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* Regularly used briefly in ''Manga/SetoNoHanayome'' for comedic effect, often with cute/angelic music playing over something that is clearly neither of those things.

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* Regularly used briefly in ''Manga/SetoNoHanayome'' ''Manga/MyBrideIsAMermaid'' for comedic effect, often with cute/angelic music playing over something that is clearly neither of those things.
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* ''Manga/{{Narutaru}}'' has one of the more unsettling instances of this trope in the opening. The song is an upbeat tune, played to a variety of images that looked drawn by little kids. [[https://www.youtube.com/watch?v=SIF5BLyh3Mk It seems cute enough]]. Then watch the first few episodes. The cute opening suddenly becomes a major point of MoodWhiplash...

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* ''Manga/{{Narutaru}}'' ''Manga/ShadowStar'' has one of the more unsettling instances of this trope in the opening. The song is an upbeat tune, played to a variety of images that looked drawn by little kids. [[https://www.youtube.com/watch?v=SIF5BLyh3Mk It seems cute enough]]. Then watch the first few episodes. The cute opening suddenly becomes a major point of MoodWhiplash...
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* In ''Anime/DivergenceEve'', the series is extremely creepy and dramatic, and sometimes the episodes end with horrible, horrible scenes... yet the end credits are an incredibly peppy J-Pop tune to pictures of the main character in incredibly {{Fanservice}}y outfits and revealing poses. It's akin to replacing the ending credits of ''Schindler's List'' with ''WesternAnimation/ThePowerpuffGirls''.

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* In ''Anime/DivergenceEve'', the series is extremely creepy and dramatic, and sometimes the episodes end with horrible, horrible scenes... yet the end credits are an incredibly peppy J-Pop tune to pictures of the main character in doing various summer activities and wearing incredibly {{Fanservice}}y outfits and revealing poses.outfits. It's akin to replacing the ending credits of ''Schindler's List'' with ''WesternAnimation/ThePowerpuffGirls''.
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*** It's even worse with the NonSerialMovie's, which have a ton of horribly unfitting, extremely loud rock music.
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** The English dub of [[Anime/PokemonTheFirstMovie the first movie]] has the Blessed Union of Souls' "Brother My Brother" play while the regular and clone Pokémon are fighting each other to the death While the lyrics, are somewhat fitting as they tie in to the movie's message and the idea that the Pokémon fighting their clones is tragic, the light, undramatic tone of the song is rather unfitting.

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** The English dub of [[Anime/PokemonTheFirstMovie the first movie]] has the Blessed Union of Souls' "Brother My Brother" play while the regular and clone Pokémon are fighting each other to the death death. While the lyrics, lyrics are somewhat fitting as they tie in to the movie's message and the idea that the Pokémon fighting their clones is tragic, tragic (especially Pikachu's refusal to fight his clone), the light, undramatic tone of the song is rather unfitting.
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** The English dub of [[Anime/PokemonTheFirstMovie the first movie]] has the Blessed Union of Souls' "Brother My Brother" (a light, undramatic song) play while the regular and clone Pokémon are fighting each other to the death.
*** Despite the film's dark and troubling themes and near-constant violence during the third act, its soundtrack is made up almost exclusively of late-'90s bubblegum pop, whereas industrial rock or nu-metal, which were readily available at the time, would arguably have fit much better. (To be fair, though, most of the songs were present only in the credits, after the story had lightened up, and too much distortion and angst might have scared younger viewers.)
*** The lyrics of 'Brother My Brother' do work quite well with the scene however, all ties in nicely with the film's messages, and the idea that the pokemon and their clones (which could, in a way, be compared to twins) fighting with each other is tragic. Particularly so with Pikachu refusing to attack their clone, the words of the song feel like they could well line up with Pikachu's perspective on the scene.

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** The English dub of [[Anime/PokemonTheFirstMovie the first movie]] has the Blessed Union of Souls' "Brother My Brother" (a light, undramatic song) play while the regular and clone Pokémon are fighting each other to the death.
death While the lyrics, are somewhat fitting as they tie in to the movie's message and the idea that the Pokémon fighting their clones is tragic, the light, undramatic tone of the song is rather unfitting.
*** Despite the film's dark and troubling themes and near-constant violence during the third act, its the dub's soundtrack is made up almost exclusively of late-'90s bubblegum pop, whereas industrial rock or nu-metal, which were readily available at the time, would arguably have fit much better. (To be fair, though, most of the songs were present only in the credits, after the story had lightened up, and too much distortion and angst might have scared younger viewers.)
*** The lyrics of 'Brother My Brother' do work quite well Averted with [[Anime/MewtwoStrikesBackEvolution the scene however, all ties in nicely 2019 remake]] which keeps the original Japanese soundtrack and replaces the ending theme with the film's messages, and the idea that the pokemon and their clones (which could, in [[https://www.youtube.com/watch?v=n3ykA1ZUC1Y a way, be compared to twins) fighting with each other is tragic. Particularly so with Pikachu refusing to attack their clone, the words of the song feel like they could well line up with Pikachu's perspective on the scene.more fitting song]].



*** This also happens in the eleventh dub opening. The main villains, Team Rocket, look forward and smile to the camera, then all of their Pokémon jump over them smiling and filled with joy, all while the the lyrics "''Forever friends! You and I!''" are sung.

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*** ** This also happens in the eleventh dub opening. The main villains, Team Rocket, look forward and smile to the camera, then all of their Pokémon jump over them smiling and filled with joy, all while the the lyrics "''Forever friends! You and I!''" are sung.
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* ''{{Manga/Berserk}}'''s ending theme, "Waiting So Long" by SILVERFINS, is an [[EarWorm ear wormy song]] composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: the lead man screaming and crying in agony in a pool of his blood at the sight of his lover getting raped to insanity by his best friend-turned demon]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.

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* ''{{Manga/Berserk}}'''s ending theme, "Waiting So Long" by SILVERFINS, is an [[EarWorm ear wormy song]] a catchy song composed of GratuitousEnglish, but it's still [[SolemnEndingTheme calm and mellow and peaceful]]. ... Apparently, it's the perfect thing to listen to right after seeing [[spoiler: the lead man screaming and crying in agony in a pool of his blood at the sight of his lover getting raped to insanity by his best friend-turned demon]] and [[LeftHanging having no closure as to what happened immediately afterward]]. That ending is a {{downer|Ending}} in ''every'' way, shape, and form.
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*** Perhaps the worst use of this kind of music is when Ash loses the Kalos League. What should be a tragic and disappointing moment for him... instead has triumphant music playing in the background, as if to congratulate his opponent Alain.
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** During episode 7, the soothing "Fields of Hope" is played against footage of horrifying destruction, as [[ColonyDrop Junius Seven's fragments crash to Earth]], annihilating cities around the world. In an example of TropesAreNotBad, this actually proves to be one of the most powerful scenes in the series. It was purposefully done, Lacus Clyne singing it, a popular diva on the show, sings it to calm down the kids in her bombshelter.

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** During episode 7, the soothing "Fields of Hope" is played against footage of horrifying destruction, as [[ColonyDrop Junius Seven's fragments crash to Earth]], annihilating cities around the world. In an example of TropesAreNotBad, Administrivia/TropesAreNotBad, this actually proves to be one of the most powerful scenes in the series. It was purposefully done, Lacus Clyne singing it, a popular diva on the show, sings it to calm down the kids in her bombshelter.
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* Regularly used briefly in ''Manga/SetoNoHanayome'' for comedic effect, often with cute/angelic music playing over something that is clearly neither of those things.
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* At the end of ''Creator/OsamuTezuka's Anime/{{Metropolis}}'', Rock blows up the Ziggurat as Kenichi struggles to save the power-dizzy Tima. Ray Charles's "I Can't Stop Lovin' You" plays instead of sound effects. [[https://www.youtube.com/watch?v=vPRkU9gOKF4 This]] clip is from the Spanish dub, but it'll give you the picture.

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* At the end of ''Creator/OsamuTezuka's Anime/{{Metropolis}}'', Rock blows up the Ziggurat as Kenichi struggles to save the power-dizzy Tima. Ray Charles's Music/RayCharles's version of "I Can't Stop Lovin' Lovingly You" plays instead of sound effects. [[https://www.youtube.com/watch?v=vPRkU9gOKF4 This]] clip is from the Spanish dub, but it'll give you the picture.
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*** It is, to some extent, a sound alike of "Hey Jude", which is not exactly known for being a depressing song.

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*** It is, to some extent, a sound alike of Music/TheBeatles' "Hey Jude", which is not exactly known for being a depressing song.
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** [[https://www.youtube.com/watch?v=DYrlSjQyrzY Hey Digimon]], if you watched the second part of the first season of Digimon, I don't need to go on. For those who haven't, this song plays at the ending, where it fit as a 'what good times we had', and when a hero's digimon get the upper hand, where it come off as jarring as it lack the bite for a fight song.

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** [[https://www.youtube.com/watch?v=DYrlSjQyrzY Hey Digimon]], if you watched the second part of the first season of Digimon, I don't need to go on. For those who haven't, this song plays at the ending, where it fit as a 'what good times we had', and when a hero's digimon get the upper hand, where it come off as jarring as it lack the bite for a fight song. It’s also a bit egregious as it plays during both times Myotismon is killed, where it doesn’t quite fit a major villain getting his commupance.
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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers"]]'', the absurdly upbeat OP for a show that features cruel physical torment and equally cruel mind games, all in the service of judging souls in the afterlife.
* ''Manga/GirlsLastTour'': the OP ''[[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]]'' and ED ''[[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]]'' are awfully catchy tunes for a show about two girls facing the extinction of the human race. Then again, GLT can be fairly described as [[{{MoodDissonance}} Mood Dissonance: The Manga.]]

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* ''Anime/DeathParade'' has ''[[https://www.[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers"]]'', "Flyers"]], the absurdly upbeat OP for a show that features cruel physical torment and equally cruel mind games, all in the service of judging souls in the afterlife.
* ''Manga/GirlsLastTour'': the OP ''[[https://www.[[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]]'' Ukogu"]] and ED ''[[https://www.[[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]]'' Night"]] are awfully catchy tunes for a show about two girls facing the extinction of the human race. Then again, GLT ''GLT'' can be fairly described as [[{{MoodDissonance}} Mood Dissonance: The Manga.]]
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* ''Manga/GirlsLastTour'': the OP ''[[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]]'' and ED ''[[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]]'' are awfully catchy tunes for a show about two girls [[spoiler: facing the extinction of the human race]].

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* ''Manga/GirlsLastTour'': the OP ''[[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]]'' and ED ''[[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]]'' are awfully catchy tunes for a show about two girls [[spoiler: facing the extinction of the human race]].race. Then again, GLT can be fairly described as [[{{MoodDissonance}} Mood Dissonance: The Manga.]]
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* ''Manga/GirlsLastTour'': the OP ''[[https://www.youtube.com/watch?v=mF5MKNwbRhg "Ukogu, Ukogu"]]'' and ED ''[[https://www.youtube.com/watch?v=7ybhLXebppU "More One Night"]]'' are awfully catchy tunes for a show about two girls [[spoiler: facing the extinction of the human race]].
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** Before that, in the Greed Island arc, the ending credits begin with what sounds like yodeling. On top of that, this song starts several seconds before the credits, meaning you'll see scenes like Gon's hands having been blown off their wrists to the sound of that yodeling.
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** Seed Destiny also has the track "Senka no Kizuato", a triumphant, Baroque piece that plays as fanatical Blue Cosmos soldiers fire nukes at the Zaft colonies.
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* ''Manga/RoseOfVersailles'' provides an example in the various dubs. Where the [[https://www.youtube.com/watch?v=TJhhVqaSPRk original opening]] and the soundtrack are appropriate to an anime telling the tragic story of Marie Antoinette, dub versions tend to have cheerful and happy songs, with the [[https://www.youtube.com/watch?v=sJJwr8tGjIY French one]] being one of the perkiest[[note]]Sort of {{Justified}} with FridgeLogic: the anime switches the focus on Oscar, who is an officer who ultimately sided with the Revolution and gave her life to help the Storming of the Bastille. To a Frenchman who didn't watch the actual series or didn't read the original manga, this actually sounds happy (and the opening is actually centered on that).

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* ''Manga/RoseOfVersailles'' ''Manga/TheRoseOfVersailles'' provides an example in the various dubs. Where the [[https://www.youtube.com/watch?v=TJhhVqaSPRk original opening]] and the soundtrack are appropriate to an anime telling the tragic story of Marie Antoinette, dub versions tend to have cheerful and happy songs, with the [[https://www.youtube.com/watch?v=sJJwr8tGjIY French one]] being one of the perkiest[[note]]Sort of {{Justified}} with FridgeLogic: the anime switches the focus on Oscar, who is an officer who ultimately sided with the Revolution and gave her life to help the Storming of the Bastille. To a Frenchman who didn't watch the actual series or didn't read the original manga, this actually sounds happy (and the opening is actually centered on that).



* ''{{Manga/Saki}}'', as well as Achiga-hen and Zenkoku-hen, take steps to avert this trope. There's usually at least two ending themes per season, one more upbeat song (two for the original series) that features SuperDeformed cast members playing around and cheerful lyrics that make references to mahjong, and a more serious song that features the characters shown normally. The latter ones are played on episodes that end on a relatively serious note.

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* ''{{Manga/Saki}}'', ''Manga/{{Saki}}'', as well as Achiga-hen and Zenkoku-hen, take steps to avert this trope. There's usually at least two ending themes per season, one more upbeat song (two for the original series) that features SuperDeformed cast members playing around and cheerful lyrics that make references to mahjong, and a more serious song that features the characters shown normally. The latter ones are played on episodes that end on a relatively serious note.
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* ''Manga/FistOfTheNorthStar'' has ''Ai Wo Torimodose'', a truly iconic theme also used as an InsertSong whenever Kenshiro delivers out some RapidFireFisticuffs-flavoured justice. However, start paying attention to the lyrics, and you'll find that it's a ''love song''! ''Ai Wo Torimodose'' is sung from Kenshiro's perspective, discussing his quest to save Yuria and bring back his love.
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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers"]]'', the absurdly upbeat OP for a show that features cruel physical and emotional mind games, all in the service of judging souls in the afterlife.

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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers"]]'', the absurdly upbeat OP for a show that features cruel physical torment and emotional equally cruel mind games, all in the service of judging souls in the afterlife.
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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers" performed by BRADIO]]'', the absurdly upbeat OP for a show that features cruel physical and emotional mind games, all in the service of judging souls in the afterlife.

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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers" performed by BRADIO]]'', "Flyers"]]'', the absurdly upbeat OP for a show that features cruel physical and emotional mind games, all in the service of judging souls in the afterlife.
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add death parade

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* ''Anime/DeathParade'' has ''[[https://www.youtube.com/watch?v=UjjTMNDZi-A "Flyers" performed by BRADIO]]'', the absurdly upbeat OP for a show that features cruel physical and emotional mind games, all in the service of judging souls in the afterlife.
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added example

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*''Anime/Persona4TheAnimation'' averts this in episode 23 by leaving out the upbeat opening that otherwise would have appeared right after [[spoiler: they'd received news of Nanako's "death"]], as well as removing the cheery musical sting from the {{Main/Eyecatch}} that comes right after [[spoiler: they nearly throw the "killer" into the TV world to die]]
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* ''Manga/MobileSuitGundamThunderbolt'' takes this to absurd lengths with its OVAs as Io Fleming slaughters Zeon soldiers while listening to jazz music while the Zeon "Living Dead Division" listens to catchy J-Pop music while they snipe Federation suits.
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* ''Anime/{{gintama}}'' sometimes fall into this trope due to the CerebusRollerCoaster nature of the show. A serious opening showcasing some [[ActionHoggingOpening cool action]] might be used on a comedic episode, and a serious arc might roll out when the anime is using a light-hearted opening song. The most striking exemple is the song "beautiful one day" which is just as upbeat as the title imply, being used on the first few episodes of the story arc that broke the [[StatusQuoIsGod Status Quo]] once and for all and led to a succession of several serious arcs.

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* ''Anime/{{gintama}}'' ''Anime/{{Gintama}}'' sometimes fall into this trope due to the CerebusRollerCoaster nature of the show. A serious opening showcasing some [[ActionHoggingOpening cool action]] might be used on a comedic episode, and a serious arc might roll out when the anime is using a light-hearted opening song. The most striking exemple is the song "beautiful one day" "Beautiful One Day" which is just as upbeat as the title imply, implies, being used on the first few episodes of the story arc that broke the [[StatusQuoIsGod Status Quo]] once and for all and led to a succession of several serious arcs.
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* ''Anime/{{gintama}}'' sometimes fall into this trope due to the CerebusRollerCoaster nature of the show. A serious opening showcasing some [[ActionHoggingOpening cool action]] might be used on a comedic episode, and a serious arc might roll out when the anime is using a light-hearted opening song. The most striking exemple is the song "beautiful one day" which is just as upbeat as the title imply, being used on the first few episodes of the story arc that broke the [[StatusQuoIsGod Status Quo]] once and for all and led to a succession of several serious arcs.
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\n* The eleventh episode of ''Anime/LoveLive'' ends with [[spoiler: Honoka fainting due to a fever]]. As we see the other girls' reaction to this, the upbeat ending theme, "Kitto Seishun ga Kikoeru", begins to play over the last few seconds of the scene.

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* In the fourth ''LightNovel/KaraNoKyoukai'' movie, Shiki is attacked in the hospital by a living corpse while Mikiya softly sings [[http://www.youtube.com/watch?v=GUgHR9X6qnA Singing in the Rain]]. Is also GratuitousEnglish

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* In the fourth ''LightNovel/KaraNoKyoukai'' movie, Shiki is attacked in the hospital by a living corpse while Mikiya softly sings [[http://www.youtube.com/watch?v=GUgHR9X6qnA Singing in the Rain]]. Is also GratuitousEnglishGratuitousEnglish.
** In the 5th movie ''Paradox Spiral'', Cornelius Alba hums Ode to Joy from Beethoven's 9th Symphony as Mikiya runs from him.
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** Invoked in-universe in "WebVideo/{{Hellsing Ultimate Abridged}}" where Millennium is about to begin their attack on London. The Major reveals that a poll was taken by the battalion to decide what song they would slaughter the people of London to, and the song was chosen for "ironic reasons. The best reasons." What was that song? [[spoiler:War by Edwin Starr]]
''The Major:'' [[spoiler:Induction, then destruction! NOW WHO WANTS TO DIE?!]]

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** Invoked in-universe in "WebVideo/{{Hellsing Ultimate Abridged}}" ''WebVideo/HellsingUltimateAbridged'' where Millennium is about to begin their attack on London. The Major reveals that a poll was taken by the battalion to decide what song they would slaughter the people of London to, and the song was chosen for "ironic reasons. The best reasons." What was that song? [[spoiler:War by Edwin Starr]]
''The Major:'' --->'''The Major:''' [[spoiler:Induction, then destruction! NOW WHO WANTS TO DIE?!]]

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