("A firm of the very highest position in their profession. Indeed I am told that one of the Mr Markby's Markbys is occasionally to be seen at dinner parties.")
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Wait, no it wasn\'t. That was the Ironic Echo.
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* HorribleJudgeOfCharacter: Played with; Gwendolen claims that her "first impressions of people are never wrong" when really they are ''consistently'' wrong.
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* HorribleJudgeOfCharacter: Played with; Gwendolen Cecily claims that her "first impressions of people are never wrong" when really they are ''consistently'' wrong.
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It was Gwendolen who claimed this, not Cecily
Changed line(s) 39 (click to see context) from:
* HorribleJudgeOfCharacter: Played with; Cecily claims that her "first impressions of people are never wrong" when really they are ''consistently'' wrong.
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* HorribleJudgeOfCharacter: Played with; Cecily Gwendolen claims that her "first impressions of people are never wrong" when really they are ''consistently'' wrong.
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** In the 2002 film, the credits play over [[spoiler: the characters holding a funeral for Mr. Bunbury, who Algernon later tells his aunt finally died.]]
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* ImagineSpot: In the 2002 movie, Cecily has several involving her as a maiden being rescued by a knight. When she meets "Earnest" (Algie), she imagines him as a knight [[spoiler:and then imagines his visor snapping shut when she learns he isn't really named Earnest]].
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* ShotgunWedding: The 2002 movie implies this to be how Lady Bracknell (then a dancing girl) got Lord Bracknell to marry her.
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Completing a connection
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* HorribleJudgeOfCharacter: Played with; Cecily claims that her "first impressions of people are never wrong" when really they are ''consistently'' wrong.
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Changed line(s) 43,45 (click to see context) from:
* InsultBackfire: How Cecily wins the catfight with Gwendolen.
-->'''Gwendolen''': This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.
-->'''Gwendolen''': This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.
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* InsultBackfire: How Cecily Gwendolyn wins the catfight with Gwendolen.
-->'''Gwendolen''':Cecily.
-->'''Cecily''': This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
-->'''Cecily''': -->'''Gwendolyn''': I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.
-->'''Gwendolen''':
-->'''Cecily''': This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
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Changed line(s) 44,45 (click to see context) from:
-->'''Gwendolen''': When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social circles have been widely different.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social circles have been widely different.
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-->'''Gwendolen''': This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our socialcircles spheres have been widely different.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social
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* InsultBackfire: How Cecily wins the catfight with Gwendolen.
-->'''Gwendolen''': When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social circles have been widely different.
-->'''Gwendolen''': When I see a spade I call it a spade.
-->'''Cecily''': I am glad to say that I have never seen a spade. It is obvious that our social circles have been widely different.
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Changed line(s) 27 (click to see context) from:
* CoupledCouples: Jack [[spoiler:aka Ernest]] and Gwendolyn, and Algernon and Cecily.
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* CoupledCouples: Jack [[spoiler:aka Ernest]] and Gwendolyn, Gwendolen, and Algernon and Cecily.
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* NoLovesIntersect: Played straight, but double subverted InUniverse when Gwendolyn and Cecily fall out when they both believe they are engaged to the same man.
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* NoLovesIntersect: Played straight, but double subverted InUniverse when Gwendolyn Gwendolen and Cecily fall out when they both believe they are engaged to the same man.
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they had to cut some of it...
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** The Colin Firth film averts this. [[spoiler: Jack just lies. Lady Bracknell knows, but goes along with it.]] Surprisingly, they didn't have to change the dialog to make it work.
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** The Colin Firth film averts this. [[spoiler: Jack just lies. Lady Bracknell knows, but goes along with it.]] Surprisingly, they didn't have to change the dialog to make it work.]]
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Changed line(s) 42 (click to see context) from:
* TheIngenue: Gwendolen and Cecily are parodies. [[LampshadeHanging Lampshaded]] by Lady Bracknell for Gwendolen, and Jack for Cecily.
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* TheIngenue: Gwendolen and Cecily are parodies. [[LampshadeHanging Lampshaded]] by Lady Bracknell for Gwendolen, and Jack for Cecily.Cecily.
* InternalReveal: Gwendolen and Cecily have a falling out over both being engaged to Ernest, which the audience knows already is the pseudonym adopted by both Jack and Algernon. The women quickly discover the truth when their boyfriends arrive on the scene together.
* InternalReveal: Gwendolen and Cecily have a falling out over both being engaged to Ernest, which the audience knows already is the pseudonym adopted by both Jack and Algernon. The women quickly discover the truth when their boyfriends arrive on the scene together.
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Changed line(s) 8,9 (click to see context) from:
Jack, meanwhile, had "killed" his fictional brother Ernest, only to find that Cecily had already met "Ernest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Ernest Worthing.
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Jack, meanwhile, had "killed" his fictional brother Ernest, only to find that Cecily had already met "Ernest" in the form of Algernon. Not long after, Gwendolin Gwendolen arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Ernest Worthing.
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Changed line(s) 65 (click to see context) from:
* NoLovesIntersect
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* NoLovesIntersectNoLovesIntersect: Played straight, but double subverted InUniverse when Gwendolyn and Cecily fall out when they both believe they are engaged to the same man.
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Deleted line(s) 91 (click to see context) :
* UpperClassWit: Algernon was originally the TropeNamer.
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Changed line(s) 61 (click to see context) from:
* MoralLuck: Lady Bracknell embodies this. She admonishes Jack for being an orphan because it shows "contempt for the decencies of family life"; disapproves of sympathising will ill people because "illness is hardly a thing to be encouraged"; and even congratulates an offstage character for finally "making up his mind" to die.
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* MoralLuck: Lady Bracknell embodies this. She admonishes Jack for being an orphan because it shows "contempt for the decencies of family life"; disapproves of sympathising will with ill people because "illness is hardly a thing to be encouraged"; and even congratulates an offstage character for finally "making up his mind" to die.
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Changed line(s) 28 (click to see context) from:
* DoesThisRemindYouOfAnything: The whole play is supposedly full of elaborate puns on male homosexuality (though Wilde's contemporaries and John Gielgud have denied it), most of them are examples of GetTheeToANunnery now. Still, the whole 'double life' subtext is effective as ever today.
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* DoesThisRemindYouOfAnything: The whole play is supposedly full of elaborate puns on male homosexuality (though Wilde's contemporaries and John Gielgud have denied it), most of them are examples of GetTheeToANunnery now. Still, the whole 'double life' subtext is effective as ever today.today, and nothing could ever stop "Bunburying" sounding dirty.
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Changed line(s) 2,3 (click to see context) from:
-->-- '''Algernon Moncrieff''', ''The Importance of Being Earnest''
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-->-- '''Algernon Moncrieff''', ''The Importance of Being Earnest''
Moncrieff'''
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Changed line(s) 8,9 (click to see context) from:
Jack, meanwhile, had "killed" his fictional brother Ernest, only to find that Cecily had already met "Ernest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Earnest Worthing.
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Jack, meanwhile, had "killed" his fictional brother Ernest, only to find that Cecily had already met "Ernest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Earnest Ernest Worthing.
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Changed line(s) 8,9 (click to see context) from:
Jack, meanwhile, had "killed" his fictional brother Earnest, only to find that Cecily had already met "Earnest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Earnest Worthing.
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Jack, meanwhile, had "killed" his fictional brother Earnest, Ernest, only to find that Cecily had already met "Earnest" "Ernest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and the ladies soon find that both of them are engaged to a man named Earnest Worthing.
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Changed line(s) 69 (click to see context) from:
* PunBasedTitle
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* PunBasedTitlePunBasedTitle: Meaning, of course, both "The importance of being named Earnest" and "the importance of being sincere."
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Changed line(s) 8,9 (click to see context) from:
Jack, meanwhile, had "killed" his fictional brother Earnest, only to find that Cecily had already met "Earnest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and they find that both of them are engaged to a man named Earnest Worthing.
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Jack, meanwhile, had "killed" his fictional brother Earnest, only to find that Cecily had already met "Earnest" in the form of Algernon. Not long after, Gwendolin arrives and meets Cecily, and they the ladies soon find that both of them are engaged to a man named Earnest Worthing.
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Changed line(s) 6,7 (click to see context) from:
The play follows the lives of two best friends, Jack Worthing and Algernon Moncrieff. Jack lives in the country with his ward, Cecily Cardew, but spends much of his time in London -- where he calls himself "Ernest Worthing," so that he can do as he likes without anything getting traced back to his real identity. Furthermore, as luck would have it, his girlfriend Gwendolen has always dreamed of marrying a man named "Ernest." Algernon finds out Jack's ruse, but keeps Jack's secret for his own mischievous purposes: since he knows that there is no such person as "Ernest Worthing," he can sneak off to Jack's country home and pose as "Ernest Worthing," where he meets and falls in love with Cecily. On the same afternoon as Algernon's jaunt to Jack's estate, the ''other'' Ernest Worthing -- Jack -- brings Gwendolen and her mother, Lady Bracknell, to his home to try to talk Lady Bracknell into letting him marry Gwendolen.
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The play follows the lives of two best friends, Jack Worthing and Algernon Moncrieff. Jack lives in the country with his ward, Cecily Cardew, but spends much of his time in London -- where he calls himself "Ernest Worthing," so that he can do as he likes without anything getting traced back to his real identity. Furthermore, as luck would have it, his girlfriend Gwendolen (Algernon's cousin) has always dreamed of marrying a man named "Ernest." Algernon finds out Jack's ruse, but keeps Jack's secret for his own mischievous purposes: since he knows that there is no such person as "Ernest Worthing," he can sneak off to Jack's country home and pose as "Ernest Worthing," where he meets and falls in love with Cecily. On Cecily.
Jack, meanwhile, had "killed" his fictional brother Earnest, only to find that Cecily had already met "Earnest" in thesame afternoon as Algernon's jaunt to Jack's estate, the ''other'' Ernest Worthing -- Jack -- brings Gwendolen form of Algernon. Not long after, Gwendolin arrives and her mother, Lady Bracknell, meets Cecily, and they find that both of them are engaged to his home to try to talk Lady Bracknell into letting him marry Gwendolen.
a man named Earnest Worthing.
Jack, meanwhile, had "killed" his fictional brother Earnest, only to find that Cecily had already met "Earnest" in the
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*InventedInvalid: Algernon claims to be visiting his invalid friend Mr Bunbury, who suffers from "curiously bad health", allowing him to avoid his engagements with his relatives.