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In addition to playing the week's most popular songs, ''[=AT40=]'' frequently included various extra segments. Perhaps most famous among these was Kasem's "Long Distance Dedication": a write-in request from a listener for a particular song, always sentimental in nature, typically directed at a person the listener had not seen in a considerable amount of time (such as a long-distance romantic couple, wife to overseas-based military husband, someone's birth parent on the other side of the country, etc). These particular segments were probably best remembered for the almost {{narm}}ish tone with which Kasem would read the requests on air.

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In addition to playing the week's most popular songs, ''[=AT40=]'' frequently included various extra segments. Perhaps most famous among these was Kasem's "Long Distance Dedication": a write-in request from a listener for a particular song, always sentimental in nature, typically directed at a person the listener had not seen in a considerable amount of time (such as a long-distance romantic couple, wife to overseas-based military husband, someone's birth parent on the other side of the country, etc). These particular segments were probably best remembered for the almost {{narm}}ish emotional tone with which Kasem would read the requests on air.



Song-ranking data was originally derived from ''Magazine/{{Billboard}}'' Magazine's "Hot 100" pop/rock singles chart before switching over to ''Radio and Records'' (which Kasem had used in his competing program) in 1998. Currently, songs are ranked by data from Mediabase.

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Song-ranking data was originally derived from ''Magazine/{{Billboard}}'' Magazine's "Hot 100" pop/rock singles chart before switching over to ''Radio and Records'' (which Kasem had used in his competing program) in 1998. Currently, songs are ranked by data from Mediabase.
Mediabase, combined with results of [[AudienceParticipation listeners voting for their favorite songs online]].



* AudienceParticipation: You can vote for your favorite song at [[http://www.at40.com the show's official website]]; the results will be factored into the countdown.



* LongRunner: The program debuted in 1970 and has been going strong ever since. Well, except for that hiatus in the mid-1990s.

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* LongRunner: The program debuted in 1970 and has been going strong ever since. Well, except ran uninterrupted for that hiatus in the mid-1990s.almost 25 years. The current run, dating back to 1998, also qualifies.
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* QuietlyPerformingSisterShow: ''Radio/AmericanCountryCountdown'' is radio's longest-running, continuously produced syndicated program, outlasting ''[=AT40=]'' (whose current run dates from 1998, the year it returned from a three-year hiatus).

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* QuietlyPerformingSisterShow: ''Radio/AmericanCountryCountdown'' is radio's longest-running, continuously produced syndicated program, outlasting ''[=AT40=]'' (whose current run dates from 1998, the year it returned from a three-year hiatus).was UnCancelled after its first run ended in 1995).
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** ''Casey's Countdown'', later renamed to ''American Top 20'', even ''later'' renamed to ''American Top 10''. Hosted by Casey, all three programs were essentially ''American Top 40'' for the Adult Contemporary market. Previously, a similar program also named ''American Top 10'' (also hosted by Casey) had aired from 1980 to 1992; unlike the former shows, ''[=AT10=]'' was a music video showcase and aired on television.

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** ''Casey's Countdown'', later renamed to ''American Top 20'', even ''later'' renamed to ''American Top 10''. Hosted by Casey, all three programs were essentially ''American Top 40'' for the Adult Contemporary market. Previously, a similar program also named ''American program, ''America's Top 10'' (also hosted by Casey) Casey), had aired from 1980 to 1992; unlike the former shows, ''[=AT10=]'' was a music video showcase and aired on television.
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Reruns of the program, mostly from the mid and late '70s, are syndicated weekly on "oldies" stations, typically late Saturday night or early Sunday morning.

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Reruns Apart from first-run airings with Seacrest, Kasem-era reruns of the program, mostly from the mid and late '70s, ''Casey Kasem's American Top 40: The '70s/'80s'', are also syndicated weekly on "oldies" stations, typically late Saturday night or early Sunday morning.
weekly.

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->''Keep your feet on the ground, and keep reaching for the stars.''
-->-'''CaseyKasem'''

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->''Keep your feet on the ground, ->''"Radio plays 'em, record stores sell 'em, ''Magazine/{{Billboard}}'' ranks 'em, and keep reaching for the stars.''
-->-'''CaseyKasem'''
''[=AT40=]'' counts 'em down.''"
-->-'''Creator/CaseyKasem'''



** "''American Top 40'' originates from Hollywood", or a variation.
** "I'm Casey Kasem."



* NothingButHits: The entire premise of the program. Averted in hindsight by the syndicated reruns, featuring hit songs of their day which have been all but forgotten by now.

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* NothingButHits: The entire premise of the program. Averted in hindsight by the syndicated reruns, featuring hit songs of their day which have been all but forgotten by now.long since dropped off the charts.



** ''Casey's Countdown'', later renamed to ''American Top 20'', even ''later'' renamed to ''American Top 10''. All three programs were essentially ''American Top 40'' for the Adult Contemporary market. Previously, a similar program also named ''American Top 10'' had aired from 1980 to 1992; unlike the former shows, ''[=AT10=]'' was a music video showcase and aired on television.
* SpiritualSuccessor: ''Casey's Top 40'', created the year after Casey left ''[=AT40=]'' and running from 1989-1998. The program even used the "Casey's Coast to Coast!" bumper that had been present in ''[=AT40]''.

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** ''Casey's Countdown'', later renamed to ''American Top 20'', even ''later'' renamed to ''American Top 10''. All Hosted by Casey, all three programs were essentially ''American Top 40'' for the Adult Contemporary market. Previously, a similar program also named ''American Top 10'' (also hosted by Casey) had aired from 1980 to 1992; unlike the former shows, ''[=AT10=]'' was a music video showcase and aired on television.
* SpiritualSuccessor: ''Casey's ''[[DuelingShows Casey's Top 40'', 40]]'', created the year after Casey left ''[=AT40=]'' and running from 1989-1998. The program even used the "Casey's Coast to Coast!" bumper that had been present in ''[=AT40]''.''[=AT40=]''.



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-->''"Keep your feet on the ground, and keep reaching for the stars!"''
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** ''Casey's Countdown'', later renamed to ''American Top 20'', even ''later'' renamed to ''American Top 10''. All three programs were essentially ''American Top 40'' for the Adult Contemporary market. Previously, a similar program also named ''American Top 10'' had aired from 1980 to 1992; unlike the former shows, ''[=AT10=]'' was a music video showcase and aired on television.
* SpiritualSuccessor: ''Casey's Top 40'', created the year after Casey left ''[=AT40=]'' and running from 1989-1998. The program even used the "Casey's Coast to Coast!" bumper that had been present in ''[=AT40]''.
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''Keep your feet on the ground, and keep reaching for the stars.''
->-'''CaseyKasem'''

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''Keep ->''Keep your feet on the ground, and keep reaching for the stars.''
->-'''CaseyKasem'''
-->-'''CaseyKasem'''



!!''American Top 40'' provides examples of:

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!!''American Top 40'' provides examples of:!!"The tropes from coast to cooooooast!":
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* {{Montages}}: A staple of the year-end programs during the 1970s (1974-1978), and then again sporadically in the 1980s; this was simply the No. 1 songs during the past year, often in chronological order. Casey would tease that somewhere included was the No. 1 song of the year – except for 1975, when not only were the songs not necessarily in order, but the year's top song (Captain and Tennille's "Love Will Keep Us Together") was not included, which Kasem pointed out shortly before playing the song.
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* DramaticTimpani: A drumroll was used before Kasem announced the week's No. 1 song. A longer one was used on year-end programs, before revealing the year's No. 1 song.
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* ''Weekly Top 40'', hosted by radio personality RickDees;

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* ''Weekly Top 40'', hosted by radio personality RickDees;Music/RickDees;
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* QuietlyPerformingSisterShow: ''Radio/AmericanCountryCountdown'' is radio's longest-running, continuously produced syndicated program, outlasting ''[=AT40=]'' (whose current run dates from 1998, the year it returned from a three-year hiatus).
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* DuelingShows: Rick Dees' ''Weekly Top 40'' and, ironically enough, ''Casey's Top 40'' in the early 1990s. For the MusicVideo side of things, ''Top 20 Video Countdown'' for ''America's Top 10''.



** UnCancelled



** QuietlyPerformingSisterShow: See above. ACC is radio's longest-running, continuously produced syndicated program, outlasting ''[=AT40=]'' (whose current run dates from 1998, the year it returned from a three-year hiatus).
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* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers, most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight."
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** To clarify, the show itself never refused to play any songs because of content concerns, but allowed local stations to do so if they wanted. They also occasionally created their own in-house edited versions of songs, for content or time purposes (or both, sometimes). Most infamously, they edited "Mind Playing Tricks on Me" by The GetoBoys down to a little over one minute.

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** To clarify, the show itself never refused to play cut any songs because of content concerns, but allowed local stations to do so if they wanted. They also occasionally created their own in-house edited versions of songs, for content or time purposes (or both, sometimes). Most infamously, they edited "Mind Playing Tricks on Me" by The GetoBoys down to a little over one minute.
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** To clarify, the show itself never cut any songs because of content, but allowed local stations to do so if they wanted. They also occasionally created their own in-house edited versions of songs, for content or time purposes (or both, sometimes). Most infamously, they edited "Mind Playing Tricks on Me" by The GetoBoys down to a little over one minute.

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** To clarify, the show itself never cut refused to play any songs because of content, content concerns, but allowed local stations to do so if they wanted. They also occasionally created their own in-house edited versions of songs, for content or time purposes (or both, sometimes). Most infamously, they edited "Mind Playing Tricks on Me" by The GetoBoys down to a little over one minute.
Is there an issue? Send a MessageReason:
None

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** To clarify, the show itself never cut any songs because of content, but allowed local stations to do so if they wanted. They also occasionally created their own in-house edited versions of songs, for content or time purposes (or both, sometimes). Most infamously, they edited "Mind Playing Tricks on Me" by The GetoBoys down to a little over one minute.

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* WhateverHappenedToTheMouse and ChuckCunninghamSyndrome: An occasional feature was "Whatever Happened To ... ?" where Casey would profile a one-hit wonder, or early prolific star of the rock era who suddenly disappeared off the charts, quit recording, etc. Casey would simply explain what said artist (or group, as appropriately) had been doing in recent years, if they were involved with current projects, and so forth.

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* WhateverHappenedToTheMouse WhatHappenedToTheMouse and ChuckCunninghamSyndrome: An occasional feature was "Whatever Happened To ... ?" where Casey would profile a one-hit wonder, or early prolific star of the rock era who suddenly disappeared off the charts, quit recording, etc. Casey would simply explain what said artist (or group, as appropriately) had been doing in recent years, if they were involved with current projects, and so forth.


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** Two entire specials were based on the WhatHappenedToTheMouse concept – one in July 1973 and the other in April 1975 – where Casey played the biggest singles by one-hit wonders during the rock era. The 1975 special had a slightly different chart, with a few different songs added and a different No. 1 song.
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whatever happened to ... .

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* WhateverHappenedToTheMouse and ChuckCunninghamSyndrome: An occasional feature was "Whatever Happened To ... ?" where Casey would profile a one-hit wonder, or early prolific star of the rock era who suddenly disappeared off the charts, quit recording, etc. Casey would simply explain what said artist (or group, as appropriately) had been doing in recent years, if they were involved with current projects, and so forth.
** One of the most popular "Whatever Happened To ... ?" stories was of The Singing Nun, a Belgian singer christened Jeanine Deckers who recorded the French language-recorded "Dominque" and had a huge No. 1 hit in the United States in late 1963. Casey's stories on Deckers would always explain that The Singing Nun gave all royalties to the convent but later left the Catholic church in the late 1960s, and later the Belgian government made a claim for back taxes to the tune of $63,000 ... more than Deckers could afford, and no documentation existed that she had donated anything to charity. (The common stories are that her attorney failed to document it and/or that the Catholic church had either destroyed all records of it after they and Deckers broke ties, or that they simply did not have any more responsibility for her and did not have the funds.) Updated several times through the years, the final chapter came in 1985 when Casey announced that Deckers had died (of suicide) at age 51.
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In 1988, Kasem left the show and was replaced by ShadoeStevens. The change, as well as an altered format, went over poorly, and ''[=AT40=]'' was eventually cancelled in 1995. Kasem, though, had in the meantime started up a [[DuelingShows rival program]], ''Casey's Top 40'', and eventually managed to acquire the rights to the ''American Top 40'' title, and the show was UnCancelled in 1998. Kasem subsequently retired from the program in 2004; Ryan Seacrest took over hosting duties and helms ''[=AT40=]'' to this day.

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In 1988, Kasem left the show and was replaced by ShadoeStevens. The change, as well as an altered format, went over poorly, and ''[=AT40=]'' was eventually cancelled in 1995. Kasem, though, had in the meantime started up a [[DuelingShows rival program]], ''Casey's Top 40'', and eventually managed to acquire the rights to the ''American Top 40'' title, and the show was UnCancelled in 1998. Kasem subsequently retired from the program in 2004; Ryan Seacrest took over hosting duties and helms ''[=AT40=]'' to this day.
day, though on an especially busy week for [[JackOfAllTrades the host/producer/cable network owner/''Today Show'' contributor]], a guest host (usually a top-charting artist) will do the show for Seacrest instead.
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Whole Episode Flashback

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* WholeEpisodeFlashback: A 1975 episode, celebrating the show's fifth anniversary, was a rebroadcast of the very first [=AT40=] from July 4, 1970. The only difference was Kasem occasionally inserting a bumper reminding listeners that this was indeed a program from 1970, and pre- and post-show remarks.
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* HeyItsThatVoice: Casey "[[ScoobyDoo Zoinks, Scoob!]]" Kasem, Shadoe Stevens, Ryan Seacrest
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previously on ...

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* PreviouslyOn: Starting in February 1979, Kasem played back the top 3 songs from the previous week's show to [[OpeningNarration lead off the countdown]]. This segment eventually would be shortened to feature just the No. 1 song of last week, and by the end of Kasem's original run (in 1988) and on into the Shadoe Stevens-era, the host would simply announce the songs at and near the top of the charts before beginning the show.
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''American Top 40'' is a weekly, [[LongRunner long-running]], syndicated radio program, originally hosted by CaseyKasem and currently hosted by RyanSeacrest, which counts down the [[ExactlyWhatItSaysOnTheTin forty most popular]] radio songs in the United States.

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''American Top 40'' is a weekly, [[LongRunner long-running]], long-running]] (1970-present, with a three-year hiatus in TheNineties) syndicated radio program, originally hosted by CaseyKasem and currently hosted by RyanSeacrest, which counts down the [[ExactlyWhatItSaysOnTheTin forty most popular]] radio songs in the United States.
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meh


* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers, most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight." Additionally, the show ending theme used from 1979-1984, a synthesizer-heavy piece, had a few of its bars inspired by Ray Parker Jr. & Raydio's 1978 hit "Jack and Jill."

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* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers, most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight." Additionally, the show ending theme used from 1979-1984, a synthesizer-heavy piece, had a few of its bars inspired by Ray Parker Jr. & Raydio's 1978 hit "Jack and Jill."
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''Keep your feet on the ground, and keep reaching for the stars.''
->-'''CaseyKasem'''
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None

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* {{Bowdlerization}}: [[ChuckBerry Chuck Berry's]] "[[IntercourseWithYou My Ding-A-Ling]]" was replaced with a different song in several markets when it reached #1 in 1972, and reruns of those weeks' programs have featured a different song in the #1 position in certain markets.
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* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers – most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight." Additionally, the show ending theme used from 1979-1984, a synthesizer-heavy piece, had a few of its bars inspired by Ray Parker Jr. & Raydio's 1978 hit "Jack and Jill."

to:

* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers – bumpers, most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight." Additionally, the show ending theme used from 1979-1984, a synthesizer-heavy piece, had a few of its bars inspired by Ray Parker Jr. & Raydio's 1978 hit "Jack and Jill."
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Suspiciously Similar Song

Added DiffLines:

* SuspiciouslySimilarSong: Through the years, a few of the commercial bumpers – most notably, a 1977 cue styled after the Starlight Vocal Band's "Afternoon Delight." Additionally, the show ending theme used from 1979-1984, a synthesizer-heavy piece, had a few of its bars inspired by Ray Parker Jr. & Raydio's 1978 hit "Jack and Jill."
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Namespace shift


* SpinOff: ''AmericanCountryCountdown'', a country music-version of ''[=AT40=]'' that premiered in 1973 and is still going strong today. The current host is Kix Brooks (one half of the long-running duo Brooks & Dunn); before him were original host Don Bowman (who once guest-hosted ''[=AT40=]'') and later, Bob Kingsley (the host at the height of ACC's run).

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* SpinOff: ''AmericanCountryCountdown'', ''Radio/AmericanCountryCountdown'', a country music-version of ''[=AT40=]'' that premiered in 1973 and is still going strong today. The current host is Kix Brooks (one half of the long-running duo Brooks & Dunn); before him were original host Don Bowman (who once guest-hosted ''[=AT40=]'') and later, Bob Kingsley (the host at the height of ACC's run).
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fix sp. error


* SpinOff: ''AmericanCountryCountown'', a country music-version of ''[=AT40=]'' that premiered in 1973 and is still going strong today. The current host is Kix Brooks (one half of the long-running duo Brooks & Dunn); before him were original host Don Bowman (who once guest-hosted ''[=AT40=]'') and later, Bob Kingsley (the host at the height of ACC's run).

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* SpinOff: ''AmericanCountryCountown'', ''AmericanCountryCountdown'', a country music-version of ''[=AT40=]'' that premiered in 1973 and is still going strong today. The current host is Kix Brooks (one half of the long-running duo Brooks & Dunn); before him were original host Don Bowman (who once guest-hosted ''[=AT40=]'') and later, Bob Kingsley (the host at the height of ACC's run).

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