History SoundtrackDissonance / Anime

* ''Manga/DetectiveConan'' likes to occasionally end episodes with people sobbing with regret for their actions... and then launches right into the lighthearted rock ending song.

** In fact, ''every single Franchise/PrettyCure EndingTheme ever'', not counting the movie ones, is light-hearted, cheerful and happy-go-lucky, thus ruining the mood whenever a season reaches its climax or an episode ends on a depressing tone. The fact that nowadays all the endings are {{Dancing Theme}}s does not help matters.

The ones who love me more than anything\\

Is end it all and leave forever\\

* ''Anime/{{Pokemon}}'':

** ''Yes My Sweet'' (in the third movie) is another battle scene number, this one has a sound that is eerily reminiscent of a Beatles song.

* ''Manga/SteamDetectives'' has ''Amazing Grace'' play during particularly poignant scenes where somebody [[DisneyVillainDeath falls from a high place]], [[FamousLastWords speaks their last]], or [[ClimbingClimax an epic fight at the top of someplace high]].

** "Tell Me Why" by Penpals is the intro theme of the [[Anime/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal, upbeat melody with broken GratuitousEnglish lyrics that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.

* The anime adaptation of ''[[Manga/JoJosBizarreAdventureVentoAureo [=JoJo's=] Bizarre Adventure: Vento Aureo]]'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?

* The first six episode of ''Anime/SamuraiFlamenco'' are basically SliceOfLife stories about a guy who wants to be a superhero, and contain an upbeat, catchy [[DoItYourselfThemeTune Do It Yourself Ending]] sung by the show's three female leads. Then comes Episode 7, which keeps said catchy pop ending despite [[spoiler: marking a MASSIVE GenreShift into a full-on {{superhero}} story, complete with an [[ShockingSwerve uncharacteristically dark and bloody climax]]]].

** Likewise, the ending theme "Waiting So Long" by SILVERFINS, is also a catchy song also composed of broken English, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: Guts screaming and crying in agony in a pool of his blood at the sight of Casca getting raped to insanity by Griffith/Femto]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.

** "Tell Me Why" by Penpals is the intro theme of the [[Anime/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal upbeat melody with broken GratuitousEnglish lyrics that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.

* ''Anime/MaiOtome'' follows the above examples, yet at the same time subverts it. The series' major WhamEpisode ends with [[spoiler: Erstin dead, Nina deranged, Arika angry, and an explosion appearing over Garderobe]]. The EndingTheme plays its "Mellow Version". That is to say the beginning of the song is slower and more melancholy...then goes right into the usual pop music and continues with Arika running across a field of stars.

** Speaking of ''Gundam Wing'', in episode 41, [[ThemeTuneCameo "Rhythm Emotion", the show's second opening theme]], is playing during the Gundam Team and White Fang's assault on Barge, ending with [[spoiler:Zechs singlehandedly destroying the space station with Epyon]]. It also happened at the end of episode 36, after Relena surrendered to Romefeller and dissolved the Sanc Kingdom, and during Heero's ZERO System-induced rampage as he destroys several mobile dolls with Epyon.

* ''{{Manga/Berserk}}'':
** "Tell Me Why" by Penpals is the intro theme of the [[Anime/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal upbeat melody filled with broken GratuitousEnglish that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.

* ''{{Manga/Berserk}}'':
** "Tell Me Why" by Penpals is the intro theme of the [[Anime/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal upbeat melody tune that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.
** The ending theme, "Waiting So Long" by SILVERFINS, is a catchy song composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: Guts screaming and crying in agony in a pool of his blood at the sight of Casca getting raped to insanity by Griffith/Femto]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.

* ''{{Manga/Berserk}}'':
** The upbeat melody of "Tell Me Why" by Penpals is the intro theme of the [[Anime/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal upbeat melody tune that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.

* ''{{Manga/Berserk}}'':

** The ending theme, "Waiting So Long" by SILVERFINS, is a catchy song composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: the lead man screaming and crying in agony in a pool of his blood at the sight of his lover getting raped to insanity by his best friend-turned demon]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.

* ''{{Manga/Berserk}}'':
** The upbeat melody of "Tell Me Why" by Penpals is the intro theme of the [[Series/Berserk1997 1997 anime adaptation]]. It's a catchy yet surreal upbeat melody tune that sharply contrasts with the dark and violent mood of the whole series, especially in the final episodes.

* ''{{Manga/Berserk}}'''s ending theme, "Waiting So Long" by SILVERFINS, is a catchy song composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: the lead man screaming and crying in agony in a pool of his blood at the sight of his lover getting raped to insanity by his best friend-turned demon]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.

* The upbeat opening themes for ''Manga/AkuNoHana'' sound incredibly out of place, given the seriousness of the subject matter and the show's subdued tone. This was almost certainly intentional.

* ''Anime/NeonGenesisEvangelion'' has this down to an art form:
** One episode ends on a blood-curdling FreakOut of horror, desperation, fury or GoMadFromTheRevelation... and promptly cuts, as every episode does, into a cover version of "Fly Me To The Moon." The effect is both disastrous and cathartic, like thermal shock caused by sudden extreme temperature differences, but intentionally so: The ending music was always rather out of place, and becomes ever more ironic as the show turns darker.
*** The ending theme is sung by a different voice actress in different episodes. In one episode [[spoiler: when Kaworu gets killed]], the instrumental arrangement is the same as all the others, but there's nobody singing. The silence is deafening.
*** In episode 24, when Shinji is [[spoiler:lamenting the fact that he's lost all his friends through some way or another]] he turns to find someone sitting on a rock humming Ode to Joy. Ode to Joy is used again [[spoiler: during Shinji's battle with Kaworu, which ends with the latter's death]], and during the [[spoiler: Fourth Impact]] scene in the third ''Anime/RebuildOfEvangelion'' film. The creators clearly love using it in scenes where something really messed up or sad is happening.
*** The ending to the episode where [[spoiler:Toji loses a leg and nearly dies]]? How about a nice, happy rendition of "Fly Me To The Moon"?
*** Moreover, this particular rendition eschews the lush arrangement of the previous versions in favour of a jauntier, jazzy cover. An acoustic guitar takes the place of the singer, making it sound... happy, insofar as a song could be.
** The scene where [[spoiler:Asuka gets {{Mind Rape}}d by an Angel]] with the [[FauxSymbolism Hallelujah]] chorus playing in the background.
** In ''End of Evangelion'', Asuka goes down fighting the Mass-Produced Evangelions in a feat of pyrrhic badassery to none other than ''Air'' by Bach.
** Then there's ''Komm, Süßer Tod'''s use in TheMovie, (referenced in the [[Quotes/SoundtrackDissonance Quotes page]]) another example of Soundtrack Dissonance using a song with LyricalDissonance for a devastating combo.
*** It is, to some extent, a sound alike of Music/TheBeatles' "Hey Jude", which is not exactly known for being a depressing song.
*** The first verse:
---->[[spoiler: I know, I know I've let you down\\
I've been a fool to myself\\
I thought that I could live for no one else\\
And now\\
Through all the hurt and pain\\
It's time for me to respect\\
The ones who love me more than anything\\
So with sadness in my heart\\
I feel the best thing I could do\\
Is end it all and leave forever\\
What's done is done, I feel so bad\\
What once was happy, now is sad\\
I'll never love again\\
My world is ending]]
*** Imagine that set to a SuspiciouslySimilarSong version of "Hey Jude". Seriously, it's almost impossible to describe in typed form, so [[https://www.youtube.com/watch?v=bCLoNOYcVQU# here you go.]] Now imagine that...but why imagine it when [[https://www.youtube.com/watch?v=RNelByTqFnA you can see it?]] Worse, it's unclear as to whether [[spoiler:the entire human race is being killed off in a ritualistic mass suicide]] and screaming in terror or the [[spoiler:ecstasy of being released from their separate forms and finally merging back into one complete being]]. Or maybe even both.
*** An instrumental version of the song appears in Shinji's GoodEnding in ''VideoGame/SuperRobotWarsAlpha 3'', where he and Asuka rescue Rei and [[spoiler: prevent instrumentality]]. So now, you have a song about [[spoiler: suicide and the end of the world]] playing in an upbeat ending where EveryoneLives.
** [[https://www.youtube.com/watch?v=iBW-AeCvp3U The opening music itself is misleadingly upbeat.]] But when you find out what the lyrics say...
** Another, less obvious example is the use of Pachelbel's "Canon in D" for the (absolutely beautiful) credits sequence of ''Evangelion: Death''. So you've just gone over the important events of the series one last time, you've had a few more hints dropped your way, and more importantly, you know that the next thing you'll be watching is the big finale. Even if you're not yet aware of just how much horror you're in for, you know that, as far as the plot is concerned, Shinji and co. have already passed the point of no return. The overriding feeling as you watch a beautiful sunset over a ruined landscape while listening to this exquisite piece of music can only be described as deep, penetrating foreboding. You know the end is nigh.
** The [[https://www.youtube.com/watch?feature=player_detailpage&v=ay174Yvnx7s#t=99s (in)famous DVD menu]] for ''End of Evangelion'' adds ''another'' example of this trope, this time using "Jesu, Joy of Man's Desiring" (which is actually used in the film for * gasp* generally NON-ironic effect).
** Really, this series is utterly in love with this trope. From the examples listed above, to the heavy use of jazz, soft rock, baroque classical and J-pop in the soundtrack, at least half the music in the series stands in direct contrast to the dark and twisted machinations of the plot. Just listen to Shiro Sagisu's Thanatos, either the original or the vocal version used in [=EoE=]. Nice, jazzy song, right? Well, "Thanatos" = "DEATH". There. That summarizes the mood of the soundtrack.
** There's also [[https://vimeo.com/176574496 this]] AMV set to "Here Comes the Sun" by Music/TheBeatles. The surprising thing is that it ''works''.
** In ''Rebuild 2.0'', as the Dummy Plug controlled Eva 01 [[https://www.youtube.com/watch?v=Y3lAoTFpgnE&feature=related mutilates and disembowels]] the Angel possessed Eva 03, [[spoiler:piloted by Asuka in this version,]] a delightfully cheery [[https://www.youtube.com/watch?v=M-i-1EzKYAI song]] starts playing. It made this scene even more of a TearJerker.
*** Then again, the song's title (Today Is the Time To Say Goodbye) is pretty explicit on exactly what is going to happen. Same goes for the lyrics - "Sayonara".
*** And earlier in the film, Mari Makinami rides into battle with Eva-05 while singing part of "The 356-Step March" by Kiyoko Suizenji - singing a jaunty little tune about finding happiness while piloting a giant robot and preparing to fight an eldritch monster. Then again, this is quite in-character for [[{{Cloudcuckoolander}} Ma]][[BloodKnight ri]].
** Another example is Shinji's first fight: The Angel beats his Eva to a scary music, but that's to be expected. But then Eva starts to fight back! Time for a happy winning music (like in Digimon when a new mode is activated)...except what we get is "The Beast", which is ten times more terrifying than the music before. The meaning of the scene also changes from a regular "good wins" to "OhCrap, what is happening?", making the dissonance hard to notice.
** Overall, a large part of Evangelion's soundtrack is often described as something that shouldn't fit, but somehow it does.
* And in an excellent example of FollowTheLeader, ''Anime/RahXephon'''s final four episodes contain this trope as well. Two examples: [[spoiler:Kunugi]]'s HeroicSacrifice in episode 23 which [[spoiler:destroys Nirai-Kanai]] and Ayato's FreakOut in episode 25 which fires a huge sonic blast and destroys much of Japan. Both has scenes of destruction overlaid by serene music, achieving an effect much like ''End of Evangelion''.
* ''Anime/HanasakuIroha'' uses a Catholic-esque choir and pipe organ during a Shinto festival in Episode 25. Unlike many other examples listed here, it's not mindscrewy and probably quite unintentional, since the music fits the uplifting, spiritual atmosphere of the festival, but some viewers find the difference in religious and cultural motifs really jarring.
* ''Anime/MobileSuitVictoryGundam'' does this quite well, both the openings and ending are quite happy and upbeat but the show itself is very dark and bloody.
* As [[spoiler:Stella dies in Shinn's arms]] in ''Anime/MobileSuitGundamSEEDDestiny,'' the typical happy, semi-romantic country music end theme starts up (it's called "I Wanna Go To A Place..."), growing more upbeat as Shinn begins sobbing, and cutting to the credits just as Shinn lets loose a rather convincing scream of pure, inarticulate rage and grief. The credits are shown over a pleasant, pastoral scene apparently depicting an {{Elseworld}} where everyone in the cast is alive and together with loved ones...
** [[http://www.animelyrics.com/anime/gundamseedd/wannagotoaplace.htm The lyrics to the song]] themselves qualify as LyricalDissonance; the climax goes "Is it really okay?/It's never going to be".
** Also the climactic arc of the series was prefaced by the mind-boggling new opening song: The Earth, Wind & Fire-inspired "Wings of Words."
** Any time Shinn attacks in ''VideoGame/SuperRobotWarsK''. His BGM is ''Zips'', a light, energetic mecha opening that plays away while he goes all angsty-berserker on whatever poor sap you've sicced him on.
*** In multiple SD Gundam G Generation games (such as WARS and WORLD), when Shinn battles, his theme music is Zips. When he's in SEED-Mode (Max MP or higher), his theme music changes. This is the case for multiple characters, in fact. For Shinn, his Super-Critical BGM is "Anna ni Issho Datta no ni", a calm, beautiful love-song, which is juxtapositioned against Shinn's very angry screaming. It almost sounds agonizing. For SEED-Kira, the SEED-Mode BGM is the same as the Preview theme from SEED, while Kira talks about how he wants the war to end.
** During episode 7, the soothing "Fields of Hope" is played against footage of horrifying destruction, as [[ColonyDrop Junius Seven's fragments crash to Earth]], annihilating cities around the world. In an example of Administrivia/TropesAreNotBad, this actually proves to be one of the most powerful scenes in the series. It was purposefully done, Lacus Clyne singing it, a popular diva on the show, sings it to calm down the kids in her bombshelter.
** In Phase 41 of ''Anime/MobileSuitGundamSEED'', while Lacus and Patrick Zala were engaged in a propaganda war on the [=PLANTs=], [[spoiler: Siegel, Lacus's father, was assassinated by Zala's soldiers]], with Lacus's image song, "Mizu no Akashi", playing in the background.
** Seed Destiny also has the track "Senka no Kizuato", a triumphant, Baroque piece that plays as fanatical Blue Cosmos soldiers fire nukes at the Zaft colonies.
* ''Anime/MobileSuitGundam'' is a dark, somber series that deals with [[WarIsHell the futility of war]] and the pointless loss of life that comes with it. The opening theme, meanwhile, is a catchy pop tune with lyrics like "Fire up your soul! Fire up your soul! Fire up your soul, Gundam!" and "[[BrokenAesop Shoot them up! Shoot them up! Shoot them uuuuuuuup!]]"
** ''Soldiers of Sorrow'', which is heard during the second movie, is an upbeat piece. Too upbeat for the lyrics that go with it.
** ''Yes My Sweet'' (in the third movie) is another battle scene number, this one has a sound that is eerily reminiscent of a Beatles song.
* The Remastered [=DVDs=] of ''Anime/MobileSuitGundamWing'' manages to pull this off with the menus for discs 6, 7 and 8. The animation leading up to the menu itself features various episode clips of characters getting shot at, from Heero to Lady Une, whilst the rather upbeat ending theme, "It's Just Love", plays in the background!
** Speaking of ''Gundam Wing'', in episode 41, [[ThemeTuneCameo "Rhythm Emotion", the show's second opening theme]], is playing during the Gundam Team and White Fang's assault on Barge, ending with [[spoiler:Zechs singlehandedly destroying the space station with Epyon]]. It also happened at the end of episode 36, after Relena surrendered to Romefeller and dissolved the Sanc Kingdom, and during Heero's ZERO System-induced rampage as he destroys several mobile dolls with Epyon.
* ''Anime/MobileSuitGundam00'' has children's choir playing during the final battle between [[spoiler:Gundam Exia and 0 Gundam]].
** Then TheMovie has the final battle starting to go sour for the good guys as [[spoiler:they just lost their WaveMotionGun to ELS assimilation]]. Then an ELS craft breaks through their final defensive line... and [[spoiler:Andrei]] charges at it. The ELS starts to assimilate his mobile suit, to which he responds by [[HeroicSacrifice pushing his]] [[SuperMode Trans-Am]] [[ExplosiveOverclocking beyond the maximum safe level]]. All the while, [[https://www.youtube.com/watch?v=JMLwkjslxK0 this]] plays. It's a really intense TearJerker.
* Most if not the soundtrack ''itself'' for ''Anime/TurnAGundam'' in a meta-sense, thanks in part to Music/YokoKanno's work. With its peculiar blend of techno, pastoral, tribal and period-piece tunes, not to mention some orchestral pieces and a Disney-esque AwardBaitSong, it's at best a departure from many ''Gundam'' shows. Yet it really does a pretty good job in setting the tone of the series.
* ''Anime/MobileSuitGundamIronBloodedOrphans'': Mikazuki's fight against Carta in episode 23 is set to the usual heroic music that accompanies his fights, as he [[spoiler:systematically tears her mecha to pieces around her instead of going for his usual quick kill, leaving her injured, helpless, and delirious in her cockpit even as he continues to attack]], which comes off as less than heroic.
* ''Manga/MobileSuitGundamThunderbolt'' takes this to absurd lengths with its OVAs as Io Fleming slaughters Zeon soldiers while listening to jazz music while the Zeon "Living Dead Division" listens to catchy J-Pop music while they snipe Federation suits.
* ''Anime/AngelBeats'' loves to abuse its [[MemeticMutation ending song]] (it's called "Brave Song," and is a slow and melancholy tune about loneliness, feigning strength and reminiscing on better days), always PlayedForLaughs. Someone gets pummeled by a giant hammer? Play the ED song. [[ExplosionPropulsion Slammed into the ceiling]], [[RuleOfThree three times]]? Play the ED song.
* ''Manga/HeavensLostProperty'' uses this heavily, always PlayedForLaughs, by playing extremely serious music over scenes that are completely impossible to take seriously in the first place to make them even more ridiculous. For example, the scene commonly referred to as "Tomoki vs Panties", which essentially consists of Tomoki attempting to save Sohara from panties that explode when he (and only he) looks at them (nope, [[MakesJustAsMuchSenseInContext it doesn't make sense in context either]]) accompanied by a techno-remix of "The Final Coundown".

* One of the original ''Anime/BubblegumCrisis'' {{OVA}} episodes closes out at a graveyard, with a wide shot of many gravestones and mourners... then immediately kicks in the upbeat '80s anime pop music. Not quite putting TheFunInFuneral, but...
** ''[=BGC=]'' is a repeat offender. In fact, whenever you hear some upbeat song, something dramatic is gonna happen. Just look at the scene where Priss' friend was killed and she's gearing up for some serious ass-kicking... Despite the Knight Sabers' explicit ban on personal revenge. Other Sabers show up just in time to make it a team mission.
*** On the other hand, ''Kizudarake no Wild'', the song in question, has the almost supernaturally fitting lyrics, neatly averting LyricalDissonance. It's just that ''BGC'' in general has a preppy 80's glam rock as its main soundrack.
* ''Manga/{{Bokurano}}'''s second closing theme has a fairly upbeat sound with depressing lyrics, while the animation that goes with it depicts most of the dead or soon to be dead kids smiling, holding hands amongst the stars.
* The upbeat opening themes for ''Manga/AkuNoHana'' sound incredibly out of place, given the seriousness of the subject matter and the show's subdued tone. This was almost certainly intentional.
* In ''Anime/DivergenceEve'', the series is extremely creepy and dramatic, and sometimes the episodes end with horrible, horrible scenes... yet the end credits are an incredibly peppy J-Pop tune to pictures of the main character doing various summer activities and wearing incredibly {{Fanservice}}y outfits. It's akin to replacing the ending credits of ''Schindler's List'' with ''WesternAnimation/ThePowerpuffGirls''.
* The Soul Society arc episodes of ''Manga/{{Bleach}}'' features the main characters being stabbed, cut up and bloodied. Then the credits are fun scenes with the song "happypeople" which first shows up after Ichigo collapses at the end of his fight with Kenpachi.
** Even ''more'' jarring example from earlier in the same arc: One episode ends with [[spoiler: Momo, Captain Aizen's lieutenant, seeing Aizen's impaled corpse stuck to a building,]] and the last line in the episode is her screaming his name at the top of her lungs. Cut to the closing credits, set to a peppy, upbeat tune ("Houki Boshi"). Each of the credit reels for that song featured a different division, often one that featured somewhat noticeably in that episode, and this episode was the dead guy and the screaming person's turn.
** The 13th ending theme is the happy-sounding "Tane wo Maku Hibi", a song whose video shows Ichigo's family happily frolicking. Except that ending starts off the Hueco Mundo arc, which is one of the most violent.
** It keeps on rolling with ending 14, "Kansha.", where the singer is singing about how thankful she is for her friends, and whose video is happy. Still the same arc.
* At the end of ''Creator/OsamuTezuka's Anime/{{Metropolis}}'', Rock blows up the Ziggurat as Kenichi struggles to save the power-dizzy Tima. Music/RayCharles's version of "I Can't Stop Lovingly You" plays instead of sound effects. [[https://www.youtube.com/watch?v=vPRkU9gOKF4 This]] clip is from the Spanish dub, but it'll give you the picture.
** The original Japanese version of the film (with English Dub) can be found [[https://www.youtube.com/watch?v=Nrb3EqGEI_E here]] for those curious. It also bears mentioning that, while the mood of the song is an excellent example of the trope, the song may also be somewhat applicable under {{Lyrical Dissonance}}, as Ray Charles is cheerfully describing that he has decided to refuse to move on, and will instead live in an escapist fantasy in lieu of reality: interesting, considering that both of the antagonists in the movie are motivated primarily by a refusal to let go of people they love, but don't/can't love them back. Which only makes the final effect of the trope more pronounced.
* In another Tezuka example, the 1980s ''Anime/AstroBoy'' anime had a few moments like this. The scene where Atlas first appears after his upgrade and massacres a squad of policemen is set to a rather upbeat, almost triumphant piece of classical music, probably to symbolize Atlas' view of himself as a hero, defending robotkind from the evils of humanity.
* Variation: the non-canonical and deliberately poorly animated {{Omake}} of the ''Franchise/DotHack'' series, ''.hack//GIFT'', plays the anime's dramatic and haunting music during scenes of slap-stick comedy.

* As ''Anime/MyHime'' has an [[BaitAndSwitchCredits overly optimistic and light-hearted opening]], as well as the practice of ending nearly every episode either with a CliffHanger or at least on the most dramatic note, it just ''begs'' for Soundtrack Dissonance. Add the show's fondness for TheTeaser, and you know the drill. A character is shown to have been quite unambiguously stomped into the dirt and rolled over with a road-roller; there are multiple battles between former friends going all over the place, and there has just been an explosion somewhere. Cut to the opening credits, with its shots of the blue sky with seagulls, characters [[TheGlomp glomping]] each other and smiling, and most unbearably, the upbeat "Shining Days". Aaah!
* When Kafuka Fuura of ''Manga/SayonaraZetsubouSensei'' offers her ridiculously positive point of view on a decidedly dismal situation, the negative imagery is accompanied by her serene theme or other cheerful music. For example, her memories of her mother's demonic possession are paired with an upbeat accordion waltz.
** The first ED song is a swinging jazz/blues number with lyrics about two lovers committing group suicide.
** And then in the second season, the time when Itoshiki-sensei tries to hang himself (again, surprise surprise...) while HappyBirthdayToYou plays in the background.
** The soundtrack is pretty dissonant as a whole. The beautifully orchestrated, dramatic, tearful pieces of the soundtrack contrast heavily with the comedic, completely non-serious tone of the series itself.
* ''Manga/ElfenLied'' also has a rather upbeat ending theme and a tendency to end episodes on a CliffHanger, or at least by showing us something unpleasant, and cue upbeat j-pop song. The naked, fetal-positioned Lucy/Nyu doesn't make it any less disconcerting at all.
** [[http://www.animelyrics.com/anime/elfenlied/elbeyourgirl.htm Add the lyrics however]] and it MakesSenseInContext.
* While the openings and endings in ''Manga/DeathNote'' fit the mood of the series, a clear example of Soundtrack Dissonance appears in one episode, where Misa walks through Tokyo singing gently about God watching over everyone with continuous shots of people dying from her writing their names down.

* {{Downer Ending}}s sometimes get a separate EndingTheme just to avoid this, but when they don't... Well, if knowing about the upcoming sequel series didn't spoil the effect of ''Anime/FutariWaPrettyCure'''s DownerEnding for you, the sudden cut to "LET'S GO! GET YOU! L! O! V! E! LOVE! LOVE! GET YOU!" probably did.
** ''Anime/YesPrettyCure5'''s BittersweetEnding suffered in exactly the same way.
** In ''Anime/FreshPrettyCure'', during episode 20 [[spoiler:after winning the second battle against Eas's Nakisakebe, the girls faint from the exhertion of the battle and dance training finally taking a toll on them. The episode ends with them being taken to the hospital]]. Cue the fluffy, upbeat ending theme "You Make me Happy".
** In fact, ''every single Franchise/PrettyCure EndingTheme ever'', not counting the movie ones, is light-hearted, cheerful and happy-go-lucky, thus ruining the mood whenever a season reaches its climax or an episode ends on a depressing tone. The fact that nowadays all the endings are {{Dancing Theme}}s does not help matters.
*** Not counting the movie ones? Then, you haven't seen ''Anime/PrettyCureAllStars DX 3'', where the movie's ending theme, "Arigatou ga Ippai", begins playing ''while showing the powerless Pretty Cure crying because of everything they lost'' (until the post-credits).
* The light, happy bubblegum J-pop tune "Ai no Tenshi" underscores the gruesome carnage in ''Anime/PerfectBlue''.
* ''Anime/CodeGeass'' averts this for most of the run, with ED songs from Ali Project.
** In the Second battle of Tokyo, in Episode 18 of Season 2, they used strangely peaceful piano music. It is also used in Episode 23 when Lelouch explodes a volcano, and when he faces Nunnally in the final chapter.
** It seems to fall into it at the season finale, where they play the peppy, upbeat original opening theme as an ending, but the director has said that the song is meant to be encouraging for the protagonist. Additionally, [[TheStinger after the credits]] is a scene where the MysteriousWaif gives a hopeful soliloquy as an insert song that matches her mood plays in the background.
*** Season 2's final opening theme ("World End") might seem like this - it's an upbeat song about finding hope when everything seems hopeless and how it's always darkest before the dawn, to use a cliche. The lyrics start out somber and powerless, but then get hopeful just before the one English line, "Everything is bright". The last line in the TV size is "The light that is born at the end of the world becomes one with us now, in the wind." It foreshadows the hope and peace that come in the end.
*** The director seems to be aware of this much, implying in the single's booklet that he intentionally wanted to make the characters smile in the opening, at least, even if they were facing a troubled, sad fate.
** In the GrandFinale for R2, [[spoiler:when Lelouch dies, possibly some of the happiest, prettiest music in the series plays as his little sister begs for him to open his eyes, then cries over his dead body. It does then fade into the happy, peaceful WhereAreTheyNow epilogue, which it fits, though.]]
* In the fourth ''LightNovel/TheGardenOfSinners'' movie, Shiki is attacked in the hospital by a living corpse while Mikiya softly sings [[https://www.youtube.com/watch?v=GUgHR9X6qnA Singing in the Rain]]. Is also GratuitousEnglish.
** In the 5th movie ''Paradox Spiral'', Cornelius Alba hums Ode to Joy from Beethoven's 9th Symphony as Mikiya runs from him.

* In ''Anime/CowboyBebop'', the seamless blending of Jazz and sci-fi action-drama elements was the entire premise of the anime.
** Special mention to the serene vocal ballad ([=ELM=]) played during the speedboat/spaceship chase at the end of Ganymede Elegy.
** Then there is the Ave Maria recording snug by opera singer Jerzy Knetig in "Ballad of Fallen Angels". Faye Valentine attends a live performance, being invited by a mysterious gentleman. Turns out the gentleman is Vicious and to add insult to injury, the guy who actually bought the tickets is in their same opera box, rigor mortis setting in.
* In ''Anime/WelcomeToTheNHK'', the main character goes on a wild, disturbing hallucinatory fantasy with his neighbor blasting a sickeningly cute anime theme song in the background. Eventually the vocals alone accompany his visions, with an effect similar to an IronicNurseryRhyme.
* Neither of TheNineties ''Franchise/SailorMoon'''s opening songs go well with the seasons' final episodes, which are always dark. Especially disturbing in episodes that have a recap of some dramatic event [[TheTeaser before the opening sequence]]. Eyecatchers also provide a similar effect, particularly in ''Sailor Stars''.
** In fact, many MagicalGirl anime series with typical love-themed soundtracks suffer from this when it comes to the multi-episode final fights. ''Manga/TokyoMewMew'', with its two extremely cheerful theme songs, is a good example. ''Manga/{{Pretear}}'', while cutting the opening theme in the final two episodes, keeps the ending -- in episode 12, it comes up right after [[spoiler:Sasame sacrifices himself to save Takako]], and though it is slower than the opening, it still doesn't fit the mood.
** ''Sailor Moon'' really suffers from this during the final battle against Metallia/Beryl at the end of its first season. [[spoiler: Sailor Moon is in the Arctic, all alone, ready to face her. Her friends have all been killed. Mamoru's died right in front of her. All she has is the Moon Stick. Metallia blasts her, and she emerges from a pillar of ice as Princess Serenity, and shit gets real as they clash. It looks hopeless until Serenity begs her fallen friends for aid, remembering each of them.]] All of this is set to the twinkly "Moonlight Densetsu" in the original and VIZ dub. In fact, quite a few fans have mentioned that they feel this is one scene the [=DiC=] dub actually did well on, replacing that song with the more energetic and intense "Carry On".
* ''Anime/BlackLagoon'' puts "The World of Midnight", a beautifully sung ballade, right on top of the fade-out of a scene where [[spoiler:a very creepy young boy has just bled to death on the ground after having had his hand shot off as punishment for angering the most powerful and ruthless woman in the whole city]]. The song is reused during the ending credits just after [[spoiler:his sister is shot in the head on-screen, killing her in an an almost as gruesome a manner, for exactly the same reason: pissing off the woman they should've NOT upset.]]. The fact doesn't get better by the fact that, considering just how [[FreudianExcuse badly they had been messed]] up by what [[HarmfulToMinors they had lived through]], this was probably the best thing that could happen to them.
** And then they use it again for Balalaika's s backstory! Meaning, for the episode that explains how [[spoiler: the person who arranged for the {{creepy child}}ren's aforementioned messy deaths]] became the person [[spoiler: she]] is in the series.
* The [[{{Macekre}} English dub]] of ''Anime/YuGiOhGX'' suffers from this with its opening theme. The happy rock song about school and card games may have worked in the first season, but in the third season when characters are trapped in another world and are [[NeverSayDie 'being sent to the stars']] almost every episode, the opening jars ''so'' much.
** There is also the Fourth Season duel between Yami and Weevil (Haga in the Japanese version) where heroic music starts playing as Yami wins. One problem. Yami is using his monster to [[NoHoldsBarredBeatdown beat the everlasting shit]] out of Weevil again and again even after Weevil's life points have hit zero in revenge for an '''horrifyingly''' cruel prank that involved Weevil pretending to have Yugi's soul card, then ripping it in front of Yami's eyes; seeing as how Yami was [[MyGodWhatHaveIDone directly responsible for losing Yugi's soul]], in the first place, Weevil's 'prank' quite understandably drives the guilt-wracked Yami absolutely berserk with rage.
** Similar to the GX example above, most of the Japanese ending themes for ''Anime/YuGiOhArcV'' are extremely upbeat and positive, usually featuring the protagonists have fun or relaxing with each other. The actual show is notoriously angsty and dark, even by this franchise's standards. Often, every few episodes will end with something tragic (like a character dying, someone revealing their tragic past, Yuya confronting the realities of war or losing a friend) will immediately be followed with a peppy theme tune about teamwork, never giving up, and having fun.
* ''Manga/ShadowStar'' has one of the more unsettling instances of this trope in the opening. The song is an upbeat tune, played to a variety of images that looked drawn by little kids. [[https://www.youtube.com/watch?v=SIF5BLyh3Mk It seems cute enough]]. Then watch the first few episodes. The cute opening suddenly becomes a major point of MoodWhiplash...
** You think comparing the OP to the ''first'' few episodes is bad? Try comparing it to the ''last'' few, which place such events as Hiroko's kidnapping into frightening context. Or even worse, compare the OP to later volumes of the original manga...
** That only goes for the tune and images, though. The lyrics to the song seem to be about someone waiting for a person who will never come -- how that relates to the series' story is up to the audience, but it's a far cry from cheery.
*** The cutesy OP actually drops some hints about how dark the series actually is, though admittedly you have to look up close. [[spoiler: At one point an adorable-looking chibi Hiroko is grabbed by a bunch of equally cutesy chibi girls and dragged off screen, and it's implied she gets beaten up by them. These girls? The bullies that totally break her and lead her to '''massively''' snap at the end of the series.]]
* ''Manga/SteamDetectives'' has ''Amazing Grace'' play during particularly poignant scenes where somebody [[DisneyVillainDeath falls from a high place]], [[FamousLastWords speaks their last]], or [[ClimbingClimax an epic fight at the top of someplace high]].
* Nearly every song in every ''Anime/{{Macross}}'' series has to do with love somehow, and are often used as backdrops and/or weapons in combat:
** In ''Anime/SuperDimensionFortressMacross''[='s=] movie adaptation, ''Anime/MacrossDoYouRememberLove'', [[https://www.youtube.com/watch?v=Gzn5VWKg7lY the entire final battle]] is set to the titular song, a soft and melodic love ballad supposedly taken from the ruins of a Protoculture outpost discovered by the ''Macross''. It is one of the most iconic scenes in anime history, contrasting the message of the song with images of space warfare, [[MacrossMissileMassacre swarms of beams and missiles]] flying everywhere, and, more particularly, Hikaru's final assault into Boddol Zer's inner sanctum. On the one hand, all of this drives home how the allied forces are fighting for the survival of "culture" --that is, the unique feelings and emotions that can create such a song in the first place-- but then the audience is treated to a man being beheaded messily and graphically by falling debris, and the dissonance sets in.
** Some of the scramble/launch batttle themes sound like excerpts from a fusion jazz jam session.
** ''Anime/MacrossFrontier'' also uses the titular song from ''DYRL?'' in slow ballad form -- [[https://www.youtube.com/watch?v=xKiu30uKR7s for an inverted purpose]]. [[spoiler:Later in the battle after Ranka is freed]], the song comes up again in quick form as one of the many mixed with "Lion".
* The 12th opening of ''Manga/OnePiece'' sounds more like something one would hear from a bubbly high school romance/comedy than an epic adventure show. Even more jarring is the fact that the arc it's played for is about [[spoiler:Luffy infiltrating a prison to save his brother from execution. This is the beginning of an arc that ''brutally'' subverts the long-standing principle that [[DeathIsCheap nobody will be killed off outside of flashbacks]].]]
** "Ave Maria" is played during the TearJerker scene where Chopper's father-figure Hiruluk commits suicide-by-self-explosion.
* In one of the last episodes of ''Manga/BlackCat'', Saya's song is played over [[spoiler:scenes of Creed being abused as a child.]]
** Also the first ending theme.
* ''Manga/SgtFrog'' subverts this with most of its opening and ending songs. While they may sound like martial anthems and typical shounen pop, the lyrics are usually about failing at household chores and being lazy. The sheer upbeat attitude shoots it right into MundaneMadeAwesome.
** An even weirder variation of this occurs at the start of episode 37; when Kogoro's sister is attempting to hand out fliers, the background music is "Jingle Bells", for no reason whatsoever. (No, it isn't a ChristmasEpisode.)
* Averted in ''Anime/FullMetalAlchemist''. Most of the songs attached to the ending credits are really cheery. When [[spoiler:Maes Hughes]] dies, his funeral and the appropriate dirge are played instead.
** Played straight after [[spoiler: Nina's]] death. The ending music is the same, the images however changed to show the dead character being cute and adorable.
*** The new animation, however, manages to make the upbeat music seem rather poignant.
** There is ''Bratja'' though. This beautiful quiet music, whose lyrics are partly sung by a choral of children, is almost always played during a scene of massive destruction. But the lyrics (in Russian) are completely in harmony with the events of the anime.
*** Better; the lyrics are about the anime. A rare occurance for the media.
** Also played straight with [[spoiler: Martel's death and the reveal that Bradley is Pride]]. After that nerve-wracking ending, we then cut to the end credits with images of Winry acting cute.
** Also hilariously invoked in ''Manga/FullmetalAlchemist: Brotherhood'' when [[https://www.youtube.com/watch?v=Obmd6Z0K3mg Battle Scherzo]] plays in the background when the Armstrong siblings [[HamToHamCombat battle each other]] for ''inheritance rights''.
** A non-humorous example is when [[spoiler: Ed confirms that their failed human transmutation was in fact ''not'' of their mother. Al then breaks down in relief, as he'd always blamed himself for what happened and felt they'd brought back their mom only to have her die again in agony, which in turn relieves him of this burden]]. The scene itself is very emotional and poignant, but the music playing sounds particular dark and ominous which clashes with it.
* In ''Anime/TengenToppaGurrenLagann'' [[spoiler:Kamina's death]] at the end of episode eight suddenly cuts to the quite upbeat closing song.
** Made even worse by what Simon says: [[spoiler: "That day, we lost something that could never be replaced." ManlyTears are flowing and, CUE J-POP]]
** And the [[spoiler:BittersweetEnding]] of the whole series cuts to the ''ever more'' upbeat second closing song. [[spoiler:Luckily, the DistantFinale had much more fitting music]].
* ''Manga/DetectiveConan'' likes to occasionally end episodes with people sobbing with regret for their actions... and then launches right into the lighthearted rock ending song.
* Arguably, the second ''LightNovel/StrawberryPanic'' ED. Just as the series is taking a turn for the dramatic the original ED is replaced by a very happy go lucky song filled with LesYay overtones in which the singers are two dimensional paper dolls in several colourful settings. At one point the contrast is nothing short of appalling, after Nagisa breaks down crying in a very emotional moment the episode comes to an end with her sobbing and then [[https://www.youtube.com/watch?v=fKqYdEab234 Extreme Sugariness follows]].
* ''Anime/{{Simoun}}'' has a light-hearted accordion piece that likes to play every single time that the titular lesbian-powered airplanes draw a particularly effective Ri Maajon in the sky. This normally wouldn't be so bad except that, since they're at war, the prayers are usually "[[StuffBlowingUp BLOW THE STUFF UP NOW]]." Also, they played it when one of the main characters (a teenager girl) is busy ''[[spoiler:cutting the cold dead fingers of an enemy pilot loose from her simoun, which he had died trying to hijack]]''[[spoiler:. He even apologized to them beforehand, and was shown to have a sympathetic background. The main character got blood in her eye and yelled at her even younger partner to hide while she was cutting the dude's fingers off.]]
* The ''Anime/StarshipTroopers'' OVA mixes peppy, cheesy 80's music with two separate bar brawls, amongst other things.
* The opening song of ''Anime/XamdLostMemories'' involves a heavy rock song descriptively titled "Shut up and Explode" accompanying many explosions, while implying that the series is all about fighting monsters with the power of xam'd. The series itself is pretty melancholy, and focuses much more on setting and characters than combat.
* In ''Anime/DarkerThanBlack'', the "Now I've lost it I know I can kill" intro generally fits the show, despite the intentional irony in the lyrics.. But after sitting through an episode of the usual [=DtB=] action, the calm, relaxing, romantic closing song that plays as the credits scroll over a picture of Yin sitting in a field of flowers make it seem more like a minefield.
* ''LightNovel/ScrappedPrincess'' keeps the same upbeat sound for the commercial break bumpers as the series itself becomes more and more serious/dramatic. For that matter, its opening theme is a cheery little song about hope. It plays over a montage of the main characters fleeing their home as it is [[DoomedHometown burned by the army trying to kill Pacifica]].
* In its original version, the first ''Anime/{{Digimon|Adventure}}'' movie set a fight scene between {{kaiju}} to the tune of [[https://www.youtube.com/watch?v=89ryiqHfwu8 Bolero]], a ballet piece.
** The same piece plays throughout nearly the entirety of episode 35 - aka the one where Vamdemon (Myotismon) unleashes his isolating fog and begins having his minions openly attack and round up ordinary, terrified people.
** [[https://www.youtube.com/watch?v=DYrlSjQyrzY Hey Digimon]], if you watched the second part of the first season of Digimon, I don't need to go on. For those who haven't, this song plays at the ending, where it fit as a 'what good times we had', and when a hero's digimon get the upper hand, where it come off as jarring as it lack the bite for a fight song. It’s also a bit egregious as it plays during both times Myotismon is killed, where it doesn’t quite fit a major villain getting his commupance.
** Most of the choices of Dub Songs in Digimon the Movie, such as Music/BarenakedLadies and Music/LessThanJake?
* The opening theme of ''Manga/{{Mahoromatic}}'' has your sweet music and female vocalist typical of a {{seinen}} series. The dissonance comes when it intersperses scenes of ''chibi'' Mahoro doing maid stuff and cast shots of her happy friends, with scenes of her dodging missiles and blasting stuff [[SmallGirlBigGun with her]] [[{{BFG}} big fraggin' pistol]].
* ''VisualNovel/ToukaGettan'', episode 3. [[spoiler: [[GenderBender Touka]] [[ParentalIncest having sex]] with Yumiko, his mother. With a cheery salsa tune as background music.]]
* ''Anime/{{Pokemon}}'':
** The anime has this in its ending credits for the [[Anime/PokemonTheRiseOfDarkrai tenth movie]]. The Japanese ending, rather than the typical J-pop used in the series, is a ''love ballad'' in the style of "My Heart Will Go On" from Titanic, over a cheery ending montage. This is extremely odd, especially given that EverybodyLives, and thus the only couple the song applies to are of [[InterspeciesRomance different species]], if the internet is to be believed.
*** Immediately before that, the music that plays when [[spoiler: Darkrai turns out to be alive]] is strangely ominous for what's clearly supposed to be a happy scene.
** The English dub of [[Anime/PokemonTheFirstMovie the first movie]] has the Blessed Union of Souls' "Brother My Brother" play while the regular and clone Pokémon are fighting each other to the death. While the lyrics are somewhat fitting as they tie in to the movie's message and the idea that the Pokémon fighting their clones is tragic (especially Pikachu's refusal to fight his clone), the light, undramatic tone of the song is rather unfitting.
*** Despite the film's dark and troubling themes and near-constant violence during the third act, the dub's soundtrack is made up almost exclusively of late-'90s bubblegum pop, whereas industrial rock or nu-metal, which were readily available at the time, would arguably have fit much better. (To be fair, though, most of the songs were present only in the credits, after the story had lightened up, and too much distortion and angst might have scared younger viewers.)
*** Averted with [[Anime/MewtwoStrikesBackEvolution the 2019 remake]] which keeps the original Japanese soundtrack and replaces the ending theme with [[https://www.youtube.com/watch?v=n3ykA1ZUC1Y a more fitting song]].
** The dub adds an energetic song. Dawn appears on-screen in a pretty dress, releasing her Piplup and Buneary. All as we hear "-AS YOU FIGHT FOR SURVIVAL! NOTHING CAN STOP YOU! DIAMOND AND PEARL!"
** This also happens in the eleventh dub opening. The main villains, Team Rocket, look forward and smile to the camera, then all of their Pokémon jump over them smiling and filled with joy, all while the the lyrics "''Forever friends! You and I!''" are sung.
** The Gen IV saga did this a few times, playing absurdly epic and dramatic music as the backdrop for chasing Pachirisu around for several minutes, or Team Rocket's evolution machine sputtering out repeatedly.
** The Gen VI is even worse on this subject. Dramatic but serious moments have happy upbeat music, the musical background just keeps going on and on without fitting the mood, and next to never do these unfitting music tracks are cut when something drastic occurs. The dubbing company has gone on to say they can't really afford to use the Japanese tracks, despite how they are able to use the Japanese Team Rocket theme.
*** Perhaps the worst use of this kind of music is when Ash loses the Kalos League. What should be a tragic and disappointing moment for him... instead has triumphant music playing in the background, as if to congratulate his opponent Alain.
* ''Manga/TowardTheTerra'' features this with its first ending, a hopeful ballad with a gentle piano introduction based on Pachelbel's Canon. This part is played over traumatic final scenes several times. Special points go to episode nine, which plays it over an alternate end credits sequence just to rub it in further.
* Even the ''Manga/{{Dragonball}}'' series is victim to this, something tense or actiony happens, and in some cases some dies right before the end credits, and when the episode ends on a sad note, the lighthearted endings [[https://www.youtube.com/watch?v=7jMp4PxcwbA&feature=related of the]] [[https://www.youtube.com/watch?v=EF0zWmWjvo0 three]] [[https://www.youtube.com/watch?v=IobtVL8rv5o respective series]] [[https://www.youtube.com/watch?v=L_V9gJFrSek play]] [[https://www.youtube.com/watch?v=jJaf3XCmWog after]] [[https://www.youtube.com/watch?v=KSpjNDZjR6o the]] [[https://www.youtube.com/watch?v=aNQULDb0EIU episode ends]]
** [[https://www.youtube.com/watch?v=dZ1NcxAZUYk The French intro]] for ''Anime/DragonBallZ'' tries to sound incredibly upbeat and sweet, as their dub attempted to recut the series into a lighthearted young children's cartoon, which didn't keep the editors from inserting shots of battered, bleeding people into the song. Adding to the dissonance is that, while many, many questionable shots were indeed cut, the French edit still remained a very violent and intense series.
** The western releases of ''Anime/DragonBallZ'' [[https://www.youtube.com/watch?v=KaH23Gh8TBs take this]] to the [[https://www.youtube.com/watch?v=TuFd5a_XLhc other extreme]]. If you based your knowledge of the series based off of those intros (especially the latter) you'd probably come away thinking that it was the edgiest, most self-serious show in existence, when in reality, it was still frequently very silly and lighthearted. Imagine seeing that intro followed by half an hour of [[{{Filler}} Goku and Piccolo learning how to drive.]]
*** It's even worse with the NonSerialMovie's, which have a ton of horribly unfitting, extremely loud rock music.
* [[https://www.youtube.com/watch?v=SqBEeEmhzKM And this happens]] [[https://www.youtube.com/watch?v=d-mJb41-opw&feature=related numerous times]] [[https://www.youtube.com/watch?v=TBSX6Qqawi0&feature=related in]] ''Manga/MagicKnightRayearth''

* In ''LightNovel/{{Toradora}}'', what song is playing after [[spoiler:Taiga cries as she realizes she loves Ryuji, who she just sent to be with her friend, said friend seeing this and deciding she couldn't have him either and then rejecting Ryuji while Ami is left unable to express herself, leaving all four miserable and alone on ''Christmas'']]? A happy Christmas song about togetherness and not being lonely.
* ''Anime/BrigadoonMarinAndMelan'' has a very upbeat, cheery outro, but a fair number of the episodes end on heart-wrenching cliffhangers. This can be rather disorienting, especially towards the end of the series when [[spoiler:many of the characters have either been brainwashed, killed off, or brutally beaten]]. The final episode, thankfully, has a different and very appropriate ending theme.
* ''Anime/LesMiserablesShojoCosette'', the anime version of ''Literature/{{Les Miserables}}'' has the dramatic deaths of Les Amis d'ABC at the barricade set to a sparkly J-popish song.
* In any given episode, there's about a 50/50 chance that ''Manga/{{Guyver}}'''s [[https://www.youtube.com/watch?v=q5jksViCsg4 relaxing end theme]] will be playing moments after a bloody dismemberment.
* The ending theme of ''Manga/{{Trigun}}'' is slow and methodical, and fits the shown scene of Vash walking what appears to be the desert ruins of a town... but then it falls into this when the rest of the images are all innocuous things like Vash eating lunch. Interestingly, the version that aired on Creator/AdultSwim avoided this by editing it so that only the appropriate initial image is shown in a continuous loop.
** There were also scenes near the series' end that depicted numerous dead bodies overlayed with a pleasant-sounding slide guitar riff
* The opening song to ''[[LightNovel/BludgeoningAngelDokuroChan Bokusatsu Tenshi Dokuro Chan]]'' fits this to a T. A little girl singing gleefully with images of her torturing a young boy various ways playing throughout.
* [[https://www.youtube.com/watch?v=V4exBns5Lzc&fmt=18 The theme song for]] ''Anime/HellGirl''. Ignoring the dark introduction, would you believe this is a show about condemning people to hell?
* All of the ''Manga/{{Hellsing}}'' {{OVA}}s have different ending themes. After OVA 4, right after the viewer is treated to the... ahem, ''pleasant'' sight of Alucard devouring Rip Van Winkle '''alive''', we are treated to [[https://www.youtube.com/watch?v=XvK6CN-le_o this]] ending theme. To be fair, that ending theme was actually, Dad Englandied, which was that infamous Nazi propaganda song back in WWII.
** On the subject of Rip van Winkle, there's also a bit where she [[https://www.youtube.com/watch?v=Lz8A6f4r2do merrily sings opera while the crew of the ''Invincible'' are being slaughtered and turned into ghouls.]]
** The incredibly dull song playing during Integra's exciting car chase scene. Despite it being a tense, thrilling scene, the music in the background sounds more like something you'd hear during an ordinary conference meeting scene.
** If you wanna talk about ''Hellsing'', let us gleefully recall the {{Anime}} series: Its groovy, English opening that no one can understand, and its English ending...played by ''Mr. Big''. This is a show about vampires, twisted relationships, gore, and a CombatSadomasochist who [[PaedoHunt likes girls]]; I ''highly'' doubt a romantic, upbeat ending them about how much you 'shine on me' is appropriate.
** Invoked in-universe in ''WebVideo/HellsingUltimateAbridged'' where Millennium is about to begin their attack on London. The Major reveals that a poll was taken by the battalion to decide what song they would slaughter the people of London to, and the song was chosen for "ironic reasons. The best reasons." What was that song? [[spoiler:War by Edwin Starr]]
--->'''The Major:''' [[spoiler:Induction, then destruction! NOW WHO WANTS TO DIE?!]]
* In ''Anime/SwordOfTheStranger'', the scenes where things seem the most hopeless are the ones accompanied by the most triumphant music, which has the interesting effect of preluding whatever badass thing the hero is about to pull to make things right again.
* ''Anime/RevolutionaryGirlUtena'' makes use of these fairly often, sometimes dramatic, sometimes...um, surreal. For instance, the soundtrack becomes beautiful opera--while in the foreground [[BalefulPolymorph cow-Nanami]] charges at a red sweater held by Utena. Yeah, it's [[BizarroEpisode that kind of episode]].
** The duel songs are especially offensive about this. Upbeat music about death and deceptive things. The crown could probably be held by Mikage's I Am an Imaginary Living Body and Touga's Allegory Allegorier Allegoriest.
* ''Manga/AlienNine'', most prominently with the [[BaitAndSwitchCredits bright, upbeat opening theme]].
* ''VisualNovel/UminekoWhenTheyCry'' has some of the absolute most beautiful soundtrack in all of anime. However, that means that you have songs like [[https://www.youtube.com/watch?v=0J5LF2Udf20 this]] playing during scenes with so much horror and {{Gorn}} that the Japanese TV networks had to ''censor'' them. Other examples go from [[https://www.youtube.com/watch?v=NuRRe1moVhY epic]] to [[https://www.youtube.com/watch?v=raxEmANPTVc scary]], [[https://www.youtube.com/watch?v=tICKoZ18zHk epic]] to [[https://www.youtube.com/watch?v=MXxcPtTlYQQ ominous]], and both [[https://www.youtube.com/watch?v=ZWV8pNKo86Q emotional, desperate action]] and [[https://www.youtube.com/watch?v=xiHA7Aw2GiE tearjerking]] to [[https://www.youtube.com/watch?v=KZ9D05ll2Rw dark, haunting action]]. The scenes tend to completely lose their effect accordingly.
* Episode 24 of ''Anime/{{Planetes}}'' take the "episode's ending clashes with sudden shift to closing song": [[spoiler:Tanabe is on the surface of the moon trying to carry Claire with her to safety, even after her knees start to experience immense pain, [[LoveFreak sure that something she's for someone else has to end well]]. However, her air starts running out when she's still 10km from a nearby city, but she refuses to take Claire's oxygen, even though Claire says she wants to die to redeem herself. [[BreakTheCutie But as she begins suffocating to death, every painful memory of people's lives cut short in spite of her beliefs flash before her eyes, and she really seems ready to take the life for her own]]. She desperately starts taking out Claire's oxygen tank]]--[[https://www.youtube.com/watch?v=rP1sCIFj_1w WONDERFUL LIFE]] [[VideoGame/SuperRobotWars HIJACK!]]
* ''LightNovel/FullMetalPanic : The Second Raid''. While Yui-Lan is going berserk on some rebels, Gates is singing Ave Maria. Ave Maria with screams and machine gun fire in the background.
* ''Anime/TokyoMagnitude8'':
** It dumps the overly cheery J-pop number "M/elody" into the end of each of its episodes. While about 50% end on cliffhangers, and it's a [[DisasterMovie Disaster Series]], causing a major case of this in several places.
** The opening theme for ''8.0'' ("Kimi no Uta") gives the feeling of a shounen adventure series more so than a serious and dramatic survival story.
* In ''VisualNovel/{{CLANNAD}}'', think of any episode that ends even somewhat dramatically or sad. Cue the {{Tastes Like Diabetes}} Dango Daikazoku. "Dango, Dango, Dango, Dango..."
** Even worse in ''After Story'', where some [[TearJerker unbelievably sad moments]] cut directly to a really bouncy and upbeat song with footage of a young girl skipping happily.

* ''Manga/FushigiYuugi'' episode 2 ends with the emperor making a dramatic announcement to the court; not a downer like some of the above examples, but certainly a solemn moment. Cue the ending music, with such perfect timing that it sounds like the court are throwing a celebratory disco.
* [[https://www.youtube.com/watch?v=xmbW6WXLeW4 This]] trailer for the movie ''Anime/{{Redline}}.'' Because when I hear a quiet love song, I think of fast-cut scenes of racing where veins bulge out of the drivers' eyes.
* ''Manga/SoulEater'' has the Asura resurrection arc episodes conclude with the happy, cute second ending theme 'Style' about wanting to be a child again. Unfortunately the children in this context are getting the crap kicked out of them by a pissed-off Eldritch Abomination. Although it ''does'' allow for the adorable Maka and Crona version in ep22.

* ''{{Manga/Monster}}'' has this in one scene where the series' BigBad, Johan Liebert, goes to the house of a "friend" who he got to start killing for him (maybe through {{manipulati|veBastard}}on). The "friend" asks who Johan wants him to kill next and Johan points at himself insisting that he, "woke up from the dream." It's later made clear that this is part of his plan to [[spoiler:commit the perfect suicide]] and then, while incredibly peaceful music is playing, he casually shoots the other guy in the face, mixed with his own trademark DissonantSerenity.
** The dissonance goes further than that - the song is actually Johan's leitmotif whenever he does or says something revealing about himself or his past. It also ties in somewhat with Schuwald's description of Johan as a man "at perfect peace with himself."

* The music played over the end credits of ''Anime/RingingBell'' is a happy tune played over a cheerful pasture of sheep.
* ''{{Manga/Berserk}}'''s ending theme, "Waiting So Long" by SILVERFINS, is a catchy song composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: the lead man screaming and crying in agony in a pool of his blood at the sight of his lover getting raped to insanity by his best friend-turned demon]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.
* ''Manga/{{Pretear}}'' has this effect when the happy upbeat ending theme is playing after a really dark episode. Thankfully, near the end of the show they drop the opening theme altogether though the ending theme is still there. It's really apparent when watched on DVD which jumps right to the next episode: 'here have an uplifting happy song, and oh yeah, people are dead.'
* ''Manga/DeadmanWonderland'' is a very violent anime about people in prison who compete in deadly games in order to survive, plus the people with blood powers who are forced to slaughter each other for the amusement for the rich. The ending is a happy sounding J-Pop song showing all the characters having good times. At the end of every episode. Usually after watching something really gory happens. Yeah!
* Used in a couple different ways in ''Anime/PuellaMagiMadokaMagica''. Firstly there's the cheery opening theme, which is also an example of LyricalDissonance. They continue to use it even as the show gets darker and darker, and then it's used at the ''end'' of episode ten, [[spoiler:and the placement leads the viewer to realize that the song is about ''Homura'', which makes it a ''massive'' TearJerker]] Although this does get subverted, [[spoiler:when it plays at the end of episode twelve, where it takes on a much less tragic context.]]
** The other notable example takes place during [[spoiler:Kyoko's fight with Sayaka's witch form]], while soothing violin music plays.
** Happens again in ''Anime/PuellaMagiMadokaMagicaTheMovieRebellion''. The movie ends on the very sour note of [[spoiler:Homura becoming a demon to steal Madoka's powers and keep her safe,]] then cuts to the upbeat [[https://soundcloud.com/haavidz-ralp-innocence/kimi-no-gin-niwa Kimi no Gin no Niwa]] for the credits. It makes sense considering what the lyrics mean though, and could count as [[spoiler:Homura's]] VillainSong

* ''Manga/BlastOfTempest'', a show with large helpings of death, angst, and ''Theatre/{{Hamlet}}'' references, inexplicably has a cutesy ending theme and video that looks like it was pulled straight from a [[LighterAndSofter peaceful and heartwarming]] SliceOfLife show.

* ''Anime/PsychoPass'' uses the usual Music/OdeToJoy, divided in three different episodes, no less, while crazies talk to each other about horrible crimes described in painstaking detail.
** In Episode 20, [[spoiler:the gentle ED song "All Alone With You" by Music/SuperCell plays while Makishima walks into an agriculture lab poised to take out much of Japan's food supply with a supervirus. And he uses a murdered scientists eyeballs and fingers to pass the biometric scans, to boot.]]
* ''Anime/GargantiaOnTheVerdurousPlanet'' was written by [[Creator/GenUrobuchi the same guy]] as ''Anime/PsychoPass'' and ''Anime/PuellaMagiMadokaMagica'' above (though in this case, he's just the script supervisor). At the end of Episode 6, the beautiful, calming EndingSong by ChoChou comes just after our hair-triggered former ChildSoldier is starting to settle into peaceful civilian life...[[spoiler:when it turns out that his lifelong enemies, which he thought were back in deep space, are in fact living on Earth]]. In subsequent episodes the OceanWorld barge fleet that took him on splits up over disagreements on how to deal with them and over treasure guarded by [[spoiler:the enemies]] on the ocean floor, and then comes the AwfulTruth at the end of Episode 9, and the dissonance of the ED is downright heartbreaking. It also doesn't help how the video shows our cheery leading lady windsurfing with an effervescent smile, while she spends much of the previous three episodes in tears.
* One ''Anime/GraveOfTheFireflies'' trailer plays melancholy Italian opera music over a scene of American planes firebombing a Japanese village.
* The first six episode of ''Anime/SamuraiFlamenco'' are basically SliceOfLife stories about a guy who wants to be a superhero, and contain an upbeat, catchy [[DoItYourselfThemeTune Do It Yourself Ending]] sung by the show's three female leads. Then comes episode 7, which keeps said catchy pop ending despite [[spoiler: marking a MASSIVE GenreShift into a full-on {{superhero}} story, complete with an [[ShockingSwerve uncharacteristically dark and bloody climax]]]].
* ''Manga/TheRoseOfVersailles'' provides an example in the various dubs. Where the [[https://www.youtube.com/watch?v=TJhhVqaSPRk original opening]] and the soundtrack are appropriate to an anime telling the tragic story of Marie Antoinette, dub versions tend to have cheerful and happy songs, with the [[https://www.youtube.com/watch?v=sJJwr8tGjIY French one]] being one of the perkiest[[note]]Sort of {{Justified}} with FridgeLogic: the anime switches the focus on Oscar, who is an officer who ultimately sided with the Revolution and gave her life to help the Storming of the Bastille. To a Frenchman who didn't watch the actual series or didn't read the original manga, this actually sounds happy (and the opening is actually centered on that).
* ''Anime/EurekaSeven'' has the final opening, which, while awesome as hell, seems quite weird with its Opera "Amazing Grace" intro... And that's during the most epic and mind-screwy part of the series.

* Episode 20 of ''Anime/OutlawStar'' features [[https://www.youtube.com/watch?v=th2GuqIevXI this very solemn harmonica track]] over an intense spaceship battle. [[spoiler: This may have something to do with the fact that Jim is unwittingly fighting the girl he has a crush on.]]
* ''Manga/{{Saki}}'', as well as Achiga-hen and Zenkoku-hen, take steps to avert this trope. There's usually at least two ending themes per season, one more upbeat song (two for the original series) that features SuperDeformed cast members playing around and cheerful lyrics that make references to mahjong, and a more serious song that features the characters shown normally. The latter ones are played on episodes that end on a relatively serious note.
[[/note]]
* Although, not in the show, Webcomic/HetaliaAxisPowers has some rather dark and depressing character songs, [[https://www.youtube.com/watch?v=7tKCF1Zy3RQ especially Russia's]]
* ''Anime/LuckyStar'' has this Mexican-style guitar-and-trumpet song that plays at two different points during the anime. First, is during dinner at the beach (episode 6). Okay, so they were at least at a beach, but the second time, [[FridgeLogic even more randomly]], is when the girls are checking their class rosters in episode 15. It makes sense that both moments are upbeat, but it's not like anyone ever does visit Mexico (or anywhere else outside Japan, for that matter).
* A lot of hardcore themed ''{{Hentai}}'' have upbeat, happy [[JapanesePopMusic JPop music]], especially the ones that are about high school girls. After the horrific episode, which usually results in the female cast being [[BreakTheCutie completely broken]], the out of place ending credits music comes in.
* ''Manga/FairyTail'': Every episode ends with the credits music starting up a bit before the the ending credits actually start rolling. Considering that episodes tend to end on cliffhangers, this results in some...''interesting'' scenes (read: really dark) running to cheerful music.
** And with the third ending we have scenes like an incensed Natsu ready to fight Gajeel running to a maddeningly calm piano piece.
** Most of the second opening is sickeningly sweet and is just general shots of guild members doing things that looks cool... until you get near the end where it shows the aftermath of Gajeel's attack, then Gajeel himself standing in front of shadow outlines of Element 4, and then Gajeel fighting Natsu, and the music is ''still'' sickeningly sweet.
* ''[[Anime/SpaceBattleshipYamato Be Forever Yamato]]'' ends with a vocal piece that sounds a lot like something that John Lennon might have written during TheSeventies. The saccharine lyrics about "being good to each other" and the kumbaya style choir ending problably helps the resemblance. This is, by the way, the same ''Anime/SpaceBattleshipYamato'' where, in most stories, a lot of people usually end up dead on both sides.
* ''Manga/HunterXHunter 2011'' has this in the Chimera Ant arc. The opening is an upbeat song, and the ending is a calm song, played before and after the most horrific and brutal arc thus far.
** Before that, in the Greed Island arc, the ending credits begin with what sounds like yodeling. On top of that, this song starts several seconds before the credits, meaning you'll see scenes like Gon's hands having been blown off their wrists to the sound of that yodeling.
* The eleventh episode of ''Anime/LoveLive'' ends with [[spoiler: Honoka fainting due to a fever]]. As we see the other girls' reaction to this, the upbeat ending theme, "Kitto Seishun ga Kikoeru", begins to play over the last few seconds of the scene.
* ''Anime/{{Gintama}}'' sometimes fall into this trope due to the CerebusRollerCoaster nature of the show. A serious opening showcasing some [[ActionHoggingOpening cool action]] might be used on a comedic episode, and a serious arc might roll out when the anime is using a light-hearted opening song. The most striking exemple is the song "Beautiful One Day" which is just as upbeat as the title implies, being used on the first few episodes of the story arc that broke the [[StatusQuoIsGod Status Quo]] once and for all and led to a succession of several serious arcs.
* ''Anime/Persona4TheAnimation'' averts this in episode 23 by leaving out the upbeat opening that otherwise would have appeared right after [[spoiler: they'd received news of Nanako's "death"]], as well as removing the cheery musical sting from the {{Main/Eyecatch}} that comes right after [[spoiler: they nearly throw the "killer" into the TV world to die]]
* ''Anime/DeathParade'' has [[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers"]], the absurdly upbeat OP for a show that features cruel physical torment and equally cruel mind games, all in the service of judging souls in the afterlife.
* ''Manga/GirlsLastTour'': the OP [[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]] and ED [[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]] are awfully catchy tunes for a show about two girls facing the extinction of the human race. Then again, ''GLT'' can be fairly described as [[{{MoodDissonance}} Mood Dissonance: The Manga.]]
* Regularly used briefly in ''Manga/MyBrideIsAMermaid'' for comedic effect, often with cute/angelic music playing over something that is clearly neither of those things.
* The anime adaptation of ''[[Manga/JoJosBizarreAdventureVentoAureo [=JoJo's=] Bizarre Adventure: Vento Aureo]]'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?

* As ''Anime/MaiHime'' has an [[BaitAndSwitchCredits overly optimistic and light-hearted opening]], as well as the practice of ending nearly every episode either with a CliffHanger or at least on the most dramatic note, it just ''begs'' for Soundtrack Dissonance. Add the show's fondness for TheTeaser, and you know the drill. A character is shown to have been quite unambiguously stomped into the dirt and rolled over with a road-roller; there are multiple battles between former friends going all over the place, and there has just been an explosion somewhere. Cut to the opening credits, with its shots of the blue sky with seagulls, characters [[TheGlomp glomping]] each other and smiling, and most unbearably, the upbeat "Shining Days". Aaah!

* In the fourth ''LightNovel/KaraNoKyoukai'' movie, Shiki is attacked in the hospital by a living corpse while Mikiya softly sings [[https://www.youtube.com/watch?v=GUgHR9X6qnA Singing in the Rain]]. Is also GratuitousEnglish.
** In the 5th movie ''Paradox Spiral'', Cornelius Alba hums Ode to Joy from Beethoven's 9th Symphony as Mikiya runs from him.

* ''Manga/ZetsuenNoTempest'', a show with large helpings of death, angst, and ''Theatre/{{Hamlet}}'' references, inexplicably has a cutesy ending theme and video that looks like it was pulled straight from a [[LighterAndSofter peaceful and heartwarming]] SliceOfLife show.

* The anime adaptation of ''[[Manga/JoJosBizarreAdventureVentoAureo [[=JoJo's=]] Bizarre Adventure: Vento Aureo]]'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?

* The anime adaptation of ''[[Manga/JoJosBizarreAdventureVentoAureo [[=JoJo's=] Bizarre Adventure: Vento Aureo]]'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?

* The anime adaptation of ''Manga/JoJo'sBizarreAdventureVentoAureo'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?

* The anime adaptation of ''Manga/JoJosBizarreAdventureVentoAureo'' has a notorious example at the end of almost every episode during the first half. ''Vento Aureo'' tries to go for a more semi-serious approach whilst not ditching the absurdity of [=JoJo=], and while other Parts and the second half of ''Vento Aureo'' have fitting songs to go with the tone of their stories, ''Vento Aureo'''s first half uses... ''Freek'n You'' by Music/{{Jodeci}}. In a story about gangsters rising up to the top of their ranks to overthrow their corrupt boss. ...And usually after serious or heartbreaking scenes occur, too. Can you say, "juxtaposition much"?