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* WesternAnimation/CampLazlo



* WesternAnimation/Ducktales



* WesternAnimation/FostersHomeForImaginaryFriends



* WesternAnimation/Recess

to:

* WesternAnimation/RecessWesternAnimation/{{Recess}}
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* WesternAnimation/RegularShow has managed to {{Get|tingCrapPastTheRadar}} Crap Past the Radar a lot of times.

to:

* WesternAnimation/RegularShow has managed to {{Get|tingCrapPastTheRadar}} [[GettingCrapPastTheRadar Get Crap Past the Radar Radar]] a lot of times.

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Changed: 280

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Umm... I get that seasons 5-9 of Sponge Bob might be too kid-unfriendly, and hated by people, but this is exaggerating. Think of them as you will, but they are NOT gonna be in the Epic Fails.


* WesternAnimation/AdventureTime
* WesternAnimation/TheAmazingWorldOfGumball



* WesternAnimation/AdventureTime

to:

** WesternAnimation/TheLegendOfKorra too. Both might as well be the first episodic cartoons.
* WesternAnimation/AdventureTimeFranchise/Ben10
** WesternAnimation/Ben10AlienForce
** WesternAnimation/Ben10UltimateAlien
** WesternAnimation/Ben10Omniverse



* WesternAnimation/DextersLaboratory
* WesternAnimation/TheFairlyOddParents
* WesternAnimation/TheFlintstones



* The early WesternAnimation/SpongebobSquarepants episodes. (Season 1-4). Seasons five to nine are in the Epic Fails.

to:

* WesternAnimation/Recess
* WesternAnimation/RegularShow has managed to {{Get|tingCrapPastTheRadar}} Crap Past the Radar a lot of times.
* The early WesternAnimation/SpongebobSquarepants episodes. (Season 1-4). Seasons five 5 to nine 9 are not good enough to be in the Greats, but not too bad to be in the Epic Fails.
Fails either. Season 9 and later are still not in the Greats, but might as well be.
* WesternAnimation/StevenUniverse
* WesternAnimation/TeenTitansGo might have a big {{Hatedom}}, but it manages to appeal to a lot of children.
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Keep in mind that kids probably won't be buying your story. Their parents will be buying it for them. Most parents do not know their kids very well and believe them to be incredibly fragile. For this reason, tread carefully with dark and mature subject matter. Don't avoid it completely, but try not to make your book only known for being challenged. Best advice would be to add five lighthearted (this does not mean watered down) moments for every heavy moment.

to:

Keep in mind that kids probably won't be buying your story. Their parents will be buying it for them. Most parents do not know their kids very well and believe them to be incredibly fragile. For this reason, tread carefully with dark and mature subject matter. Don't avoid it completely, but try not to make your book only known for being challenged. Best advice would be to add five lighthearted (this does not mean watered down) moments for every heavy moment.
make the overall tone lighthearted.
Is there an issue? Send a MessageReason:
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Added DiffLines:

Keep in mind that kids probably won't be buying your story. Their parents will be buying it for them. Most parents do not know their kids very well and believe them to be incredibly fragile. For this reason, tread carefully with dark and mature subject matter. Don't avoid it completely, but try not to make your book only known for being challenged. Best advice would be to add five lighthearted (this does not mean watered down) moments for every heavy moment.
Is there an issue? Send a MessageReason:
None


* Series/TheElectricCompany

to:

* Series/TheElectricCompanySeries/TheElectricCompany1971
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Heard somewhere that while adults tend to favor mercy, children cry out for justice. You thought the Brothers Grimm were cruel? Apparently children enjoy seeing the baddies get what's coming to them, without pulling punches. It assures them that someone's keeping track of things like that.

to:

Heard *Heard somewhere that while adults tend to favor mercy, children cry out for justice. You thought the Brothers Grimm were cruel? Apparently children enjoy seeing the baddies get what's coming to them, without pulling punches. It assures them that someone's keeping track of things like that.
*While children's fiction isn't the place for extreme horror, a lot of the children's fiction that sticks with people throughout their lives has horror elements in ''just the right amount'' - challenging, but not traumatising. Since individual children have different tolerance levels, it's important to allow the child the ability to self-regulate by keeping the horror ambiguous and mysterious, which allows children to use their imaginations to whatever extent they are comfortable with. You can go heavy on the horror if you blend it skilfully with light elements. If the children trust wholeheartedly that the hero can and will eventually beat the monster, you can make it very frightening indeed; if the world is wonderful and beautiful and the heroes find fun in it, the setting can be surprisingly brutal. CreepyGood characters, be they gentle, comic relief, tragic TheGrotesque figures, or otherworldly, are common in children's fiction because they allow a safe way for children to explore feelings of fear.
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Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them]].

to:

Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them]].
them.
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Added namespaces.


* RLStine

to:

* RLStineCreator/RLStine



* TheDeltoraSeries

to:

* TheDeltoraSeriesLiterature/TheDeltoraSeries
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* WesternAnimation/SpongebobSquarepants

to:

* WesternAnimation/SpongebobSquarepants
The early WesternAnimation/SpongebobSquarepants episodes. (Season 1-4). Seasons five to nine are in the Epic Fails.
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* ''Film/TheOogielovesInTheBigBalloonAdventure'' pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyValley creepy]] unlikable characters that doesn't treat its audience right.

to:

* ''Film/TheOogielovesInTheBigBalloonAdventure'' pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyValley creepy]] unlikable characters that doesn't treat its audience right.right.
----
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* Film/TheOogielovesInTheBigBalloonAdventure pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyValley creepy]] unlikable characters that doesn't treat its audience right.

to:

* Film/TheOogielovesInTheBigBalloonAdventure ''Film/TheOogielovesInTheBigBalloonAdventure'' pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyValley creepy]] unlikable characters that doesn't treat its audience right.
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No links, I\'m sorry. I just added it because there is a reason its lasted 20 years


* Series/Power Rangers (and it's Japanese progenitor, Super Sentai)

to:

* Series/Power Rangers Franchise/PowerRangers (and it's Japanese progenitor, Super Sentai)
SuperSentai)
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Does anyone mind if I add this. It\'s aimed at an older audience



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* Series/Power Rangers (and it's Japanese progenitor, Super Sentai)

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[[AC: Anime and Manga]]



* Manga/OnePiece (its author constantly insists it's a kids' series)

[[AC: Creators]]
* Creator/JudyBlume
* Creator/WaltDisney
* Creator/JohnLasseter
* RLStine
* Mo Willems

[[AC: Literature]]



* Literature/RowanOfRin

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* Literature/RowanOfRinLiterature/TheChroniclesOfNarnia



* Literature/HarryPotter
* Literature/RowanOfRin
* Literature/ASeriesOfUnfortunateEvents
* Literature/TheWizardOfOz

[[AC: Live-Action TV]]
* Series/BillNyeTheScienceGuy
* Series/TheElectricCompany




[[AC: Western Animation]]
* WesternAnimation/{{Animaniacs}} managed to get away with [[Radar/{{Animaniacs}} a lot of things.]]



* The Franchise/{{DCAU}}
* WesternAnimation/GravityFalls



* WesternAnimation/{{Animaniacs}} managed to get away with [[Radar/{{Animaniacs}} a lot of things.]]

to:

* WesternAnimation/{{Animaniacs}} managed to get away with [[Radar/{{Animaniacs}} a lot of things.]]
WesternAnimation/PhineasAndFerb
* WesternAnimation/ThePowerpuffGirls
* WesternAnimation/SpongebobSquarepants
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* Manga/AstroBoy
* Anime/{{Doraemon}}


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* Series/SesameStreet
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* ...

to:

* ...
* WesternAnimation/{{Animaniacs}} managed to get away with [[Radar/{{Animaniacs}} a lot of things.]]
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* TheBoxcarChildren
* RowanOfRin

to:

* TheBoxcarChildren
Literature/TheBoxcarChildren
* RowanOfRinLiterature/RowanOfRin
Willbyr MOD

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Nightmare Fuel cleanup; see thread for details


Because these guidelines will reduce your options. For example, you can't make a really scary villain (though he might end up [[NightmareFuel unintentionally scary]] or [[FridgeHorror scary in hindsight]]). And you can't rely on misinterpreted swear words as a plot point.

to:

Because these guidelines will reduce your options. For example, you can't make a really scary villain (though he might end up [[NightmareFuel being unintentionally scary]] scary, or [[FridgeHorror scary in hindsight]]). And you can't rely on misinterpreted swear words as a plot point.
Is there an issue? Send a MessageReason:
None


* The Oogieloves pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyVally creepy]] unlikable characters that doesn't treat its audience right.

to:

* The Oogieloves Film/TheOogielovesInTheBigBalloonAdventure pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyVally [[UncannyValley creepy]] unlikable characters that doesn't treat its audience right.
Is there an issue? Send a MessageReason:
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!!'''The Epic Fails'''

to:

!!'''The Epic Fails'''Fails'''
*The Oogieloves pretty much falls into all pitfalls: A shallow, TastesLikeDiabetes story with [[UncannyVally creepy]] unlikable characters that doesn't treat its audience right.
Is there an issue? Send a MessageReason:
Derp, said \"mirrors the point above twice\".


Don't default to vapid, flat characters and rely on flashy action scenes or cute design for appeal. [[RoundedCharacter Engaging, deep characters]] that undergo development over time are just as important in kids' shows as they are anywhere else. This mirrors the point above - they're not going to understand complex webs of intrigue and deception, and you should be wary of anything that verges on [[UnfortunateImplications innocence-destroying]], but at the same time, they'll appreciate a well-rounded character more and for longer than a [[FlatCharacter cardboard cutout]]. This mirrors the point above that you shouldn't talk down to them; a good question to ask is, if you fast forward ten or twenty years, are your viewers going to remember your show fondly or regrettably? A good children's series can be enjoyed by kids of all ages. This isn't about GettingCrapPastTheRadar or even [[ParentalBonus Parental Bonuses]] - amidst the [[SugarBowl tooth-rotting cute]], [[ShonenDemographic kinetic fight scenes]] or [[DerangedAnimation quirky,]] [[DisneyAcidSequence zany antics]], is there, honestly, a good story in there? All too often, kid's series forget the story part of the story.

to:

Don't default to vapid, flat characters and rely on flashy action scenes or cute design for appeal. [[RoundedCharacter Engaging, deep characters]] that undergo development over time are just as important in kids' shows as they are anywhere else. This mirrors the point above - they're not going to understand complex webs of intrigue and deception, and you should be wary of anything that verges on [[UnfortunateImplications innocence-destroying]], but at the same time, they'll appreciate a well-rounded character more and for longer than a [[FlatCharacter cardboard cutout]]. This mirrors the point above that you shouldn't talk down to them; a A good question to ask is, if you fast forward ten or twenty years, are your viewers going to remember your show fondly or regrettably? A good children's series can be enjoyed by kids of all ages. This isn't about GettingCrapPastTheRadar or even [[ParentalBonus Parental Bonuses]] - amidst the [[SugarBowl tooth-rotting cute]], [[ShonenDemographic kinetic fight scenes]] or [[DerangedAnimation quirky,]] [[DisneyAcidSequence zany antics]], is there, honestly, a good story in there? All too often, kid's series forget the story part of the story.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

Don't default to vapid, flat characters and rely on flashy action scenes or cute design for appeal. [[RoundedCharacter Engaging, deep characters]] that undergo development over time are just as important in kids' shows as they are anywhere else. This mirrors the point above - they're not going to understand complex webs of intrigue and deception, and you should be wary of anything that verges on [[UnfortunateImplications innocence-destroying]], but at the same time, they'll appreciate a well-rounded character more and for longer than a [[FlatCharacter cardboard cutout]]. This mirrors the point above that you shouldn't talk down to them; a good question to ask is, if you fast forward ten or twenty years, are your viewers going to remember your show fondly or regrettably? A good children's series can be enjoyed by kids of all ages. This isn't about GettingCrapPastTheRadar or even [[ParentalBonus Parental Bonuses]] - amidst the [[SugarBowl tooth-rotting cute]], [[ShonenDemographic kinetic fight scenes]] or [[DerangedAnimation quirky,]] [[DisneyAcidSequence zany antics]], is there, honestly, a good story in there? All too often, kid's series forget the story part of the story.


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* WesternAnimation/AdventureTime
* WesternAnimation/MyLittlePonyFriendshipIsMagic
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You may be able to [[GettingCrapPastTheRadar get away with naughty stuff]] ocasionally, just try not to overdo it.
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* AvatarTheLastAirbender

to:

* AvatarTheLastAirbenderWesternAnimation/AvatarTheLastAirbender
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* AvatarTheLastAirbender

Added: 2683

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FUCK TVTROPES

NIGGERNIGGERNIGGERNIGGER

to:

FUCK TVTROPES

NIGGERNIGGERNIGGERNIGGER
Writing for children is different from writing for adults. Here's some advice on how to make it work.

!'''Necessary Tropes'''

While a series written for teens can get into sex, swearing, and violence, a series written for kids needs to avoid that stuff like the plague. Or, at the very least, use the utmost caution, and always ask yourself whether you really ''need'' to include that element. Or even, "Am I writing for the correct demographic?" Maybe you're not.

But assuming you want to stick with the "kid-friendly" label, then:

* No sexuality
* No gore
* No more than mild violence
* No more than moderate scariness
* No more than extremely mild swearing (mostly euphemisms, like "dang"; possibly "hell" but more likely "heck")

Depending on the specific demographic you're writing for, the requirements might be even more stringent (e.g., some Christian publishers (thought not all of them) might be troubled over a kiss between people not married). So, research! Find out what you can and can't do before you get too far into the plot.

Because these guidelines will reduce your options. For example, you can't make a really scary villain (though he might end up [[NightmareFuel unintentionally scary]] or [[FridgeHorror scary in hindsight]]). And you can't rely on misinterpreted swear words as a plot point.

!'''Choices, Choices'''
!'''Pitfalls'''

Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them]].

And don't shy from topics like sorrow and death. Treated right, these can still make excellent material for young readers. You can even get into [[GrayAndGrayMorality grays]] a bit... if you're careful.

Kids get that it's not a black-and-white world probably earlier than you'd expect. On the other hand, they don't want to see KarmaHoudini characters any more than adults do. Make sure the baddies get what's coming to them.

!'''Potential Subversions'''
!'''Writers' Lounge'''
!!'''Suggested Themes and Aesops'''
!!'''Potential Motifs'''

Heard somewhere that while adults tend to favor mercy, children cry out for justice. You thought the Brothers Grimm were cruel? Apparently children enjoy seeing the baddies get what's coming to them, without pulling punches. It assures them that someone's keeping track of things like that.

!!'''Suggested Plots'''
!'''Departments'''
!!'''Set Designer''' / '''Location Scout'''
!!'''Props Department'''
!!'''Costume Designer'''
!!'''Casting Director'''
!!'''Stunt Department'''
!'''Extra Credit'''
!!'''The Greats'''

* TheBoxcarChildren
* RowanOfRin
* TheDeltoraSeries
* ...

!!'''The Epic Fails'''

Changed: 157

Removed: 2683

Is there an issue? Send a MessageReason:
None


Writing for children is different from writing for adults. Here's some advice on how to make it work.

!'''Necessary Tropes'''

While a series written for teens can get into sex, swearing, and violence, a series written for kids needs to avoid that stuff like the plague. Or, at the very least, use the utmost caution, and always ask yourself whether you really ''need'' to include that element. Or even, "Am I writing for the correct demographic?" Maybe you're not.

But assuming you want to stick with the "kid-friendly" label, then:

* No sexuality
* No gore
* No more than mild violence
* No more than moderate scariness
* No more than extremely mild swearing (mostly euphemisms, like "dang"; possibly "hell" but more likely "heck")

Depending on the specific demographic you're writing for, the requirements might be even more stringent (e.g., some Christian publishers (thought not all of them) might be troubled over a kiss between people not married). So, research! Find out what you can and can't do before you get too far into the plot.

Because these guidelines will reduce your options. For example, you can't make a really scary villain (though he might end up [[NightmareFuel unintentionally scary]] or [[FridgeHorror scary in hindsight]]). And you can't rely on misinterpreted swear words as a plot point.

!'''Choices, Choices'''
!'''Pitfalls'''

Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them]].

And don't shy from topics like sorrow and death. Treated right, these can still make excellent material for young readers. You can even get into [[GrayAndGrayMorality grays]] a bit... if you're careful.

Kids get that it's not a black-and-white world probably earlier than you'd expect. On the other hand, they don't want to see KarmaHoudini characters any more than adults do. Make sure the baddies get what's coming to them.

!'''Potential Subversions'''
!'''Writers' Lounge'''
!!'''Suggested Themes and Aesops'''
!!'''Potential Motifs'''

Heard somewhere that while adults tend to favor mercy, children cry out for justice. You thought the Brothers Grimm were cruel? Apparently children enjoy seeing the baddies get what's coming to them, without pulling punches. It assures them that someone's keeping track of things like that.

!!'''Suggested Plots'''
!'''Departments'''
!!'''Set Designer''' / '''Location Scout'''
!!'''Props Department'''
!!'''Costume Designer'''
!!'''Casting Director'''
!!'''Stunt Department'''
!'''Extra Credit'''
!!'''The Greats'''

* TheBoxcarChildren
* RowanOfRin
* TheDeltoraSeries
* ...

!!'''The Epic Fails'''

to:

Writing for children is different from writing for adults. Here's some advice on how to make it work.

!'''Necessary Tropes'''

While a series written for teens can get into sex, swearing, and violence, a series written for kids needs to avoid that stuff like the plague. Or, at the very least, use the utmost caution, and always ask yourself whether you really ''need'' to include that element. Or even, "Am I writing for the correct demographic?" Maybe you're not.

But assuming you want to stick with the "kid-friendly" label, then:

* No sexuality
* No gore
* No more than mild violence
* No more than moderate scariness
* No more than extremely mild swearing (mostly euphemisms, like "dang"; possibly "hell" but more likely "heck")

Depending on the specific demographic you're writing for, the requirements might be even more stringent (e.g., some Christian publishers (thought not all of them) might be troubled over a kiss between people not married). So, research! Find out what you can and can't do before you get too far into the plot.

Because these guidelines will reduce your options. For example, you can't make a really scary villain (though he might end up [[NightmareFuel unintentionally scary]] or [[FridgeHorror scary in hindsight]]). And you can't rely on misinterpreted swear words as a plot point.

!'''Choices, Choices'''
!'''Pitfalls'''

Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them]].

And don't shy from topics like sorrow and death. Treated right, these can still make excellent material for young readers. You can even get into [[GrayAndGrayMorality grays]] a bit... if you're careful.

Kids get that it's not a black-and-white world probably earlier than you'd expect. On the other hand, they don't want to see KarmaHoudini characters any more than adults do. Make sure the baddies get what's coming to them.

!'''Potential Subversions'''
!'''Writers' Lounge'''
!!'''Suggested Themes and Aesops'''
!!'''Potential Motifs'''

Heard somewhere that while adults tend to favor mercy, children cry out for justice. You thought the Brothers Grimm were cruel? Apparently children enjoy seeing the baddies get what's coming to them, without pulling punches. It assures them that someone's keeping track of things like that.

!!'''Suggested Plots'''
!'''Departments'''
!!'''Set Designer''' / '''Location Scout'''
!!'''Props Department'''
!!'''Costume Designer'''
!!'''Casting Director'''
!!'''Stunt Department'''
!'''Extra Credit'''
!!'''The Greats'''

* TheBoxcarChildren
* RowanOfRin
* TheDeltoraSeries
* ...

!!'''The Epic Fails'''
FUCK TVTROPES

NIGGERNIGGERNIGGERNIGGER
Is there an issue? Send a MessageReason:
None


Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you talk down to them.

to:

Kids are smarter than you probably give them credit for! And in today's world, what with television, the internet, and the playground, they're exposed to a lot more at an early age. While you shouldn't [[ViewersAreGeniuses assume]] they're capable of reading into things the way adults can, neither should you [[ViewersAreMorons talk down to them.
them]].

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