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''The Mercury Theatre on the Air'', created and hosted by Creator/OrsonWelles, is one of the most famous programs of the Golden Age of RadioDrama.
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''The Mercury Theatre on the Air'', created and hosted by Creator/OrsonWelles, is one of the most famous programs of the [[MediaNotes/TheGoldenAgeOfRadio Golden Age Age]] of RadioDrama.
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The show might be largely forgotten today if not for the most famous broadcast in the history of American radio: ''Radio/TheWarOfTheWorlds'', aired on October 30, 1938. Welles chose to present his adaptation of [[Literature/TheWarOfTheWorlds the novel]] by Creator/HGWells as a PhonyNewscast describing a Martian invasion. The next day the nation's newspapers were full of stories of mass panic caused when listeners tuned in and missed the opening announcement of the fictional program. These stories were almost certainly fabricated by newspapers [[NewMediaAreEvil wishing to discredit radio]], but they still made Orson Welles famous.
They also resulted in a ReTool and re-name of the program. ''The Mercury Theatre on the Air'' had run without corporate sponsorship, but after the publicity, Campbell Soup picked up the show and it became ''The Campbell Playhouse''. The new show, debuting on December 11, 1938, also featured a SpecialGuest star every week, typically a Hollywood actress starring opposite Welles, and veered more towards adaptations of popular movies. The trope list below is based on the original July-December 1938 run of ''The Mercury Theatre on the Air''.
They also resulted in a ReTool and re-name of the program. ''The Mercury Theatre on the Air'' had run without corporate sponsorship, but after the publicity, Campbell Soup picked up the show and it became ''The Campbell Playhouse''. The new show, debuting on December 11, 1938, also featured a SpecialGuest star every week, typically a Hollywood actress starring opposite Welles, and veered more towards adaptations of popular movies. The trope list below is based on the original July-December 1938 run of ''The Mercury Theatre on the Air''.
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They also resulted in a ReTool and re-name of the program. ''The Mercury Theatre on the Air'' had run without corporate sponsorship, but after the ''War of the Worlds'' publicity, Campbell Soup picked up the show and it became ''The Campbell Playhouse''. The new show, debuting on December 11, 1938, also featured a SpecialGuest star every week, typically a Hollywood actress starring opposite Welles, and veered more towards adaptations of popular contemporary movies. The trope list below is based on the original
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''The Mercury Theatre on the Air'', created and hosted by Creator/OrsonWelles, is one of the most famous programs from the Golden Age of RadioDrama.
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''The Mercury Theatre on the Air'', created and hosted by Creator/OrsonWelles, is one of the most famous programs from of the Golden Age of RadioDrama.
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In 1938, Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Creator/JosephCotten, as well as musical director and composer Music/BernardHerrmann.
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In 1938, Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of Creator/BramStoker's ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, co-wrote, directed, and played the lead in each episode. His Mercury Theatre cast company included several people performers who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Creator/JosephCotten, as well as musical director and composer Music/BernardHerrmann.
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# ''Theatre/AbrahamLincoln'' (August 15)
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# ''Theatre/AbrahamLincoln'' ''Abraham Lincoln'' (August 15)
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* FailedFutureForecast: "The Affairs of Anatol" aired on Aug. 22, 1938, just five months after the Nazi takeover of Austria. In his opening narration Welles muses about how there once was a charming, cosmopolitan city called Vienna, where the story is set.
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* TheGreatPoliticsMessUp: "The Affairs of Anatol" aired on Aug. 22, 1938, just five months after the Nazi takeover of Austria. In his opening narration Welles muses about how there once was a charming, cosmopolitan city called Vienna, where the story is set.
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* LohengrinAndMendelssohn: The Mendelssohn part, namely, the wedding recessional, is used at the end of "The Affairs of Anatol" to confirm for the audience that Anatol the ladies' man did in fact go through with his marriage to Louise.
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** The staging of ''Theatre/JuliusCaesar'' used radio commentator H.V. Kaltenborn as a narrator to fill in the action.
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** The staging of ''Theatre/JuliusCaesar'' used radio commentator H.V. Kaltenborn as a narrator to fill in the action. (Among other things, Kaltenborn narrates the actual murder scene, since on radio the audience couldn't see the actors getting stabby or Caesar collapsing at the foot of Pompey's statue.)
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* TheRemake: One of the shows that had made Welles and the Mercury famous in New York theater was their staging of ''Julius Caesar'', in modern dress, UsefulNotes/FascistItaly-style. For the radio series the Mercury reprised ''Julius Caesar'', getting the same fascism vibe across over the radio with the sound of marching boots and military music.
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* TheRemake: One of the shows that had made Welles and the Mercury famous in New York theater was their staging of ''Julius Caesar'', in modern dress, UsefulNotes/FascistItaly-style. For the radio series the Mercury reprised ''Julius Caesar'', getting the same fascism vibe across over the radio with the sound of marching boots and military music. To further evoke the modern-day feel, since modern dress couldn't be used for a radio show, Welles got radio commentator H.V. Kaltenborn to narrate.
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* BasedOnATrueStory: While most of the episodes were adaptations of novels or plays, ''Hell on Ice'' was not. It was an adaptation of a non-fiction book of the same name, about the RealLife disastrous [=DeLong=] expedition to the Arctic aboard the ''Jeanette''.
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* EvilSoundDeep: Welles adapts appropriately low, rumbling voices to play both Dracula and Edmond Dantes in ''The Count of Monte Cristo''.
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* EvilSoundDeep: EvilSoundsDeep: Welles adapts appropriately low, rumbling voices to play both Dracula and Edmond Dantes in ''The Count of Monte Cristo''.
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* BadGuysPlayPool: In ''The 39 Steps'', Richard Hannay has chased down the trio of bad guys, but can't be sure that they're actually the right people. While they all sit in the seaside house in a standoff, they all play a game of billiards--until the three men are in fact revealed to be the bad guys. This is a change from the novel where they play bridge in the climactic scene.
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* EvilSoundDeep: Welles adapts appropriately low, rumbling voices to play both Dracula and Edmond Dantes in ''The Count of Monte Cristo''.
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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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# ''Dracula'' (July 11, 1938)
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# ''Dracula'' ''Literature/{{Dracula}}'' (July 11, 1938)
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# ''The Thirty-Nine Steps'' (August 1)
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# ''The Thirty-Nine Steps'' ''Literature/TheThirtyNineSteps'' (August 1)
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[[caption-width-right:350:Welles directs his cast.]]
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[[caption-width-right:350:Welles (top left) directs his cast.]]
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[[caption-width-right:350:Welles directs his cast]]
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[[caption-width-right:350:Welles directs his cast]]
cast.]]
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* GettingCrapPastTheRadar: The broadcast of ''Seventeen'' (Oct. 16, 1938) features little Jane using "word" to substitute for what is clearly supposed to be "goddamn". She quotes a neighbor as describing her brother as "the wordest fool he ever word saw".
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%% * GettingCrapPastTheRadar: The broadcast of ''Seventeen'' (Oct. 16, 1938) features little Jane using "word" GettingCrapPastThe Radar: Due to substitute for what overwhelming and persistent misuse, GCPTR is clearly supposed on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to be "goddamn". She quotes a neighbor as describing her brother as "the wordest fool he ever word saw".make sure your example fits the current definition.
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In 1938 Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Creator/JosephCotten, as well as musical director and composer Music/BernardHerrmann.
to:
In 1938 1938, Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Creator/JosephCotten, as well as musical director and composer Music/BernardHerrmann.
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# ''Literature/JaneEyre'' (September 18)([[invoked]]MissingEpisode)
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# ''Literature/JaneEyre'' (September 18)([[invoked]]MissingEpisode)18) ([[invoked]]MissingEpisode)
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# ''Literature/OliverTwist'' (October 2)([[invoked]]MissingEpisode)
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# ''Literature/OliverTwist'' (October 2)([[invoked]]MissingEpisode)2) ([[invoked]]MissingEpisode)
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# ''Clarence'' (November 27)([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)([[invoked]]MissingEpisode)
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# ''Clarence'' (November 27)([[invoked]]MissingEpisode)
27) ([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December4)([[invoked]]MissingEpisode)4) ([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December
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* AdaptationalBadass: In the original novel ''Dracula'', as well as the 1924 stage play, the men kill Dracula with a stake through the heart. In Welles's version, it's Mina who grabs the hammer and stakes Dracula through the heart, after Harker freezes up.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/b2913b3f_e653_47d9_8432_7e7c664eb98a.jpeg]]
[[caption-width-right:350:Welles directs his cast]]
[[caption-width-right:350:Welles directs his cast]]
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# ''Literature/JaneEyre'' (September 18)(MissingEpisode)
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# ''Literature/JaneEyre'' (September 18)(MissingEpisode)18)([[invoked]]MissingEpisode)
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# ''Literature/OliverTwist'' (October 2)(MissingEpisode)
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# ''Literature/OliverTwist'' (October 2)(MissingEpisode)2)([[invoked]]MissingEpisode)
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# ''Clarence'' (November 27)(MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)(MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)(MissingEpisode)
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# ''Clarence'' (November 27)(MissingEpisode)
27)([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December4)(MissingEpisode)4)([[invoked]]MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December
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[[foldercontrol]]
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Four of the 22 episodes [[MissingEpisode are lost]].
[[foldercontrol]]
[[folder: Episode List]]
# ''Dracula'' (July 11, 1938)
# ''Literature/TreasureIsland'' (July 18)
# ''Literature/ATaleOfTwoCities'' (July 25)
# ''The Thirty-Nine Steps'' (August 1)
# Short story collection: "My Little Boy", "The Open Window", "I'm a Fool" (August 8)
# ''Theatre/AbrahamLincoln'' (August 15)
# ''The Affairs of Anatol'' (August 22)
# ''Literature/TheCountOfMonteCristo'' (August 29)
# ''The Man Who Was Thursday'' (September 5)
# ''[[Theatre/JuliusCaesar Caesar]]'' (September 11)
# ''Literature/JaneEyre'' (September 18)(MissingEpisode)
# ''Theatre/SherlockHolmes'' (September 25)
# ''Literature/OliverTwist'' (October 2)(MissingEpisode)
# ''Hell on Ice'' (October 9)
# ''Seventeen'' (October 16)
# ''Literature/AroundTheWorldInEightyDays'' (October 23)
# ''Radio/TheWarOfTheWorlds'' (October 30)
# ''Literature/HeartOfDarkness'', ''Life with Father'' (November 6)
# ''A Passenger to Bali'' (November 13)
# ''Literature/ThePickwickPapers'' (November 20)
# ''Clarence'' (November 27)(MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)(MissingEpisode)
[[/folder]]
[[foldercontrol]]
[[folder: Episode List]]
# ''Dracula'' (July 11, 1938)
# ''Literature/TreasureIsland'' (July 18)
# ''Literature/ATaleOfTwoCities'' (July 25)
# ''The Thirty-Nine Steps'' (August 1)
# Short story collection: "My Little Boy", "The Open Window", "I'm a Fool" (August 8)
# ''Theatre/AbrahamLincoln'' (August 15)
# ''The Affairs of Anatol'' (August 22)
# ''Literature/TheCountOfMonteCristo'' (August 29)
# ''The Man Who Was Thursday'' (September 5)
# ''[[Theatre/JuliusCaesar Caesar]]'' (September 11)
# ''Literature/JaneEyre'' (September 18)(MissingEpisode)
# ''Theatre/SherlockHolmes'' (September 25)
# ''Literature/OliverTwist'' (October 2)(MissingEpisode)
# ''Hell on Ice'' (October 9)
# ''Seventeen'' (October 16)
# ''Literature/AroundTheWorldInEightyDays'' (October 23)
# ''Radio/TheWarOfTheWorlds'' (October 30)
# ''Literature/HeartOfDarkness'', ''Life with Father'' (November 6)
# ''A Passenger to Bali'' (November 13)
# ''Literature/ThePickwickPapers'' (November 20)
# ''Clarence'' (November 27)(MissingEpisode)
# ''Literature/TheBridgeOfSanLuisRey'' (December 4)(MissingEpisode)
[[/folder]]
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* FlyingDutchman: It turns out that Mr. Walkes, the creepy passenger on board the ''Roundabout'', is an anarchist who specializes in raising the natives of the South Pacific and Far East against their colonial overlords. Capt. English finds out to his horror that no port will accept Walkes, thus dooming their ship to sail apparently forever. Walkes is even called a "Flying Dutchman".
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* OminousFog: In ''A Passenger to Bali'', the crew of the ''Roundabout'' comment about how the fog is unnaturally thick. They're all creeped out by it. Then Mr. Walkes steps out of the creepy fog and talks the captain into letting him sail with them.
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* ApocalypticLog: ''Hell on Ice'' ends with Welles' character reading from Capt. [=DeLong=]'s log, as [=DeLong=] recorded the horrifying fate of the sailors in his party, starving to death in the Siberian far north.
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* IntroDump: The adaptation of ''Hell on Ice'' introduces most of the characters by having them answer to their names at roll call, while Welles explains who they are.
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In 1938 Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Joseph Cotten, as well as musical director and composer Music/BernardHerrmann.
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In 1938 Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Creator/AgnesMoorehead, and Joseph Cotten, Creator/JosephCotten, as well as musical director and composer Music/BernardHerrmann.
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Changed line(s) 5,6 (click to see context) from:
In 1938 Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Agnes Moorehead, and Joseph Cotten, as well as musical director and composer Music/BernardHerrmann.
to:
In 1938 Creator/{{CBS}} hired Welles, already a veteran of radio acting, to perform in a summer series filling the time slot of ''Radio/LuxRadioTheatre''. Welles insisted that he be allowed to take his entire Mercury Theatre troupe with him, and CBS agreed. The series (originally titled ''First Person Singular'' but renamed ''The Mercury Theatre on the Air'' a few months later) debuted on July 11, 1938, with an adaptation of ''Literature/{{Dracula}}''. In addition to hosting the program, Welles wrote, directed, and played the lead in each episode. His Mercury Theatre cast included several people who would become famous when Welles brought them to Hollywood for ''Film/CitizenKane'', including Ray Collins, Agnes Moorehead, Creator/AgnesMoorehead, and Joseph Cotten, as well as musical director and composer Music/BernardHerrmann.