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* MaybeEverAfter: In ''Literature/AMurderIsAnnounced'', [[spoiler:it's left ambiguous whether Patrick and Emma get together. In the original novel, [[DidNotGetTheGirl she rejects him.]]]]

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* MaybeEverAfter: MaybeEverAfter:
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In ''Literature/AMurderIsAnnounced'', [[spoiler:it's left ambiguous whether Patrick and Emma get together. In the original novel, [[DidNotGetTheGirl she rejects him.]]]]]]]]
** Instead of getting engaged to Luke at the end of ''Murder is Easy'', Bridget leaves town on her own. However, she does slip him a postcard with the word "soon" written on it. Considering she just learned that [[spoiler: her mother is a serial killer and that she's the product of rape and incest]], she probably needs some time on her own.
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** [[spoiler:Lady Bess Sergwick]] dies in the original version of ''At Bertram's Hotel'' when she [[spoiler: tries to [[TakingTheHeat take the heat]] for her daughter's crimes.]] In the series, Miss Marple intervenes before the situation gets out of hand.

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Separated out You Meddling Kids examples into their own sub-points, for clarity.


* YouMeddlingKids: As per norm, more than a few culprits curse Marple's interfering as they are taken away into custody. In ''The Pale Horse'' in particular, the culprit is outright dragged away screaming blue murder at her after she merges it with a very sharp TheReasonYouSuckSpeech. Furthermore, the murderer from ''Towards Zero'' has a VillainousBreakdown as well (similar to the one in the book), which ends with him cursing Miss Marple and everyone else involved.

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* YouMeddlingKids: As per norm, more than a few culprits curse Marple's interfering as they are taken away into custody.
**
In ''The Pale Horse'' in particular, the culprit is outright dragged away screaming blue murder at her after she merges it with a very sharp TheReasonYouSuckSpeech. Furthermore, the TheReasonYouSuckSpeech.
** The
murderer from ''Towards Zero'' has a VillainousBreakdown as well (similar to the one in the book), which ends with him cursing Miss Marple and everyone else involved.
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* YouMeddlingKids: As per norm, more than a few culprits curse Marple's interfering as they are taken away into custody. In ''The Pale Horse'' in particular, the culprit is outright dragged away screaming blue murder at her after she merges it with a very sharp TheReasonYouSuckSpeech.

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* YouMeddlingKids: As per norm, more than a few culprits curse Marple's interfering as they are taken away into custody. In ''The Pale Horse'' in particular, the culprit is outright dragged away screaming blue murder at her after she merges it with a very sharp TheReasonYouSuckSpeech. Furthermore, the murderer from ''Towards Zero'' has a VillainousBreakdown as well (similar to the one in the book), which ends with him cursing Miss Marple and everyone else involved.
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** ''They Do It with Mirrors'' changes the motive of the killer from "killing to hide his involvement in fraud and embezzelment, which furthered his own cause, from his wife" to "commiting fraud and embezzelment to save his wife's cause and subsequently commiting murder to protect said cause (and his wife)". This made the murderer genuinly kind-hearted, instead of greedy and gold-digging.

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** ''They Do It with Mirrors'' changes the motive of the killer from [[spoiler: "killing to hide his involvement in fraud and embezzelment, which furthered his own cause, from his wife" to "commiting fraud and embezzelment to save his wife's cause and subsequently commiting murder to protect said cause (and his wife)". wife)".]] This made the murderer genuinly kind-hearted, instead of greedy and gold-digging.

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* AdaptationalJerkass: In ''Literature/AMurderIsAnnounced'', Edmund Swettenham is an altogether more bitter and unpleasant boy than in the book, and resentful of his mother's relationship. It doesn't help that his [[spoiler:clever plot with Inspector Craddock]] and his tender relationship with [[spoiler:Phillipa Haymes]] are taken out.

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* AdaptationalJerkass: AdaptationalJerkass:
**
In ''Literature/AMurderIsAnnounced'', Edmund Swettenham is an altogether more bitter and unpleasant boy than in the book, and resentful of his mother's relationship. It doesn't help that his [[spoiler:clever plot with Inspector Craddock]] and his tender relationship with [[spoiler:Phillipa Haymes]] are taken out.out.
** In ''The Blue Geranium'', the killer was made far more greedy and money-hungry than in the original short story, as [[spoiler: she]] was given a background as an RAF nurse, who sold medication on the black market for marked up profits. [[spoiler: Her]] motive for the murder, furthermore, wasn't direct financial gain ([[spoiler: she]] wasn't in the will), but rather indirect financial gain, as [[spoiler: she]] blackmailed one of the victim's relatives into handing over a significant part of the inheritance.



* AdaptationalNiceGuy: The killer in ''4:50 from Paddington'' is much more sympathetic than in the original novel. [[spoiler:Here, his motive is his love for Emma and not his desire for the Crackenthorpe fortune.]]

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* AdaptationalNiceGuy: AdaptationalNiceGuy:
** Due to a change in the identity of the killer, the killer in ''Literature/TheBodyInTheLibrary'' is far more sympathetic than her counterpart in the book. The killer, in this case, was driven to murder [[spoiler: to provide for her son, who would inherit little to no money otherwise.]] Miss Marple even commended [[spoiler: her for being a good mother.]]
**
The killer in ''4:50 from Paddington'' is much more sympathetic than in the original novel. [[spoiler:Here, his motive is his love for Emma and not his desire for the Crackenthorpe fortune.]] ]]
** The killer from ''Murder is Easy'' was given a dark secret as a (rather unconvincing) motive for commiting a slew of murders. While this does not ingratiate [[spoiler: her]] with the other characters, it does avoid painting [[spoiler: her]] off as the raging psychopath [[spoiler: she]] was in the book.
** ''They Do It with Mirrors'' changes the motive of the killer from "killing to hide his involvement in fraud and embezzelment, which furthered his own cause, from his wife" to "commiting fraud and embezzelment to save his wife's cause and subsequently commiting murder to protect said cause (and his wife)". This made the murderer genuinly kind-hearted, instead of greedy and gold-digging.
** ''Greenshaw's Folly'' turned both killers into a mother-son pair and gave them both some additional characterization. This, in turn, changed them from money-hungry (semi-)strangers into distant relatives, who were running a con to escape poverty. Upon being confronted at the summation gathering, they even try to take the blame for one another, as they genuinly care for each other.
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* AdaptationExpansion: The series did this to several of the episodes, most notably ''The Blue Geranium'' and ''Greenshaw's Folly'', both of which were originally short stories. In both cases, both the cast and the sequence of events were significantly expanded upon and, in the case of ''Greenshaw's Folly'', several additional murders took place throughout the episode. Furthermore, in ''The Secret of Chimneys'', elements of another short story, ''The Herb of Death'', was introduced, making this episode a quasi expansion on that short story.

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* AdaptationExpansion: The series did this to several of the episodes, most notably ''The Blue Geranium'' and ''Greenshaw's Folly'', both of which were originally short stories. In both cases, both the cast and the sequence of events were significantly expanded upon and, in the case of ''Greenshaw's Folly'', several additional murders took place throughout the episode. Furthermore, in ''The Secret of Chimneys'', elements of another short story, ''The Herb of Death'', was were introduced, making this episode a quasi expansion on that short story.
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* AdaptationExpansion: The series did this to several of the episodes, most notably ''The Blue Geranium'' and ''Greenshaw's Folly'', both of which were originally short stories.

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* AdaptationExpansion: The series did this to several of the episodes, most notably ''The Blue Geranium'' and ''Greenshaw's Folly'', both of which were originally short stories. In both cases, both the cast and the sequence of events were significantly expanded upon and, in the case of ''Greenshaw's Folly'', several additional murders took place throughout the episode. Furthermore, in ''The Secret of Chimneys'', elements of another short story, ''The Herb of Death'', was introduced, making this episode a quasi expansion on that short story.
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* AdaptationExpansion: The series did this to several of the episodes, most notably ''The Blue Geranium'' and ''Greenshaw's Folly'', both of which were originally short stories.
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Fixed series names, and correct Greenshaw's folly [[https://en.wikipedia.org/wiki/The_Adventure_of_the_Christmas_Pudding#Greenshaw's_Folly]]


[[AC: Season 1]]

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[[AC: Season [[AC:Series 1]]



[[AC:Season 2]]

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[[AC:Season [[AC:Series 2]]



[[AC:Season 3]]

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[[AC:Season [[AC:Series 3]]



[[AC:Season 4]]

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[[AC:Season [[AC:Series 4]]



[[AC:Season 5]]

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[[AC:Season [[AC:Series 5]]



[[AC:Season 6]]

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[[AC:Season [[AC:Series 6]]



# "[[Literature/GreenshawsFolly Greenshaw's Folly]]"

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# "[[Literature/GreenshawsFolly "[[Literature/TheAdventureOfTheChristmasPudding Greenshaw's Folly]]"
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Fixed Season names, and connected all episode names to the relevant book that they were based on (where appropriate)


[[AC:1.]]

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[[AC:1.]][[AC: Season 1]]



[[AC:2.]]

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[[AC:2.]][[AC:Season 2]]



[[AC:3.]]

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[[AC:3.]][[AC:Season 3]]



[[AC:4.]]

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[[AC:4.]][[AC:Season 4]]



[[AC:5.]]
# "The Pale Horse"

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[[AC:5.]]
[[AC:Season 5]]
# "The Pale Horse""Literature/ThePaleHorse"



[[AC:6.]]

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[[AC:6.]][[AC:Season 6]]



# "Greenshaw's Folly"

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# "Greenshaw's Folly""[[Literature/GreenshawsFolly Greenshaw's Folly]]"

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* RoleSwapAU: ''The Body in the Library'' switches the roles of [[spoiler:Adelaide Jefferson and Mark Gaskell]] as the murderer and [[spoiler:Josie Turner's lover and accomplice]].

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* RoleSwapAU: RoleSwapAU:
**
''The Body in the Library'' switches the roles of [[spoiler:Adelaide Jefferson and Mark Gaskell]] as the murderer and [[spoiler:Josie Turner's lover and accomplice]].accomplice]].
** ''Literature/TheSittafordMystery'' reassigns [[spoiler:both the role of the murderer and the surname Burnaby from the victim's (formerly false) friend Major Burnaby/Enderby to the (formerly innocent) journalist Charles Enderby/Burnaby.]]
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crosswicked irreg series

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* IrregularSeries: Each of the six series, aired between 2004 and 2013, contains 3-4 feature-length episodes.
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# "4.50 From Paddington"

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# "4.50 From Paddington""Literature/FourFiftyFromPaddington"



# "Sleeping Murder"

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# "Sleeping Murder""Literature/SleepingMurder"



# "By the Pricking of My Thumbs"

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# "By "[[Literature/TommyAndTuppence By the Pricking of My Thumbs"Thumbs]]"



# "Nemesis"

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# "Nemesis"
"Literature/{{Nemesis}}"



# "A Pocket Full of Rye"

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# "A Pocket Full of Rye""Literature/APocketFullOfRye"



# "They Do It With Mirrors"
# "Why Didn't They Ask Evans?"

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# "They Do It With Mirrors"
"Literature/TheyDoItWithMirrors"
# "Why Didn't They Ask Evans?"
"Literature/WhyDidntTheyAskEvans"



# "The Secret of Chimneys"

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# "The Secret of Chimneys""Literature/TheSecretOfChimneys"



# "Endless Night"

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# "Endless Night""Literature/EndlessNight"
Tabs MOD

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dewicking redirect


* ItIsPronouncedTroPAY: Lettice in the ITV version of ''Literature/TheMurderAtTheVicarage'' would like to make it clear that her name is ''not'' pronounced the same way as the vegetable.


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* PronouncingMyNameForYou: Lettice in the ITV version of ''Literature/TheMurderAtTheVicarage'' would like to make it clear that her name is ''not'' pronounced the same way as the vegetable.
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* RoleSwapAU: ''The Body in the Library'' switches the roles of [[spoiler:Adelaide Jefferson and Mark Gaskell]] as the murderer and [[spoiler:Josie Turner's lover and accomplice]].
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They really weren't in their twenties.


** Hinch and Murgatroyd from ''A Murder Is Announced'' go from being middle-aged to in their twenties.

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** Hinch and Murgatroyd from ''A Murder Is Announced'' go from being late middle-aged to in their twenties.forties.
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* AdaptationRelationshipOverhaul: While ''4.50 from Paddington'' has every male in Rutherford Hall express some interest in Lucy Eyelesbarrow, as it was in the book, the episode mirrors the previous BBC adaption in that there are only two men with a serious chance at her - Bryan Eastley and Inspector Craddock. The ending has her chose [[spoiler:Craddock.]]

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* AdaptationRelationshipOverhaul: While ''4.50 from Paddington'' has every male in Rutherford Hall express some interest in Lucy Eyelesbarrow, as it was in the book, the episode mirrors the previous BBC adaption in that there are only two men with a serious chance at her - Bryan Eastley and Inspector Craddock. Tom Campbell. The ending has her chose [[spoiler:Craddock.[[spoiler:Campbell.]]
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** In ''Literature/AtBertramsHotel'', Canon Pennyworth goes from a kindly, forgetful vicar to a [[spoiler: Nazi war criminal in disguise]].

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** In ''Literature/AtBertramsHotel'', Canon Pennyworth Pennyfather goes from a kindly, forgetful vicar to a [[spoiler: Nazi war criminal in disguise]].
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* In ''Literature/AtBertramsHotel'', Canon Pennyworth goes from a kindly, forgetful vicar to a [[spoiler: Nazi war criminal in disguise]].

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* ** In ''Literature/AtBertramsHotel'', Canon Pennyworth goes from a kindly, forgetful vicar to a [[spoiler: Nazi war criminal in disguise]].
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* In ''Literature/AtBertramsHotel'', Canon Pennyworth goes from a kindly, forgetful vicar to a [[spoiler: Nazi war criminal in disguise]].
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* VillainBall: The suspect is given a strange one in the series adaptation of ''Literature/OrdealByInnocence''. [[spoiler: Kirsten manages to frame Gwenda for the murder of Rachel, leaving both the police and the Argyle family to be largely convinced she is guilty, only for Kirsten to kill her anyway as she sets to leave. This eliminates Gwenda from the suspect list and ultimately leads Kirsten to be caught. Even Marple's deduction that [[EvilIsPetty she hated Gwenda for]] [[GreenEyedMonster butting into the Argyle's affairs]] makes little sense since she had essentially assured she would be jailed and executed anyway.]]
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** Of the twenty-one episodes, ''Miss Marple herself'' doesn't appear in nine of the books they're based on; given that "The Blue Geranium" and "Greenshaw's Folly" were both adapted successfully, it raises the question as to why more of the Marple short stories weren't adapted instead.

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** Of the twenty-one twenty-three episodes, ''Miss Marple herself'' doesn't appear in nine of the books they're based on; given that "The Blue Geranium" and "Greenshaw's Folly" were both adapted successfully, it raises the question as to why more of the Marple short stories weren't adapted instead.
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# "What Mrs. [=McGillicuddy=] Saw"

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# "What Mrs. [=McGillicuddy=] Saw""4.50 From Paddington"
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# "Ordeal By Innocence"

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# "Ordeal By Innocence""Literature/OrdealByInnocence"



# "Murder Is Easy"

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# "Murder Is Easy""Literature/MurderIsEasy"

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** [[spoiler:Gwenda Vaughan]] is murdered instead of [[spoiler:Philip]] in ''Ordeal By Innocence''.

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** [[spoiler:Gwenda Vaughan]] is murdered instead of [[spoiler:Philip]] [[spoiler:Philip Durrant]] in ''Ordeal By Innocence''.Innocence''.
** At the end of ''Why Didn't They Ask Evans?'', [[spoiler:Roger and Moira attempt one final murder and are both killed in the ensuing struggle. In the novel, Moira was arrested while Roger [[KarmaHoudini got away scot-free]].]]



** At the end of ''Why Didn't They Ask Evans?'', [[spoiler:Roger and Moira attempt one final murder and are both killed in the ensuing struggle. In the novel, Moira was arrested while Roger [[KarmaHoudini got away scot-free]].]]

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* InNameOnly:

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* InNameOnly: Very few episodes of the series adapt Christie's stories faithfully, most of the episodes are PragmaticAdaptation at best, while the other ones are nearly unrecognizable at worst.


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** The adaptation of ''Murder is Easy'' heavily changes the personalities and roles of the characters (even with the inclusion of Miss Marple as CanonForeigner). Motive of the murders is completely different, the murderer [[spoiler:herself]] is almost unrecognizable. Not to mention that many of the characters and sub-plots are AdaptedOut. The tone is admittedly DarkerAndEdgier than the novel's.
** ''Nemesis'' episode is also only very loosely based on the eponymous novel. The plot goes in very different ways with heavily altered characters. The motive for the murders is also different and nearly everything about the murderer and victims is changed.
** ''At Bertram's Hotel'' episode also drastically changes the plot and the characters, many of which are CanonForeigner. As in many other episodes, the personality and motives of the murderer is completely different and this time involves AdaptationalSexuality. With the inclusion of many new characters, brand new sub-plots were created.
** ''Why Didn't They Ask Evans?'' episode is also heavily altered compared to the novel, the least of the changes would be inclusion of Miss Marple. The events and plot theads are changed substantially. The characters have different personalities.

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* CompositeCharacter: ''Why Didn't They Ask Evans?'' combines Sylvia's husband Henry Bassington-ffrench and his wealthy friend John Savage into a single character named Jack Savage.



* RelatedInTheAdaptation: Eileen "Bundle" Brent and Virginia Revel the two main female characters in ''The Secret of the Chimneys'' are sisters in the TV adaptation. In the books, Virginia was an important guest to a party hosted in Eileen's home, but the two weren't related.

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* RelatedInTheAdaptation: RelatedInTheAdaptation:
**
Eileen "Bundle" Brent and Virginia Revel the two main female characters in ''The Secret of the Chimneys'' are sisters in the TV adaptation. In the books, Virginia was an important guest to a party hosted in Eileen's home, but the two weren't related.related.
** In ''Why Didn't They Ask Evans?'', [[spoiler:Roger and Moira are revealed to be brother and sister instead of husband and wife, and Sylvia is their biological mother.]]


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** At the end of ''Why Didn't They Ask Evans?'', [[spoiler:Roger and Moira attempt one final murder and are both killed in the ensuing struggle. In the novel, Moira was arrested while Roger [[KarmaHoudini got away scot-free]].]]
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** Creator/NoelCoward appears briefly in ''4:50 from Paddington''. Miss Marple wanders into one of his gatherings, and spoils the punchline to a joke, much to his chagrin.
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** ''Literature/TheBodyInTheLibrary'': The ''Agatha Christie's Marple'' version of Mark Gaskell is a lot more sympathetic than the book counterpart. For one, the death of his wife seems to affect him more greatly in the adaptation than it did in the books. This particular adaptation also turns him into a former RAF soldier who fought in WWII, and there are several hints that he's suffering from [[ShellShockedVeteran shell-shock]] and SurvivorGuilt (because two of his best friends were killed during the war), which turns him into a gambling addict. [[spoiler:The fact that he's innocent of the crime he committed in the original books just ramps up his misery even further]].

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** ''Literature/TheBodyInTheLibrary'': The ''Agatha Christie's Marple'' version ITV's intepretation of Mark Gaskell is a lot more sympathetic than what's shown in the book counterpart.original novel. For one, the death of his wife seems to affect him more greatly in the adaptation than it did in the books. This particular adaptation also turns him into a former RAF soldier who fought in WWII, and there are several hints that he's suffering from [[ShellShockedVeteran shell-shock]] and SurvivorGuilt (because two of his best friends were killed during the war), which turns him into a gambling addict. [[spoiler:The fact that he's innocent of the crime he committed in the original books just ramps up his misery even further]].

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