Is there an issue? Send a MessageReason:
Indentation
Changed line(s) 23,24 (click to see context) from:
* DeliberateValuesDissonance: For three time-displaced people from TheFifties, this is a given. John's attitude towards [[StayInTheKitchen Emma letting her hair down]], for instance. While Emma has grown up around such an attitude, she's slowly learning to get past it.
* PlayedForLaughs with Diane asking what he words “Smoking Kills” on her cigarette packet mean.
* PlayedForLaughs with Diane asking what he words “Smoking Kills” on her cigarette packet mean.
to:
* DeliberateValuesDissonance: For three time-displaced people from TheFifties, The50s, this is a given. given.
** John's attitude towards [[StayInTheKitchen Emma letting her hair down]], for instance. While Emma has grown up around such an attitude, she's slowly learning to get past it.
* ** PlayedForLaughs with Diane asking what he words “Smoking Kills” on her cigarette packet mean.
** John's attitude towards [[StayInTheKitchen Emma letting her hair down]], for instance. While Emma has grown up around such an attitude, she's slowly learning to get past it.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* PlayedForLaughs with Diane asking what he words “Smoking Kills” on her cigarette packet mean.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* LikeADuckTakesToWater: Out of the three time-travellers, Emma is the one who adapts the fastest to modern-day life. At the end of the episode she happily accepts a fashion job offer and moves to London.
Is there an issue? Send a MessageReason:
Deleted line(s) 31 (click to see context) :
* NotSoDifferent: Jack's bonding with John is deeper than most, as they're both displaced in time and barely coping with it.
Is there an issue? Send a MessageReason:
None
Changed line(s) 34 (click to see context) from:
* WholePlotReference: There are similarities between this episode and the ''Series/StarTrekTheNextGeneration'' episode "[[Recpa/StarTrekTheNextGenerationS1E25TheNeutralZone The Neutral Zone]]", in which three people from the late-20th century are discovered cryogenically frozen in the year 2364 and must adjust to the era they find themselves in. The primary difference between the two episodes is that the temporally-displaced people are the focus of the narrative here, while in that episode theirs is the B-story for the episode.
to:
* WholePlotReference: There are similarities between this episode and the ''Series/StarTrekTheNextGeneration'' episode "[[Recpa/StarTrekTheNextGenerationS1E25TheNeutralZone "[[Recap/StarTrekTheNextGenerationS1E25TheNeutralZone The Neutral Zone]]", in which three people from the late-20th century are discovered cryogenically frozen in the year 2364 and must adjust to the era they find themselves in. The primary difference between the two episodes is that the temporally-displaced people are the focus of the narrative here, while in that episode theirs is the B-story for the episode.
Is there an issue? Send a MessageReason:
None
Changed line(s) 34 (click to see context) from:
* WholePlotReference: There are similarities between this episode and the ''Series/StarTrekTheNextGeneration'' episode "[[Recpa/StarTrekTheNextGenerationS1E26TheNeutralZone The Neutral Zone]]", in which three people from the late-20th century are discovered cryogenically frozen in the year 2364 and must adjust to the era they find themselves in. The primary difference between the two episodes is that the temporally-displaced people are the focus of the narrative here, while in that episode theirs is the B-story for the episode.
to:
* WholePlotReference: There are similarities between this episode and the ''Series/StarTrekTheNextGeneration'' episode "[[Recpa/StarTrekTheNextGenerationS1E26TheNeutralZone "[[Recpa/StarTrekTheNextGenerationS1E25TheNeutralZone The Neutral Zone]]", in which three people from the late-20th century are discovered cryogenically frozen in the year 2364 and must adjust to the era they find themselves in. The primary difference between the two episodes is that the temporally-displaced people are the focus of the narrative here, while in that episode theirs is the B-story for the episode.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* WholePlotReference: There are similarities between this episode and the ''Series/StarTrekTheNextGeneration'' episode "[[Recpa/StarTrekTheNextGenerationS1E26TheNeutralZone The Neutral Zone]]", in which three people from the late-20th century are discovered cryogenically frozen in the year 2364 and must adjust to the era they find themselves in. The primary difference between the two episodes is that the temporally-displaced people are the focus of the narrative here, while in that episode theirs is the B-story for the episode.
Is there an issue? Send a MessageReason:
Corrected link to another episode, and added "Put on a bus" trope
Changed line(s) 29 (click to see context) from:
* LoveHurts: Owen learns this. HarsherInHindsight because he previously fell in love with someone before and wanted to marry them, [[Recap/TorchwoodS2E11Adrift but lost her, too]].
to:
* LoveHurts: Owen learns this. HarsherInHindsight because he previously fell in love with someone before and wanted to marry them, [[Recap/TorchwoodS2E11Adrift [[Recap/TorchwoodS2E12Fragments but lost her, too]].
Added DiffLines:
* PutOnABus: Two cases, one literally. Diane flies off into the sky (and what's hinted indeed travelling through the rift), while Emma boards a bus to London to start a new job and life there.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
Owen and Diane hit it off and have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown. Owen, very heartbroken while watching her go, is [[[ManlyTears brought to tears]] when Diane flies back through the rift.
to:
Owen and Diane hit it off and have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown. Owen, very heartbroken while watching her go, is [[[ManlyTears [[ManlyTears brought to tears]] when Diane flies back through the rift.
Is there an issue? Send a MessageReason:
None
** Of course, being ''Torchwood'', the BreatherEpisode still includes one definite suicide, one act so dangerous it could be considered an attempted suicide with unknown results, and a failed love affair.
Changed line(s) 31 (click to see context) from:
* SoaplandChristmas: It's set at and broadcast shortly before Christmas, and two of the three story threads end on fairly depressing notes.
to:
* SoaplandChristmas: TwistedChristmas: It's set at and broadcast shortly before Christmas, and two of the three story threads end on fairly depressing notes.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that horrible discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
to:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that horrible horrid discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
to:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that horrible discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. The discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
to:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. The And that discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. That discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
to:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. That The discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
to:
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that That discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
-->- '''Jack''' finds Torchwood's latest problem quite simple, yet quite difficult
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
Owen and Diane hit it off and have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown.
to:
Owen and Diane hit it off and have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown.
unknown. Owen, very heartbroken while watching her go, is [[[ManlyTears brought to tears]] when Diane flies back through the rift.
Changed line(s) 28 (click to see context) from:
* LoveHurts: Owen learns this.
to:
* LoveHurts: Owen learns this. HarsherInHindsight because he previously fell in love with someone before and wanted to marry them, [[Recap/TorchwoodS2E11Adrift but lost her, too]].
Is there an issue? Send a MessageReason:
None
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/owen_diane_homerun_5998.jpg]]
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
[[caption-width-right:350:Sex becomes more than empty pleasure for [[LovableSexManiac Owen]]. And that discovery's gonna bite him [[LoveHurts in the arse]]. [[Recap/TorchwoodS1E11Combat Again]]. [[Recap/TorchwoodS1E12CaptainJackHarkness And again]]. [[Recap/TorchwoodS1E13EndOfDays And again]].]]
Changed line(s) 2,3 (click to see context) from:
-->- '''Jack'''
to:
-->- '''Jack'''
'''Jack''' finds Torchwood's latest problem quite simple, yet quite difficult
Is there an issue? Send a MessageReason:
None
Added DiffLines:
-->'''Diane:''' The thing about love is that you're always at its mercy.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
-->''There's no puzzle to solve, [[NoAntagonist no enemy to fight]]...just three lost people who have somehow become our responsibility.''
to:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
-->''There's no puzzle to solve, [[NoAntagonist no enemy to fight]]...just three lost people who have somehow become our responsibility.''
-->- '''Jack'''
-->- '''Jack'''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SoaplandChristmas: It's set at and broadcast shortly before Christmas, and two of the three story threads end on fairly depressing notes.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
Owen and Diane hit it off have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown.
to:
Owen and Diane hit it off and have a ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings for her, she departs in her plane for the wild unknown.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
Jack, Gwen and Owen wait patiently at an airstrip as a prop plane makes its touchdown. The pilot and two passengers disembark and introduce themselves, although Jack seems to be more interested in what day they think it is. The pilot believes it's the 18th of December, [[TheFifties 1953]].
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days -- but even she finds companionship in two young chavvish girls living in her temporary building.
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days -- but even she finds companionship in two young chavvish girls living in her temporary building.
to:
Jack, Gwen and Owen wait patiently at an airstrip as a prop plane makes its touchdown. The pilot and two passengers disembark and introduce themselves, although Jack seems to be more interested in what day they think it is. The pilot believes it's the 18th of December, December 18th, [[TheFifties 1953]].
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days -- but even she finds companionship in two young chavvish girls living in hertemporary building.
hostel.
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days -- but even she finds companionship in two young chavvish girls living in her
Changed line(s) 9,10 (click to see context) from:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a FishOutOfTemporalWater himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack dying by his side out of sheer sympathy.
to:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a FishOutOfTemporalWater himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack dying by his side out of sheer sympathy.
Changed line(s) 21 (click to see context) from:
* IUhYouToo: Inverted. Owen describes in detail how horribly off and out of focus he feels when he's not with Diane. Diane's response? "I love you, too".
to:
* IUhYouToo: Inverted. Owen describes in detail how horribly off and out "out of focus focus" he feels when he's not with Diane. Diane's response? "I love you, too".
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a FishOutOfTemporalWater himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack by his side.
to:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a FishOutOfTemporalWater himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack dying by his side.side out of sheer sympathy.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Three people come to Torchwood, and they each leave in their own way. As a result, three members of Torchwood learn more about themselves in the process.
to:
Three people come to Torchwood, and they each leave in their own way. As a result, three members of Torchwood learn more about themselves in the process.
process. And, as we'll soon see, Owen's about to go off the deep end.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a fish-out-of-water time traveller himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack by his side.
to:
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him and explains that, being a fish-out-of-water time traveller FishOutOfTemporalWater himself, he can promise that it gets ''better''. John won't have it and kills himself regardless, with Jack by his side.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,10 (click to see context) from:
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days, yet even she finds companionship in two young ladies living in her building.
Gwen takes Emma under her wing as if she were a little sister and teaches her about the new world. It ends up grating things with Rhys as he begins to discover the lies she has had to tell him while working for Torchwood. Emma takes the decision out of Gwen's hands by accepting a job in London, which she had always wanted to do.
Owen and Diane hit it off have a LOT of sex. In the end, the sky ends up being more important to Diane, and despite Owen's feelings of love for her, she departs in her plane for the wild unknown.
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him, but after John's incessant pleas and appeals to Jack's own situation, he relents and stays with John until the end.
Gwen takes Emma under her wing as if she were a little sister and teaches her about the new world. It ends up grating things with Rhys as he begins to discover the lies she has had to tell him while working for Torchwood. Emma takes the decision out of Gwen's hands by accepting a job in London, which she had always wanted to do.
Owen and Diane hit it off have a LOT of sex. In the end, the sky ends up being more important to Diane, and despite Owen's feelings of love for her, she departs in her plane for the wild unknown.
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops him, but after John's incessant pleas and appeals to Jack's own situation, he relents and stays with John until the end.
to:
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days, yet days -- but even she finds companionship in two young ladies chavvish girls living in her temporary building.
Gwen takes Emma under her wing as if she were a littlesister sister, and teaches her about the new world. It ends up grating things with Rhys as he begins to discover the lies she has had to tell him while working for Torchwood. Emma takes the decision out of Gwen's hands by accepting a job in London, which she had always wanted to do.
Owen and Diane hit it off have aLOT ''lot'' of sex. They quite accidentally fall in love within the week, which terrifies Owen. In the end, the sky ends up being more important to Diane, and despite Owen's feelings of love for her, she departs in her plane for the wild unknown.
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stopshim, but after John's incessant pleas him and appeals to Jack's own situation, explains that, being a fish-out-of-water time traveller himself, he relents can promise that it gets ''better''. John won't have it and stays kills himself regardless, with John until the end.
Jack by his side.
Gwen takes Emma under her wing as if she were a little
Owen and Diane hit it off have a
As for John, he's the one having the toughest time adjusting to TheFuture, which is punctuated when he [[StayInTheKitchen warns Emma not to, either]]. He does finally find his son, now in his seventies and in a rest home with Alzheimer's. With no family and no place, he tries to [[DrivenToSuicide kill himself]]. Jack stops
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal". From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days, yet even she finds companionship in two young ladies living in her building.
to:
The time-displaced trio are led into the Hub, where Jack explains to them that they've fallen into a "transcendental portal".portal" triggered by the Cardiff rift. From here, we spend the episode following our fish out of water as they grow acclimated to their new surroundings. Pilot Diane Holmes aches to get into the sky again, but finds a confidant in Owen. Businessman John Ellis bonds with Jack and yearns to find his son, who may still be living. Proper young lady Emma-Louise Cowell is having a harder time, having lost the family she depended on, and realizing that the modern woman is a much different person these days, yet even she finds companionship in two young ladies living in her building.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* AcePilot: Diane
to:
* AcePilot: DianeDiane.
Changed line(s) 23 (click to see context) from:
* NotSoDifferent: Jack's bonding with John is deeper than most, as they're both displaced in time and barely coping with it.
to:
* NotSoDifferent: Jack's bonding with John is deeper than most, as they're both displaced in time and barely coping with it.it.
----
----