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* GoshDangItToHeck: Sarah says "Oh, gosh darn it!" after says "It'll turn out that it was all a dream!" which also another sitcom's cliches.

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* GoshDangItToHeck: Sarah says "Oh, gosh darn it!" after says "It'll turn it turns out that it everything was all a dream!" which also another sitcom's cliches.AllJustADream.



* TorsoWithAView: The [[LiteralMetaphor venom]] Gumball shoves [[FacialHorror into Tobias' face]] burns a free-standing hole through his entire [[{{Cephalothorax}} body]]. Darwin and Gumball laugh as Sarah's BondOneLiner ("[[IWouldSayIfICouldSay I would say 'in your face']]--if you had one!"), but the nurse is rather rightly horrified.

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* TorsoWithAView: The [[LiteralMetaphor venom]] Gumball shoves [[FacialHorror into Tobias' face]] burns a free-standing hole through his entire [[{{Cephalothorax}} body]]. Darwin and Gumball laugh as at Sarah's BondOneLiner ("[[IWouldSayIfICouldSay I would say 'in your face']]--if you had one!"), but the nurse is rather rightly horrified.
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* AnalogyBackfire: Gumball tries to claim he's developing an AcquiredPoisonImmunity to his own bile by comparing himself to [[https://en.wikipedia.org/wiki/Mithridates_VI_of_Pontus that "Roman Emperor guy" who achieved the same]]. Darwin gets him to admit that the man had his castle invaded and couldn't [[BetterToDieThanBeKilled poison himself]] to escape it, so being poisoned would have been preferable even if neither situation is desirable.

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* AnalogyBackfire: Gumball tries to claim he's developing an AcquiredPoisonImmunity to his own bile by comparing himself to [[https://en.wikipedia.org/wiki/Mithridates_VI_of_Pontus that "Roman Emperor guy" who achieved the same]]. same.]] Darwin gets him to admit that the man had his castle invaded and couldn't [[BetterToDieThanBeKilled poison himself]] to escape it, so being poisoned would have been preferable even if neither situation is desirable.
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Nerd is now an index redirect and not a trope per TRS


* {{Nerd}}: Anais in Tobias' version of the show gains glasses for her beady eyes and a lisp.
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-->'''Sarah''': [[YouHaveGotToBeKiddingMe Oh COME ON!]]
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* AssholeVictim: Admit it, you cheered when Gumball pelted Tobias with literal acid breath.
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* GoshDangItToHeck: Sarah says "Oh, gosh darn it!" after says "It'll turn out that it was all a dream!" which also another sitcom's cliches.
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Removing much natter.


* ShallowNewsSiteSatire: The episode opens with Gumball criticizing ElmoreBuzz, which is full of useless listicles like "26 Pictures of Llamas that Pretty Much Sum Up the Human Condition" and shameless advertising scams. When he agrees to take the "Which Sitcom Character Are You?" quiz, he berates how arbitrary the questions are.

to:

* ShallowNewsSiteSatire: The episode opens with Gumball criticizing ElmoreBuzz, Elmore Buzz (a parody of Buzzfeed), which is full of useless listicles like "26 Pictures of Llamas that Pretty Much Sum Up the Human Condition" and shameless advertising scams. When he agrees to take the "Which Sitcom Character Are You?" quiz, he berates how arbitrary the questions are.



'''Gumball''': I'm pretty sure these tests are created by pouring seeds on a keyboard and having pigeons peck at it.
* SitcomHomageEpisode: In a way. While most sitcom homage episodes (at least the ones in America) are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom[[note]]as seen on the ''American Dad'' episode "Flirting With Disaster", where parts of the episode have the look and feel of the American version of ''The Office''[[/note]]), this episode's sitcom homage highlights all the ways a good sitcom can JumpTheShark, especially when a main character is replaced with one that [[TheScrappy fans don't like]] (or liked in small doses as a one-scene wonder or a supporting character). There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].

to:

'''Gumball''': '''[[DeadpanSnarker Gumball]]''': I'm pretty sure these tests are created by pouring seeds on a keyboard and having pigeons peck at it.
* SitcomHomageEpisode: In a way. While most sitcom homage episodes (at least the ones in America) are just a parody (deconstructive ([[DeconstructiveParody deconstructive]] or otherwise) [[AffectionateParody otherwise]]) of a popular sitcom (or or a popular genre of sitcom, like the 1950s sitcom[[note]]i.e. HighSchool sitcoms, [[DomCom family sitcom[[note]]or even the 1980s sitcoms]] and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom[[note]]as seen on the ''American Dad'' episode "Flirting With Disaster", where parts of the episode have the look and feel of the American version of ''The Office''[[/note]]), [[WorkCom work coms]][[/note]], this episode's sitcom homage highlights all the ways a good sitcom can JumpTheShark, especially when a main character is replaced with one that [[TheScrappy fans don't like]] (or liked only like in small doses as a one-scene wonder or a supporting character).doses). There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].
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* NegativeContinuity: Tobias dies at the end of the episode, but he's inexplicably alive in [[Recap/TheAmazingWorldOfGumballS5E9TheSlide his next appearance]].

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* ShallowNewsSiteSatire: "The Test" opens with Gumball criticizing ElmoreBuzz, which is full of useless listicles like "26 Pictures of Llamas that Pretty Much Sum Up the Human Condition" and shameless advertising scams. When he agrees to take a "Which Sitcom Character Are You?" quiz, he berates how arbitrary the questions are.

to:

* ShallowNewsSiteSatire: "The Test" The episode opens with Gumball criticizing ElmoreBuzz, which is full of useless listicles like "26 Pictures of Llamas that Pretty Much Sum Up the Human Condition" and shameless advertising scams. When he agrees to take a the "Which Sitcom Character Are You?" quiz, he berates how arbitrary the questions are.



* WhamLine: This line, which has the episode go from Tobias taking over the show to Tobias taking over Gumball's ''life'':
--> ''Let me ask my genius sister for help! Oh, ''Anais!''''

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* WhamLine: Two.
** The first snappy OneLiner Tobias makes, which establishes him as the show's new protagonist:
-->"''Most people get indigestion, but I guess you get OUT-digestion!" [The format changes to a 90's VHS quality and a laugh track plays]''
**
This line, which has the episode go from Tobias taking over the show to Tobias taking over Gumball's ''life'':
--> ''Let ''"Let me ask my genius sister for help! Oh, ''Anais!''''''Anais!''"''
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Added DiffLines:

* ShallowNewsSiteSatire: "The Test" opens with Gumball criticizing ElmoreBuzz, which is full of useless listicles like "26 Pictures of Llamas that Pretty Much Sum Up the Human Condition" and shameless advertising scams. When he agrees to take a "Which Sitcom Character Are You?" quiz, he berates how arbitrary the questions are.
-->'''Sarah''': Which of these is your favorite: a sock, the wind, Uganda, or a pickle?\\
'''Gumball''': I'm pretty sure these tests are created by pouring seeds on a keyboard and having pigeons peck at it.
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* SitcomHomageEpisode: In a way. While most sitcom homage episodes (at least the ones in America) are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom[[note]]as seen on the ''American Dad'' episode "Flirting With Disaster", where parts of the episode have the look and feel of the American version of ''The Office''[[/note]]), this episode's sitcom homage highlights all the ways a good sitcom can JumpTheShark, especially when a main character is replaced with one that [[TheScrappy fans don't like]]. There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].

to:

* SitcomHomageEpisode: In a way. While most sitcom homage episodes (at least the ones in America) are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom[[note]]as seen on the ''American Dad'' episode "Flirting With Disaster", where parts of the episode have the look and feel of the American version of ''The Office''[[/note]]), this episode's sitcom homage highlights all the ways a good sitcom can JumpTheShark, especially when a main character is replaced replaced with one that [[TheScrappy fans don't like]].like]] (or liked in small doses as a one-scene wonder or a supporting character). There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].
Is there an issue? Send a MessageReason:
None


* SitcomHomageEpisode: In a way. While most sitcom homage episodes are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom), this episode's sitcom homage highlights all the signs of an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom once Tobias starts taking over Gumball's reality. There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].

to:

* SitcomHomageEpisode: In a way. While most sitcom homage episodes (at least the ones in America) are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom), workcom[[note]]as seen on the ''American Dad'' episode "Flirting With Disaster", where parts of the episode have the look and feel of the American version of ''The Office''[[/note]]), this episode's sitcom homage highlights all the signs of an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] ways a good sitcom once Tobias starts taking over Gumball's reality.can JumpTheShark, especially when a main character is replaced with one that [[TheScrappy fans don't like]]. There are impossibly cliché plots that begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].



* TwoTimerDate: Right after Tobias takes over Gumball's role, he gets dates with Masami ''and'' Clare (Masami rejected him but changed her mind after Clare accepted), and Sarah is offended that something so cliche would happen.

to:

* TwoTimerDate: Right after Tobias takes over Gumball's role, he gets dates with Masami ''and'' Clare (Masami rejected him but changed her mind after Clare accepted), and Sarah is offended that something so cliche cliché would happen.
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* SitcomHomageEpisode: The show with Tobias as the main character becomes an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: impossibly cliche plots begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].

to:

* SitcomHomageEpisode: The show In a way. While most sitcom homage episodes are just a parody (deconstructive or otherwise) of a popular sitcom (or a popular genre of sitcom, like the 1950s family sitcom[[note]]or even the 1980s and 1990s subversions of those type of sitcoms where the family is dysfunctional and/or life isn't all perfect and pretty, as seen with Tobias as shows like ''Married...With Children'', ''Roseanne'', and ''The Simpsons''[[/note]], the main character becomes "kids-in-school" sitcoms like ''Saved by the Bell'' or ''The Facts of Life''[[note]]the latter of which was masterfully done on the ''American Dad!'' episode "Top of the Steve"[[/note]], or even the workcom), this episode's sitcom homage highlights all the signs of an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: sitcom once Tobias starts taking over Gumball's reality. There are impossibly cliche cliché plots that begin and end end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/s5e08_the_test_39.png]]
->'''Sarah:''' The canned laughter, the bad jokes? Nature hates a vacuum, and I think Tobias has [[HostileShowTakeover replaced Gumball as the loser in the grand sitcom of our lives]].
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Gumball takes an online test about what kind of sitcom character he is, and it says he's a hyper-critical loser. Gumball decides to improve his popularity by holding in his criticisms, but this ends up making him ill and causing Tobias to fill in the place he left.

to:

Gumball takes an online test about what kind of sitcom character he is, and it says he's a hyper-critical loser. Gumball decides to improve his popularity by holding in his criticisms, but this ends up making him ill and causing Tobias to fill in the place he left.left by turning Gumball's reality into a mash-up of every horrible sitcom cliché ever imagined.
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* ConversationalTroping: The beginning of the episode holds a discussion between Sarah and the Watterson boys about character roles. This sets the theme for the rest of the episode. They discuss too many tropes to list.

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* ConversationalTroping: The beginning of the episode holds a discussion between Sarah and the Watterson boys about character roles. This sets the theme for the rest of the episode. They episode as they continue to discuss too many tropes to list.while lampshading the cliches occuring under Tobias.
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* ChristmasSpecial: [[LampshadeHanging Lampshaded.]]
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* BlackComedyBurst: The episode ends with Gumball literally spewing bile on Tobias' face, [[BloodyHilarious burning a hole through it]]. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and Joan screams in horror.

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* BlackComedyBurst: The episode ends with Gumball literally [[AcidAttack spewing bile bile]] on Tobias' face, [[BloodyHilarious burning a hole through it]]. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and Joan screams in horror.
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* BlackComedyBurst: The episode ends with Gumball literally spewing bile on Tobias' face, burning a hole through it. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and Joan screams in horror.

to:

* BlackComedyBurst: The episode ends with Gumball literally spewing bile on Tobias' face, [[BloodyHilarious burning a hole through it.it]]. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and Joan screams in horror.
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* HalfwayPlotSwitch: The plotline of the show with Tobias in charge hastily and constantly shift from one cliche story to the next.
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* AsideGlance: Tobias starts giving goofy looks of surprise towards the camera at the cliched plot points of his stories.

to:

* AsideGlance: Tobias starts giving goofy looks of surprise towards the camera at the cliched plot points of his stories.
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* BlackComedyBurst: The episode ends with Gumball literally spewing bile on Tobias' face, burning a hole through it. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and a nurse screams in horror.

to:

* BlackComedyBurst: The episode ends with Gumball literally spewing bile on Tobias' face, burning a hole through it. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and a nurse Joan screams in horror.
Is there an issue? Send a MessageReason:
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* AllJustADream: Sarah says that, with Tobias as the main character, it's inevitable that everything will turn out to be a [[FlashbackBackBack dream... dream... dream...]] [[TemptingFate Sure enough]], Tobias then wakes up from a boating accident where he tried to jump over a shark.

to:

* AllJustADream: Sarah says that, with Tobias as the main character, it's inevitable that everything will turn out to be a [[FlashbackBackBack dream... dream... dream...]] [[TemptingFate Sure enough]], Tobias then wakes up from [[Series/HappyDays a boating accident where he tried to jump over a shark.shark]].
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* SitcomHomageEpisode: The show with Tobias as the main character becomes an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: impossibly cliche plots begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[{{Retraux}} the screen shifts to a 4:3 aspect ratio]].

to:

* SitcomHomageEpisode: The show with Tobias as the main character becomes an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: impossibly cliche plots begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[{{Retraux}} [[AspectRatioSwitch the screen shifts to a 4:3 aspect ratio]].
Is there an issue? Send a MessageReason:
None


* SitcomHomageEpisode: The show with Tobias as the main character becomes an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: impossibly cliche plots begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that the set changes between shots in a single scene, [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[{{Retraux}} the screen shifts to a 4:3 aspect ratio]].

to:

* SitcomHomageEpisode: The show with Tobias as the main character becomes an [[{{Retraux}} outdated]] [[StylisticSuck and utterly godawful]] sitcom: impossibly cliche plots begin and end [[HalfwayPlotSwitch in a disjointed fashion]], direction is so poor that [[RevealingContinuityLapse the set changes between shots in a single scene, scene]], [[FalseCameraEffects the picture looks out of focus and has noticeable glare]], the sound quality takes a nosedive, and [[{{Retraux}} the screen shifts to a 4:3 aspect ratio]].
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** Gumball plays butt-puppets again like he did in "The Goons".
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* SharkJump: Referenced at the end of the episode, with Tobias waking up in a hospital because he attempted this.
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* SharkJump: Referenced at the end of the episode, with Tobias waking up in a hospital because he attempted this.
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Added DiffLines:

* RewindGag: Gumball's first attempt to stop being "The Loser" is to do the ([[LiteralMinded literal]]) opposite of everything he usually does. This eventually turns into him eating in reverse, and Darwin stops him [[ToiletHumor before he went to the bathroom]].
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* BlackComedyBurst: The episode ends with Gumball literally throwing up on Tobias' face, burning a hole through it. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and a nurse screams in horror.

to:

* BlackComedyBurst: The episode ends with Gumball literally throwing up spewing bile on Tobias' face, burning a hole through it. Then [[EverybodyLaughsEnding everybody starts laughing]] as Tobias writhes in agony and a nurse screams in horror.

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